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  1. Reading Mansfield and metaphors of form
    Published: c1999
    Publisher:  McGill-Queen's University Press, Montreal [Que.]

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 077351791X; 077356747X; 9780773517912; 9780773567474
    Subjects: English literature; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; LITERARY CRITICISM / Women Authors
    Other subjects: Mansfield, Katherine / 1888-1923; Mansfield, Katherine / 1888-1923 / Style; Mansfield, Katherine / 1888-1923 / Critique et interprétation; Mansfield, Katherine; Mansfield, Katherine / 1888-1923; Mansfield, Katherine (1888-1923); Mansfield, Katherine (1888-1923)
    Scope: 1 Online-Ressource (xxi, 215 p.)
    Notes:

    Includes bibliographical references and index

    Canon, Colony, and Critical Expectation -- - Reading and Writing -- - Reading Reading -- - In the Act of Writing: Manuscript Practice -- - A Catalogue of Forms -- - Metaphors of Form -- - Reading for form -- - Reiteration: Stories of Static Action -- - Overturns: Stories of Deferral -- - After and Before: The Epilogues and "Prelude" -- - The Art of Reconstruction: Reading "The Escape."

    "Taking an innovative approach to criticism, Reading Mansfield and Metaphors of Form demonstrates how Mansfield's stylistic practice both embodies and conveys her analysis of social and psychological trauma through a "metaphoric" use of literary form. New argues that the stories are neither simple vehicles for conveying emotional states nor neutral representations of moments in time but carefully crafted models, or correlatives, of social and psychological conditions of understanding. He elucidates a number of formal strategies, such as sequence, reversal, negation, repetition, deferral, and reconstruction, and then applies them to a wide range of Mansfield's stories, including such favorites as "Prelude," "The Voyage," "The Little Governess," and "Je ne parle pas francais.""--Jacket

  2. Land sliding
    imagining space, presence, and power in Canadian writing
    Published: c1997
    Publisher:  University of Toronto Press, Toronto, Ont.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1442676566; 9780802079626; 9781442676565
    RVK Categories: HQ 4040
    Subjects: Littérature canadienne-anglaise / Thèmes, motifs; Sol, Utilisation du, dans la littérature; Literatur; Landschaft (Motiv); LITERARY CRITICISM / American / General; LITERARY CRITICISM / Canadian; Literatur; Landschaft; Canadian literature; Land use in literature; Canadian literature; Land use in literature; Landschaft <Motiv>; Literatur
    Scope: 1 Online-Ressource (xvii, 278 p.)
    Notes:

    Includes bibliographical references (p. [231]-258) and index

    Land-Forms: An Introduction -- 1. Landing: Literature, Contact, and the Natural World -- 2. Land-Office: Literature, Property, and Power -- 3. Landed: Literature and Region -- 4. Landscape: Literature, Language, Space, and Site

    Why have so many of this century's prominent political and literary critics wanted to find a single metaphor to describe the character of Canada? Why have so many used land-based metaphors in reference to the divisions between centre and margin, colony and empire, wealth and power? W.H. New, in Land Sliding: Imagining Space, Presence, and Power in Canadian Writing, investigates this established paradigm by examining why so many writers have accepted the land as a comprehensive image of nationhood. Is there in fact, he questions, a landscape that is 'natural, ' unmediated by social values and literary representation?

    Asking what 'land' as an abstract concept and a physical site has to do with writing, representation, and power, New looks at the 'sliding' relationship by which people associate their surroundings with their position in society. New's study of land in literature is a commentary on the way a culture produces values by transforming the 'natural' into literary idiom and, in turn, making literary convention seem natural. Land Sliding develops not as a history of uniformity or progress, but as a series of dialogues between part and present, between paradigms and disciplines. It draws on a wide range of texts, including First Nations narratives, contemporary poetry and fiction, government documents, and real estate ads, as well as artwork and photographs, to illustrate the complex associations that link place, power, and language in Canada today

    W.H. New invites readers to look again at Canada's changing cultural character by rereading both the landscape and the people who have interpreted it. Land Sliding will have an important place in many disciplines, among them literary studies, geography, fine arts, and Canadian studies