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  1. New directions in early modern English drama
    edges, spaces, intersections
    Contributor: Norrie, Aidan (Publisher); Houlahan, Mark (Publisher)
    Published: [2020]; © 2020
    Publisher:  de Gruyter, Berlin ; Boston

    This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book demonstrates that the people and concepts long seen as on the edge of early modern English drama made vital contributions both within the fictive worlds of early modern plays, and without, in the real worlds of playmakers, theaters, and audiences. The book engages with topics such as child actors, alterity, sexuality, foreignness, and locality to acknowledge and extend the rich sense of playmaking and all its ancillary activities that have emerged over the last decade. The essays by a global team of scholars bring to life people and practices that flourished on the edge, manifesting their importance to both early modern audiences, and to current readers and performers

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Norrie, Aidan (Publisher); Houlahan, Mark (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501513749; 9781501514029
    Other identifier:
    Series: Late Tudor and Stuart drama
    Subjects: Alterity; Andersartigkeit; Dramatiker; Early Modern Drama; Englisches Theater; English Theatre; Plays and Playwrights; Stücke und Stückeschreiber; Theater der Frühen Neuzeit; DRAMA / English, Irish, Scottish, Welsh; Englisch; Drama
    Scope: 1 Online-Ressource (XVIII, 265 Seiten)
  2. Playfulness in Shakespearean adaptations
    Contributor: Gerzić, Marina (Herausgeber); Norrie, Aidan (Herausgeber)
    Published: 2020
    Publisher:  Routledge, Taylor & Frances Group, New York ; London

    "Four hundred years after William Shakespeare's death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels,... more

    Universitätsbibliothek Trier
    Unlimited inter-library loan, copies and loan

     

    "Four hundred years after William Shakespeare's death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels, and digital media. Drawing on theories of play and adaptation, Playfulness in Shakespearean Adaptations demonstrates how the practices of Shakespearean adaptations are frequently products of playful, and sometimes irreverent, engagements that allow new 'Shakespeares' to emerge, revealing Shakespeare's ongoing impact in popular culture. Significantly, this collection explores the role of play in the construction of meaning in Shakespearean adaptations-adaptations of both the works of Shakespeare, and of Shakespeare the man-and contributes to the growing scholarly interest in playfulness both past and present. The chapters in Playfulness in Shakespearean Adaptations engage with the diverse ways that play is used in Shakespearean adaptations on stage, screen, and page, examining how these adaptations draw out existing humour in Shakespeare's works, the ways that play is used as a pedagogical aid to help explain complex language, themes, and emotions found in Shakespeare's works, and more generally how play and playfulness can make Shakespeare 'relatable, ' 'relevant, ' and entertaining for successive generations of audiences and readers"--

     

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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Gerzić, Marina (Herausgeber); Norrie, Aidan (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429288807
    Other identifier:
    RVK Categories: HI 3330 ; HI 3330
    Series: Routledge studies in Shakespeare ; 41
    Subjects: Spiel <Motiv>; Bearbeitung
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William / 1564-1616 / Adaptations / History and criticism; Shakespeare, William; Play in literature; Literature ; Adaptations; Criticism, interpretation, etc; Play in literature; Shakespeare, William ; 1564-1616 ; Adaptations ; History and criticism; LITERARY CRITICISM / General ; bisacsh; LITERARY CRITICISM / General
    Scope: 1 Online-Ressource (xvi, 254 Seiten)
    Notes:

    Includes bibliographical references and index

  3. From medievalism to early-modernism
    adapting the English past
    Contributor: Gerzić, Marina (Herausgeber, Verfasser); Norrie, Aidan (Herausgeber, Verfasser)
    Published: 2019
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    Universitäts- und Landesbibliothek Düsseldorf
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Münster
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Contributor: Gerzić, Marina (Herausgeber, Verfasser); Norrie, Aidan (Herausgeber, Verfasser)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429400544; 9780429683015; 9780429683008; 9780429682995
    Other identifier:
    Series: Routledge studies in medieval literature and culture ; 11
    Subjects: Literatur; Mittelalter <Motiv>; Renaissance <Motiv>; Mittelalterbild; Geschichtsbild; Massenkultur; Englisch
    Other subjects: Literature, Modern ; Medieval influences; Medievalism in literature; Middle Ages in literature; Literature, Medieval ; Appreciation; Literature and history ; England; Array; Array; England ; In literature
    Scope: 1 Online-Ressource (xv, 268 Seiten)
  4. Playfulness in Shakespearean adaptations
    Contributor: Gerzić, Marina (Herausgeber); Norrie, Aidan (Herausgeber)
    Published: [2020]; © 2020
    Publisher:  Routledge, New York

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    91.249.38
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Contributor: Gerzić, Marina (Herausgeber); Norrie, Aidan (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780367256463
    Series: Routledge studies in Shakespeare ; 41
    Scope: XIII, 254 Seiten
  5. Playfulness in Shakespearean Adaptations
    Published: 2020
    Publisher:  Taylor & Francis Group, Milton ; ProQuest, Ann Arbor, Michigan

