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  1. Essays in modern stylistics
    Contributor: Freeman, Donald C.; Kiparsky, Paul (Mitwirkender); Culler, Jonathan D. (Mitwirkender); Thorne, J.P. (Mitwirkender); Fish, Stanley Eugene (Mitwirkender); Keyser, Samuel Jay (Mitwirkender); Fairley, Irene R. (Mitwirkender); Austin, Timothy R. (Mitwirkender); Epstein, E. L. (Mitwirkender); Halle, Morris (Mitwirkender); Scott, Charles T. (Mitwirkender); Stillings, Justine T. (Mitwirkender); Halliday, Michael A. K. (Mitwirkender); Pratt, Mary Louise (Mitwirkender); Ohmann, Richard (Mitwirkender)
    Published: 1981
    Publisher:  Methuen, London

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    11.738.36
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Location:
    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    Signature:
    01/ET 800 F855
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    No inter-library loan

    Location:
    Universität Gießen, Bibliothek Anglistik
    Signature:
    F BZ 1061
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    No inter-library loan

    Location:
    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
    Signature:
    L/IV E 4 I b
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    Location:
    Universität Marburg, Universitätsbibliothek
    Signature:
    F 81/374
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    No loan of volumes, only paper copies will be sent
    Location:
    Universität Marburg, Universitätsbibliothek
    Signature:
    001 HG 180 F855
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    Content information
    Source: Union catalogues
    Contributor: Freeman, Donald C.; Kiparsky, Paul (Mitwirkender); Culler, Jonathan D. (Mitwirkender); Thorne, J.P. (Mitwirkender); Fish, Stanley Eugene (Mitwirkender); Keyser, Samuel Jay (Mitwirkender); Fairley, Irene R. (Mitwirkender); Austin, Timothy R. (Mitwirkender); Epstein, E. L. (Mitwirkender); Halle, Morris (Mitwirkender); Scott, Charles T. (Mitwirkender); Stillings, Justine T. (Mitwirkender); Halliday, Michael A. K. (Mitwirkender); Pratt, Mary Louise (Mitwirkender); Ohmann, Richard (Mitwirkender)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0416744206; 0416744303
    RVK Categories: ET 800 ; HF 330 ; HG 180
    Subjects: Englisch; Literarischer Stil
    Scope: VIII, 416 Seiten
  2. The mental life of modernism
    why poetry, painting, and music changed at the turn of the twentieth century
    Author: Keyser, Samuel Jay
    Published: [2020]; © 2020
    Publisher:  The MIT Press, Cambridge, Massachusetts ; London, England

    At the beginning of the twentieth century, poetry, music, and painting all underwent a sea change. Poetry abandoned rhyme and meter; music ceased to be tonally centered; and painting no longer aimed at faithful representation. These artistic... more

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    At the beginning of the twentieth century, poetry, music, and painting all underwent a sea change. Poetry abandoned rhyme and meter; music ceased to be tonally centered; and painting no longer aimed at faithful representation. These artistic developments have been attributed to cultural factors ranging from the Industrial Revolution and the technical innovation of photography to Freudian psychoanalysis. In this book, Samuel Jay Keyser argues that the stylistic innovations of Western modernism reflect not a cultural shift but a cognitive one. Behind modernism is the same cognitive phenomenon that led to the scientific revolution of the seventeenth century: the brain coming up against its natural limitations. Keyser argues that the transformation in poetry, music, and painting (the so-called sister arts) is the result of the abandonment of a natural aesthetic based on a set of rules shared between artist and audience, and that this is virtually the same cognitive shift that occurred when scientists abandoned the mechanical philosophy of the Galilean revolution. The cultural explanations for Modernism may still be relevant, but they are epiphenomenal rather than causal. Artists felt that traditional forms of art had been exhausted, and they began to resort to private formats—Easter eggs with hidden and often inaccessible meaning. Keyser proposes that when artists discarded their natural rule-governed aesthetic, it marked a cognitive shift; general intelligence took over from hardwired proclivity. Artists used a different part of the brain to create, and audiences were forced to play catch up.

     
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  3. <<The>> mental life of modernism
    why poetry, painting, and music changed at the turn of the twentieth century
    Author: Keyser, Samuel Jay
    Published: [2020]; © 2020
    Publisher:  <<The>> MIT Press, Cambridge, Massachusetts ; London, England

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780262043496
    Subjects: Künste; Literatur; Musik; Malerei; Moderne; Ästhetik; Kognition; Psychologie; Neurowissenschaften;
    Other subjects: Arts / Psychology; Communication in art; Modernism (Art); Modernism (Literature); Modernism (Music); Arts / Psychology; Communication in art; Modernism (Art); Modernism (Literature); Modernism (Music)
    Scope: xii, 226 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Literaturverzeichnis Seite [209]-218
  4. There is method in their adness
    the formal structure of advertisement
    Author: Keyser, Samuel Jay
    Published: 1983

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    Source: Online Contents Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Print
    Parent title: In: New literary history; Charlottesville, Va. : Univ., 1969-; Band 14, Heft 2 (1983), Seite 305-334