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Displaying results 1 to 16 of 16.

  1. Material figures
    political economy, commercial culture, and the aesthetic sensibility of Charles Baudelaire
    Author: Murphy, Margueritte S.
    Published: 2012
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Acknowledgements -- Introduction -- Equilibrium and Utility: Measures of Desire -- Spectacles of Consumption: Art and the Industrial Exhibitions -- Baudelaire’s Salon de 1846 and the Education of the Bourgeois Viewer --... more

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    Universitätsbibliothek Leipzig
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    Südwestdeutscher Bibliotheksverbund (SWB)

     

    Preliminary Material -- Acknowledgements -- Introduction -- Equilibrium and Utility: Measures of Desire -- Spectacles of Consumption: Art and the Industrial Exhibitions -- Baudelaire’s Salon de 1846 and the Education of the Bourgeois Viewer -- Baudelaire after 1848: Towards a Cosmopolitan Aesthetic -- Products of Desire in Les Fleurs du mal -- A Subjectivity of Things: Le Spleen de Paris -- Afterword -- Works Cited -- Index. Ideological debates about economics and aesthetics raged hotly in nineteenth-century France. French political economy was taking shape as a discipline that would support free-market liberalism, while l’art pour l’art theories circulated, and utopian systems with aesthetic and economic agendas proliferated. Yet, as this book argues, the discourses of art and literature worked in tandem with market discourses to generate theories of economic and social order, of the model of the self-individuating and desiring subject of modernity, and of this individual’s relationship to a new world of objects. Baudelaire as a poet and art critic is exemplary: Rather than a disaffected artist, Baudelaire is shown to be a spectator desirous of both art and goods whose sensibilities reflect transformations in habits of perception. The book includes chapters on equilibrium and utility in economic and aesthetic theory, on the place of the aesthetic in press coverage of the industrial exhibitions, on the harmonic theories of Baudelaire’s early art criticism, aimed at a bourgeois audience, on Baudelaire’s radical cosmopolitanism learned through viewing “objects” on display at the Universal Exhibition of 1855, and on Les Fleurs du Mal and Le Spleen de Paris , where language makes visible the traits of a new material world

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401208017
    Other identifier:
    Series: Faux titre ; 375
    Subjects: Politics and literature; Economics and literature; Aesthetics; Economics and literature; Political and social views; Politics and literature; History
    Other subjects: Baudelaire, Charles (1821-1867); Baudelaire, Charles (1821-1867); Baudelaire, Charles
    Scope: 1 Online-Ressource (252 pages)
    Notes:

    Includes bibliographical references (p. 233-243) and indexes
  2. A tradition of subversion
    the prose poem in English from Wilde to Ashbery
    Author: Murphy, Margueritte S.
    Published: c1992
    Publisher:  University of Massachusetts Press, Amherst

    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    01.b.4428
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    94 A 5408
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0870237810
    Subjects: American prose literature; American poetry; Prose poems, American; Social norms in literature; Dissenters in literature
    Other subjects: Williams, William Carlos (1883-1963): Kora in hell; Stein, Gertrude (1874-1946): Tender buttons; Ashbery, John (1927-2017)
    Scope: ix, 246 p, 24 cm
    Notes:

    Includes bibliographical references (p. 233-240) and index
  3. A tradition of subversion
    the prose poem in English from Wilde to Ashbery
    Author: Murphy, Margueritte S.
    Published: 1992
    Publisher:  University of Massachusetts Press, Amherst, Mass. ; EBSCO Industries, Inc., Birmingham, AL, USA

