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  1. Relics of death in Victorian literature and culture
    Author: Lutz, Deborah
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    "Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 971695
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2015 A 5465
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    EQ/250/573
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
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    "Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding absence through its materials, which is less widely felt today. Deborah Lutz analyzes relic culture as an affirmation that objects held memories and told stories. These practices show a belief in keeping death vitally intertwined with life - not as memento mori but rather as respecting the singularity of unique beings. In a consumer culture in full swing by the 1850s, keepsakes of loved ones stood out as non-reproducible, authentic things whose value was purely personal. Through close reading of the works of Charles Dickens, Emily Bronte, Alfred Lord Tennyson, Thomas Hardy, and others, this study illuminates the treasuring of objects that had belonged to or touched the dead"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107077447; 9781107434394
    RVK Categories: HL 1101
    Series: Cambridge Studies in Nineteenth-Century Literature and Culture ; 96
    Subjects: English literature; Death in literature; Relics in literature; Literature and society
    Scope: xii, 244 Seiten, Illustrationen
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

    Literaturverzeichnis: Seiten 216-227

    Machine generated contents note: Introduction: lyrical matter; 1. Infinite materiality: Keats, D. G. Rossetti and the Romantics; 2. The miracle of ordinary things: Bronte and Wuthering Heights; 3. The many faces of death masks: Dickens and Great Expectations; 4. The elegy as shrine: Tennyson and 'In Memoriam'; 5. Hair jewelry as congealed time: Hardy and Far from the Madding Crowd; Afterword: death as death; Bibliography.
  2. Relics of death in Victorian literature and culture
    Author: Lutz, Deborah
    Published: 2015
    Publisher:  Cambridge Univ. Press, Cambridge

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    Ruhr-Universität Bochum, Universitätsbibliothek
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    JEB19583
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    Universitäts- und Landesbibliothek Bonn
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    2015/962
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    Universitäts- und Landesbibliothek Münster
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781107077447; 9781107434394
    Series: Cambridge studies in nineteenth century literature and culture ; 96
    Subjects: Literatur; Englisch; Andenken <Motiv>
    Scope: XII, 244 S., Ill.
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

    Literaturverz. S. 216 - 227
  3. The Dangerous Lover
    Gothic Villains, Byronism, and the Nineteenth-Century Seduction Narrative
    Author: Lutz, Deborah
    Published: 2006
    Publisher:  Ohio State University Press, Columbus ; Project MUSE, Baltimore, Md.

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780814272428; 0814272428
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references (p. 105-110) and index

    Description based on print version record
  4. Relics of death in Victorian literature and culture
    Author: Lutz, Deborah
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    Location:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    /HL 1101 L975
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    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
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    01/HL 1071 L975
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107077447; 9781107434394
    RVK Categories: HL 1101 ; HL 1071
    Series: Cambridge studies in nineteenth-century literature and culture ; 96
    Subjects: Englisch; Literatur; Reliquienkult
    Scope: XII, 244 S., Ill.
    Notes:

    Literaturverz. S. 216 - 227
  5. Victorian paper art and craft
    writers and their materials
    Author: Lutz, Deborah
    Published: [2022]
    Publisher:  Oxford University Press, Oxford

    Studies the way that authors in nineteenth-century Britain used the materials of writing (and reading, drawing, note-taking, and handicraft) for inspiration, experimentation, subordination, and creative composition, with a focus on Charlotte and... more

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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Studies the way that authors in nineteenth-century Britain used the materials of writing (and reading, drawing, note-taking, and handicraft) for inspiration, experimentation, subordination, and creative composition, with a focus on Charlotte and Emily Bronte, Elizabeth Barrett Browning, George Eliot, Elizabeth Gaskell, and Mary Shelley.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191890895
    Other identifier:
    Series: Oxford scholarship online
    Subjects: English literature; Authorship; Authors; Literature; Literature: history & criticism
    Scope: 1 Online-Ressource (xii, 228 pages), Illustrations (black and white).
    Notes:

    Also issued in print: 2022

    Includes bibliographical references and index
  6. Jane Eyre
    an authoritative text, contexts, criticism
    Author: Brontë, Charlotte
    Published: 2016
    Publisher:  W. W. Norton & Company, New York