    Universität Frankfurt, Elektronische Ressourcen
    /
    No inter-library loan
    Universitätsbibliothek Gießen
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    Source: Union catalogues
    Contributor: Norrie, Aidan
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781000073126
    Edition: 1st ed.
    Series: Routledge Studies in Shakespeare Series
    Subjects: Shakespeare, William,-1564-1616-Adaptations-History and criticism
    Scope: 1 Online-Ressource (271 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  6. Playfulness in Shakespearean adaptations
    Contributor: Gerzić, Marina (HerausgeberIn); Norrie, Aidan (HerausgeberIn)
    Published: 2020
    Publisher:  Routledge, New York$aLondon

    "Four hundred years after William Shakespeare's death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels,... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    "Four hundred years after William Shakespeare's death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels, and digital media. Drawing on theories of play and adaptation, Playfulness in Shakespearean Adaptations demonstrates how the practices of Shakespearean adaptations are frequently products of playful, and sometimes irreverent, engagements that allow new 'Shakespeares' to emerge, revealing Shakespeare's ongoing impact in popular culture. Significantly, this collection explores the role of play in the construction of meaning in Shakespearean adaptations-adaptations of both the works of Shakespeare, and of Shakespeare the man-and contributes to the growing scholarly interest in playfulness both past and present. The chapters in Playfulness in Shakespearean Adaptations engage with the diverse ways that play is used in Shakespearean adaptations on stage, screen, and page, examining how these adaptations draw out existing humour in Shakespeare's works, the ways that play is used as a pedagogical aid to help explain complex language, themes, and emotions found in Shakespeare's works, and more generally how play and playfulness can make Shakespeare 'relatable,' 'relevant,' and entertaining for successive generations of audiences and readers"--

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Gerzić, Marina (HerausgeberIn); Norrie, Aidan (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780367256463
    RVK Categories: HI 3330
    Series: Routledge studies in Shakespeare ; 41
    Subjects: Play in literature
    Other subjects: Shakespeare, William (1564-1616)
    Scope: xiii, 254 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index

  7. Elizabeth I as Judith
    reassessing the apocryphal widow's appearance in Elizabethan royal iconography
    Published: 2017

    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Parent title: Renaissance studies; Oxford, 2017; Volume 31, number 5 (November 2017), Seite [707]-722
    Subjects: Literatur; Ikonographie; Herrscherbild
    Other subjects: Elisabeth England, Königin (1533-1603); Judit Biblische Person
  8. From medievalism to early-modernism
    adapting the English past
    Contributor: Gerzić, Marina (Publisher); Norrie, Aidan (Publisher)
    Published: 2019
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    "From Medievalism to Early Modernism: Adapting the English Past is a collection of essays that both analyses the historical and cultural medieval and early modern past, and engages with the medievalism and early modernism - a new term introduced in... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der LMU München
    Unlimited inter-library loan, copies and loan

     

    "From Medievalism to Early Modernism: Adapting the English Past is a collection of essays that both analyses the historical and cultural medieval and early modern past, and engages with the medievalism and early modernism - a new term introduced in this collection - present in contemporary popular culture. By focusing on often overlooked uses of the past in contemporary culture - such as the allusions to John Webster's The Duchess of Malfi (1623) in J.K. Rowling's Harry Potter books, and the impact of intertextual references and internet fandom on the BBC's The Hollow Crown: The Wars of the Roses - the contributors illustrate how cinematic, televisual, artistic, and literary depictions of the historical and cultural past not only re-purpose the past in varying ways, but also build on a history of adaptations that audiences have come to know and expect. From Medievalism to Early Modernism: Adapting the English Past analyses the way that the medieval and early modern periods are used in modern adaptations, and how these adaptations both reflect contemporary concerns, and engage with a history of intertextuality and intervisuality"

     

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    Source: Union catalogues
    Contributor: Gerzić, Marina (Publisher); Norrie, Aidan (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781138366572
    RVK Categories: HH 1140
    Series: Routledge studies in medieval literature and culture ; 11
    Subjects: Literature, Modern; Medievalism in literature; Middle Ages in literature; Literature, Medieval; Literature and history; Mittelalter <Motiv>; Massenkultur; Geschichtsbild; Englisch; Mittelalterbild; Renaissance <Motiv>; Literatur
    Scope: xv, 268 Seiten
    Notes:

    Includes bibliographical references and index

  9. Playfulness in Shakespearean adaptations
    Contributor: Gerzic, Marina (Publisher); Norrie, Aidan (Publisher)
    Published: 2020
    Publisher:  Routledge, New York

    "Four hundred years after William Shakespeare's death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels,... more

     

    "Four hundred years after William Shakespeare's death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels, and digital media. Drawing on theories of play and adaptation, Playfulness in Shakespearean Adaptations demonstrates how the practices of Shakespearean adaptations are frequently products of playful, and sometimes irreverent, engagements that allow new 'Shakespeares' to emerge, revealing Shakespeare's ongoing impact in popular culture. Significantly, this collection explores the role of play in the construction of meaning in Shakespearean adaptations-adaptations of both the works of Shakespeare, and of Shakespeare the man-and contributes to the growing scholarly interest in playfulness both past and present. The chapters in Playfulness in Shakespearean Adaptations engage with the diverse ways that play is used in Shakespearean adaptations on stage, screen, and page, examining how these adaptations draw out existing humour in Shakespeare's works, the ways that play is used as a pedagogical aid to help explain complex language, themes, and emotions found in Shakespeare's works, and more generally how play and playfulness can make Shakespeare 'relatable, ' 'relevant, ' and entertaining for successive generations of audiences and readers"--

