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Displaying results 1 to 25 of 87.

  1. Mimesis
    from mirror to method. Augustine to Descartes
    Contributor: Lyons, John D. (Publisher); Nichols, Stephen G. (Publisher)
    Published: 1982
    Publisher:  Univ. Press of New England, Hannover ; London

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Lyons, John D. (Publisher); Nichols, Stephen G. (Publisher)
    Media type: Book
    ISBN: 0-87451-244-1
    Scope: VII, 277 S.
  2. Concepts of criticism
    Author: Wellek, René
    Published: 1965
    Publisher:  Yale Univ. Press, New Haven ; London

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Nichols, Stephen G. (Publisher)
    Language: English
    Media type: Book
    Edition: 3. print.
    Series: A Yale Paperbound ; 86
    Subjects: Literaturtheorie; Literaturkritik
    Scope: 403 S.
  3. Philology in Auerbach's drama of (literary) history
    Author: Nichols, Stephen G.

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Literary history and the challenge of philology : the legacy of Erich Auerbach.(1996); 1996; S. 63 - 77
  4. Urgent Voices
    The Vengeance of Images in Medieval Poetry
    Author: Nichols, Stephen G.

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Text und Kultur : mittelalterliche Literatur 1150 - 1450.(2001); 2001; S. 403 - 413
  5. Parallax
    Re-visions of culture and society
    Contributor: Nichols, Stephen G. (Publisher); Prince, Gerald (Publisher); Steiner, Wendy (Publisher)
    Published: [1995]
    Publisher:  Johns Hopkins Univ. Press, Baltimore

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Nichols, Stephen G. (Publisher); Prince, Gerald (Publisher); Steiner, Wendy (Publisher)
    Media type: Periodical
    Notes:

    Lokal vorhanden: 1989 -
  6. Spectral sea
    Mediterranean palimpsests in European culture
    Contributor: Nichols, Stephen G. (Herausgeber); Küpper, Joachim (Herausgeber); Kablitz, Andreas (Herausgeber)
    Published: [2017]; © 2017
    Publisher:  Peter Lang, New York

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    Ruhr-Universität Bochum, Universitätsbibliothek
    Signature:
    REB128
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    Universitäts- und Landesbibliothek Bonn
    Signature:
    W 2018/3698
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    Universitätsbibliothek der Fernuniversität
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    LACJ/NICO
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    Historisches Institut, Abteilung für Mittlere und Neuere Geschichte mit Abteilung für Nationalismusforschung, Bibliothek
    Signature:
    420/Bf55:17
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    Universität Köln, Gemeinsame Fachbibliothek Slavistik
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    SLAV/Afa14/20
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    Source: Union catalogues
    Contributor: Nichols, Stephen G. (Herausgeber); Küpper, Joachim (Herausgeber); Kablitz, Andreas (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9781433143229; 9781433143175
    Other identifier:
    9781433143229
    Series: Medieval interventions ; vol. 8
    Subjects: Religion; Sprache; Literatur; Kultur; Kulturaustausch
    Scope: xvi, 229 Seiten
    Notes:

    "The chapters contained in this volume originated as papers delivered at an international conference entiteled 'Europe and the Mediterranean World, 500-1500', which took place at the Deutsches Studienzentrum in Venice, Italy, November 5-8, 2009." - Preface
  7. From parchment to cyberspace
    medieval literature in the digital age
    Author: Nichols, Stephen G.
    Published: [2016]; © 2016
    Publisher:  Peter Lang, New York ; Bern ; Frankfurt ; Berlin ; Brussels ; Vienna ; Oxford ; Warsaw

    Introduction : why I wrote this book -- Technologies of the medieval book: the manuscript matrix. What is a manuscript culture? -- Materiality and mimesis : anatomy of an illusion -- No fool of time : the paradox of manuscript transmission --... more

