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  1. Concepire nel corpo e nella mente
    l'emozione estetica e i suoi miti dall'età imperiale a Bisanzio
    Author: Pizzone, Aglae
    Published: 2013

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: Italian
    Media type: Article (edited volume)
    Parent title:
    Phantazontes / Valentina Cantone, Silvia Pedone ; prefazione di Herbert L. Kessler ; con i contributi di Aglae Pizzone e Ivan Foletti; Padova, 2013; S. 33-61
    Subjects: Ästhetik
    Other subjects: Athenaeus Naucratites (ca. 2./3. Jh.)
  2. Racconto edificante relativo all'immagine divino-umana del nostro signore Gesù Cristo
    traduzione di Aglae Pizzone
    Author: Pizzone, Aglae
    Published: 2013

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: Undetermined
    Media type: Article (edited volume)
    Parent title:
    Phantazontes / Valentina Cantone, Silvia Pedone ; prefazione di Herbert L. Kessler ; con i contributi di Aglae Pizzone e Ivan Foletti; Padova, 2013; S. 159-174
    Subjects: Beschreibung; Heiligenbild
  3. The author in Middle Byzantine literature
    modes, functions, and identities
    Contributor: Pizzone, Aglae (Publisher)
    Published: 2014
    Publisher:  de Gruyter, Boston, Mass. [u.a.]

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Contributor: Pizzone, Aglae (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781614517115; 1614517118
    Other identifier:
    9781614517115
    RVK Categories: FE 3225
    DDC Categories: 930
    Series: Byzantinisches Archiv ; 28
    Subjects: Literatur; Autor
    Scope: XIV, 351 S., 240 mm x 170 mm
  4. Greek Laughter and Tears
    Antiquity and After
    Author: Alexiou, Margaret; Cairns, Douglas
    Published: [2022]; ©2017
    Publisher:  Edinburgh University Press, Edinburgh

    Explores the range and complexity of human emotions and their transmission across cultural traditionsWhat makes us laugh and cry, sometimes at the same time? How do these two primal, seemingly discrete and non-verbal modes of expression intersect in... more

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    Explores the range and complexity of human emotions and their transmission across cultural traditionsWhat makes us laugh and cry, sometimes at the same time? How do these two primal, seemingly discrete and non-verbal modes of expression intersect in everyday life and ritual, and what range of emotions do they evoke? How may they be voiced, shaped and coloured in literature and liturgy, art and music?Bringing together scholars from diverse periods and disciplines of Hellenic and Byzantine studies, this volume explores the shifting shapes and functions of laughter and tears. With a focus on the tragic, the comic and the tragicomic dimensions of laughter and tears in art, literature and performance, as well as on their emotional, socio-cultural and religious significance, it breaks new ground in the study of ancient and Byzantine affectivity.Key featuresIncludes an international cast of 25 distinguished contributors Prominence is given to performative arts and to interactions with other cultures Transitions from Late Antiquity to Byzantium, and from Byzantium to the Renaissance, form focal points from which contributors look backwards, forwards and sidewaysHighlights the variety, audacity and quality of the finest Byzantine works and the extent to which they anticipated the renaissance