     

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    Content information
    Volltext (URL des Erstveroeffentlichers)
    Source: Union catalogues
    Contributor: Gerzic, Marina (Publisher); Norrie, Aidan (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429288807; 0429288808; 9781000073119; 1000073114; 9781000073126; 1000073122; 9781000073102; 1000073106
    Series: Routledge studies in Shakespeare
    Routledge studies in Shakespeare ; 41
    Subjects: Play in literature
    Other subjects: Shakespeare, William / 1564-1616 / Adaptations / History and criticism
    Scope: 1 online resource
    Notes:

    Description based on print version record

  10. From medievalism to early-modernism
    adapting the English past
    Contributor: Gerzic, Marina (Publisher); Norrie, Aidan (Publisher)
    Published: 2019
    Publisher:  Routledge, New York, NY

    "From Medievalism to Early Modernism: Adapting the English Past is a collection of essays that both analyses the historical and cultural medieval and early modern past, and engages with the medievalism and early modernism--a new term introduced in... more

     

    "From Medievalism to Early Modernism: Adapting the English Past is a collection of essays that both analyses the historical and cultural medieval and early modern past, and engages with the medievalism and early modernism--a new term introduced in this collection--present in contemporary popular culture. By focusing on often overlooked uses of the past in contemporary culture--such as the allusions to John Webster's The Duchess of Malfi (1623) in J.K. Rowling's Harry Potter books, and the impact of intertextual references and internet fandom on the BBC's The Hollow Crown: The Wars of the Roses--the contributors illustrate how cinematic, televisual, artistic, and literary depictions of the historical and cultural past not only re-purpose the past in varying ways, but also build on a history of adaptations that audiences have come to know and expect. From Medievalism to Early Modernism: Adapting the English Past analyses the way that the medieval and early modern periods are used in modern adaptations, and how these adaptations both reflect contemporary concerns, and engage with a history of intertextuality and intervisuality"--

     

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    Volltext (URL des Erstveroeffentlichers)
    Source: Union catalogues
    Contributor: Gerzic, Marina (Publisher); Norrie, Aidan (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429400544; 0429400543; 9780429683015; 0429683014; 9780429683008; 0429683006; 9780429682995; 0429682999
    Series: Routledge studies in medieval literature and culture
    Subjects: Literature, Modern / Medieval influences; Medievalism in literature; Middle Ages in literature; Literature, Medieval / Appreciation; Literature and history / England
    Scope: 1 online resource
    Notes:

    Description based on print version record and CIP data provided by publisher

  11. From medievalism to early-modernism
    adapting the English past
    Contributor: Gerzić, Marina (Publisher); Norrie, Aidan (Publisher)
    Published: 2020
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    Universitätsbibliothek Würzburg
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Contributor: Gerzić, Marina (Publisher); Norrie, Aidan (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780367664725
    RVK Categories: HN 1101 ; HN 1140
    Edition: First issued in paperback
    Series: Routledge studies in medieval literature and culture ; 11
    Subjects: Film; Englisch; Massenkultur; Literatur; Mittelalter <Motiv>; Mittelalterbild; Geschichtsbild; Renaissance <Motiv>
    Scope: xv, 268 Seiten, Illustrationen
  12. From medievalism to early-modernism
    adapting the English past
    Contributor: Gerzic, Marina (HerausgeberIn); Norrie, Aidan (HerausgeberIn)
    Published: 2019
    Publisher:  Routledge,, New York, NY

    Introduction: medievalism and early-modernism in adaptations of the English past / Marina Gerzic and Aidan Norrie -- Wonder Eoman and the nine ladies worthy: the male gaze and what it takes to be a "worthy woman" / Simone Celine Marshall -- The king,... more

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    Verlag (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    No inter-library loan
    Herzog August Bibliothek Wolfenbüttel
    No inter-library loan

     

    Introduction: medievalism and early-modernism in adaptations of the English past / Marina Gerzic and Aidan Norrie -- Wonder Eoman and the nine ladies worthy: the male gaze and what it takes to be a "worthy woman" / Simone Celine Marshall -- The king, the sword, and the stone: the recent afterlives of King Arthur / Sarah Gordon -- Brand Chaucer: the poet and the nation / Martin Laidlaw -- Moving between life and death: horror films and the medieval walking corpse / Polina Ignatova -- From cabaret to gladiator: refiguring masculinity in Julie Taymor's Titus / Marina Gerzic -- "There's my exchange": the Hogarth Shakespeare / Shelia T. Cavanagh -- Bloody brothers and suffering sisters: the Duchess of Malfi and Harry Potter / Lisa Hopkins -- Playing in a virtual medieval world: video game adaptations of England through role-play / Ben Redder -- "I can piss on Calais from Dover": adaptation and medievalism in graphic novel depictions of the Hundred Years' War (1337-1453) / Iain A. MacInnes -- Beyond "tits and dragons": medievalism, medieval history, and perceptions in Game of Thrones / Hilary Jane Locke -- Re-fashioning Richard III: intertextuality, fandom, and the (mobile) body in The hollow crown: the Wars of the Roses / Marina Gerzic -- The many afterlives of Elizabeth Barton / Annie Blachly -- The queen, the bishop, the virgin, and the cross: Catholicism versus Protestantism in Elizabeth / Aidan Norrie -- "Unseen but very evident": ghosts, hauntings, and the civil war past / Michael Durrant.