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    Universitäts- und Landesbibliothek Bonn
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    W 2017/31
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    Kunstakademie Düsseldorf, Bibliothek
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    Nu, 106
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    Erzbischöfliche Diözesan- und Dombibliothek
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Universitäts- und Landesbibliothek Münster
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    Universitätsbibliothek Trier
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    Introduction : why I wrote this book -- Technologies of the medieval book: the manuscript matrix. What is a manuscript culture? -- Materiality and mimesis : anatomy of an illusion -- No fool of time : the paradox of manuscript transmission -- Technologies of manuscript knowledge: how we read now in the digital middle ages. The work of reading -- Variance and/as dynamic reading -- Synoptic reading : medieval manuscripts as text networks -- Epilogue : digital humanities and contemporary critical theory

     
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    Source: Union catalogues
    Contributor: Delcourt, Thierry (Widmungsempfänger)
    Language: English
    Media type: Book
    ISBN: 9781433129636
    Series: Medieval interventions ; vol. 2
    Subjects: Textkritik; Mittelalter; Literatur; Handschrift; Digitalisierung; Digital Humanities; Textgeschichte
    Scope: xxiv, 244 Seiten, Illustrationen
    Notes:

    "To the memory of Thierry Delcourt (1959-2011)" - Seite v

    Enthält Literaturangaben und Register
  8. Romanesque signs
    early Medieval narrative and iconography
    Author: Nichols, Stephen G.
    Published: 1983
    Publisher:  Yale Univ. Press, New Haven [u.a.]

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    Städel Museum, Bibliothek
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    I/6/1983
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    Universitätsbibliothek J. C. Senckenberg, Bibliothek Sprach- und Kulturwissenschaften (BSKW)
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    03/LH 81100 N622
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    Universität Gießen, Bibliothek Anglistik
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    DZ XC-MC 83-1
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    Universität Mainz, Zentralbibliothek
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    110.750
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    Universität Marburg, Bibliothek Kunst und Kulturwissenschaften, Kunstgeschichte
    Signature:
    A II 67/15
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0300028334; 0300036779
    RVK Categories: EC 5127 ; EC 6522 ; IE 4402 ; LH 81100
    Edition: 2. [Dr.]
    Subjects: Rezeption; Altfranzösisch; Mittellatein
    Scope: XIII, 248 S., Ill., graph. Darst.
  9. Mimesis
    from mirror to method, Augustine to Descartes
    Contributor: Lyons, John D. (Hrsg.); Nichols, Stephen G. (Hrsg.)
    Published: 1982
    Publisher:  Univ. Press of New England, Hanover [u.a.]

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    Universitätsbibliothek J. C. Senckenberg, Bibliothek Sprach- und Kulturwissenschaften (BSKW)
    Signature:
    03/LH 61045 L991
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    Location:
    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    Signature:
    LE 100.112
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    Source: Union catalogues
    Contributor: Lyons, John D. (Hrsg.); Nichols, Stephen G. (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    RVK Categories: LH 61045 ; EC 1050 ; EC 1970
    Subjects: Romanische Sprachen; Literatur; Mimesis
    Scope: VIII, 277 S.
  10. Comparatists at work
    studies in comparative literature
    Contributor: Nichols, Stephen G. (Hrsg.)
    Published: [1968]
    Publisher:  Blaisdell Pub. Co, Waltham, Mass

    Location:
    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Allgemeine und Vergleichende Literaturwissenschaft
    Signature:
    30.1 - 312/1
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    Universität Marburg, Universitätsbibliothek
    Signature:
    F 70/1072
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    Source: Union catalogues
    Contributor: Nichols, Stephen G. (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    RVK Categories: EC 1050 ; EC 1650
    Series: A Blaisdell book in comparative literature ; 1
    Subjects: Vergleichende Literaturwissenschaft
    Scope: VIII, 246 S., Ill., 23 cm
    Notes:

    Includes bibliographies
  11. From Parchment to Cyberspace
    Author: Nichols, Stephen G.
    Published: 2016
    Publisher:  Peter Lang Inc., New York ; Peter Lang International Academic Publishers, Bern

