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  1. The Dangerous Lover
    Gothic Villains, Byronism, and the Nineteenth-Century Seduction Narrative
    Published: 2006
    Publisher:  Ohio State University Press, Columbus ; Project MUSE, Baltimore, Md.

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Bibliothek der Frankfurt University of Applied Sciences
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780814272428; 0814272428
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references (p. 105-110) and index

    Description based on print version record

  2. Victorian paper art and craft
    writers and their materials
    Published: [2022]
    Publisher:  Oxford University Press, Oxford

    Studies the way that authors in nineteenth-century Britain used the materials of writing (and reading, drawing, note-taking, and handicraft) for inspiration, experimentation, subordination, and creative composition, with a focus on Charlotte and... more

    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Studies the way that authors in nineteenth-century Britain used the materials of writing (and reading, drawing, note-taking, and handicraft) for inspiration, experimentation, subordination, and creative composition, with a focus on Charlotte and Emily Bronte, Elizabeth Barrett Browning, George Eliot, Elizabeth Gaskell, and Mary Shelley.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191890895
    Other identifier:
    Series: Oxford scholarship online
    Subjects: English literature; Authorship; Authors; Literature; Literature: history & criticism
    Scope: 1 Online-Ressource (xii, 228 pages), Illustrations (black and white).
    Notes:

    Also issued in print: 2022

    Includes bibliographical references and index

  3. Relics of death in Victorian literature and culture
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding absence... more

    Universität Frankfurt, Elektronische Ressourcen
    /
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    Universitätsbibliothek Gießen
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    Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding absence through its materials, which is less widely felt today. Deborah Lutz analyzes relic culture as an affirmation that objects held memories and told stories. These practices show a belief in keeping death vitally intertwined with life - not as memento mori but rather as respecting the singularity of unique beings. In a consumer culture in full swing by the 1850s, keepsakes of loved ones stood out as non-reproducible, authentic things whose value was purely personal. Through close reading of the works of Charles Dickens, Emily Brontë, Alfred Lord Tennyson, Thomas Hardy, and others, this study illuminates the treasuring of objects that had belonged to or touched the dead.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139924887
    RVK Categories: HL 1101 ; HL 1071
    Series: Cambridge studies in nineteenth-century literature and culture ; 96
    Subjects: Englisch; Literatur; Reliquienkult
    Scope: 1 Online-Ressource (xii, 244 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  4. Victorian Paper Art and Craft
    Writers and Their Materials
    Published: 2022
    Publisher:  Oxford University Press, Oxford ; ProQuest, Ann Arbor, Michigan

    Studies the way that authors in nineteenth-century Britain used the materials of writing (and reading, drawing, note-taking, and handicraft) for inspiration, experimentation, subordination, and creative composition, with a focus on Charlotte and... more

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Studies the way that authors in nineteenth-century Britain used the materials of writing (and reading, drawing, note-taking, and handicraft) for inspiration, experimentation, subordination, and creative composition, with a focus on Charlotte and Emily Brontë, Elizabeth Barrett Browning, George Eliot, Elizabeth Gaskell, and Mary Shelley.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780192602435
    Scope: 1 Online-Ressource (241 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  5. Victorian paper art and craft
    writers and their materials
    Published: 2022
    Publisher:  Oxford University Press, Incorporated, Oxford

    Studies the way that authors in nineteenth-century Britain used the materials of writing (and reading, drawing, note-taking, and handicraft) for inspiration, experimentation, subordination, and creative composition, with a focus on Charlotte and... more

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    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    Studies the way that authors in nineteenth-century Britain used the materials of writing (and reading, drawing, note-taking, and handicraft) for inspiration, experimentation, subordination, and creative composition, with a focus on Charlotte and Emily Brontë, Elizabeth Barrett Browning, George Eliot, Elizabeth Gaskell, and Mary Shelley. Cover -- Half Title -- Title Page -- Copyright Page -- Acknowledgements -- Contents -- List of Illustrations -- Introduction -- 1. Marginal Scribbling and Defacing -- 2. Collecting and Recollecting -- 3. Researching and Performing -- 4. Reusing, Tearing, and Folding -- 5. Crafting -- Afterword -- Notes -- Bibliography -- Index.