     

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  13. From medievalism to early-modernism
    adapting the English past
    Contributor: Gerzić, Marina (HerausgeberIn); Norrie, Aidan (HerausgeberIn)
    Published: 2019
    Publisher:  Routledge, Taylor & Francis Group, New York

    "From Medievalism to Early Modernism: Adapting the English Past is a collection of essays that both analyses the historical and cultural medieval and early modern past, and engages with the medievalism and early modernism--a new term introduced in... more

    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Jb 34 c
    No inter-library loan
    Universitätsbibliothek Heidelberg
    2019 A 12934
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Kiel, Zentralbibliothek
    Dd 1077
    Unlimited inter-library loan, copies and loan
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    294907 - A
    Unlimited inter-library loan, copies and loan
    Herzog August Bibliothek Wolfenbüttel
    69.630
    Unlimited inter-library loan, copies and loan

     

    "From Medievalism to Early Modernism: Adapting the English Past is a collection of essays that both analyses the historical and cultural medieval and early modern past, and engages with the medievalism and early modernism--a new term introduced in this collection--present in contemporary popular culture. By focusing on often overlooked uses of the past in contemporary culture--such as the allusions to John Webster's The Duchess of Malfi (1623) in J.K. Rowling's Harry Potter books, and the impact of intertextual references and internet fandom on the BBC's The Hollow Crown: The Wars of the Roses--the contributors illustrate how cinematic, televisual, artistic, and literary depictions of the historical and cultural past not only re-purpose the past in varying ways, but also build on a history of adaptations that audiences have come to know and expect. From Medievalism to Early Modernism: Adapting the English Past analyses the way that the medieval and early modern periods are used in modern adaptations, and how these adaptations both reflect contemporary concerns, and engage with a history of intertextuality and intervisuality"-- Introduction: medievalism and early-modernism in adaptations of the English past / Marina Gerzic and Aidan Norrie -- Wonder Eoman and the nine ladies worthy: the male gaze and what it takes to be a "worthy woman" / Simone Celine Marshall -- The king, the sword, and the stone: the recent afterlives of King Arthur / Sarah Gordon -- Brand Chaucer: the poet and the nation / Martin Laidlaw -- Moving between life and death: horror films and the medieval walking corpse / Polina Ignatova -- From cabaret to gladiator: refiguring masculinity in Julie Taymor's Titus / Marina Gerzic -- "There's my exchange": the Hogarth Shakespeare / Shelia T. Cavanagh -- Bloody brothers and suffering sisters: the Duchess of Malfi and Harry Potter / Lisa Hopkins -- Playing in a virtual medieval world: video game adaptations of England through role-play / Ben Redder -- "I can piss on Calais from Dover": adaptation and medievalism in graphic novel depictions of the Hundred Years' War (1337-1453) / Iain A. MacInnes -- Beyond "tits and dragons": medievalism, medieval history, and perceptions in Game of Thrones / Hilary Jane Locke -- Re-fashioning Richard III: intertextuality, fandom, and the (mobile) body in The hollow crown: the Wars of the Roses / Marina Gerzic -- The many afterlives of Elizabeth Barton / Annie Blachly -- The queen, the bishop, the virgin, and the cross: Catholicism versus Protestantism in Elizabeth / Aidan Norrie -- "Unseen but very evident": ghosts, hauntings, and the civil war past / Michael Durrant

     

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    Content information
    Source: Union catalogues
    Contributor: Gerzić, Marina (HerausgeberIn); Norrie, Aidan (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781138366572
    Series: Routledge studies in medieval literature and culture ; 11
    Subjects: Literature, Modern; Medievalism in literature; Middle Ages in literature; Literature, Medieval; Literature and history
    Scope: xv, 268 Seiten, Illustrationen
    Notes:

    Literaturangaben

  14. From medievalism to early-modernism
    adapting the English past
    Contributor: Gerzić, Marina (Verfasser, Herausgeber); Norrie, Aidan (Verfasser, Herausgeber)
    Published: 2019
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    Universitäts- und Landesbibliothek Düsseldorf
    No inter-library loan
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    No inter-library loan
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    Content information
    Source: Union catalogues
    Contributor: Gerzić, Marina (Verfasser, Herausgeber); Norrie, Aidan (Verfasser, Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429400544; 9780429683015; 9780429683008; 9780429682995
    Other identifier:
    Series: Routledge studies in medieval literature and culture ; 11
    Subjects: Literature, Modern ; Medieval influences; Medievalism in literature; Middle Ages in literature; Literature, Medieval ; Appreciation; Literature and history ; England; BIOGRAPHY & AUTOBIOGRAPHY / Literary ; bisacsh; LITERARY CRITICISM / General ; bisacsh; England ; In literature
    Scope: 1 Online-Ressource (xv, 268 Seiten)
  15. New directions in early modern English drama
    edges, spaces, intersections
    Contributor: Norrie, Aidan (Publisher)
    Published: [2020]
    Publisher:  De Gruyter, Berlin

