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Modernism and masculinity
Mann, Wedekind, Kandinsky through World War I
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Modernism and masculinity
Mann, Wedekind, Kandinsky through World War I
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Impossible individuality
Romanticism, revolution, and the origins of modern selfhood, 1787 - 1802
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Impossible Individuality
Romanticism, Revolution, and the Origins of Modern Selfhood, 1787-1802
Studying major writers and philosophers--Schlegel and Schleiermacher in Germany, Wordsworth in England, and Chateaubriand in France--Gerald Izenberg shows how a combination of political, social, and psychological developments resulted in the modern...
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Universität Frankfurt, Elektronische Ressourcen
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Studying major writers and philosophers--Schlegel and Schleiermacher in Germany, Wordsworth in England, and Chateaubriand in France--Gerald Izenberg shows how a combination of political, social, and psychological developments resulted in the modern concept of selfhood. More than a study of one national culture influencing another, this work goes to the heart of kindred intellectual processes in three European countries. Izenberg makes two persuasive and related arguments. The first is that the Romantics developed a new idea of the self as characterized by fundamentally opposing impulses: a drive to assert the authority of the self and expand that authority to absorb the universe, and the contradictory impulse to surrender to a greater idealized entity as the condition of the self's infinity. The second argument seeks to explain these paradoxes historically, showing how romantic individuality emerged as a compromise. Izenberg demonstrates how the Romantics retreated, in part, from a preliminary, radically activist ideal of autonomy they had worked out under the impact of the French Revolution. They had begun by seeing the individual self as the sole source of meaning and authority, but the convergence of crises in their personal lives with the crises of the revolution revealed this ideal as dangerously aggressive and self-aggrandizing. In reaction, the Romantics shifted their absolute claims for the self to the realm of creativity and imagination, and made such claims less dangerous by attributing totality to nature, art, lover, or state, which in return gave that totality back to the self.
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Impossible individuality
Romanticism, revolution, and the origins of modern selfhood, 1787-1802
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Bibliothek der Hochschule Mainz, Untergeschoss
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Modernism and masculinity
Mann, Wedekind, Kandinsky through World War I
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Universitätsbibliothek Bayreuth
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Impossible individuality
Romanticism, revolution, and the origins of modern selfhood, 1787-1802
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Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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Impossible individuality
romanticism, revolution and the origins of modern selfhood, 1787 - 1802
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Impossible individuality
romanticism, revolution, and the origins of modern selfhood, 1787 - 1802
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Universitätsbibliothek Bielefeld
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Deutsches Referenzzentrum für Ethik in den Biowissenschaften, Bibliothek/Dokumentation
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Modernism and masculinity
Mann, Wedekind, Kandinsky through World War I
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Universitäts- und Landesbibliothek Düsseldorf
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Impossible individuality
romaticism, revolution, and the origins of modern selfhood, 1787 - 1802
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Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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Modernism and masculinity
Mann, Wedekind, Kandinsky through World War I
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Impossible individuality
romanticism, revolution, and the origins of modern selfhood, 1787-1802
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Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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Universitätsbibliothek Freiburg
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Bibliothek im KG IV, Bereich Anglistik und Amerikanistik
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Max-Planck-Institut zur Erforschung multireligiöser und multiethnischer Gesellschaften, Bibliothek
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Modernism and masculinity
Mann, Wedekind, Kandinsky through World War I
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Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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Impossible individuality
Romanticism, revolution, and the origins of modern selfhood, 1787-1802
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Impossible individuality
romanticism, revolution and the origins of modern selfhood, 1787 - 1802
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Freie Universität Berlin, Universitätsbibliothek
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Impossible individuality
romanticism, revolution, and the origins of modern selfhood, 1787-1802
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Book Reviews - Modernism and Masculinity: Mann, Wedekind, Kandisnky through World War I.