    From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in... more

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    Bibliothek der Hochschule Mainz, Untergeschoss
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    From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in Anglo-American literature and provides a model for reading the prose poem, irrespective of language or national literature. Murphy argues that the prose poem is an inherently subversive genre, one that must perpetually undermine prosaic conventions in order to validate itself as authentically "other." At the same time, each prose poem must to some degree suggest a traditional prose genre in order to subvert it successfully. The prose poem is thus of special interest as a genre in which the traditional and the new are brought inevitably and continually into conflict. Beginning with a discussion of the French prose poem and its adoption in England by the Decadents, Murphy examines the effects of this association on later poets such as T.S. Eliot. She also explores the perception of the prose poem as an androgynous genre. Then, with a sensitivity to the sociopolitical nature of language, she draws on the work of Mikhail Bakhtin to illuminate the ideology of the genre and explore its subversive nature. The bulk of the book is devoted to insightful readings of William Carlos Williams's Kora in Hell, Gertrude Stein's Tender Buttons, and John Ashbery's Three Poems. As notable examples of the American prose poem, these works demonstrate the range of this genre's radical and experimental possibilities.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 058518674X; 9780585186740
    RVK Categories: HU 1761
    Subjects: Englisch; Prosagedicht
    Other subjects: Williams, William Carlos (1883-1963): Kora in hell; Stein, Gertrude (1874-1946): Tender buttons
    Scope: 1 Online-Ressource (ix, 246 pages)
    Notes:

    Includes bibliographical references (pages 233-240) and index
  4. A tradition of subversion
    the prose poem in English from Wilde to Ashbery
    Author: Murphy, Margueritte S.
    Published: c1992
    Publisher:  University of Massachusetts Press, Amherst, Mass

    From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in... more

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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in Anglo-American literature and provides a model for reading the prose poem, irrespective of language or national literature. Murphy argues that the prose poem is an inherently subversive genre, one that must perpetually undermine prosaic conventions in order to validate itself as authentically "other." At the same time, each prose poem must to some degree suggest a traditional prose genre in order to subvert it successfully. The prose poem is thus of special interest as a genre in which the traditional and the new are brought inevitably and continually into conflict. Beginning with a discussion of the French prose poem and its adoption in England by the Decadents, Murphy examines the effects of this association on later poets such as T.S. Eliot. She also explores the perception of the prose poem as an androgynous genre. Then, with a sensitivity to the sociopolitical nature of language, she draws on the work of Mikhail Bakhtin to illuminate the ideology of the genre and explore its subversive nature. The bulk of the book is devoted to insightful readings of William Carlos Williams's Kora in Hell, Gertrude Stein's Tender Buttons, and John Ashbery's Three Poems. As notable examples of the American prose poem, these works demonstrate the range of this genre's radical and experimental possibilities

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 058518674X; 9780585186740
    Subjects: Social norms in literature; American prose literature; American poetry; Prose poems, American
    Other subjects: Ashbery, John (1927-): Poems; Stein, Gertrude (1874-1946): Tender buttons; Williams, William Carlos (1883-1963): Kora in hell
    Scope: Online-Ressource (ix, 246 p)
    Notes:

    Includes bibliographical references (p. 233-240) and index

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    Electronic reproduction
  5. The Edinburgh Companion to the Prose Poem
    Author: Caws, Mary Ann; Delville, Michel
    Published: [2022]; ©2021
    Publisher:  Edinburgh University Press, Edinburgh

    A collection of original essays providing critical, international and cross-disciplinary approaches to the prose poemProvides the first international and comparative approach to the prose poemIncludes chapters on non-Western avatars of the... more

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    Universität Potsdam, Universitätsbibliothek
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    A collection of original essays providing critical, international and cross-disciplinary approaches to the prose poemProvides the first international and comparative approach to the prose poemIncludes chapters on non-Western avatars of the genreCovers the history of the prose poem from Baudelaire to presentThe first comprehensive guide to the prose poem, this book covers the history of the genre from Aloysius Bertrand’s Gaspard de la nuit and Baudelaire’s Paris Spleen to its most important modern and contemporary practitioners. It gives special attention to the genre’s hybridity as well as to its propensity to engage in a dialogue with other genres, discourses and artistic forms. Written by prominent scholars of modern and contemporary poetry and poetics, The Edinburgh Companion to the Prose Poem offers analytical and historically informed narratives of the genre’s transformations and variations across the nineteenth and twentieth centuries and into the next