     
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    Source: Union catalogues
    Contributor: Agapitos, Panagiotis (MitwirkendeR); Alexiou, Margaret (MitwirkendeR); Angold, Michael (MitwirkendeR); Ashbrook Harvey, Susan (MitwirkendeR); Beaton, Roderick (MitwirkendeR); Beta, Simone (MitwirkendeR); Boeck, Elena (MitwirkendeR); Cairns, Douglas (MitwirkendeR); Halliwell, Stephen (MitwirkendeR); Herrin, Judith (MitwirkendeR); Hinterberger, Martin (MitwirkendeR); Holton, David (MitwirkendeR); Maciver, Calum (MitwirkendeR); Marciniak, Przemysław (MitwirkendeR); Mullett, Margaret (MitwirkendeR); Nilsson, Ingela (MitwirkendeR); Papadogiannakis, Ioannis (MitwirkendeR); Pizzone, Aglae (MitwirkendeR); Seaford, Richard (MitwirkendeR); Stavrakopoulou, Anna (MitwirkendeR); Stenger, Jan R. (MitwirkendeR); Walker, Alicia (MitwirkendeR); Webb, Ruth (MitwirkendeR); West, Stephanie (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474403801
    Other identifier:
    RVK Categories: NH 6880
    Series: Array
    Subjects: Emotions in art; Emotions in literature; Emotions in music; Greek literature; Classics & Ancient History; HISTORY / Ancient / General
    Scope: 1 Online-Ressource (504 p.), 30 B/W illustrations 1 B/W tables
  5. Intervisuality
    New Approaches to Greek Literature
    Contributor: Acosta-Hughes, Benjamin (Mitwirkender); Athanassaki, Lucia (Mitwirkender); Bierl, Anton (Mitwirkender); Bowie, Ewen L. (Mitwirkender); Cadario, Matteo (Mitwirkender); Capra, Andrea (Mitwirkender); Catenacci, Carmine (Mitwirkender); Floridi, Lucia (Mitwirkender); Gazis, George Alexander (Mitwirkender); Höschele, Regina (Mitwirkender); Nobili, Cecilia (Mitwirkender); Palmisciano, Riccardo (Mitwirkender); Pizzone, Aglae (Mitwirkender); Prioux, Évelyne (Mitwirkender)
    Published: 2023; ©2023
    Publisher:  De Gruyter, Berlin ; Walter de Gruyter GmbH

    Intertextuality is a well-known tool in literary criticism and has been widely applied to ancient literature, with, perhaps surprisingly, classical scholarship being at the frontline in developing new theoretical approaches. By contrast, the... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Intertextuality is a well-known tool in literary criticism and has been widely applied to ancient literature, with, perhaps surprisingly, classical scholarship being at the frontline in developing new theoretical approaches. By contrast, the seemingly parallel notion of intervisuality has only recently begun to appear in classical studies. In fact, intervisuality still lacks a clear definition and scope. Unlike intertextuality, which is consistently used with reference to the interrelationship between texts, the term 'intervisuality' is used not only to trace the interrelationship between images in the visual domain, but also to explore the complex interplay between the visual and the verbal. It is precisely this hybridity that interests us. Intervisuality has proved extremely productive in fields such as art history and visual culture studies. By bringing together a diverse team of scholars, this project aims to bring intervisuality into sharper focus and turn it into a powerful tool to explore the research field traditionally referred to as 'Greek literature'.

     
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    Content information
    Source: Union catalogues
    Contributor: Acosta-Hughes, Benjamin (Mitwirkender); Athanassaki, Lucia (Mitwirkender); Bierl, Anton (Mitwirkender); Bowie, Ewen L. (Mitwirkender); Cadario, Matteo (Mitwirkender); Capra, Andrea (Mitwirkender); Catenacci, Carmine (Mitwirkender); Floridi, Lucia (Mitwirkender); Gazis, George Alexander (Mitwirkender); Höschele, Regina (Mitwirkender); Nobili, Cecilia (Mitwirkender); Palmisciano, Riccardo (Mitwirkender); Pizzone, Aglae (Mitwirkender); Prioux, Évelyne (Mitwirkender)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110795448
    Other identifier:
    RVK Categories: FE 1175
    DDC Categories: 880; 930
    Series: MythosEikonPoiesis , ; 16
    Subjects: Griechisch; Literatur; Bild; Text; Kunst <Motiv>
    Scope: 1 Online-Ressource (VI, 347 p.)
  6. Greek Laughter and Tears
    Antiquity and After
    Author: Alexiou, Margaret; Cairns, Douglas
    Published: [2017]; ©2017
    Publisher:  Edinburgh University Press, Edinburgh ; Walter de Gruyter GmbH, Berlin

    Explores the range and complexity of human emotions and their transmission across cultural traditionsWhat makes us laugh and cry, sometimes at the same time? How do these two primal, seemingly discrete and non-verbal modes of expression intersect in... more

