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  1. Utopian effects, dystopian pleasures
    Author: Fitting, Peter
    Published: 2021
    Publisher:  Peter Lang, Oxford

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    Source: Union catalogues
    Contributor: Greenspan, Brian (Publisher); Jameson, Fredric
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781788743549; 9781788743556; 9781788743563
    Other identifier:
    DDC Categories: 800; 791
    Series: Ralahine utopian studies ; volume 21
    Subjects: Utopie; Literatur;
    Other subjects: LITERARY CRITICISM / Comparative Literature; PERFORMING ARTS / Theater / General; Theatre studies; Literature & literary studies
    Scope: 1 Online-Ressource (xxiii, 429 Seiten), Illustrationen
    Notes:

    Enthält Literaturverzeichnis auf Seite [391]-417
  2. Full Metal Apache
    Transactions Between Cyberpunk Japan and Avant-Pop America
    Author: Tatsumi, Takayuki
    Published: [2006]; © 2006
    Publisher:  Duke University Press, Durham

    Takayuki Tatsumi is one of Japan's leading cultural critics, renowned for his work on American literature and culture. With his encyclopedic knowledge and fan's love of both Japanese and American art and literature, he is perhaps uniquely well... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Takayuki Tatsumi is one of Japan's leading cultural critics, renowned for his work on American literature and culture. With his encyclopedic knowledge and fan's love of both Japanese and American art and literature, he is perhaps uniquely well situated to offer this study of the dynamic crosscurrents between the avant-gardes and pop cultures of Japan and the United States. In Full Metal Apache, Tatsumi looks at the work of artists from both sides of the Pacific: fiction writers and poets, folklorists and filmmakers, anime artists, playwrights, musicians, manga creators, and performance artists. Tatsumi shows how, over the past twenty years or so, writers and artists have openly and exuberantly appropriated materials drawn from East and West, from sources both high and low, challenging and unraveling the stereotypical images Japan and America have of one another.Full Metal Apache introduces English-language readers to a vast array of Japanese writers and performers and considers their work in relation to the output of William Gibson, Thomas Pynchon, H. G. Wells, Jack London, J. G. Ballard, and other Westerners. Tatsumi moves from the poetics of metafiction to the complex career of Madame Butterfly stories and from the role of the Anglo-American Lafcadio Hearn in promoting Japanese folklore within Japan during the nineteenth century to the Japanese monster Godzilla as an embodiment of both Japanese and Western ideas about the Other. Along the way, Tatsumi develops original arguments about the self-fashioning of "Japanoids" in the globalist age, the philosophy of "creative masochism" inherent within postwar Japanese culture, and the psychology of "Mikadophilia" indispensable for the construction of a cyborg identity. Tatsumi's exploration of the interplay between Japanese and American cultural productions is as electric, ebullient, and provocative as the texts and performances he analyzes

     
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    Source: Union catalogues
    Contributor: Fish, Stanley (Publisher); Jameson, Fredric (Publisher); Larry, McCaffery (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822388012
    Other identifier:
    Series: Post-Contemporary Interventions
    Subjects: LITERARY CRITICISM / Asian / General; American fiction; American fiction; Japanese fiction; Japanese fiction; Science fiction, American; Science fiction, Japanese
    Scope: 1 online resource (272 pages), 15 photos, 11 figures
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)
  3. Working Fictions
    A Genealogy of the Victorian Novel
    Author: Lesjak, Carolyn
    Published: [2007]; © 2006
    Publisher:  Duke University Press, Durham

    Working Fictions takes as its point of departure the common and painful truth that the vast majority of human beings toil for a wage and rarely for their own enjoyment or satisfaction. In this striking reconceptualization of Victorian literary... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Working Fictions takes as its point of departure the common and painful truth that the vast majority of human beings toil for a wage and rarely for their own enjoyment or satisfaction. In this striking reconceptualization of Victorian literary history, Carolyn Lesjak interrogates the relationship between labor and pleasure, two concepts that were central to the Victorian imagination and the literary output of the era. Through the creation of a new genealogy of the "labor novel," Lesjak challenges the prevailing assumption about the portrayal of work in Victorian fiction, namely that it disappears with the fall from prominence of the industrial novel. She proposes that the "problematic of labor" persists throughout the nineteenth century and continues to animate texts as diverse as Elizabeth Gaskell's Mary Barton, George Eliot's Felix Holt and Daniel Deronda, Charles Dickens's Great Expectations, and the essays and literary work of William Morris and Oscar Wilde.Lesjak demonstrates how the ideological work of the literature of the Victorian era, the "golden age of the novel," revolved around separating the domains of labor and pleasure and emphasizing the latter as the proper realm of literary representation. She reveals how the utopian works of Morris and Wilde grapple with this divide and attempt to imagine new relationships between work and pleasure, relationships that might enable a future in which work is not the antithesis of pleasure. In Working Fictions, Lesjak argues for the contemporary relevance of the "labor novel," suggesting that within its pages lie resources with which to confront the gulf between work and pleasure that continues to characterize our world today