    From Parchment to Cyberspace argues the case for studying high-resolution digital images of original manuscripts to analyze medieval literature. By presenting a rigorous philosophical argument for the authenticity of such images (a point disputed by... more

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    From Parchment to Cyberspace argues the case for studying high-resolution digital images of original manuscripts to analyze medieval literature. By presenting a rigorous philosophical argument for the authenticity of such images (a point disputed by digital skeptics) the book illustrates how digitization offers scholars innovative methods for comparing manuscripts of vernacular literature – such as The Romance of the Rose or texts by Christine de Pizan – that reveal aspects of medieval culture crucial to understanding the period. «Overall, From Parchment to Cyberspace is a valuable (and, I might add, extravagantly illustrated) contribution to the growing critical conversation on the digitization of medieval manuscripts. Its unusual structure makes it an intriguing resource for teaching as well: individual chapters might teach well as standalone texts. Particularly in the ways that it demonstrates the positive impact of digital manuscripts on the broader study of medieval literature, this book is an intriguing and useful addition to the field.»«This book will be of great interest to the modern Medievalist and will likely spur on discussion between the different schools of Medieval thought, but it will also appeal to anyone interested in how digital can provide another model for textual transmission [...].»(John Rodzvilla, Publishing Research Quarterly Volume 33, Issue 2/2017)...

     
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    Source: Union catalogues
    Contributor: Nichols, Stephen G.
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781453915981
    Other identifier:
    RVK Categories: EC 5121 ; EC 1300
    DDC Categories: 800; 090
    Edition: 1st, New ed.
    Series: Medieval Interventions ; 2
    Subjects: Literatur; Handschrift; Digitalisierung; Handschriftenkunde; Digital Humanities; Mittelalter; Textgeschichte; Textkritik; Rezeption; Wandel
    Scope: 1 Online-Ressource
  12. Reading the Anglo-Saxon Self Through the Vercelli Book
    Author: Nichols, Stephen G.
    Published: 2018
    Publisher:  Peter Lang Inc., New York ; Peter Lang International Academic Publishers, Bern

    Reading the Anglo-Saxon Self Through the Vercelli Book explores conceptions of subjectivity in Anglo-Saxon England by analyzing the contents and sources of the Vercelli Book, a tenth-century compilation of Old English religious poetry and prose. The... more

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    Reading the Anglo-Saxon Self Through the Vercelli Book explores conceptions of subjectivity in Anglo-Saxon England by analyzing the contents and sources of the Vercelli Book, a tenth-century compilation of Old English religious poetry and prose. The Vercelli Book’s selection and arrangement of texts has long perplexed scholars, but this book argues that its organizational logic lies in the relationship of its texts to the performance of selfhood. Many of the poems and homilies represent subjectivity through "soul-and-body," a popular medieval literary motif that describes the soul’s physical departure from the body at death and its subsequent addresses to the body. Vercelli’s soul-and-body texts, together with its exemplary narratives of apostles and saints, construct a model of selfhood that is embodied and performative, predicated upon an interdependent relationship between the soul and the body in which the body has the potential for salvific action. The book thus theorizes an Anglo-Saxon conception of the self that challenges modern assumptions of a rigid soul/body dualism in medieval religious and literary tradition. Its arguments will therefore be of interest to students and scholars of literature, history, philosophy, and religious studies and would be appropriate for upper-level courses on Old English literature, Anglo-Saxon history, sermons and preaching in medieval England, and medieval religious practice.