    Universitätsbibliothek der LMU München
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Contributor: Norrie, Aidan (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781501518218
    DDC Categories: 820
    Series: Late Tudor and Stuart drama
    Subjects: Englisch; Drama
    Scope: XVIII, 265 Seiten, Illustrationen, 24 cm
  16. Playfulness in Shakespearean adaptations
    Contributor: Gerzić, Marina (Herausgeber); Norrie, Aidan (Herausgeber)
    Published: 2020
    Publisher:  Routledge, New York ; Taylor & Francis Group, London

    "Four hundred years after William Shakespeare's death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels,... more

    Access:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    No inter-library loan

     

    "Four hundred years after William Shakespeare's death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels, and digital media. Drawing on theories of play and adaptation, Playfulness in Shakespearean Adaptations demonstrates how the practices of Shakespearean adaptations are frequently products of playful, and sometimes irreverent, engagements that allow new 'Shakespeares' to emerge, revealing Shakespeare's ongoing impact in popular culture. Significantly, this collection explores the role of play in the construction of meaning in Shakespearean adaptations-adaptations of both the works of Shakespeare, and of Shakespeare the man-and contributes to the growing scholarly interest in playfulness both past and present. The chapters in Playfulness in Shakespearean Adaptations engage with the diverse ways that play is used in Shakespearean adaptations on stage, screen, and page, examining how these adaptations draw out existing humour in Shakespeare's works, the ways that play is used as a pedagogical aid to help explain complex language, themes, and emotions found in Shakespeare's works, and more generally how play and playfulness can make Shakespeare 'relatable, ' 'relevant, ' and entertaining for successive generations of audiences and readers"--...

     

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    Source: Union catalogues
    Contributor: Gerzić, Marina (Herausgeber); Norrie, Aidan (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429288807; 0429288808; 9781000073119; 1000073114; 9781000073126; 1000073122; 9781000073102; 1000073106
    Series: Routledge studies in Shakespeare ; 41
    Subjects: Play in literature; LITERARY CRITICISM / General
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource
  17. From medievalism to early-modernism
    adapting the English past
    Contributor: Gerzic, Marina (HerausgeberIn); Norrie, Aidan (HerausgeberIn)
    Published: 2019
    Publisher:  Routledge,, New York, NY

    Introduction: medievalism and early-modernism in adaptations of the English past / Marina Gerzic and Aidan Norrie -- Wonder Eoman and the nine ladies worthy: the male gaze and what it takes to be a "worthy woman" / Simone Celine Marshall -- The king,... more

    Access:
    Verlag (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    Introduction: medievalism and early-modernism in adaptations of the English past / Marina Gerzic and Aidan Norrie -- Wonder Eoman and the nine ladies worthy: the male gaze and what it takes to be a "worthy woman" / Simone Celine Marshall -- The king, the sword, and the stone: the recent afterlives of King Arthur / Sarah Gordon -- Brand Chaucer: the poet and the nation / Martin Laidlaw -- Moving between life and death: horror films and the medieval walking corpse / Polina Ignatova -- From cabaret to gladiator: refiguring masculinity in Julie Taymor's Titus / Marina Gerzic -- "There's my exchange": the Hogarth Shakespeare / Shelia T. Cavanagh -- Bloody brothers and suffering sisters: the Duchess of Malfi and Harry Potter / Lisa Hopkins -- Playing in a virtual medieval world: video game adaptations of England through role-play / Ben Redder -- "I can piss on Calais from Dover": adaptation and medievalism in graphic novel depictions of the Hundred Years' War (1337-1453) / Iain A. MacInnes -- Beyond "tits and dragons": medievalism, medieval history, and perceptions in Game of Thrones / Hilary Jane Locke -- Re-fashioning Richard III: intertextuality, fandom, and the (mobile) body in The hollow crown: the Wars of the Roses / Marina Gerzic -- The many afterlives of Elizabeth Barton / Annie Blachly -- The queen, the bishop, the virgin, and the cross: Catholicism versus Protestantism in Elizabeth / Aidan Norrie -- "Unseen but very evident": ghosts, hauntings, and the civil war past / Michael Durrant.

     

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  18. Playfulness in Shakespearean adaptations
    Contributor: Gerzić, Marina (Publisher); Norrie, Aidan (Publisher)
    Published: 2020
    Publisher:  Routledge, New York

    "Four hundred years after William Shakespeare's death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels,... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    "Four hundred years after William Shakespeare's death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels, and digital media. Drawing on theories of play and adaptation, Playfulness in Shakespearean Adaptations demonstrates how the practices of Shakespearean adaptations are frequently products of playful, and sometimes irreverent, engagements that allow new 'Shakespeares' to emerge, revealing Shakespeare's ongoing impact in popular culture. Significantly, this collection explores the role of play in the construction of meaning in Shakespearean adaptations-adaptations of both the works of Shakespeare, and of Shakespeare the man-and contributes to the growing scholarly interest in playfulness both past and present. The chapters in Playfulness in Shakespearean Adaptations engage with the diverse ways that play is used in Shakespearean adaptations on stage, screen, and page, examining how these adaptations draw out existing humour in Shakespeare's works, the ways that play is used as a pedagogical aid to help explain complex language, themes, and emotions found in Shakespeare's works, and more generally how play and playfulness can make Shakespeare 'relatable,' 'relevant,' and entertaining for successive generations of audiences and readers"--