     
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    Source: Union catalogues
    Contributor: Fish, Stanley (Publisher); Jameson, Fredric (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822388340
    Other identifier:
    Series: Post-Contemporary Interventions
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Authors, English; Capitalism in literature; Economics in literature; English fiction; Industrialization in literature; Pleasure in literature; Social conflict in literature; Work in literature; Working class in literature
    Scope: 1 online resource (288 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)
  4. Figures of Resistance
    Language, Poetry, and Narrating in The Tale of the Genji and Other Mid-Heian Texts
    Author: Okada, Richard H.
    Published: [1991]; © 1991
    Publisher:  Duke University Press, Durham

    In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The Tale of the Bamboo-cutter, The Tale of Ise, and The Tale of Genji. Okada contends that the cultural and... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The Tale of the Bamboo-cutter, The Tale of Ise, and The Tale of Genji. Okada contends that the cultural and gendered significance of these works has been distorted by previous commentaries and translations belonging to the larger patriarchal and colonialist discourse of Western civilization. He goes on to suggest that this universalist discourse, which silences the feminine aspects of these texts and subsumes their writing in misapplied Western canonical literary terms, is sanctioned and maintained by the discipline of Japanese literature.Okada develops a highly original and sophisticated reading strategy that demonstrates how readers might understand texts belonging to a different time and place without being complicit in their assimilation to categories derived from Western literary traditions. The author's reading stratgey is based on the texts' own resistance to modes of analysis that employ such Western canonical terms as novel, lyric, and third-person narrative. Emphasis is also given to the distinctive cultural circles, as well as socio-political and genealogical circumstances that surrounded the emergence of the texts.Indispensable readings for specialists in literature, cultural studies, and Japanese literature and history, Figures of Resistance will also appeal to general readers interested in the problems and complexities of studying another culture

     
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    Source: Union catalogues
    Contributor: Fish, Stanley (Publisher); Jameson, Fredric (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822381723
    Other identifier:
    Series: Post-Contemporary Interventions
    Subjects: LITERARY CRITICISM / Asian / General; Japanese literature
    Scope: 1 online resource (400 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  5. Home and Harem
    Nation, Gender, Empire and the Cultures of Travel
    Author: Grewal, Inderpal
    Published: [1996]; © 1996
    Publisher:  Duke University Press, Durham

    Moving across academic disciplines, geographical boundaries, and literary genres, Home and Harem examines how travel shaped ideas about culture and nation in nineteenth-century imperialist England and colonial India. Inderpal Grewal's study of the... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Moving across academic disciplines, geographical boundaries, and literary genres, Home and Harem examines how travel shaped ideas about culture and nation in nineteenth-century imperialist England and colonial India. Inderpal Grewal's study of the narratives and discourses of travel reveals the ways in which the colonial encounter created linked yet distinct constructs of nation and gender and explores the impact of this encounter on both English and Indian men and women. Reworking colonial discourse studies to include both sides of the colonial divide, this work is also the first to discuss Indian women traveling West as well as English women touring the East.In her look at England, Grewal draws on nineteenth-century aesthetics, landscape art, and debates about women's suffrage and working-class education to show how all social classes, not only the privileged, were educated and influenced by imperialist travel narratives. By examining diverse forms of Indian travel to the West and its colonies and focusing on forms of modernity offered by colonial notions of travel, she explores how Indian men and women adopted and appropriated aspects of European travel discourse, particularly the set of oppositions between self and other, East and West, home and abroad.Rather than being simply comparative, Home and Harem is a transnational cultural study of the interaction of ideas between two cultures. Addressing theoretical and methodological developments across a wide range of fields, this highly interdisciplinary work will interest scholars in the fields of postcolonial and cultural studies, feminist studies, English literature, South Asian studies, and comparative literature