     
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    Content information
    Source: Union catalogues
    Contributor: Acquisto, Joseph (MitwirkendeR); Admussen, Nick (MitwirkendeR); Antoon, Sinan (MitwirkendeR); Barda, Jeff (MitwirkendeR); Caws, Mary Ann (MitwirkendeR); Delville, Michel (MitwirkendeR); Deming, Richard (MitwirkendeR); Domina, Lynn (MitwirkendeR); Fredman, Stephen (MitwirkendeR); Gwiazda, Piotr (MitwirkendeR); Israel-Pelletier, Aimée (MitwirkendeR); LeRud, Lizzy (MitwirkendeR); Lloyd, Rosemary (MitwirkendeR); Mehl, Scott (MitwirkendeR); Miller, Alyson (MitwirkendeR); Monroe, Jonathan (MitwirkendeR); Monson, Jane (MitwirkendeR); Murphy, Margueritte S. (MitwirkendeR); Rosenthal, Adam R. (MitwirkendeR); Santilli, Nikki (MitwirkendeR); Wagstaff, Emma (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474462754
    Other identifier:
    RVK Categories: EC 6440
    Series: Edinburgh Companions to Literature and the Humanities
    Subjects: Prose poems; Literary Studies; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Scope: 1 Online-Ressource (360 p.), 3 B/W illustrations 4 colour illustrations
  6. A tradition of subversion
    the prose poem in English from Wilde to Ashbery
    Author: Murphy, Margueritte S.
    Published: 1992
    Publisher:  Univ. of Massachusetts Pr., Amherst

    From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in... more

    Location:
    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Würzburg
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    From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in Anglo-American literature and provides a model for reading the prose poem, irrespective of language or national literature. Murphy argues that the prose poem is an inherently subversive genre, one that must perpetually undermine prosaic conventions in order to validate itself as authentically "other." At the same time, each prose poem must to some degree suggest a traditional prose genre in order to subvert it successfully. The prose poem is thus of special interest as a genre in which the traditional and the new are brought inevitably and continually into conflict. Beginning with a discussion of the French prose poem and its adoption in England by the Decadents, Murphy examines the effects of this association on later poets such as T.S. Eliot. She also explores the perception of the prose poem as an androgynous genre. Then, with a sensitivity to the sociopolitical nature of language, she draws on the work of Mikhail Bakhtin to illuminate the ideology of the genre and explore its subversive nature. The bulk of the book is devoted to insightful readings of William Carlos Williams's Kora in Hell, Gertrude Stein's Tender Buttons, and John Ashbery's Three Poems. As notable examples of the American prose poem, these works demonstrate the range of this genre's radical and experimental possibilities.

     
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  7. A tradition of subversion
    the prose poem in English from Wilde to Ashbery
    Author: Murphy, Margueritte S.
    Published: ©1992
    Publisher:  University of Massachusetts Press, Amherst, Mass.

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 058518674X; 0870237810; 9780585186740; 9780870237812
    Subjects: Prose américaine / 20e siècle / Histoire et critique; Poésie américaine / 20e siècle / Histoire et critique; Poèmes en prose américains / Histoire et critique; LITERARY CRITICISM / Poetry; Prosagedicht; Geschichte; American prose literature; American poetry; Prose poems, American; Social norms in literature; Prosagedicht; Geschichte; Englisch
    Other subjects: Wilde, Oscar / 1854-1900; Williams, William Carlos / 1883-1963 / Kora in hell; Stein, Gertrude / 1874-1946 / Tender buttons; Ashbery, John / Three poems; Williams, William Carlos / Kora in hell; Ashbery, John; Stein, Gertrude / Tender buttons; Williams, William Carlos / 1883-1963; Stein, Gertrude / 1874-1946; Ashbery, John; Williams, William Carlos (1883-1963): Kora in hell; Stein, Gertrude (1874-1946): Tender buttons; Ashbery, John (1927-): Poems; Williams, William Carlos (1883-1963): Kora in hell; Ashbery, John (1927-2017)
    Scope: 1 Online-Ressource (ix, 246 pages)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. 233-240) and index

