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Displaying results 1 to 3 of 3.

  1. Die Welt der Bücher auf einem Deckenbild
    Franz Sigrists Darstellung der Wissenschaften im Festsaal des Lyzeums in Erlau
    Author: Jernyei Kiss, János
    Published: 2016

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: German
    Media type: Article (edited volume)
    Parent title:
    Bibliothèques, décors (XVIIe-XIXe siècle) / sous la direction de Frédéric Barbier, István Monok & Andrea De Pasquale; Budapest, [2016]; Seite 145-154
    Subjects: Festsaal; Wissenschaft <Motiv>; Deckenmalerei; Lyzeum; Bildprogramm
    Other subjects: Sigrist, Franz (1727-1803)
  2. "Recentior Philosophia"
    a bölcsészeti fakultás ábrázolása Franz Sigrist egri mennyezetképén
    Author: Jernyei Kiss, János
    Published: 2010

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: Hungarian; German
    Media type: Article (edited volume)
    Parent title:
    "Ez világ, mint egy kert..." / Szerk.: Bubryak Orsolya; Budapest, 2010; S. 671-684
    Subjects: Deckenmalerei; Festsaal; Wissenschaft <Motiv>
    Other subjects: Sigrist, Franz (1727-1803)
    Notes:

    Zsfassung in dt. Sprache
  3. Maulbertsch und die tragische Malerei
    die Deckenbilder der Legende des hl. Stephan in der Pfarrkirche von Pápa
    Author: Jernyei Kiss, János
    Published: 2022

    The narrative unfolding in the ceiling paintings at Pápa can be taken for a painted tragedy of a complex plot based on Aristotle's notions of change of fate (peripeteia) and recognition (anagnorisis), the precedents of which are not to be sought in... more

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    The narrative unfolding in the ceiling paintings at Pápa can be taken for a painted tragedy of a complex plot based on Aristotle's notions of change of fate (peripeteia) and recognition (anagnorisis), the precedents of which are not to be sought in ceiling painting but much rather in the history of pictures of the classical approach produced in the early modern age. In terms of classical rhetoric, the style of the three ceiling frescoes corresponds to Quintilian's second category, the sublime and vehement mode of representation (genus sublime, genus vehemens) aimed at moving the recipient. The vision of heaven has a crucial role in the cycle, for the celestial sphere, in the plot the promise of salvation ensures areversal of fortune, an auspicious denouement. The earthly events stir the recipients' emotions but the involvement of justice in the afterlife calms them, thus allowing perfect catharsis to happen. The change of fate in the third fresco is related to the moment of recognition. Through the great masters of the 16th and 17th centuries, pathos theory and the conception of peripeteia became a fundamental, even commonplace pictorial narrative method in history painting and Tridentine religious art of the early modern age. With the Pápa ceiling frescoes Franz Anton Maulbertsch (1724–1796) gave evidence of his broad pictorial culture by choosing from among these visual panels and formulas with a keen eye and shaping them to his own liking.

     
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    Source: Union catalogues
    Language: German
    Media type: Article (journal)
    Parent title:
    Opuscula historiae artium; Brno, 2022; Band 71, Heft 1/2 (2022), Seite 36-59
    Subjects: Deckenmalerei; Motiv
    Other subjects: Stephanus Heiliger, Biblische Person; Maulbertsch, Franz Anton (1724-1796)
    Scope: Illustrationen