     
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    Source: Union catalogues
    Contributor: Reading, Amity
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781433140556
    Other identifier:
    DDC Categories: 820
    Edition: 1st, New ed.
    Series: Medieval Interventions ; 7
    Subjects: Selbst <Motiv>
    Scope: 1 Online-Ressource
  13. Spectral Sea
    Author: Nichols, Stephen G.
    Published: 2017
    Publisher:  Peter Lang Inc., New York ; Peter Lang International Academic Publishers, Bern

    From the dawn of ancient civilization to modern times, the Mediterranean Sea looms in the imagination of the people living on its shores as a space of myth and adventure, of conquest and confrontation, of migration and settlement, of religious... more

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    From the dawn of ancient civilization to modern times, the Mediterranean Sea looms in the imagination of the people living on its shores as a space of myth and adventure, of conquest and confrontation, of migration and settlement, of religious ferment and conflict. Since its waters linked the earliest empires and centers of civilization, the Mediterranean generated globalization and multiculturalism. It gave birth to the three great monotheisms—Judaism, Christianity, and Islam—religions of the book, of the land and of the sea. Over the centuries, the Mediterranean witnessed the rise and fall of some of the oldest civilizations in the world. And as these cultures succeeded one another, century after century, each left a tantalizing imprint on later societies. Like the ancient artifacts constantly washed up from its depths, the lost cities and monuments abandoned in its deserts or sunk beneath its waves, Mediterranean topography and culture is a chaotic present spread over a palimpsest many layers deep.No region grappled more continuously with, nor was more deeply marked by Mediterranean culture and history than Europe. Europe’s religions, its languages, its learning, its laws, its sense of history, even its food and agriculture, all derived from Greek, Roman, and—in the Middle Ages—Muslim and Jewish cultures. The essays in this book lay bare the dynamics of cultural confrontation between Europe and the Mediterranean world from medieval to modern times. One momentous result of this engagement was the creation of vernacular languages and the diverse body of literature, history, and art arising from them. The achievements of the arts reveal—to borrow a geological metaphor—the grinding tectonic pates of Mediterranean cultures and languages butting up against pre-existing European strata.

     
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    Source: Union catalogues
    Contributor: Nichols, Stephen G.; Küpper, Joachim; Kablitz, Andreas
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781433143144
    Other identifier:
    Edition: 1st, New ed.
    Series: Medieval Interventions ; 8
    Subjects: Kultur; Literatur; Sprache; Religion; Kulturaustausch
    Scope: 1 Online-Ressource
  14. Demonic Possession, Vulnerability, and Performance in Medieval French Drama
    Author: Nichols, Stephen G.
    Published: 2018
    Publisher:  Peter Lang Inc., New York ; Peter Lang International Academic Publishers, Bern

    Just like the modern hysteric, a figure that catalyzes clinical vocabularies confirming medieval theological anxieties, the demoniac has been considered an "anomalous" and "abnormal" manifestation of womanhood. Incapable of self-governance, both... more

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    Just like the modern hysteric, a figure that catalyzes clinical vocabularies confirming medieval theological anxieties, the demoniac has been considered an "anomalous" and "abnormal" manifestation of womanhood. Incapable of self-governance, both linguistic and corporeal, the medieval possessed is placed in the category of the pathological. The symptoms of possession are part of a multilayered discourse coined by medieval theologians, authors of exempla, hagiographers, and natural philosophers. The subjectivity of the demoniac becomes, thus, a fetishistic construction which allows medieval male intellectuals to ponder questions about demons, the supernatural, and the human body. Demonic Possession, Vulnerability, and Performance in Medieval French Drama advocates for an affective and ethical framework of reading the vocabularies of possession in which the demoniac’s convulsions, contortions, shrieks of pain, and snapshots of disarticulated language are not conceptualized as "pathological" but as a model of intercorporeality built around modalities of sensuous exchange between the bodies of both the possessed and of those whom she comes in contact with. Can we think of a corporeal agency of the "anomalous" body of the possessed independent of reason and articulated language? What happens when such distorted bodies enter zones of visual, haptic, and aural contact with abled-bodied individuals? Can possession be considered as a producer of a sensuous type of knowledge that alters the way sovereign subjects perceive themselves? Taking as primary sources a series of late-medieval French Passion Plays and hagiographical plays authored by poetic and religious figures such as Arnoul Gréban, André de la Vigne, Eustache Mercadé, and Jean Michel, this book argues that the lyrical capaciousness of the plays as forms of narrativized poetics allows us to understand demonic possession as a series of bodily narratives of pain, of healing, of witnessing, and, ultimately, of vulnerability.