    Location:
    Universitätsbibliothek Gießen
    Signature:
    FH Angl N BRO III 116, 4.Aufl.
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    Content information
    Source: Union catalogues
    Contributor: Lutz, Deborah (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780393264876
    RVK Categories: HL 2043
    Edition: Fourth edition
    Series: A Norton critical edition
    Scope: ix, 544 Seiten
    Notes:

    Literaturverzeichnis Seite 543-544
  7. Relics of death in Victorian literature and culture
    Author: Lutz, Deborah
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding absence... more

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    Universität Frankfurt, Elektronische Ressourcen
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    /
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    Universitätsbibliothek Gießen
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    Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding absence through its materials, which is less widely felt today. Deborah Lutz analyzes relic culture as an affirmation that objects held memories and told stories. These practices show a belief in keeping death vitally intertwined with life - not as memento mori but rather as respecting the singularity of unique beings. In a consumer culture in full swing by the 1850s, keepsakes of loved ones stood out as non-reproducible, authentic things whose value was purely personal. Through close reading of the works of Charles Dickens, Emily Brontë, Alfred Lord Tennyson, Thomas Hardy, and others, this study illuminates the treasuring of objects that had belonged to or touched the dead.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139924887
    RVK Categories: HL 1101 ; HL 1071
    Series: Cambridge studies in nineteenth-century literature and culture ; 96
    Subjects: Englisch; Literatur; Reliquienkult
    Scope: 1 Online-Ressource (xii, 244 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  8. The art of the pose
    Oscar Wilde's performance theory
    Author: Marcovitch, Heather
    Published: 2010
    Publisher:  Lang, Bern [u.a.]

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    89.320.93
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    Universitätsbibliothek Kassel, Standort Holländischer Platz
    Signature:
    25 Eng QN 5044
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    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
    Signature:
    R W 6 156
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783034304399
    Other identifier:
    9783034304399
    RVK Categories: HL 4865
    DDC Categories: 820
    Subjects: Selbst <Motiv>; Performativität <Kulturwissenschaften>; Theatertheorie
    Other subjects: Wilde, Oscar (1854-1900)
    Scope: 222 S., Ill., 210 mm x 148 mm
    Notes:

    Literaturangaben
  9. Relics of death in Victorian literature and culture
    Author: Lutz, Deborah
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    "Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding absence through its materials, which is less widely felt today. Deborah Lutz analyzes relic culture as an affirmation that objects held memories and told stories. These practices show a belief in keeping death vitally intertwined with life - not as memento mori but rather as respecting the singularity of unique beings. In a consumer culture in full swing by the 1850s, keepsakes of loved ones stood out as non-reproducible, authentic things whose value was purely personal. Through close reading of the works of Charles Dickens, Emily Bronte, Alfred Lord Tennyson, Thomas Hardy, and others, this study illuminates the treasuring of objects that had belonged to or touched the dead"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107077447; 9781107434394
    RVK Categories: HL 1101
    Series: Cambridge Studies in Nineteenth-Century Literature and Culture ; 96
    Subjects: English literature; Death in literature; Relics in literature; Literature and society; English literature; Death in literature; Relics in literature; Literature and society; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Scope: xii, 244 Seiten, Illustrationen
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

    Literaturverzeichnis: Seiten 216-227

    Machine generated contents note: Introduction: lyrical matter; 1. Infinite materiality: Keats, D. G. Rossetti and the Romantics; 2. The miracle of ordinary things: Bronte and Wuthering Heights; 3. The many faces of death masks: Dickens and Great Expectations; 4. The elegy as shrine: Tennyson and 'In Memoriam'; 5. Hair jewelry as congealed time: Hardy and Far from the Madding Crowd; Afterword: death as death; Bibliography.
  10. Relics of death in Victorian literature and culture
    Author: Lutz, Deborah
    Published: 2015
    Publisher:  Cambridge Univ. Press, Cambridge

    "Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding... more

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Universitätsbibliothek der LMU München
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    "Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding absence through its materials, which is less widely felt today. Deborah Lutz analyzes relic culture as an affirmation that objects held memories and told stories. These practices show a belief in keeping death vitally intertwined with life - not as memento mori but rather as respecting the singularity of unique beings. In a consumer culture in full swing by the 1850s, keepsakes of loved ones stood out as non-reproducible, authentic things whose value was purely personal. Through close reading of the works of Charles Dickens, Emily Bronte, Alfred Lord Tennyson, Thomas Hardy, and others, this study illuminates the treasuring of objects that had belonged to or touched the dead"..