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    Universitätsbibliothek Gießen
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    Universität Mainz, Zentralbibliothek
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    Explores the range and complexity of human emotions and their transmission across cultural traditionsWhat makes us laugh and cry, sometimes at the same time? How do these two primal, seemingly discrete and non-verbal modes of expression intersect in everyday life and ritual, and what range of emotions do they evoke? How may they be voiced, shaped and coloured in literature and liturgy, art and music?Bringing together scholars from diverse periods and disciplines of Hellenic and Byzantine studies, this volume explores the shifting shapes and functions of laughter and tears. With a focus on the tragic, the comic and the tragicomic dimensions of laughter and tears in art, literature and performance, as well as on their emotional, socio-cultural and religious significance, it breaks new ground in the study of ancient and Byzantine affectivity.Key featuresIncludes an international cast of 25 distinguished contributors Prominence is given to performative arts and to interactions with other cultures Transitions from Late Antiquity to Byzantium, and from Byzantium to the Renaissance, form focal points from which contributors look backwards, forwards and sidewaysHighlights the variety, audacity and quality of the finest Byzantine works and the extent to which they anticipated the renaissance...

     
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    Source: Union catalogues
    Contributor: Agapitos, Panagiotis (Mitwirkender); Angold, Michael (Mitwirkender); Ashbrook Harvey, Susan (Mitwirkender); Beaton, Roderick (Mitwirkender); Beta, Simone (Mitwirkender); Boeck, Elena (Mitwirkender); Halliwell, Stephen (Mitwirkender); Herrin, Judith (Mitwirkender); Hinterberger, Martin (Mitwirkender); Holton, David (Mitwirkender); Maciver, Calum (Mitwirkender); Marciniak, Przemysław (Mitwirkender); Mullett, Margaret (Mitwirkender); Nilsson, Ingela (Mitwirkender); Papadogiannakis, Ioannis (Mitwirkender); Pizzone, Aglae (Mitwirkender); Seaford, Richard (Mitwirkender); Stavrakopoulou, Anna (Mitwirkender); Stenger, Jan R. (Mitwirkender); Walker, Alicia (Mitwirkender); Webb, Ruth (Mitwirkender); West, Stephanie (Mitwirkender)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474403801
    Other identifier:
    RVK Categories: NH 6880
    Series: Edinburgh Leventis Studies : ELS
    Subjects: Griechisch; Mittelgriechisch; Literatur; Gefühl <Motiv>; Lachen; Weinen
    Scope: 1 Online-Ressource (504 p.), 30 B/W illustrations 1 B/W tables
  7. The author in Middle Byzantine literature
    modes, functions, and identities
    Contributor: Pizzone, Aglae (Publisher)
    Published: 2014
    Publisher:  de Gruyter, Boston, Mass. [u.a.]

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    Berlin-Brandenburgische Akademie der Wissenschaften, Akademiebibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Contributor: Pizzone, Aglae (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781614517115; 1614517118
    Other identifier:
    9781614517115
    RVK Categories: FE 3225
    DDC Categories: 930
    Series: Byzantinisches Archiv ; 28
    Subjects: Literatur; Autor
    Scope: XIV, 351 S., 240 mm x 170 mm
  8. <<The>> author in Middle Byzantine literature
    modes, functions, and identities
    Contributor: Pizzone, Aglae (Publisher)
    Published: 2014
    Publisher:  de Gruyter, Boston [u.a.]

    Export to reference management software   RIS file
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    Source: Union catalogues
    Contributor: Pizzone, Aglae (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781614517115; 1614517118
    Other identifier:
    9781614517115
    DDC Categories: 930
    Series: Byzantinisches Archiv ; 28
    Subjects: œaByzantine literatureœxHistory and criticism; œaAuthorship; œaAuthors, Byzantine; œaByzantine EmpireœxIntellectual life
    Scope: XIV, 351 S., 240 mm x 170 mm
    Notes:

    Literaturverz. S. [295] - 328
  9. Intervisuality
    New Approaches to Greek Literature
    Contributor: Acosta-Hughes, Benjamin (MitwirkendeR); Athanassaki, Lucia (MitwirkendeR); Bierl, Anton (MitwirkendeR); Bowie, Ewen L. (MitwirkendeR); Cadario, Matteo (MitwirkendeR); Capra, Andrea (MitwirkendeR); Capra, Andrea (HerausgeberIn); Catenacci, Carmine (MitwirkendeR); Floridi, Lucia (MitwirkendeR); Floridi, Lucia (HerausgeberIn); Gazis, George Alexander (MitwirkendeR); Höschele, Regina (MitwirkendeR); Nobili, Cecilia (MitwirkendeR); Palmisciano, Riccardo (MitwirkendeR); Pizzone, Aglae (MitwirkendeR); Prioux, Évelyne (MitwirkendeR)
    Published: 2023; ©2023
    Publisher:  De Gruyter, Berlin