     
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    Source: Union catalogues
    Contributor: Marculescu, Andreea
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781433150630
    Other identifier:
    DDC Categories: 230; 130; 840
    Edition: 1st, New ed.
    Series: Medieval Interventions ; 4
    Subjects: Französisch; Drama; Besessenheit <Motiv>; Frau <Motiv>
    Scope: 1 Online-Ressource
  15. Getting the Blues
    Author: Nichols, Stephen G.
    Published: 2019
    Publisher:  Peter Lang Inc., New York ; Peter Lang International Academic Publishers, Bern

    Getting the Blues: Vision and Cognition in the Middle Ages is an interdisciplinary study of medieval color. By integrating scientific and literary approaches, it revises our current understanding of how people in medieval Europe experienced color and... more

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    Getting the Blues: Vision and Cognition in the Middle Ages is an interdisciplinary study of medieval color. By integrating scientific and literary approaches, it revises our current understanding of how people in medieval Europe experienced color and what it meant to them. This book insists that the past perception of the world can be recovered by joining timeless universal constraints on human experience (discovered by science) to the unique cultural expressions of that experience (revealed by literature).The Middle Ages may evoke images of the multicolored stained glass of gothic cathedrals, the motley garb of minstrels, or the brilliant illuminations of manuscripts, yet such color often goes unnoticed in scholarly accounts of medieval literature. Getting the Blues restores some of the most important literary works of the Middle Ages to their full living color. Particular consideration is given to the twelfth-century Arthurian romances by Chrétien de Troyes and the thirteenth-century Lancelot-Grail Cycle.Getting the Blues engages debates within the humanities and the sciences over universalist and relativist approaches to how humans see and name color. Scholars in the humanities often insist that color is a strictly cultural phenomenon, eschewing as irrelevant to the Middle Ages recent developments in cognitive science that show universal constraints on how people in all cultures see and name color. This book contributes to the recent cognitive turn in the humanities and sheds new light on some of the most frequent and meaningful cultural experiences in the Middle Ages: the perception, use, and naming of color.

     
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    Source: Union catalogues
    Contributor: Reilly, Brian J.
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781433157530
    Other identifier:
    RVK Categories: EC 5126
    DDC Categories: 000; 700; 800
    Edition: 1st, New ed.
    Series: Medieval Interventions ; 12
    Subjects: Farbe <Motiv>; Literatur
    Scope: 1 Online-Ressource
  16. Mimesis
    from mirror to method, Augustine to Descartes
    Contributor: Lyons, John D.; Nichols, Stephen G.
    Published: 2004
    Publisher:  Davies Group, Aurora, Colo. ; [ProQuest], [Ann Arbor, Michigan]

    Location:
    Universität Frankfurt, Elektronische Ressourcen
    Signature:
    /
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    Universitätsbibliothek Gießen
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    Source: Union catalogues
    Contributor: Lyons, John D.; Nichols, Stephen G.
    Language: English
    Media type: Book
    Format: Online
    Series: Critical studies in the humanities
    Scope: xviii, 277 p.
    Notes:

    Includes bibliographical references and index
  17. Romanesque signs
    early medieval narrative and iconography
    Author: Nichols, Stephen G.
    Published: 2010
    Publisher:  Davies Group, Publishers, Aurora, Colo. ; [ProQuest], [Ann Arbor, Michigan]

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    Universität Frankfurt, Elektronische Ressourcen
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    /
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    Universitätsbibliothek Gießen
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781935790549
    Series: Critical studies in the humanities
    Scope: xviii, 318 p., Ill.
    Notes:

    Includes bibliographical references and index
  18. From parchment to cyberspace
    medieval literature in the digital age
    Author: Nichols, Stephen G.
    Published: [2016]; © 2016
    Publisher:  Peter Lang, New York

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    90.753.01
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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
    Signature:
    2019/2466
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    Wissenschaftliche Stadtbibliothek
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    -FoBi- Cle 16
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    Universität Marburg, Universitätsbibliothek
    Signature:
    001 EC 1300 N622
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781433129636
    Other identifier:
    9781433129636
    RVK Categories: EC 5121 ; EC 1300
    DDC Categories: 090; 800
    Series: Medieval interventions ; Vol. 2
    Subjects: Literatur; Handschrift; Digitalisierung; Handschriftenkunde; Digital Humanities; Mittelalter; Textgeschichte; Textkritik; Rezeption; Wandel
    Scope: xxiv, 244 Seiten, Illustrationen
  19. The whole book
    cultural perspectives on the medieval miscellany
    Contributor: Nichols, Stephen G. (Hrsg.)
    Published: 1996
    Publisher:  Univ. of Mich. Press, Ann Arbor, Mich.

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    90.482.97
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    Source: Union catalogues
    Contributor: Nichols, Stephen G. (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0472106961
    RVK Categories: EC 5129 ; AM 43000 ; HH 1279
    Series: Recentiores: later latin texts & contexts
    Subjects: Handschrift; Buchgeschichte <Fach>
    Scope: 188 S.
  20. Romanesque signs
    early medieval narrative and iconography
    Author: Nichols, Stephen G.
    Published: 1983
    Publisher:  Yale Univ. Pr., New Haven u.a.

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Monumenta Germaniae Historica, Deutsches Institut für Erforschung des Mittelalters, Bibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  21. Formulaic diction and thematic composition in the Chanson de Roland
    Author: Nichols, Stephen G.
    Published: [1961]
    Publisher:  Univ. of North Carolina Press, Chapel Hill

    Location:
    Berlin-Brandenburgische Akademie der Wissenschaften, Akademiebibliothek
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    Series: University of North Carolina studies in the Romance languages and literatures ; 36
    Subjects: Chanson de Roland;
    Scope: 56 p, 23 cm
    Notes:

    Bibliographical footnotes
  22. Spectral Sea
    Mediterranean palimpsests in European culture
    Contributor: Nichols, Stephen G. (Publisher); Küpper, Joachim (Publisher); Kablitz, Andreas (Publisher)
    Published: [2017]; © 2017
    Publisher:  Peter Lang, New York ; Bern ; Frankfurt ; Berlin ; Brussels ; Vienna ; Oxford ; Warsaw

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Universitätsbibliothek der LMU München
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    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Content information
    Source: Union catalogues
    Contributor: Nichols, Stephen G. (Publisher); Küpper, Joachim (Publisher); Kablitz, Andreas (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781433143229; 9781433143175
    DDC Categories: 420
    Series: Medieval interventions ; vol. 8
    Subjects: Kulturaustausch
    Other subjects: Culture; European; Mediterranean; Nichols; Palimpsests; Spectral; Englische Sprachwissenschaft, Literaturwissenschaft
    Scope: XVI, 229 Seiten
  23. Romanesque signs
    early medieval narrative and iconography
    Author: Nichols, Stephen G.
    Published: 2010
    Publisher:  Davies Group, Publishers, Aurora, Colo.