    From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in Anglo-American literature and provides a model for reading the prose poem, irrespective of language or national literature. Murphy argues that the prose poem is an inherently subversive genre, one that must perpetually undermine prosaic conventions in order to validate itself as authentically "other." At the same time, each prose poem must to some degree suggest a traditional prose genre in order to subvert it successfully. The prose poem is thus of special interest as a genre in which the traditional and the new are brought inevitably and continually into conflict. Beginning with a discussion of the French prose poem and its adoption in England by the Decadents, Murphy examines the effects of this association on later poets such as T.S. Eliot. She also explores the perception of the prose poem as an androgynous genre. Then, with a sensitivity to the sociopolitical nature of language, she draws on the work of Mikhail Bakhtin to illuminate the ideology of the genre and explore its subversive nature. The bulk of the book is devoted to insightful readings of William Carlos Williams's Kora in Hell, Gertrude Stein's Tender Buttons, and John Ashbery's Three Poems. As notable examples of the American prose poem, these works demonstrate the range of this genre's radical and experimental possibilities
  8. The critic as cosmopolite
    Baudelaire's international sensibility and the transformation of viewer subjectivity
    Author: Murphy, Margueritte S.
    Published: 2008

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Article (edited volume)
    Parent title:
    Art and life in aestheticism / ed. by Kelly Comfort; Basingstoke [u.a.], 2008; S. 25-41
    Subjects: Kunstkritik; Ästhetik
    Other subjects: Baudelaire, Charles (1821-1867)
  9. The Edinburgh Companion to the Prose Poem
    Author: Caws, Mary Ann; Delville, Michel
    Published: [2021]; ©2021
    Publisher:  Edinburgh University Press, Edinburgh ; Walter de Gruyter GmbH, Berlin

    A collection of original essays providing critical, international and cross-disciplinary approaches to the prose poemProvides the first international and comparative approach to the prose poemIncludes chapters on non-Western avatars of the... more

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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    A collection of original essays providing critical, international and cross-disciplinary approaches to the prose poemProvides the first international and comparative approach to the prose poemIncludes chapters on non-Western avatars of the genreCovers the history of the prose poem from Baudelaire to presentThe first comprehensive guide to the prose poem, this book covers the history of the genre from Aloysius Bertrand's Gaspard de la nuit and Baudelaire's Paris Spleen to its most important modern and contemporary practitioners. It gives special attention to the genre's hybridity as well as to its propensity to engage in a dialogue with other genres, discourses and artistic forms. Written by prominent scholars of modern and contemporary poetry and poetics, The Edinburgh Companion to the Prose Poem offers analytical and historically informed narratives of the genre's transformations and variations across the nineteenth and twentieth centuries and into the next.

     
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    Content information
    Source: Union catalogues
    Contributor: Acquisto, Joseph (Mitwirkender); Admussen, Nick (Mitwirkender); Antoon, Sinan (Mitwirkender); Barda, Jeff (Mitwirkender); Deming, Richard (Mitwirkender); Domina, Lynn (Mitwirkender); Fredman, Stephen (Mitwirkender); Gwiazda, Piotr (Mitwirkender); Israel-Pelletier, Aimée (Mitwirkender); LeRud, Lizzy (Mitwirkender); Lloyd, Rosemary (Mitwirkender); Mehl, Scott (Mitwirkender); Miller, Alyson (Mitwirkender); Monroe, Jonathan (Mitwirkender); Monson, Jane (Mitwirkender); Murphy, Margueritte S. (Mitwirkender); Rosenthal, Adam R. (Mitwirkender); Santilli, Nikki (Mitwirkender); Wagstaff, Emma (Mitwirkender)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474462754
    Other identifier:
    Series: Edinburgh Companions to Literature and the Humanities
    Subjects: Prosagedicht
    Scope: 1 Online-Ressource (360 p.), 3 B/W illustrations 4 colour illustrations
  10. Material figures
    political economy, commercial culture, and the aesthetic sensibility of Charles Baudelaire
    Author: Murphy, Margueritte S.
    Published: 2012
    Publisher:  Rodopi, Amsterdam ; Brill, New York, NY

    Ideological debates about economics and aesthetics raged hotly in nineteenth-century France. French political economy was taking shape as a discipline that would support free-market liberalism, while l'art pour l'art theories circulated, and utopian... more

    Access:

    Location:
    Universität Mainz, Zentralbibliothek
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    No inter-library loan

     