     
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    Source: Union catalogues
    Contributor: Fish, Stanley (Publisher); Jameson, Fredric (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822382003
    Other identifier:
    Series: Post-Contemporary Interventions
    Subjects: SOCIAL SCIENCE / Women's Studies; Culture conflict in literature; East and West in literature; Feminism and literature; Imperialism; Intercultural communication; Literature and society; Literature and society; Sex role in literature; Travel writing; Travelers' writings, English; Women; Women
    Scope: 1 online resource (296 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  6. Colonial Fantasies
    Conquest, Family, and Nation in Precolonial Germany, 1770-1870
    Author: Zantop, Susanne
    Published: [1997]; © 1997
    Publisher:  Duke University Press, Durham

    Since Germany became a colonial power relatively late, postcolonial theorists and histories of colonialism have thus far paid little attention to it. Uncovering Germany's colonial legacy and imagination, Susanne Zantop reveals the significance of... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Since Germany became a colonial power relatively late, postcolonial theorists and histories of colonialism have thus far paid little attention to it. Uncovering Germany's colonial legacy and imagination, Susanne Zantop reveals the significance of colonial fantasies-a kind of colonialism without colonies-in the formation of German national identity. Through readings of historical, anthropological, literary, and popular texts, Zantop explores imaginary colonial encounters of "Germans" with "natives" in late-eighteenth- and early-nineteenth-century literature, and shows how these colonial fantasies acted as a rehearsal for actual colonial ventures in Africa, South America, and the Pacific.From as early as the sixteenth century, Germans preoccupied themselves with an imaginary drive for colonial conquest and possession that eventually grew into a collective obsession. Zantop illustrates the gendered character of Germany's colonial imagination through critical readings of popular novels, plays, and travel literature that imagine sexual conquest and surrender in colonial territory-or love and blissful domestic relations between colonizer and colonized. She looks at scientific articles, philosophical essays, and political pamphlets that helped create a racist colonial discourse and demonstrates that from its earliest manifestations, the German colonial imagination contained ideas about a specifically German national identity, different from, if not superior to, most others

     
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    Source: Union catalogues
    Contributor: Fish, Stanley (Publisher); Jameson, Fredric (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822382119
    Other identifier:
    Series: Post-Contemporary Interventions
    Subjects: HISTORY / Europe / Germany; Colonies in literature; Families in literature; German literature; German literature; Imperialism; Military history in literature; National characteristics, German, in literature; Nationalism in literature; Nationalism
    Scope: 1 online resource (304 pages), 9 illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  7. Laura
    Uncovering Gender and Genre in Wyatt, Donne and Marvell
    Author: Estrin, Barbara L.
    Published: [1994]; © 1994
    Publisher:  Duke University Press, Durham

    How do men imagine women? In the poetry of Petrarch and his English successors-Wyatt, Donne, and Marvell-the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    How do men imagine women? In the poetry of Petrarch and his English successors-Wyatt, Donne, and Marvell-the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies.Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estrin uncovers three Lauras: Laura-Daphne, who denies sexuality; Laura-Eve, who returns the poet's love; and Laura-Mercury, who reinvents her own life. Estrin claims that in these three guises Laura subverts both genre and gender, thereby introducing multiple desires into the many layers of the poems. Drawing upon genre and gender theories advanced by Jean-François Lyotard and Judith Butler to situate female desire in the poem's framework, Estrin shows how genre and gender in the Petrarchan tradition work together to undermine the stability of these very concepts.Estrin's Laura constitutes a fundamental reconceptualization of the Petrarchan tradition and contributes greatly to the postmodern reassessment of the Renaissance period. In its descriptions of how early modern poets formulate questions about sexuality, society and poetry, Laura will appeal to scholars of the English and Italian Renaissance, of gender studies, and of literary criticism and theory generally

     
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    Source: Union catalogues
    Contributor: Fish, Stanley (Publisher); Jameson, Fredric (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822382256
    Other identifier:
    Series: Post-Contemporary Interventions
    Subjects: LITERARY CRITICISM / Poetry; English poetry; English poetry; Literary form; Literary form; Love poetry, English; Sex role in literature; Women and literature; Women and literature
    Scope: 1 online resource (360 pages), 3 illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  8. Criticism in the Borderlands
    Studies in Chicano Literature, Culture, and Ideology
    Contributor: Alvina, Quintana (Publisher); Angie, Chabram (Publisher); Barbara, Harlow (Publisher); Calderón, Héctor (Publisher); Elizabeth, Ordonez (Publisher); Fish, Stanley (Publisher); Genaro, Padilla (Publisher); Hector, Calderon (Publisher); Jameson, Fredric (Publisher); Jose, Limon (Publisher); Jose, Saldivar (Publisher); Luis, Leal (Publisher); Norma, Alarcon (Publisher); Ramon, Saldivar (Publisher); Renato, Rosaldo (Publisher); Rosaura, Sanchez (Publisher); Saldívar, José David (Publisher); Sonia, Hull (Publisher); Teresa, McKenna (Publisher)
    Published: [1991]; © 1991
    Publisher:  Duke University Press, Durham