    Intertextuality is a well-known tool in literary criticism and has been widely applied to ancient literature, with, perhaps surprisingly, classical scholarship being at the frontline in developing new theoretical approaches. By contrast, the... more

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    Intertextuality is a well-known tool in literary criticism and has been widely applied to ancient literature, with, perhaps surprisingly, classical scholarship being at the frontline in developing new theoretical approaches. By contrast, the seemingly parallel notion of intervisuality has only recently begun to appear in classical studies. In fact, intervisuality still lacks a clear definition and scope. Unlike intertextuality, which is consistently used with reference to the interrelationship between texts, the term ‘intervisuality’ is used not only to trace the interrelationship between images in the visual domain, but also to explore the complex interplay between the visual and the verbal. It is precisely this hybridity that interests us. Intervisuality has proved extremely productive in fields such as art history and visual culture studies. By bringing together a diverse team of scholars, this project aims to bring intervisuality into sharper focus and turn it into a powerful tool to explore the research field traditionally referred to as ‘Greek literature’

     
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    Cover (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: Acosta-Hughes, Benjamin (MitwirkendeR); Athanassaki, Lucia (MitwirkendeR); Bierl, Anton (MitwirkendeR); Bowie, Ewen L. (MitwirkendeR); Cadario, Matteo (MitwirkendeR); Capra, Andrea (MitwirkendeR); Capra, Andrea (HerausgeberIn); Catenacci, Carmine (MitwirkendeR); Floridi, Lucia (MitwirkendeR); Floridi, Lucia (HerausgeberIn); Gazis, George Alexander (MitwirkendeR); Höschele, Regina (MitwirkendeR); Nobili, Cecilia (MitwirkendeR); Palmisciano, Riccardo (MitwirkendeR); Pizzone, Aglae (MitwirkendeR); Prioux, Évelyne (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110795448
    Other identifier:
    Series: MythosEikonPoiesis ; 16
    Subjects: Griechisch; Literatur; Bild; Text; Kunst <Motiv>;
    Other subjects: ekphrasis; intertextuality; intervisuality; performance
    Scope: 1 Online-Ressource (VI, 347 pages)
    Notes:

    Issued also in print
  10. The author in Middle Byzantine literature
    modes, functions, and identities
    Contributor: Pizzone, Aglae (HerausgeberIn)
    Published: [2014]
    Publisher:  De Gruyter, Boston

    Main description: Author and authorship have become increasingly important concepts in Byzantine literary studies. This volume provides the first comprehensive survey on strategies of authorship in Middle Byzantine literature and investigates the... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Main description: Author and authorship have become increasingly important concepts in Byzantine literary studies. This volume provides the first comprehensive survey on strategies of authorship in Middle Byzantine literature and investigates the interaction between self-presentation and cultural production in a wide array of genres, providing new insights into how Byzantine intellectuals conceived of their own work and pursuits.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Pizzone, Aglae (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781614515197; 9781614519614; 9781614515210
    Other identifier:
    9781614515197
    RVK Categories: NH 9340
    Series: Byzantinisches Archiv ; Band 28
    Subjects: Medieval literature
    Scope: 1 Online-Ressource (XIV, 351 Seiten)
    Notes:

    Includes bibliographical references and index

    Pizzone, Aglae: FrontmatterContentsNote on citation and transliterationNotes on contributorsList of abbreviationsThe Author in Middle Byzantine Literature: A View from Within

    Papaioannou, Stratis: Voice, Signature, Mask: The Byzantine Author

    Bernard, Floris: The Ethics of Authorship: Some Tensions in the 11

    Tocci, Raimondo: Questions of Authorship and Genre in Chronicles of the Middle Byzantine Period: The Case of Michael Psellos’ Historia Syntomos