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Gerzić, Marina (Publisher); Norrie, Aidan (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780367256463
    RVK Categories: HI 3330 ; HI 3370
    Series: Routledge studies in Shakespeare ; 41
    Other subjects: Shakespeare, William / 1564-1616 / Adaptations / History and criticism; Play in literature
    Scope: xiii, 254 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  19. Playfulness in Shakespearean Adaptations
    Published: 2020; ©2021
    Publisher:  Taylor & Francis Group, Milton

    Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- List of Figures -- 5.1 A Scene From Neil Gaiman's The Sandman Issue 19, "A Midsummer Night's Dream." Image Courtesy of Dc Comics -- 7.1... more

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    No inter-library loan
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    No loan of volumes, only paper copies will be sent

     

    Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- List of Figures -- 5.1 A Scene From Neil Gaiman's The Sandman Issue 19, "A Midsummer Night's Dream." Image Courtesy of Dc Comics -- 7.1 Shakespeare Republic Season One Cast (L-R): Ben Steel, Michala Banas, Alan Fletcher, Rowena Hutson, Sally Mclean, and Billy Smedley. Photo By Yanni Dellaportas. Copyright © Incognita Enterprises 2016 -- 7.2 Michala Banas as "Phebe" in Season One of Shakespeare Republic. Photo By James Dene. Copyright © Incognita Enterprises 2016 -- 7.3 Nadine Garner as "Viola" in Season Two of Shakespeare Republic. Photo By Shaun Herbertson. Copyright © Incognita Enterprises 2016 -- 7.4 Christopher Kirby as "Sir Thomas More" in Season Two of Shakespeare Republic. Photo By Shaun Herbertson. Copyright © Incognita Enterprises 2016 -- 7.5 Billy Smedley as "Henry V" in Season Two of Shakespeare Republic. Photo By Shaun Herbertson. Copyright © Incognita Enterprises 2016 -- 7.6 Speaking Daggers Cast: Jaron Natoli, Christopher Kirby, Nadine Garner, Sally Mclean, Scott Major, Faran Martin, Billy Smedley, and Michala Banas. Photo By Christoph Ziegenhardt. Copyright © Incognita Enterprises 2016 -- 8.1 Suit of Armour at the Battle of Bosworth Re-Enactment, August 2017. Photo: Kaite O'Reilly -- 8.2 Sara Beer in Richard III Redux, on Location at Cilgerran Castle Near Cardigan (West Wales) for the Atmospheric Video Shoot (With Paul Whittaker, Videographer) that Opens the Performance. Photo: Kaite O'Reilly -- 8.3 Sara Beer as The 'National Treasure' Researching 'Her' R/Richard as a Six-Foot Four Non-Disabled Rugby Player -- 8.4 Sara Beer... Unable to 'Disappear' Into a Role -- 9.1 Mathew Baynton as William Shakespeare in Horrible Histories (Left) and as Bill Shakespeare in Bill. Images Courtesy of the BBC and BBC Films.

     

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    Source: Union catalogues
    Contributor: Norrie, Aidan (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781000073126
    Series: Routledge Studies in Shakespeare Ser.
    Subjects: Shakespeare, William,-1564-1616-Adaptations-History and criticism; Electronic books
    Scope: 1 online resource (271 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  20. New directions in early modern English drama
    edges, spaces, intersections
    Contributor: Norrie, Aidan (HerausgeberIn); Houlahan, Mark (HerausgeberIn)
    Published: [2020]; © 2020
    Publisher:  De Gruyter, Berlin ; Western Michigan University, Medieval Institue Publications, Boston

    Frontmatter -- Contents -- List of Figures -- Acknowledgments -- Foreword: The Stage on the Shore -- Chapter 1. Introduction: Edges, Spaces, and Intersections in Early Modern English Drama -- Chapter 2. A Life on the Edge: Richard Bradshaw -- Chapter... more

    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    HI 1266 101
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Heidelberg
    2020 A 13868
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Stuttgart
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der Eberhard Karls Universität
    60 A 4759
    Unlimited inter-library loan, copies and loan
    Herzog August Bibliothek Wolfenbüttel
    70.2548
    Unlimited inter-library loan, copies and loan

     