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781107077447; 9781107434394
    RVK Categories: HL 1101
    Edition: 1. publ.
    Series: Cambridge Studies in nineteenth-century literature and culture ; 96
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Geschichte; English literature; Death in literature; Relics in literature; Literature and society; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Englisch; Andenken <Motiv>; Literatur
    Scope: XII, 244 S., Ill.
    Notes:

    Includes bibliographical references and index
  11. Relics of Death in Victorian Literature and Culture
    Author: Lutz, Deborah
    Published: 2015
    Publisher:  Cambridge University Press, New York, NY

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Series: ACLS Humanities E-Book
    Subjects: English literature; Death in literature; Relics in literature; Literature and society; Literature
    Scope: 1 Online-Ressource (xii, 244 Seiten)
    Notes:

    First published 2015. - Printed in the United Kingdom by Clays, St Ives plc

    Includes bibliographical references and index

    Infinite materiality: Keats, D. G. Rossetti, and the Romantics -- The miracle of ordinary things: Brontë and Wuthering Heights -- The many faces of death masks: Dickens and Great Expectations -- The elegy as shrine: Tennyson and In Memoriam -- Hair jewelry as congealed time: Hardy and Far From the Madding Crowd -- Afterword: death as death
  12. The art of the pose
    Oscar Wilde's performance theory
    Author: Marcovitch, Heather
    Published: 2010
    Publisher:  Peter Lang, Bern

  13. The dangerous lover
    gothic villains, Byronism, and the nineteenth-century seduction narrative
    Author: Lutz, Deborah
    Published: 2006
    Publisher:  Ohio State Univ. Press, Columbus

    Location:
    Universitätsbibliothek Augsburg
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    Location:
    Bayerische Staatsbibliothek
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  14. The art of the pose
    Oscar Wilde's performance theory
    Author: Marcovitch, Heather
    Published: 2010
    Publisher:  Lang, Bern [u.a.]

    Location:
    Bayerische Staatsbibliothek
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9783034304399
    RVK Categories: HL 4865
    DDC Categories: 820
    Subjects: Selbst <Motiv>; Theatertheorie; Performativität <Kulturwissenschaften>
    Other subjects: Wilde, Oscar (1854-1900)
    Scope: 222 S., Ill.
    Notes:

    Literaturangaben
  15. The Art of the Pose
    Oscar Wilde's Performance Theory
    Author: Marcovitch, Heather
    Published: 2011
    Publisher:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

    Location:
    Bayerische Staatsbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783035101102
    Other identifier:
    9783035101102
    RVK Categories: HL 4865
    Edition: 1st, New ed
    Subjects: Performativität <Kulturwissenschaften>; Theatertheorie; Selbst <Motiv>
    Other subjects: Wilde, Oscar (1854-1900)
    Scope: 1 Online-Ressource (222 Seiten)
    Notes:

    Online resource; title from title screen (viewed June 10, 2019)

    This book revisits Oscar Wilde's major writings through the field of performance studies. Wilde wrote about performance as a cultural dialectic, as a form of serious and critical play, and as the basis of a subversive poetics. In his studies at Oxford University, his famous lecture tour of the United States and Canada, his friendships with famous actresses Sarah Bernhardt and Lillie Langtry, the writing of his critical essays, The Picture of Dorian Gray, Salome, and his society comedies, and culminating in his post-prison writings De Profundis and The Ballad of Reading Gaol, Wilde develops a rich theory of performance that addresses aesthetics, ethics, identity and individualism. This book also traces Wilde's often-troubled relationship with late-Victorian society in terms of its attempts to define his public performances by stereotyping him as both irrelevant and dangerous, from the early newspaper caricatures to its later description of him as a sexual monster
  16. Relics of death in Victorian literature and culture
    Author: Lutz, Deborah
    Published: 2015
    Publisher:  Cambridge Univ. Press, Cambridge