    Ideological debates about economics and aesthetics raged hotly in nineteenth-century France. French political economy was taking shape as a discipline that would support free-market liberalism, while l'art pour l'art theories circulated, and utopian systems with aesthetic and economic agendas proliferated. Yet, as this book argues, the discourses of art and literature worked in tandem with market discourses to generate theories of economic and social order, of the model of the self-individuating and desiring subject of modernity, and of this individual's relationship to a new world of objects. Baudelaire as a poet and art critic is exemplary: Rather than a disaffected artist, Baudelaire is shown to be a spectator desirous of both art and goods whose sensibilities reflect transformations in habits of perception. The book includes chapters on equilibrium and utility in economic and aesthetic theory, on the place of the aesthetic in press coverage of the industrial exhibitions, on the harmonic theories of Baudelaire's early art criticism, aimed at a bourgeois audience, on Baudelaire's radical cosmopolitanism learned through viewing "objects" on display at the Universal Exhibition of 1855, and on Les Fleurs du Mal and Le Spleen de Paris , where language makes visible the traits of a new material world.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401208017
    Other identifier:
    Series: Faux titre, ; 375
    Scope: 1 Online-Ressource (252 pages)
    Notes:

    Includes bibliographical references (p. 233-243) and indexes.
  11. A tradition of subversion
    the prose poem in English from Wilde to Ashbery
    Author: Murphy, Margueritte S.
    Published: 1992
    Publisher:  Univ. of Massachusetts Press, Amherst

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    12.543.88
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    Universität Gießen, Bibliothek Anglistik
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    F QF 1203
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    Universität Mainz, Zentralbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0870237810
    RVK Categories: HU 1761
    Subjects: Englisch; Prosagedicht
    Other subjects: Williams, William Carlos (1883-1963): Kora in hell; Stein, Gertrude (1874-1946): Tender buttons
    Scope: IX, 246 S.
    Notes:

    Literaturverz. S. 233 - 240
  12. A tradition of subversion
    the prose poem in English from Wilde to Ashbery
    Author: Murphy, Margueritte S.
    Published: 1992
    Publisher:  University of Massachusetts Press, Amherst

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 208501
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    Staats- und Universitätsbibliothek Bremen
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    01.b.4428
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    94 8 41822
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    Universitätsbibliothek Freiburg
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0870237810
    RVK Categories: HU 1761 ; HU 1800
    Subjects: American prose literature; American poetry; Prose poems, American; Social norms in literature; Dissenters in literature
    Other subjects: Williams, William Carlos (1883-1963): Kora in hell; Stein, Gertrude (1874-1946): Tender buttons; Ashbery, John (1927-2017)
    Scope: 246 S.
    Notes:

    Includes bibliographical references (p. 233-240) and index
  13. <<A>> tradition of subversion
    the prose poem in English from Wilde to Ashbery
    Author: Murphy, Margueritte S.
    Published: 1992
    Publisher:  Univ. of Massachussetts Pr., Amherst, Mass.

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0870237810
    RVK Categories: HU 1761
    Subjects: Array; Array; Array; Social norms in literature; Dissenters in literature
    Scope: IX, 246 S.
    Notes:

    Literaturverz. S. 233 - 240
  14. A tradition of subversion
    the prose poem in English from Wilde to Ashbery
    Author: Murphy, Margueritte S.
    Published: 1992
    Publisher:  Univ. of Massachusetts Pr., Amherst

    From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in Anglo-American literature and provides a model for reading the prose poem, irrespective of language or national literature. Murphy argues that the prose poem is an inherently subversive genre, one that must perpetually undermine prosaic conventions in order to validate itself as authentically "other." At the same time, each prose poem must to some degree suggest a traditional prose genre in order to subvert it successfully. The prose poem is thus of special interest as a genre in which the traditional and the new are brought inevitably and continually into conflict. Beginning with a discussion of the French prose poem and its adoption in England by the Decadents, Murphy examines the effects of this association on later poets such as T.S. Eliot. She also explores the perception of the prose poem as an androgynous genre. Then, with a sensitivity to the sociopolitical nature of language, she draws on the work of Mikhail Bakhtin to illuminate the ideology of the genre and explore its subversive nature. The bulk of the book is devoted to insightful readings of William Carlos Williams's Kora in Hell, Gertrude Stein's Tender Buttons, and John Ashbery's Three Poems. As notable examples of the American prose poem, these works demonstrate the range of this genre's radical and experimental possibilities.