    Frontmatter -- Contents -- List of Figures -- Acknowledgments -- Foreword: The Stage on the Shore -- Chapter 1. Introduction: Edges, Spaces, and Intersections in Early Modern English Drama -- Chapter 2. A Life on the Edge: Richard Bradshaw -- Chapter 3. “Thou Dream’st Awake”: Ghosts and Sleep in Chapman’s Antonio’s Revenge and Marston’s Bussy D’Ambois -- Chapter 4. Canting Queer Ken: Stage Magic and the Edge of Knowledge -- Chapter 5. James Shirley at the Edge of Town -- Chapter 6. “Our Queen Is Comming to the Town”: Child Actors and Counsel in the Elizabethan Progresses of 1574 and 1578 -- Chapter 7. “And Huh, Too / For All Your Big Words!”: Language and Multiculturalism in Philip Massinger’s The Renegado -- Chapter 8. Inherited Insecurities and the Staging of Alterity: Islam in Marlowe’s Tamburlaine -- Chapter 9. “The End of All”: How a Forgotten Map Helped Us Forget Newington Butts -- Chapter 10. Hamlet’s French Philosophy -- Chapter 11. “Then Turn Tail to Tail and Peace Be with You”: John Fletcher’s The Woman’s Prize, or The Tamer Tamed, Menippean Satire, and Same-Sex Desire -- Chapter 12. “Whose Plot Was This?”: Shakespearean Convergences in Fletcher’s The Wild-Goose Chase -- Chapter 13. “They Always Speak Things as They Would Have Them”: Aspirational Royalist Politics in Henry Killigrew’s Pallantus and Eudora (1653 -- Notes on Contributors -- Index of Persons, Places, and Subjects This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book demonstrates that the people and concepts long seen as on the edge of early modern English drama made vital contributions both within the fictive worlds of early modern plays, and without, in the real worlds of playmakers, theaters, and audiences. The book engages with topics such as child actors, alterity, sexuality, foreignness, and locality to acknowledge and extend the rich sense of playmaking and all its ancillary activities that have emerged over the last decade. The essays by a global team of scholars bring to life people and practices that flourished on the edge, manifesting their importance to both early modern audiences, and to current readers and performers.

     

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    Content information
    Source: Union catalogues
    Contributor: Norrie, Aidan (HerausgeberIn); Houlahan, Mark (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501518218
    RVK Categories: HI 1266
    Series: Late Tudor and Stuart drama
    Subjects: English drama
    Scope: XVIII, 265 Seiten, Illustrationen
    Notes:

    Literaturangaben

  21. From medievalism to early-modernism
    adapting the English past
    Contributor: Gerzić, Marina (Herausgeber); Norrie, Aidan (Herausgeber)
    Published: 2020
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    Universitäts- und Landesbibliothek Bonn
    2021/3478
    Loan of volumes, no copies
    Export to reference management software   RIS file
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    Source: Union catalogues
    Contributor: Gerzić, Marina (Herausgeber); Norrie, Aidan (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9780367664725
    RVK Categories: HN 1101 ; HN 1140
    Edition: First issued in paperback
    Series: Routledge studies in medieval literature and culture ; 11
    Subjects: Mittelalter <Motiv>; Geschichtsbild; Film; Massenkultur; Englisch; Mittelalterbild; Literatur; Renaissance <Motiv>
    Scope: xv, 268 Seiten, Illustrationen
  22. Playfulness in Shakespearean adaptations
    Contributor: Gerzić, Marina (HerausgeberIn); Norrie, Aidan (HerausgeberIn)
    Published: 2020
    Publisher:  Routledge, Taylor & Frances Group, New York

    "Four hundred years after William Shakespeare's death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels,... more

    Access:
    Verlag (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    "Four hundred years after William Shakespeare's death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels, and digital media. Drawing on theories of play and adaptation, Playfulness in Shakespearean Adaptations demonstrates how the practices of Shakespearean adaptations are frequently products of playful, and sometimes irreverent, engagements that allow new 'Shakespeares' to emerge, revealing Shakespeare's ongoing impact in popular culture. Significantly, this collection explores the role of play in the construction of meaning in Shakespearean adaptations-adaptations of both the works of Shakespeare, and of Shakespeare the man-and contributes to the growing scholarly interest in playfulness both past and present. The chapters in Playfulness in Shakespearean Adaptations engage with the diverse ways that play is used in Shakespearean adaptations on stage, screen, and page, examining how these adaptations draw out existing humour in Shakespeare's works, the ways that play is used as a pedagogical aid to help explain complex language, themes, and emotions found in Shakespeare's works, and more generally how play and playfulness can make Shakespeare 'relatable, ' 'relevant, ' and entertaining for successive generations of audiences and readers"--

     

    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Contributor: Gerzić, Marina (HerausgeberIn); Norrie, Aidan (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429288807
    RVK Categories: HI 3330
    Series: Routledge studies in Shakespeare ; 41
    Subjects: Play in literature; Literature ; Adaptations; Criticism, interpretation, etc; Play in literature; Shakespeare, William ; 1564-1616 ; Adaptations ; History and criticism; LITERARY CRITICISM / General
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William
    Scope: 1 Online-Ressource (xvi, 254 Seiten)
    Notes:

    Includes bibliographical references and index

  23. New directions in Early Modern English drama
    edges, Spaces, intersections
    Contributor: Norrie, Aidan (HerausgeberIn); Houlahan, Mark (HerausgeberIn)
    Published: [2020]; © 2020
    Publisher:  De Gruyter, Berlin ; Western Michigan University, Medieval Institue Publications, Boston

    Frontmatter -- Contents -- List of Figures -- Acknowledgments -- Foreword: The Stage on the Shore -- Chapter 1. Introduction: Edges, Spaces, and Intersections in Early Modern English Drama -- Chapter 2. A Life on the Edge: Richard Bradshaw -- Chapter... more