    Location:
    Ruhr-Universität Bochum, Universitätsbibliothek
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    Location:
    Universitäts- und Landesbibliothek Bonn
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    Location:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107077447; 9781107434394
    Series: Cambridge studies in nineteenth century literature and culture ; 96
    Subjects: Englisch; Literatur; Andenken <Motiv>; Geschichte 1800-1900
    Scope: XII, 244 S. : Ill.
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

    Literaturverz. S. 216 - 227
  17. The Art of the Pose
    Author: Marcovitch, Heather
    Published: 2011
    Publisher:  Peter Lang AG, Bern ; Peter Lang International Academic Publishers

    This book revisits Oscar Wilde’s major writings through the field of performance studies. Wilde wrote about performance as a cultural dialectic, as a form of serious and critical play, and as the basis of a subversive poetics. In his studies at... more

    Access:

    Location:
    Universitätsbibliothek Gießen
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    No inter-library loan

     

    This book revisits Oscar Wilde’s major writings through the field of performance studies. Wilde wrote about performance as a cultural dialectic, as a form of serious and critical play, and as the basis of a subversive poetics. In his studies at Oxford University, his famous lecture tour of the United States and Canada, his friendships with famous actresses Sarah Bernhardt and Lillie Langtry, the writing of his critical essays, The Picture of Dorian Gray, Salome, and his society comedies, and culminating in his post-prison writings De Profundis and The Ballad of Reading Gaol, Wilde develops a rich theory of performance that addresses aesthetics, ethics, identity and individualism. This book also traces Wilde’s often-troubled relationship with late-Victorian society in terms of its attempts to define his public performances by stereotyping him as both irrelevant and dangerous, from the early newspaper caricatures to its later description of him as a sexual monster.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783035101102
    Other identifier:
    RVK Categories: HL 4865
    DDC Categories: 820
    Edition: 1st, New ed.
    Subjects: Selbst <Motiv>; Performativität <Kulturwissenschaften>; Theatertheorie
    Other subjects: Wilde, Oscar (1854-1900)
    Scope: 1 Online-Ressource
  18. The dangerous lover
    gothic villains, Byronism, and the nineteenth-century seduction narrative
    Author: Lutz, Deborah
    Published: 2006
    Publisher:  Ohio State Univ. Press, Columbus

    Location:
    Universitäts- und Landesbibliothek Düsseldorf
    Signature:
    anga888.l975
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    Location:
    Universitätsbibliothek Koblenz
    Signature:
    EN/S 2017 13746
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780814210345; 0814210341; 9780814291115; 0814291112
    RVK Categories: HG 431
    Subjects: Englisch; Literatur; Verführer <Motiv>
    Scope: XII, 117 S.
  19. Victorian Paper Art and Craft
    Writers and Their Materials
    Author: Lutz, Deborah
    Published: 2022
    Publisher:  Oxford University Press, Oxford ; ProQuest, Ann Arbor, Michigan

    Studies the way that authors in nineteenth-century Britain used the materials of writing (and reading, drawing, note-taking, and handicraft) for inspiration, experimentation, subordination, and creative composition, with a focus on Charlotte and... more

    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    No inter-library loan

     

    Studies the way that authors in nineteenth-century Britain used the materials of writing (and reading, drawing, note-taking, and handicraft) for inspiration, experimentation, subordination, and creative composition, with a focus on Charlotte and Emily Brontë, Elizabeth Barrett Browning, George Eliot, Elizabeth Gaskell, and Mary Shelley.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780192602435
    Scope: 1 Online-Ressource (241 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  20. Relics of death in Victorian literature and culture
    Author: Lutz, Deborah
    Published: 2015
    Publisher:  Cambridge Univ. Press, Cambridge

    "Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding absence through its materials, which is less widely felt today. Deborah Lutz analyzes relic culture as an affirmation that objects held memories and told stories. These practices show a belief in keeping death vitally intertwined with life - not as memento mori but rather as respecting the singularity of unique beings. In a consumer culture in full swing by the 1850s, keepsakes of loved ones stood out as non-reproducible, authentic things whose value was purely personal. Through close reading of the works of Charles Dickens, Emily Bronte, Alfred Lord Tennyson, Thomas Hardy, and others, this study illuminates the treasuring of objects that had belonged to or touched the dead"..