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781934542217; 9781935790549
    Series: Critical studies in the humanities
    Subjects: Geschichte; Literature, Medieval; Narration (Rhetoric); History in literature; Altfranzösisch; Epos; Romanik; Mittellatein; Rezeption; Historische Literatur; Ikonographie
    Other subjects: Rodolfus Glaber (985-1047); Karl Heiliges Römisches Reich, Kaiser (747-814)
    Scope: xviii, 318 p.
    Notes:

    Includes bibliographical references and index

    Preface -- The discourse of history -- Historia and theosis -- Charlemagne redivivus: from history to historia -- Historia and the poetics of the passion -- Roncevaux and the poetics of place/person in The song of Roland
  24. From Parchment to Cyberspace
    Medieval Literature in the Digital Age
    Contributor: Nichols, Stephen G. (Publisher)
    Published: 2016
    Publisher:  Peter Lang Inc., International Academic Publishers, New York

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Location:
    Bayerische Staatsbibliothek
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Nichols, Stephen G. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781453915981
    Other identifier:
    9781453915981
    RVK Categories: EC 1300 ; EC 5121
    Edition: 1st, New ed
    Subjects: Rezeption; Literatur; Mittelalter; Handschriftenkunde; Wandel; Digitalisierung
    Scope: 1 Online-Ressource (268 Seiten)
    Notes:

    Online resource; title from title screen (viewed June 27, 2019)

    From Parchment to Cyberspace argues the case for studying high-resolution digital images of original manuscripts to analyze medieval literature. By presenting a rigorous philosophical argument for the authenticity of such images (a point disputed by digital skeptics) the book illustrates how digitization offers scholars innovative methods for comparing manuscripts of vernacular literature - such as The Romance of the Rose or texts by Christine de Pizan - that reveal aspects of medieval culture crucial to understanding the period

    «Overall, From Parchment to Cyberspace is a valuable (and, I might add, extravagantly illustrated) contribution to the growing critical conversation on the digitization of medieval manuscripts. Its unusual structure makes it an intriguing resource for teaching as well: individual chapters might teach well as standalone texts. Particularly in the ways that it demonstrates the positive impact of digital manuscripts on the broader study of medieval literature, this book is an intriguing and useful addition to the field.» «This book will be of great interest to the modern Medievalist and will likely spur on discussion between the different schools of Medieval thought, but it will also appeal to anyone interested in how digital can provide another model for textual transmission [...].» (John Rodzvilla, Publishing Research Quarterly Volume 33, Issue 2/2017)
  25. Getting the Blues
    Vision and Cognition in the Middle Ages
    Contributor: Nichols, Stephen G. (Publisher)
    Published: 2019
    Publisher:  Peter Lang Inc., International Academic Publishers, New York

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Nichols, Stephen G. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781433157530
    Other identifier:
    9781433157530
    RVK Categories: EC 5126
    Edition: 1st, New ed
    Subjects: Farbensehen; Literatur; Farbe <Motiv>
    Scope: 1 Online-Ressource (266 Seiten), 12 ill
    Notes:

    Online resource; title from title screen (viewed June 27, 2019)

    Getting the Blues: Vision and Cognition in the Middle Ages is an interdisciplinary study of medieval color. By integrating scientific and literary approaches, it revises our current understanding of how people in medieval Europe experienced color and what it meant to them. This book insists that the past perception of the world can be recovered by joining timeless universal constraints on human experience (discovered by science) to the unique cultural expressions of that experience (revealed by literature). The Middle Ages may evoke images of the multicolored stained glass of gothic cathedrals, the motley garb of minstrels, or the brilliant illuminations of manuscripts, yet such color often goes unnoticed in scholarly accounts of medieval literature. Getting the Blues restores some of the most important literary works of the Middle Ages to their full living color. Particular consideration is given to the twelfth-century Arthurian romances by Chrétien de Troyes and the thirteenth-century Lancelot-Grail Cycle. Getting the Blues engages debates within the humanities and the sciences over universalist and relativist approaches to how humans see and name color. Scholars in the humanities often insist that color is a strictly cultural phenomenon, eschewing as irrelevant to the Middle Ages recent developments in cognitive science that show universal constraints on how people in all cultures see and name color. This book contributes to the recent cognitive turn in the humanities and sheds new light on some of the most frequent and meaningful cultural experiences in the Middle Ages: the perception, use, and naming of color