     

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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780192602435
    RVK Categories: HL 1071
    Subjects: Textproduktion; Literatur; Autorin; Englisch
    Other subjects: Electronic books
    Scope: 1 online resource (xii, 228 Seiten), Illustrationen
    Notes:

    Description based on publisher supplied metadata and other sources

  6. Relics of death in Victorian literature and culture
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding absence... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding absence through its materials, which is less widely felt today. Deborah Lutz analyzes relic culture as an affirmation that objects held memories and told stories. These practices show a belief in keeping death vitally intertwined with life - not as memento mori but rather as respecting the singularity of unique beings. In a consumer culture in full swing by the 1850s, keepsakes of loved ones stood out as non-reproducible, authentic things whose value was purely personal. Through close reading of the works of Charles Dickens, Emily Brontë, Alfred Lord Tennyson, Thomas Hardy, and others, this study illuminates the treasuring of objects that had belonged to or touched the dead Introduction: lyrical matter -- Infinite materiality: Keats, D.G. Rossetti and the Romantics -- The miracle of ordinary things: Brontë and Wuthering Heights -- The many faces of death masks: Dickens and Great Expectations -- The elegy as shrine: Tennyson and 'In Memoriam' -- Hair jewelry as congealed time: Hardy and Far from the Madding Crowd -- Afterword: death as death

     

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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139924887
    Other identifier:
    RVK Categories: HL 1101
    Series: Cambridge Studies in Nineteenth-Century Literature and Culture ; 96
    Cambridge studies in nineteenth-century literature and culture ; 96
    Subjects: English literature; Literature and society; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Relics in literature; Death in literature; Death in literature; Relics in literature; Literature and society; English literature; English literature ; 19th century ; History and criticism; Death in literature; Relics in literature; Literature and society ; Great Britain ; History ; 19th century
    Scope: 1 Online-Ressource (XII, 244 Seiten), Illustrationen
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  7. Relics of death in Victorian literature and culture
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding absence... more

    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding absence through its materials, which is less widely felt today. Deborah Lutz analyzes relic culture as an affirmation that objects held memories and told stories. These practices show a belief in keeping death vitally intertwined with life - not as memento mori but rather as respecting the singularity of unique beings. In a consumer culture in full swing by the 1850s, keepsakes of loved ones stood out as non-reproducible, authentic things whose value was purely personal. Through close reading of the works of Charles Dickens, Emily Brontë, Alfred Lord Tennyson, Thomas Hardy, and others, this study illuminates the treasuring of objects that had belonged to or touched the dead

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139924887
    Other identifier:
    RVK Categories: HL 1101
    Series: Cambridge studies in nineteenth-century literature and culture ; 96
    Subjects: Geschichte; English literature / 19th century / History and criticism; Death in literature; Relics in literature; Literature and society / Great Britain / History / 19th century; Englisch; Andenken <Motiv>; Literatur
    Scope: 1 online resource (xii, 244 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: lyrical matter -- Infinite materiality: Keats, D.G. Rossetti and the Romantics -- The miracle of ordinary things: Brontë and Wuthering Heights -- The many faces of death masks: Dickens and Great Expectations -- The elegy as shrine: Tennyson and 'In Memoriam' -- Hair jewelry as congealed time: Hardy and Far from the Madding Crowd -- Afterword: death as death

  8. Relics of Death in Victorian Literature and Culture
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    This literary and cultural study explores the practice in nineteenth-century Britain of treasuring objects that had belonged to the dead more

    Hochschulbibliothek Friedensau
    Online-Ressource
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    This literary and cultural study explores the practice in nineteenth-century Britain of treasuring objects that had belonged to the dead

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107077447
    Series: Cambridge Studies in Nineteenth-Century Literature and Culture ; v.96
    Scope: Online-Ressource (264 p)
    Notes:

    Description based upon print version of record

    Cover; Half-title; Series information; Title page; Copyright information; Dedication; Table of contents; List of illustrations; Acknowledgments; Introduction: lyrical matter; Chapter1 Infinite materiality: Keats, D. G. Rossetti, and the Romantics; The heart that wanders and speaks; The endless time of the body-as-thing; The secret life of objects and the beautiful death; Rossetti and the Victorian beautiful death; Chapter2 The miracle of ordinary things: Brontë and Wuthering Heights; Secondary Relics; ""Like a child reviving""; The Evangelical Good Death

    Chapter 3 The many faces of death masks: Dickens and Great ExpectationsDeath masks; The corpse as collage, frieze, or waxwork; The jovial, dancing cadaver to be skinned, eaten, or read; Chapter 4 The elegy as shrine: Tennyson and In Memoriam; Spaces of intimacy; Saintly and secular shrines; The elegy as shrine; In Memoriam's shrine space; Spiritualism and loss as loss; Chapter 5 Hair jewelry as congealed time: Hardy and Far From the Madding Crowd; Making of the moment something permanent; Material magic; Being toward death; Afterword: death as death; Notes; Introduction; Chapter 1; Chapter 2

    Chapter 3Chapter 4; Chapter 5; Afterword; Bibliography; Index

  9. Victorian paper art and craft
    writers and their materials
    Published: [2022]
    Publisher:  Oxford University Press, Oxford

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780192602428
    RVK Categories: HL 1071
    Subjects: Women authors, English; English literature; English literature
    Scope: 1 Online-Ressource (xii, 228 Seiten), Illustrationen
  10. Victorian Paper Art and Craft
    Writers and Their Materials
    Published: 2022; ©2022
    Publisher:  Oxford University Press, Incorporated, Oxford

    Studies the way that authors in nineteenth-century Britain used the materials of writing (and reading, drawing, note-taking, and handicraft) for inspiration, experimentation, subordination, and creative composition, with a focus on Charlotte and... more

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    Technische Universität Chemnitz, Universitätsbibliothek
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    Hochschulbibliothek Friedensau
    Online-Ressource
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    Studies the way that authors in nineteenth-century Britain used the materials of writing (and reading, drawing, note-taking, and handicraft) for inspiration, experimentation, subordination, and creative composition, with a focus on Charlotte and Emily Brontë, Elizabeth Barrett Browning, George Eliot, Elizabeth Gaskell, and Mary Shelley. Cover -- Half Title -- Title Page -- Copyright Page -- Acknowledgements -- Contents -- List of Illustrations -- Introduction -- 1. Marginal Scribbling and Defacing -- 2. Collecting and Recollecting -- 3. Researching and Performing -- 4. Reusing, Tearing, and Folding -- 5. Crafting -- Afterword -- Notes -- Bibliography -- Index.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780192602435
    Subjects: Women authors, English-19th century; English literature-Women authors-History and criticism; Electronic books
    Scope: 1 online resource (214 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  11. The Brontë Cabinet
    Published: 2015; ©2015
    Publisher:  W. W. Norton & Company, Incorporated, [Erscheinungsort nicht ermittelbar]

    "Yields up all sorts of fascinating new angles on the famous siblings...Illuminating." --Maureen Corrigan, NPR's Fresh Air. Intro -- Title -- Contents -- List of Illustrations -- Preface: The Private Lives of Objects -- Chapter 1 Tiny Books --... more

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    "Yields up all sorts of fascinating new angles on the famous siblings...Illuminating." --Maureen Corrigan, NPR's Fresh Air. Intro -- Title -- Contents -- List of Illustrations -- Preface: The Private Lives of Objects -- Chapter 1 Tiny Books -- Chapter 2 Pillopatate -- Chapter 3 Out Walking -- Chapter 4 Keeper, Grasper, and Other Family Animals -- Chapter 5 Fugitive Letters -- Chapter 6 The Alchemy of Desks -- Chapter 7 Death Made Material -- Chapter 8 Memory Albums -- Chapter 9 Migrant Relics -- Notes -- Further Reading -- Acknowledgments -- Illustrations -- Index -- Also by Deborah Lutz -- Praise for THE BRONTË Cabinet -- Copyright.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780393246735
    Subjects: Electronic books
    Scope: 1 online resource (212 pages)
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    Description based on publisher supplied metadata and other sources