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REVIEWS - Modernism and Masculinity: Mann, Wedekind, Kandinsky through World War I
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Modernism and masculinity
Mann, Wedekind, Kandinsky through World War I
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Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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Hochschule für Bildende Künste Braunschweig, Bibliothek
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K 5.1 Kandinsky,W 27
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Modernism and masculinity
Mann, Wedekind, Kandinsky through World War I
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Impossible Individuality
Romanticism, Revolution, and the Origins of Modern Selfhood, 1787-1802
Studying major writers and philosophers--Schlegel and Schleiermacher in Germany, Wordsworth in England, and Chateaubriand in France--Gerald Izenberg shows how a combination of political, social, and psychological developments resulted in the modern...
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Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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Studying major writers and philosophers--Schlegel and Schleiermacher in Germany, Wordsworth in England, and Chateaubriand in France--Gerald Izenberg shows how a combination of political, social, and psychological developments resulted in the modern concept of selfhood. More than a study of one national culture influencing another, this work goes to the heart of kindred intellectual processes in three European countries. Izenberg makes two persuasive and related arguments. The first is that the Romantics developed a new idea of the self as characterized by fundamentally opposing impulses: a dr
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Impossible Individuality
Romanticism, Revolution and the Origins of Modern Selfhood, 1787-1802
Studying major writers and philosophers--Schlegel and Schleiermacher in Germany, Wordsworth in England, and Chateaubriand in France--Gerald Izenberg shows how a combination of political, social, and psychological developments resulted in the modern...
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Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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Hochschulbibliothek Friedensau
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Online-Ressource
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Studying major writers and philosophers--Schlegel and Schleiermacher in Germany, Wordsworth in England, and Chateaubriand in France--Gerald Izenberg shows how a combination of political, social, and psychological developments resulted in the modern concept of selfhood. More than a study of one national culture influencing another, this work goes to the heart of kindred intellectual processes in three European countries. Izenberg makes two persuasive and related arguments. The first is that the Romantics developed a new idea of the self as characterized by fundamentally opposing impulses: a dr
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Identity
the necessity of a modern idea
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Max-Planck-Institut zur Erforschung multireligiöser und multiethnischer Gesellschaften, Bibliothek
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MR 6800 Izen 2016
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Universitätsbibliothek Mannheim
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500 EC 5410 I19 I98
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BD 236 .I94 2016
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Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
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Impossible Individuality
Romanticism, Revolution, and the Origins of Modern Selfhood, 1787-1802
Studying major writers and philosophers--Schlegel and Schleiermacher in Germany, Wordsworth in England, and Chateaubriand in France--Gerald Izenberg shows how a combination of political, social, and psychological developments resulted in the modern...
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Universität Frankfurt, Elektronische Ressourcen
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Studying major writers and philosophers--Schlegel and Schleiermacher in Germany, Wordsworth in England, and Chateaubriand in France--Gerald Izenberg shows how a combination of political, social, and psychological developments resulted in the modern concept of selfhood. More than a study of one national culture influencing another, this work goes to the heart of kindred intellectual processes in three European countries. Izenberg makes two persuasive and related arguments. The first is that the Romantics developed a new idea of the self as characterized by fundamentally opposing impulses: a drive to assert the authority of the self and expand that authority to absorb the universe, and the contradictory impulse to surrender to a greater idealized entity as the condition of the self's infinity. The second argument seeks to explain these paradoxes historically, showing how romantic individuality emerged as a compromise. Izenberg demonstrates how the Romantics retreated, in part, from a preliminary, radically activist ideal of autonomy they had worked out under the impact of the French Revolution. They had begun by seeing the individual self as the sole source of meaning and authority, but the convergence of crises in their personal lives with the crises of the revolution revealed this ideal as dangerously aggressive and self-aggrandizing. In reaction, the Romantics shifted their absolute claims for the self to the realm of creativity and imagination, and made such claims less dangerous by attributing totality to nature, art, lover, or state, which in return gave that totality back to the self.
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