    This pathbreaking anthology of Chicano literary criticism, with essays on a remarkable range of texts-both old and new-draws on diverse perspectives in contemporary literary and cultural studies: from ethnographic to postmodernist, from Marxist to... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    This pathbreaking anthology of Chicano literary criticism, with essays on a remarkable range of texts-both old and new-draws on diverse perspectives in contemporary literary and cultural studies: from ethnographic to postmodernist, from Marxist to feminist, from cultural materialist to new historicist.The editors have organized essays around four board themes: the situation of Chicano literary studies within American literary history and debates about the "canon"; representations of the Chicana/o subject; genre, ideology, and history; and the aesthetics of Chicano literature. The volume as a whole aims at generating new ways of understanding what counts as culture and "theory" and who counts as a theorist. A selected and annotated bibliography of contemporary Chicano literary criticism is also included.By recovering neglected authors and texts and introducing readers to an emergent Chicano canon, by introducing new perspectives on American literary history, ethnicity, gender, culture, and the literary process itself, Criticism in the Borderlands is an agenda-setting collection that moves beyond previous scholarship to open up the field of Chicano literary studies and to define anew what is American literature.Contributors. Norma Alarcón, Héctor Calderón, Angie Chabram, Barbara Harlow, Rolando Hinojosa, Luis Leal, José E. Limón, Terese McKenna, Elizabeth J. Ordóñez, Genero Padilla, Alvina E. Quintana, Renato Rosaldo, José David Saldívar, Sonia Saldívar-Hull, Rosaura Sánchez, Roberto Trujillo

     
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    Source: Union catalogues
    Contributor: Alvina, Quintana (Publisher); Angie, Chabram (Publisher); Barbara, Harlow (Publisher); Calderón, Héctor (Publisher); Elizabeth, Ordonez (Publisher); Fish, Stanley (Publisher); Genaro, Padilla (Publisher); Hector, Calderon (Publisher); Jameson, Fredric (Publisher); Jose, Limon (Publisher); Jose, Saldivar (Publisher); Luis, Leal (Publisher); Norma, Alarcon (Publisher); Ramon, Saldivar (Publisher); Renato, Rosaldo (Publisher); Rosaura, Sanchez (Publisher); Saldívar, José David (Publisher); Sonia, Hull (Publisher); Teresa, McKenna (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822382355
    Other identifier:
    Series: Post-Contemporary Interventions
    Subjects: LITERARY CRITICISM / American / General
    Scope: 1 online resource (308 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  9. Fables of Power
    Aesopian Writing and Political History
    Author: Patterson, Annabel
    Published: [1991]; © 1991
    Publisher:  Duke University Press, Durham

    In this imaginative and illuminating work, Annabel Patterson traces the origins and meanings of the Aesopian fable, as well as its function in Renaissance culture and subsequently. She shows how the fable worked as a medium of political analysis and... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    In this imaginative and illuminating work, Annabel Patterson traces the origins and meanings of the Aesopian fable, as well as its function in Renaissance culture and subsequently. She shows how the fable worked as a medium of political analysis and communication, especially from or on behalf of the politically powerless.Patterson begins with an analysis of the legendary Life of Aesop, its cultural history and philosophical implications, a topic that involves such widely separated figures as La Fontaine, Hegel, and Vygotsky. The myth's origin is recovered here in the saving myth of Aesop the Ethiopian, black, ugly, who began as a slave but become both free and influential, a source of political wisdom. She then traces the early modern history of the fable from Caxton, Lydgate, and Henryson through the eighteenth century, focusing on such figures as Spenser, Sidney, Lyly, Shakespeare, and Milton, as well as the lesser-known John Ogilby, Sir Roger L'Estrange, and Samuel Croxall.Patterson discusses the famous fable of The Belly and the Members, which, because it articulated in symbolic terms some of the most intransigent problems in political philosophy and practice, was still going strong as a symbolic text in the mid-nineteenth century, where it was focused on industrial relations by Karl Marx and by George Eliot against electoral reform

     
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    Source: Union catalogues
    Contributor: Fish, Stanley (Publisher); Jameson, Fredric (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822382577
    Other identifier:
    Series: Post-Contemporary Interventions
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English literature; English literature; Fables, English; Fables, Greek; Political fiction, English; Political poetry, English; Politics and literature; Politics and literature
    Scope: 1 online resource (184 pages), 8 b&w illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  10. Postmodernity in Latin America
    The Argentine Paradigm
    Author: Colás, Santiago
    Published: [1994]; © 1994
    Publisher:  Duke University Press, Durham