  12. The Dangerous Lover
    Gothic Villains, Byronism, and the Nineteenth-Century Seduction Narrative
    Published: 2006
    Publisher:  Ohio State University Press, Columbus

    "The Dangerous Lover takes seriously the ubiquity of the brooding romantic hero - his dark past, his remorseful and rebellious exile from comfortable everyday living. Deborah Lutz traces the recent history of this figure, through the melancholy... more

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    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Universitätsbibliothek Osnabrück
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    "The Dangerous Lover takes seriously the ubiquity of the brooding romantic hero - his dark past, his remorseful and rebellious exile from comfortable everyday living. Deborah Lutz traces the recent history of this figure, through the melancholy iconoclasm of the Romantics, the lost soul redeemed by love of the Brontes, and the tormented individualism of twentieth-century love narratives. The Dangerous Lover is the first book-length study of this pervasive literary hero; it also challenges the tendency of sophisticated philosophical readings of popular narratives and culture to focus on male-coded genres. In its conjunction of high and low literary forms, this volume explores new historical and cultural framings for female-coded popular narratives."

     

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  13. Relics of Death in Victorian Literature and Culture
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    Machine generated contents note: Introduction: lyrical matter; 1. Infinite materiality: Keats, D.G. Rossetti and the Romantics; 2. The miracle of ordinary things: Bronte and Wuthering Heights; 3. The many faces of death masks: Dickens and Great... more

    Hochschule Aalen, Bibliothek
    E-Book EBSCO
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    Saarländische Universitäts- und Landesbibliothek
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    Machine generated contents note: Introduction: lyrical matter; 1. Infinite materiality: Keats, D.G. Rossetti and the Romantics; 2. The miracle of ordinary things: Bronte and Wuthering Heights; 3. The many faces of death masks: Dickens and Great Expectations; 4. The elegy as shrine: Tennyson and 'In Memoriam'; 5. Hair jewelry as congealed time: Hardy and Far from the Madding Crowd; Afterword: death as death; Bibliography "Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding absence through its materials, which is less widely felt today. Deborah Lutz analyzes relic culture as an affirmation that objects held memories and told stories. These practices show a belief in keeping death vitally intertwined with life - not as memento mori but rather as respecting the singularity of unique beings. In a consumer culture in full swing by the 1850s, keepsakes of loved ones stood out as non-reproducible, authentic things whose value was purely personal. Through close reading of the works of Charles Dickens, Emily Bronte, Alfred Lord Tennyson, Thomas Hardy, and others, this study illuminates the treasuring of objects that had belonged to or touched the dead"--

     

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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1316248283; 1139924885; 9781316248287; 9781139924887
    Series: Cambridge studies in nineteenth-century literature and culture
    Subjects: Literature and society; Relics in literature; English literature; Death in literature; Death in literature; English literature; Literature and society; Relics in literature; Englisch; Literatur; Reliquienkult; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Criticism, interpretation, etc; History
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index

  14. The dangerous lover
    Gothic villains, Byronism, and the nineteenth-century seduction narrative
    Published: [2006]; ©2006
    Publisher:  The Ohio State University Press, Columbus

    The erotics of ontology : the mass-market erotic historical romance and Heideggerian failed presence (1921-2003) -- The spectral other and erotic melancholy : the Gothic demon lover and the early seduction narrative rake (1532-1822) -- Love as... more

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    The erotics of ontology : the mass-market erotic historical romance and Heideggerian failed presence (1921-2003) -- The spectral other and erotic melancholy : the Gothic demon lover and the early seduction narrative rake (1532-1822) -- Love as homesickness : longing for a transcendental home in Byron and the Brontës (1811-1847) -- The absurdity of the sublime : the Regency dandy and the malevolent seducer (1825-1897). "The Dangerous Lover takes seriously the ubiquity of the brooding romantic hero - his dark past, his remorseful and rebellious exile from comfortable everyday living. Deborah Lutz traces the recent history of this figure, through the melancholy iconoclasm of the Romantics, the lost soul redeemed by love of the Brontes, and the tormented individualism of twentieth-century love narratives. The Dangerous Lover is the first book-length study of this pervasive literary hero; it also challenges the tendency of sophisticated philosophical readings of popular narratives and culture to focus on male-coded genres. In its conjunction of high and low literary forms, this volume explores new historical and cultural framings for female-coded popular narratives."