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9781107077447; 9781107434394
    RVK Categories: HL 1101
    Edition: 1. publ.
    Series: Cambridge Studies in nineteenth-century literature and culture ; 96
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Geschichte; English literature; Death in literature; Relics in literature; Literature and society; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Englisch; Andenken <Motiv>; Literatur
    Scope: XII, 244 S., Ill.
    Notes:

    Includes bibliographical references and index
  21. <<The>> art of the pose
    Oscar Wilde's performance theory
    Author: Marcovitch, Heather
    Published: 2010
    Publisher:  Lang, Bern

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783034304399
    Other identifier:
    9783034304399
    RVK Categories: HL 4865
    DDC Categories: 820
    Subjects: Self-presentation in literature; Self in literature; Identity (Philosophical concept) in literature; Persona (Psychoanalysis); Image (Philosophy)
    Scope: 222 S., Ill., 21 cm
    Notes:

    Literaturverz. S. 213 - 222
  22. <<The>> Brontë cabinet
    three lives in nine objects
    Author: Lutz, Deborah
    Published: 2015
    Publisher:  Norton, New York, NY [u.a.]

    Victorian literature scholar Deborah Lutz illuminates the complex and fascinating lives of the Brontes through the things they wore, stitched, wrote on, and inscribed more

     

    Victorian literature scholar Deborah Lutz illuminates the complex and fascinating lives of the Brontes through the things they wore, stitched, wrote on, and inscribed

     
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  23. Mad men, women, and children
    essays on gender and generation
    Contributor: Marcovitch, Heather (Publisher); Batty, Nancy Ellen (Publisher)
    Published: 2014
    Publisher:  Lexington Books, Lanham ; Boulder ; New York ; Toronto ; Plymouth, UK

    "As rich and complex as The Sopranos or The Wire, Mad Men demands a critical look at its narrative and characters as representative of both the period it depicts and of our memories and assumptions of the period. Mad Men, Women, and Children: Essays... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    "As rich and complex as The Sopranos or The Wire, Mad Men demands a critical look at its narrative and characters as representative of both the period it depicts and of our memories and assumptions of the period. Mad Men, Women, and Children: Essays on Gender and Generation, edited by Heather Marcovitch and Nancy Batty, focuses on women and children, two groups that are not only identified together in this period (women characters in this show are often treated as coddled children and the children look to their parents as models of adult behaviors) but are also two groups who are beginning to gain political and social rights in this period. The connections between the women of Mad Men, early second-wave feminism, and contemporary third-wave feminism and post-feminism invite discussion in nearly every episode. These characters are further contextualized in light of historical figures and events, from the death of Marilyn Monroe and the assassination of Kennedy to the March on Washington and the bohemian counterculture. Moreover, the points of view of the children, who are now adult viewers of Mad Men, bridge the 1960s to the social and cultural concerns of today. Mad Men, Women, and Children presents an examination of these characters and issues in light of 1960s feminist writers such as Betty Friedan and popular writers such as Helen Gurley Brown, of historical events like the Civil Rights Movement and the Women's Liberation Movement, and as lenses through which to view the sensibilities of the early 1960s."--

     
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Marcovitch, Heather (Publisher); Batty, Nancy Ellen (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780739197585
    Edition: First paperback edition
    Subjects: Mad men (Television program); Mad men (Television program); Women on television; Children on television; Children on television; Women on television; Frau <Motiv>; Kind <Motiv>
    Scope: xvi, 214 Seiten, 23 cm
    Notes:

    Includes bibliographical references and index

    Introduction / Nancy Batty and Heather Marcovitch -- The Working Girl. Sex, Novels, and the Working Girl: Mad Men and Women's Bestsellers of the 1960s / Heather Marcovitch -- What Do a Meaningless Secretary and a Humorless Bitch Have in Common? Everything, or, Joan, Peggy, and the Convergence of Mad Men's Career Girls / Ann Ciasullo -- Not a "Jackie", not a "Marilyn": Mad Men and the Threat of Peggy Olson / Mary Ruth Marotte -- Joey, Joan, and the Gold-Plated Necklace / Hannah Farrell -- Mad Men? The Portrayal of Mad Women in the Mad, Mad, Mad, Mad World Of Mad Men's First Season / Joan Crate -- Utopian Visions and Social Realities. Is this the Traditional American Family We've Been Hearing So Much About?: Marriage, Children, and Family Values in Mad Men / Julia C. Wilson and Joseph H. Lane, Jr. -- The Good Place That Cannot Be: Visual Representations of Utopia on Mad Men / Jessica Campbell -- Carla: A Woman of Quiet Strength and Dignity / Elwood Watson -- Beautiful Girls, Feminist Consciousness, and Civil Rights / Beth Mauldin and Patricia Ventura -- Mad Men's Generations: Domesticity and the Family. "It Was All a Fog": Motherhood and the Birth Experience in Mad Men / Katie Arosteguy -- Tearing Out the Kitchen / Angela Rasmussen and Andrea Reid -- Bishops, Knights, and Pawns: Mad Men and Narrative Strategy / Carol M. Dole -- Mad Men's Epoch-Eclipse: Marking Time with Sally Draper / Nancy Batty
  24. Victorian paper art and craft
    writers and their materials
    Author: Lutz, Deborah
    Published: 2022
    Publisher:  Oxford University Press, Incorporated, Oxford

    Studies the way that authors in nineteenth-century Britain used the materials of writing (and reading, drawing, note-taking, and handicraft) for inspiration, experimentation, subordination, and creative composition, with a focus on Charlotte and... more

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    Resolving-System (lizenzpflichtig)
    Aggregator (lizenzpflichtig)

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Studies the way that authors in nineteenth-century Britain used the materials of writing (and reading, drawing, note-taking, and handicraft) for inspiration, experimentation, subordination, and creative composition, with a focus on Charlotte and Emily Brontë, Elizabeth Barrett Browning, George Eliot, Elizabeth Gaskell, and Mary Shelley. Cover -- Half Title -- Title Page -- Copyright Page -- Acknowledgements -- Contents -- List of Illustrations -- Introduction -- 1. Marginal Scribbling and Defacing -- 2. Collecting and Recollecting -- 3. Researching and Performing -- 4. Reusing, Tearing, and Folding -- 5. Crafting -- Afterword -- Notes -- Bibliography -- Index.

     
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    Content information
    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780192602435
    RVK Categories: HL 1071
    Subjects: Textproduktion; Literatur; Autorin; Englisch
    Other subjects: Electronic books
    Scope: 1 online resource (xii, 228 Seiten), Illustrationen
    Notes:

    Description based on publisher supplied metadata and other sources
  25. Relics of death in Victorian literature and culture
    Author: Lutz, Deborah
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    Machine generated contents note: Introduction: lyrical matter; 1. Infinite materiality: Keats, D. G. Rossetti and the Romantics; 2. The miracle of ordinary things: Bronte and Wuthering Heights; 3. The many faces of death masks: Dickens and Great... more

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Signature:
    2017-3881
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Machine generated contents note: Introduction: lyrical matter; 1. Infinite materiality: Keats, D. G. Rossetti and the Romantics; 2. The miracle of ordinary things: Bronte and Wuthering Heights; 3. The many faces of death masks: Dickens and Great Expectations; 4. The elegy as shrine: Tennyson and 'In Memoriam'; 5. Hair jewelry as congealed time: Hardy and Far from the Madding Crowd; Afterword: death as death; Bibliography "Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding absence through its materials, which is less widely felt today. Deborah Lutz analyzes relic culture as an affirmation that objects held memories and told stories. These practices show a belief in keeping death vitally intertwined with life - not as memento mori but rather as respecting the singularity of unique beings. In a consumer culture in full swing by the 1850s, keepsakes of loved ones stood out as non-reproducible, authentic things whose value was purely personal. Through close reading of the works of Charles Dickens, Emily Bronte, Alfred Lord Tennyson, Thomas Hardy, and others, this study illuminates the treasuring of objects that had belonged to or touched the dead"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107434394
    RVK Categories: HL 1101
    Edition: First paperback edition
    Series: Cambridge studies in nineteenth-century literature and culture ; 96
    Subjects: English literature; Death in literature; Relics in literature; Literature and society; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Scope: xii, 244 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index