    Lauxtermann, Marc D.: His, and Not His: The Poems of the Late Gregory the Monk

    Toth, Ida: Authorship and Authority in the Book of the Philosopher Syntipas

    Krueger, Derek: Authorial Voice and Self-Presentation in a 9

    Andriollo, Luisa: Aristocracy and Literary Production in the 10

    Spingou, Foteini: The Anonymous Poets of the Anthologia Marciana: Questions of Collection and Authorship

    Kenens, Ulrike: "Perhaps the Scholiast Was also a Drudge." Authorial Practices in Three Middle Byzantine Sub-Literary Writings

    Mullett, Margaret: In Search of the Monastic Author. Story-Telling, Anonymity and Innovation in the 12th Century

    Bourbouhakis, Emmanuel C.: Emmanuel C. Bourbouhakis The End of ἐπίδειξις. Authorial Identity and Authorial Intention in Michael Chōniatēs’ Πρὸς τοὺς αἰτιωμένους τὸ ἀφιλένδεικτον

    Pizzone, Aglae: Anonymity, Dispossession and Reappropriation in the Prolog of Nikēphoros Basilakēs

    Riehle, Alexander: Authorship and Gender (and) Identity. Women’s Writing in the Middle Byzantine Period

    Neville, Leonora: The Authorial Voice of Anna Komnēnē

    Johnson, Ian: A Perspective from the Far (Medieval) West on Byzantine Theories of Authorship
  11. Intervisuality
    New Approaches to Greek Literature
    Contributor: Acosta-Hughes, Benjamin (MitwirkendeR); Athanassaki, Lucia (MitwirkendeR); Bierl, Anton (MitwirkendeR); Bowie, Ewen L. (MitwirkendeR); Cadario, Matteo (MitwirkendeR); Capra, Andrea (MitwirkendeR); Capra, Andrea (HerausgeberIn); Catenacci, Carmine (MitwirkendeR); Floridi, Lucia (MitwirkendeR); Floridi, Lucia (HerausgeberIn); Gazis, George Alexander (MitwirkendeR); Höschele, Regina (MitwirkendeR); Nobili, Cecilia (MitwirkendeR); Palmisciano, Riccardo (MitwirkendeR); Pizzone, Aglae (MitwirkendeR); Prioux, Évelyne (MitwirkendeR)
    Published: 2023; ©2023
    Publisher:  De Gruyter, Berlin

    Intertextuality is a well-known tool in literary criticism and has been widely applied to ancient literature, with, perhaps surprisingly, classical scholarship being at the frontline in developing new theoretical approaches. By contrast, the... more

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    Intertextuality is a well-known tool in literary criticism and has been widely applied to ancient literature, with, perhaps surprisingly, classical scholarship being at the frontline in developing new theoretical approaches. By contrast, the seemingly parallel notion of intervisuality has only recently begun to appear in classical studies. In fact, intervisuality still lacks a clear definition and scope. Unlike intertextuality, which is consistently used with reference to the interrelationship between texts, the term ‘intervisuality’ is used not only to trace the interrelationship between images in the visual domain, but also to explore the complex interplay between the visual and the verbal. It is precisely this hybridity that interests us. Intervisuality has proved extremely productive in fields such as art history and visual culture studies. By bringing together a diverse team of scholars, this project aims to bring intervisuality into sharper focus and turn it into a powerful tool to explore the research field traditionally referred to as ‘Greek literature’

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Acosta-Hughes, Benjamin (MitwirkendeR); Athanassaki, Lucia (MitwirkendeR); Bierl, Anton (MitwirkendeR); Bowie, Ewen L. (MitwirkendeR); Cadario, Matteo (MitwirkendeR); Capra, Andrea (MitwirkendeR); Capra, Andrea (HerausgeberIn); Catenacci, Carmine (MitwirkendeR); Floridi, Lucia (MitwirkendeR); Floridi, Lucia (HerausgeberIn); Gazis, George Alexander (MitwirkendeR); Höschele, Regina (MitwirkendeR); Nobili, Cecilia (MitwirkendeR); Palmisciano, Riccardo (MitwirkendeR); Pizzone, Aglae (MitwirkendeR); Prioux, Évelyne (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110795448
    Other identifier:
    Series: MythosEikonPoiesis ; 16
    Subjects: Griechisch; Literatur; Bild; Text; Kunst <Motiv>;
    Other subjects: ekphrasis; intertextuality; intervisuality; performance
    Scope: 1 Online-Ressource (VI, 347 pages)
    Notes:

    Issued also in print
  12. Sinesio e la 'sacra ancora' di Omero
    intertestualità e modelli tra retorica e filosofia
    Author: Pizzone, Aglae
    Published: 2006
    Publisher:  LED, Milano

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    Source: Staatsbibliothek zu Berlin
    Language: Italian
    Media type: Dissertation
    Format: Print
    ISBN: 8879163043
    Other identifier:
    9788879163040
    RVK Categories: FH 20085
    Series: Array ; 231
    Sezione di filologia classica
    Subjects: Transmission of texts; Intertextuality
    Other subjects: Synesius of Cyrene, Bishop of Ptolemais; Homer
    Scope: 246 S, 24 cm
    Notes:

    Bibl. (p. 201-226) and index (p. 227-246)

    Author's name on t.p.: Aglae M. V. Pizzone

    Thesis

    Synesius of Cyrene (ca. 370-415 A.D.); Homer (ca. 8th-7th cent.). - Bibl. (p. 201-226) and index (p. 227-246). - Author's name on t.p.: Aglae M. V. Pizzone. - Thesis

    Zugl.: Milano, Univ., Diss., 2006
  13. <<The>> Author in Middle Byzantine Literature
    modes, functions, and identities
    Contributor: Pizzone, Aglae (Publisher)
    Published: 2014
    Publisher:  de Gruyter, Berlin [u.a.]

  14. Sinesio e la 'sacra ancora' di Omero
    intertestualità e modelli tra retorica e filosofia
    Author: Pizzone, Aglae
    Published: 2006
    Publisher:  LED, Milano

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    Source: Staatsbibliothek zu Berlin
    Language: Italian
    Media type: Dissertation
    Format: Print
    ISBN: 8879163043
    Other identifier:
    9788879163040
    RVK Categories: FH 20085
    Series: Array ; 231
    Sezione di filologia classica
    Subjects: Transmission of texts; Intertextuality
    Other subjects: Synesius of Cyrene, Bishop of Ptolemais; Homer
    Scope: 246 S, 24 cm
    Notes:

    Bibl. (p. 201-226) and index (p. 227-246)

    Author's name on t.p.: Aglae M. V. Pizzone

    Thesis

    Synesius of Cyrene (ca. 370-415 A.D.); Homer (ca. 8th-7th cent.). - Bibl. (p. 201-226) and index (p. 227-246). - Author's name on t.p.: Aglae M. V. Pizzone. - Thesis

    Zugl.: Milano, Univ., Diss., 2006
  15. The Author in Middle Byzantine Literature
    Modes, Functions, and Identities
    Author: Pizzone, Aglae
    Published: 2014
    Publisher:  De Gruyter, Berlin/Boston

    Author and authorship have become increasingly important concepts in Byzantine literary studies. This volume provides the first comprehensive survey on strategies of authorship in Middle Byzantine literature and investigates the interaction between... more

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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Author and authorship have become increasingly important concepts in Byzantine literary studies. This volume provides the first comprehensive survey on strategies of authorship in Middle Byzantine literature and investigates the interaction between self-presentation and cultural production in a wide array of genres, providing new insights into how Byzantine intellectuals conceived of their own work and pursuits. Aglae Pizzone, Centre Interfacultaire en Sciences Affectives, University of Geneva, Switzerland. Author and authorship have become increasingly important concepts in Byzantine literary studies. This volume provides the first comprehensive survey on strategies of authorship in Middle Byzantine literature and investigates the interaction between self-presentation and cultural production in a wide array of genres, providing new insights into how Byzantine intellectuals conceived of their own work and pursuits

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Series: Byzantinisches Archiv ; v.28
    Subjects: Authors, Byzantine; Byzantine literature; Authorship
    Scope: Online-Ressource (368 pages)
    Notes:

    Anonymity, Dispossession and Reappropriation in the Prolog of Nikephoros BasilakesAuthorship and Gender (and) Identity. Women's Writing in the Middle Byzantine Period; The Authorial Voice of Anna Komnene; Afterword; A Perspective from the Far (Medieval) West on Byzantine Theories of Authorship; Bibliography; General Index; Index of authors and texts.