    Access:
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    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Frontmatter -- Contents -- List of Figures -- Acknowledgments -- Foreword: The Stage on the Shore -- Chapter 1. Introduction: Edges, Spaces, and Intersections in Early Modern English Drama -- Chapter 2. A Life on the Edge: Richard Bradshaw -- Chapter 3. “Thou Dream’st Awake”: Ghosts and Sleep in Chapman’s Antonio’s Revenge and Marston’s Bussy D’Ambois -- Chapter 4. Canting Queer Ken: Stage Magic and the Edge of Knowledge -- Chapter 5. James Shirley at the Edge of Town -- Chapter 6. “Our Queen Is Comming to the Town”: Child Actors and Counsel in the Elizabethan Progresses of 1574 and 1578 -- Chapter 7. “And Huh, Too / For All Your Big Words!”: Language and Multiculturalism in Philip Massinger’s The Renegado -- Chapter 8. Inherited Insecurities and the Staging of Alterity: Islam in Marlowe’s Tamburlaine -- Chapter 9. “The End of All”: How a Forgotten Map Helped Us Forget Newington Butts -- Chapter 10. Hamlet’s French Philosophy -- Chapter 11. “Then Turn Tail to Tail and Peace Be with You”: John Fletcher’s The Woman’s Prize, or The Tamer Tamed, Menippean Satire, and Same-Sex Desire -- Chapter 12. “Whose Plot Was This?”: Shakespearean Convergences in Fletcher’s The Wild-Goose Chase -- Chapter 13. “They Always Speak Things as They Would Have Them”: Aspirational Royalist Politics in Henry Killigrew’s Pallantus and Eudora (1653 -- Notes on Contributors -- Index of Persons, Places, and Subjects This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book demonstrates that the people and concepts long seen as on the edge of early modern English drama made vital contributions both within the fictive worlds of early modern plays, and without, in the real worlds of playmakers, theaters, and audiences. The book engages with topics such as child actors, alterity, sexuality, foreignness, and locality to acknowledge and extend the rich sense of playmaking and all its ancillary activities that have emerged over the last decade. The essays by a global team of scholars bring to life people and practices that flourished on the edge, manifesting their importance to both early modern audiences, and to current readers and performers

     

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    Content information
    Source: Union catalogues
    Contributor: Norrie, Aidan (HerausgeberIn); Houlahan, Mark (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501513749; 9781501514029
    Other identifier:
    RVK Categories: HI 1266
    Series: Late Tudor and Stuart drama
    Subjects: English drama; DRAMA / English, Irish, Scottish, Welsh
    Scope: 1 Online-Ressource (XVIII, 265 Seiten), Illustrationen
    Notes:

    Literaturangaben

  24. From medievalism to early-modernism
    adapting the English past
    Contributor: Gerzić, Marina (Publisher); Norrie, Aidan (Publisher)
    Published: 2020
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    Europa-Universität Viadrina, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Source: Union catalogues
    Contributor: Gerzić, Marina (Publisher); Norrie, Aidan (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780367664725
    RVK Categories: HN 1101 ; HN 1140
    Edition: First issued in paperback
    Series: Routledge studies in medieval literature and culture ; 11
    Subjects: Film; Englisch; Massenkultur; Literatur; Mittelalter <Motiv>; Mittelalterbild; Geschichtsbild; Renaissance <Motiv>
    Scope: xv, 268 Seiten, Illustrationen
  25. From medievalism to early-modernism
    adapting the English past
    Contributor: Gerzić, Marina (Publisher); Norrie, Aidan (Publisher)
    Published: 2019
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    "From Medievalism to Early Modernism: Adapting the English Past is a collection of essays that both analyses the historical and cultural medieval and early modern past, and engages with the medievalism and early modernism - a new term introduced in... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan

     

    "From Medievalism to Early Modernism: Adapting the English Past is a collection of essays that both analyses the historical and cultural medieval and early modern past, and engages with the medievalism and early modernism - a new term introduced in this collection - present in contemporary popular culture. By focusing on often overlooked uses of the past in contemporary culture - such as the allusions to John Webster's The Duchess of Malfi (1623) in J.K. Rowling's Harry Potter books, and the impact of intertextual references and internet fandom on the BBC's The Hollow Crown: The Wars of the Roses - the contributors illustrate how cinematic, televisual, artistic, and literary depictions of the historical and cultural past not only re-purpose the past in varying ways, but also build on a history of adaptations that audiences have come to know and expect. From Medievalism to Early Modernism: Adapting the English Past analyses the way that the medieval and early modern periods are used in modern adaptations, and how these adaptations both reflect contemporary concerns, and engage with a history of intertextuality and intervisuality"

     

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    Content information
    Source: Union catalogues
    Contributor: Gerzić, Marina (Publisher); Norrie, Aidan (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781138366572
    RVK Categories: HH 1140
    Series: Routledge studies in medieval literature and culture ; 11
    Subjects: Literature, Modern; Medievalism in literature; Middle Ages in literature; Literature, Medieval; Literature and history; Mittelalter <Motiv>; Massenkultur; Geschichtsbild; Englisch; Mittelalterbild; Renaissance <Motiv>; Literatur
    Scope: xv, 268 Seiten
    Notes:

    Includes bibliographical references and index