     
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  15. Material figures
    political economy, commercial culture, and the aesthetic sensibility of Charles Baudelaire
    Author: Murphy, Margueritte S.
    Published: 2012
    Publisher:  Rodopi, Amsterdam

    Ideological debates about economics and aesthetics raged hotly in nineteenth-century France. French political economy was taking shape as a discipline that would support free-market liberalism, while l'art pour l'art theories circulated, and utopian... more

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    Ideological debates about economics and aesthetics raged hotly in nineteenth-century France. French political economy was taking shape as a discipline that would support free-market liberalism, while l'art pour l'art theories circulated, and utopian systems with aesthetic and economic agendas proliferated. Yet, as this book argues, the discourses of art and literature worked in tandem with market discourses to generate theories of economic and social order, of the model of the self-individuating and desiring subject of modernity, and of this individual's relationship to a new world of objects

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042035263; 9042035269
    Series: Faux titre ; 375
    Subjects: Politics and literature; Economics and literature
    Other subjects: Baudelaire, Charles (1821-1867); Baudelaire, Charles (1821-1867)
    Scope: 252 S.
    Notes:

    Includes bibliographical references (p. [233]-243) and indexes

    Electronic reproduction; Available via World Wide Web

    Cover; Title Page; Copyright Page; Table of Contents; ACKNOWLEDGMENTS; INTRODUCTION; CHAPTER I Equilibrium and Utility: Measures of Desire; CHAPTER II Spectacles of Consumption: Art and the Industrial Exhibitions; CHAPTER III Baudelaire's Salon de 1846 and the Education of the Bourgeois Viewer; CHAPTER IV Baudelaire after 1848: Towards a Cosmopolitan Aesthetic; CHAPTER V Products of Desire in Les Fleurs du mal; CHAPTER VI A Subjectivity of Things: Le Spleen de Paris; AFTERWORD; WORKS CITED; INDEX
  16. The Edinburgh Companion to the Prose Poem
    Author: Caws, Mary Ann; Delville, Michel
    Published: [2022]; ©2021
    Publisher:  Edinburgh University Press, Edinburgh

    A collection of original essays providing critical, international and cross-disciplinary approaches to the prose poemProvides the first international and comparative approach to the prose poemIncludes chapters on non-Western avatars of the... more

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    A collection of original essays providing critical, international and cross-disciplinary approaches to the prose poemProvides the first international and comparative approach to the prose poemIncludes chapters on non-Western avatars of the genreCovers the history of the prose poem from Baudelaire to presentThe first comprehensive guide to the prose poem, this book covers the history of the genre from Aloysius Bertrand’s Gaspard de la nuit and Baudelaire’s Paris Spleen to its most important modern and contemporary practitioners. It gives special attention to the genre’s hybridity as well as to its propensity to engage in a dialogue with other genres, discourses and artistic forms. Written by prominent scholars of modern and contemporary poetry and poetics, The Edinburgh Companion to the Prose Poem offers analytical and historically informed narratives of the genre’s transformations and variations across the nineteenth and twentieth centuries and into the next

     
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    Source: Union catalogues
    Contributor: Acquisto, Joseph (MitwirkendeR); Admussen, Nick (MitwirkendeR); Antoon, Sinan (MitwirkendeR); Barda, Jeff (MitwirkendeR); Caws, Mary Ann (MitwirkendeR); Delville, Michel (MitwirkendeR); Deming, Richard (MitwirkendeR); Domina, Lynn (MitwirkendeR); Fredman, Stephen (MitwirkendeR); Gwiazda, Piotr (MitwirkendeR); Israel-Pelletier, Aimée (MitwirkendeR); LeRud, Lizzy (MitwirkendeR); Lloyd, Rosemary (MitwirkendeR); Mehl, Scott (MitwirkendeR); Miller, Alyson (MitwirkendeR); Monroe, Jonathan (MitwirkendeR); Monson, Jane (MitwirkendeR); Murphy, Margueritte S. (MitwirkendeR); Rosenthal, Adam R. (MitwirkendeR); Santilli, Nikki (MitwirkendeR); Wagstaff, Emma (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474462754
    Other identifier:
    RVK Categories: EC 6440
    Series: Edinburgh Companions to Literature and the Humanities
    Subjects: Prose poems; Literary Studies; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Scope: 1 Online-Ressource (360 p.), 3 B/W illustrations 4 colour illustrations