    Note on citation and transliteration; Notes on contributors; List of abbreviations; Introduction; The Author in Middle Byzantine Literature: A View from Within; First Part: Modes; Voice, Signature, Mask: The Byzantine Author; The Ethics of Authorship: Some Tensions in the 11th Century; Questions of Authorship and Genre in Chronicles of the Middle Byzantine Period: The Case of Michael Psellos' Historia Syntomos; His, and Not His: The Poems of the Late Gregory the Monk; Authorship and Authority in the Book of the Philosopher Syntipas; Second Part: Functions.
  16. The author in Middle Byzantine literature
    modes, functions, and identities
    Contributor: Pizzone, Aglae (HerausgeberIn)
    Published: [2014]
    Publisher:  De Gruyter, Boston

    Main description: Author and authorship have become increasingly important concepts in Byzantine literary studies. This volume provides the first comprehensive survey on strategies of authorship in Middle Byzantine literature and investigates the... more

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    Main description: Author and authorship have become increasingly important concepts in Byzantine literary studies. This volume provides the first comprehensive survey on strategies of authorship in Middle Byzantine literature and investigates the interaction between self-presentation and cultural production in a wide array of genres, providing new insights into how Byzantine intellectuals conceived of their own work and pursuits.

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Pizzone, Aglae (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781614515197; 9781614519614; 9781614515210
    Other identifier:
    9781614515197
    RVK Categories: NH 9340
    Series: Byzantinisches Archiv ; Band 28
    Subjects: Medieval literature
    Scope: 1 Online-Ressource (XIV, 351 Seiten)
    Notes:

    Includes bibliographical references and index

    Pizzone, Aglae: FrontmatterContentsNote on citation and transliterationNotes on contributorsList of abbreviationsThe Author in Middle Byzantine Literature: A View from Within

    Papaioannou, Stratis: Voice, Signature, Mask: The Byzantine Author

    Bernard, Floris: The Ethics of Authorship: Some Tensions in the 11

    Tocci, Raimondo: Questions of Authorship and Genre in Chronicles of the Middle Byzantine Period: The Case of Michael Psellos’ Historia Syntomos

    Lauxtermann, Marc D.: His, and Not His: The Poems of the Late Gregory the Monk

    Toth, Ida: Authorship and Authority in the Book of the Philosopher Syntipas

    Krueger, Derek: Authorial Voice and Self-Presentation in a 9

    Andriollo, Luisa: Aristocracy and Literary Production in the 10

    Spingou, Foteini: The Anonymous Poets of the Anthologia Marciana: Questions of Collection and Authorship

    Kenens, Ulrike: "Perhaps the Scholiast Was also a Drudge." Authorial Practices in Three Middle Byzantine Sub-Literary Writings

    Mullett, Margaret: In Search of the Monastic Author. Story-Telling, Anonymity and Innovation in the 12th Century

    Bourbouhakis, Emmanuel C.: Emmanuel C. Bourbouhakis The End of ἐπίδειξις. Authorial Identity and Authorial Intention in Michael Chōniatēs’ Πρὸς τοὺς αἰτιωμένους τὸ ἀφιλένδεικτον

    Pizzone, Aglae: Anonymity, Dispossession and Reappropriation in the Prolog of Nikēphoros Basilakēs

    Riehle, Alexander: Authorship and Gender (and) Identity. Women’s Writing in the Middle Byzantine Period

    Neville, Leonora: The Authorial Voice of Anna Komnēnē

    Johnson, Ian: A Perspective from the Far (Medieval) West on Byzantine Theories of Authorship
  17. The Author in Middle Byzantine Literature
    Modes, Functions, and Identities
    Author: Pizzone, Aglae
    Published: 2014
    Publisher:  De Gruyter, Berlin/Boston

    Author and authorship have become increasingly important concepts in Byzantine literary studies. This volume provides the first comprehensive survey on strategies of authorship in Middle Byzantine literature and investigates the interaction between... more

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    Author and authorship have become increasingly important concepts in Byzantine literary studies. This volume provides the first comprehensive survey on strategies of authorship in Middle Byzantine literature and investigates the interaction between self-presentation and cultural production in a wide array of genres, providing new insights into how Byzantine intellectuals conceived of their own work and pursuits