     

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  15. Victorian paper art and craft
    writers and their materials
    Published: [2022]; ©2022
    Publisher:  Oxford University Press, Oxford

    Studies the way that authors in nineteenth-century Britain used the materials of writing (and reading, drawing, note-taking, and handicraft) for inspiration, experimentation, subordination, and creative composition, with a focus on Charlotte and... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Technische Universität Chemnitz, Universitätsbibliothek
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    E-Book Oxford EBS
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    Studies the way that authors in nineteenth-century Britain used the materials of writing (and reading, drawing, note-taking, and handicraft) for inspiration, experimentation, subordination, and creative composition, with a focus on Charlotte and Emily Brontë, Elizabeth Barrett Browning, George Eliot, Elizabeth Gaskell, and Mary Shelley.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191890895
    Other identifier:
    Series: Oxford scholarship online
    Subjects: English literature; Authorship; Authors; Literature; Literature: history & criticism
    Scope: 1 online resource (xii, 228 pages), illustrations (black and white).
    Notes:

    Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 22, 2022)

  16. Jane Eyre
    a Norton Critical Edition (Fourth Edition) (Norton Critical Editions)
    Published: 2016; ©2016
    Publisher:  W. W. Norton & Company, Incorporated, New York

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    Source: Union catalogues
    Contributor: Lutz, Deborah (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780393270617
    Edition: 4th ed.
    Series: Norton Critical Editions Series ; v.0
    Scope: 1 online resource (556 pages)
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    Description based on publisher supplied metadata and other sources

  17. Wuthering Heights (First Edition) (the Norton Library)
    Published: 2022; ©2022
    Publisher:  W. W. Norton & Company, Incorporated, New York

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    Source: Union catalogues
    Contributor: Lutz, Deborah (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780393885217
    Edition: 1st ed.
    Series: The Norton Library ; v.0
    Scope: 1 online resource (442 pages)
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    Description based on publisher supplied metadata and other sources

  18. Relics of death in Victorian literature and culture
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding absence... more

    Fachinformationsverbund Internationale Beziehungen und Länderkunde
    E-Book CUP HSFK
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    Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding absence through its materials, which is less widely felt today. Deborah Lutz analyzes relic culture as an affirmation that objects held memories and told stories. These practices show a belief in keeping death vitally intertwined with life - not as memento mori but rather as respecting the singularity of unique beings. In a consumer culture in full swing by the 1850s, keepsakes of loved ones stood out as non-reproducible, authentic things whose value was purely personal. Through close reading of the works of Charles Dickens, Emily Brontë, Alfred Lord Tennyson, Thomas Hardy, and others, this study illuminates the treasuring of objects that had belonged to or touched the dead Introduction: lyrical matter -- Infinite materiality: Keats, D.G. Rossetti and the Romantics -- The miracle of ordinary things: Brontë and Wuthering Heights -- The many faces of death masks: Dickens and Great Expectations -- The elegy as shrine: Tennyson and 'In Memoriam' -- Hair jewelry as congealed time: Hardy and Far from the Madding Crowd -- Afterword: death as death

     

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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139924887
    Other identifier:
    RVK Categories: HL 1101
    Series: Cambridge Studies in Nineteenth-Century Literature and Culture ; 96
    Cambridge studies in nineteenth-century literature and culture ; 96
    Subjects: English literature; Literature and society; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Relics in literature; Death in literature; Death in literature; Relics in literature; Literature and society; English literature; English literature ; 19th century ; History and criticism; Death in literature; Relics in literature; Literature and society ; Great Britain ; History ; 19th century
    Scope: 1 Online-Ressource (XII, 244 Seiten), Illustrationen
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)