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781614517115
    Series: Byzantinisches Archiv ; v.28
    Byzantinisches Archiv Ser ; v.28
    Subjects: Authors, Byzantine; Authorship; Byzantine Empire ; Intellectual life; Byzantine literature ; History and criticism; Electronic books
    Scope: Online-Ressource (368 p)
    Notes:

    Description based upon print version of record

    Contents; Note on citation and transliteration; Notes on contributors; List of abbreviations; Introduction; The Author in Middle Byzantine Literature: A View from Within; First Part: Modes; Voice, Signature, Mask: The Byzantine Author; The Ethics of Authorship: Some Tensions in the 11th Century; Questions of Authorship and Genre in Chronicles of the Middle Byzantine Period: The Case of Michael Psellos' Historia Syntomos; His, and Not His: The Poems of the Late Gregory the Monk; Authorship and Authority in the Book of the Philosopher Syntipas; Second Part: Functions

    Authorial Voice and Self-Presentation in a 9th-Century Hymn on the Prodigal SonAristocracy and Literary Production in the 10th Century; The Anonymous Poets of the Anthologia Marciana: Questions of Collection and Authorship; "Perhaps the Scholiast Was also a Drudge." Authorial Practices in Three Middle Byzantine Sub-Literary Writings; In Search of the Monastic Author. Story-Telling, Anonymity and Innovation in the 12th Century; Third Part: Identities; The End of ἐπίδειξις. Authorial Identity and Authorial Intention in Michael Chōniatēs' Πρὸς τοὺς αἰτιωμένους τὸ ἀφιλένδεικτον

    Anonymity, Dispossession and Reappropriation in the Prolog of Nikephoros BasilakesAuthorship and Gender (and) Identity. Women's Writing in the Middle Byzantine Period; The Authorial Voice of Anna Komnene; Afterword; A Perspective from the Far (Medieval) West on Byzantine Theories of Authorship; Bibliography; General Index; Index of authors and texts
  18. The author in Middle Byzantine literature
    modes, functions, and identities
    Contributor: Pizzone, Aglae (Hrsg.)
    Published: 2014
    Publisher:  De Gruyter, Berlin

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    Source: Union catalogues
    Contributor: Pizzone, Aglae (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781614517115
    Other identifier:
    9781614517115
    RVK Categories: NH 9340 ; FE 3225
    Series: Byzantinisches Archiv ; Vol. 28
    Subjects: Byzantine literature; Authorship; Authors, Byzantine
    Scope: XIV, 351 S, 25 cm
    Notes:

    Includes bibliographical references and index
  19. The Author in Middle Byzantine Literature
    Modes, Functions, and Identities
    Contributor: Pizzone, Aglae (HerausgeberIn)
    Published: 2014; ©2014
    Publisher:  De Gruyter, Boston

    Author and authorship have become increasingly important concepts in Byzantine literary studies. This volume provides the first comprehensive survey on strategies of authorship in Middle Byzantine literature and investigates the interaction between... more

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    Author and authorship have become increasingly important concepts in Byzantine literary studies. This volume provides the first comprehensive survey on strategies of authorship in Middle Byzantine literature and investigates the interaction between self-presentation and cultural production in a wide array of genres, providing new insights into how Byzantine intellectuals conceived of their own work and pursuits. Biographical note: Aglae Pizzone, Centre Interfacultaire en Sciences Affectives, University of Geneva, Switzerland.. - Author and authorship have become increasingly important concepts in Byzantine literary studies. This volume provides the first comprehensive survey on strategies of authorship in Middle Byzantine literature and investigates the interaction between self-presentation and cultural production in a wide array of genres, providing new insights into how Byzantine intellectuals conceived of their own work and pursuits.

     
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    Content information
    Source: Union catalogues
    Contributor: Pizzone, Aglae (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781614515197; 9781614519614
    Other identifier:
    RVK Categories: NH 9340
    Edition: Online-Ausg.
    Series: Byzantinisches Archiv ; 28
    Subjects: Byzantinisches Reich; Literatur; Autor; Geschichte 800-1200;
    Scope: Online-Ressource (XIV, 575 S.)