    Postmodernity in Latin America contests the prevailing understanding of the relationship between postmodernity and Latin America by focusing on recent developments in Latin American, and particularly Argentine, political and literary culture. While... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Postmodernity in Latin America contests the prevailing understanding of the relationship between postmodernity and Latin America by focusing on recent developments in Latin American, and particularly Argentine, political and literary culture. While European and North American theorists of postmodernity generally view Latin American fiction without regard for its political and cultural context, Latin Americanists often either uncritically apply the concept of postmodernity to Latin American literature and society or reject it in an equally uncritical fashion. The result has been both a limited understanding of the literature and an impoverished notion of postmodernity. Santiago Colás challenges both of these approaches and corrects their consequent distortions by locating Argentine postmodernity in the cultural dynamics of resistance as it operates within and against local expressions of late capitalism.Focusing on literature, Colás uses Julio Cortázar's Hopscotch to characterize modernity for Latin America as a whole, Manuel Puig's Kiss of the Spider Woman to identify the transition to a more localized postmodernity, and Ricardo Piglia's Artificial Respiration to exemplify the cultural coordinates of postmodernity in Argentina. Informed by the cycle of political transformation beginning with the Cuban Revolution, including its effects on Peronism, to the period of dictatorship, and finally to redemocratization, Colás's examination of this literary progression leads to the reconstruction of three significant moments in the history of Argentina. His analysis provokes both a revised understanding of that history and the recognition that multiple meanings of postmodernity must be understood in ways that incorporate the complexity of regional differences.Offering a new voice in the debate over postmodernity, one that challenges that debate's leading thinkers, Postmodernity in Latin America will be of particular interest to students of Latin American literature and to scholars in all disciplines concerned with theories of the postmodern

     
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    Source: Union catalogues
    Contributor: Fish, Stanley (Publisher); Jameson, Fredric (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822382669
    Other identifier:
    Series: Post-Contemporary Interventions
    Subjects: LITERARY CRITICISM / General; Argentine fiction; Literature and society; Literature and society; Postmodernism (Literature)
    Scope: 1 online resource (240 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  11. Class Fictions
    Shame and Resistance in the British Working Class Novel, 1890-1945
    Author: Fox, Pamela
    Published: [1994]; © 1994
    Publisher:  Duke University Press, Durham

    Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity,... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity, particularly as reflected in British novels of the late nineteenth and early twentieth centuries. Through the concept of class shame, she produces a model of working-class subjectivity that understands resistance in a more accurate and useful way-as a complicated kind of refusal, directed at both dominated and dominant culture.With a focus on certain classics in the working-class literary "canon," such as The Ragged Trousered Philanthropists and Love on the Dole, as well as lesser-known texts by working-class women, Fox uncovers the anxieties that underlie representations of class and consciousness. Shame repeatedly emerges as a powerful counterforce in these works, continually unsettling the surface narrative of protest to reveal an ambivalent relation toward the working-class identities the novels apparently champion.Class Fictions offers an equally rigorous analysis of cultural studies itself, which has historically sought to defend and value the radical difference of working-class culture. Fox also brings to her analysis a strong feminist perspective that devotes considerable attention to the often overlooked role of gender in working-class fiction. She demonstrates that working-class novels not only expose master narratives of middle-class culture that must be resisted, but that they also reveal to us a need to create counter narratives or formulas of working-class life. In doing so, this book provides a more subtle sense of the role of resistance in working class culture. While of interest to scholars of Victorian and working-class fiction, Pamela Fox's argument has far-reaching implications for the way literary and cultural studies will be defined and practiced

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Fish, Stanley (Publisher); Jameson, Fredric (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822382935
    Other identifier:
    Series: Post-Contemporary Interventions
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English fiction; Literature and society; Shame in literature; Working class in literature; Working class writings, English; Working class
    Scope: 1 online resource (241 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  12. Wedded to the Land?
    Gender, Boundaries, and Nationalism in Crisis
    Author: Layoun, Mary N.
    Published: [2001]; © 2001
    Publisher:  Duke University Press, Durham

    In Wedded to the Land? Mary N. Layoun offers a critical commentary on the idea of nationalism in general and on specific attempts to formulate alternatives to the concept in particular. Narratives surrounding three geographically and temporally... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    In Wedded to the Land? Mary N. Layoun offers a critical commentary on the idea of nationalism in general and on specific attempts to formulate alternatives to the concept in particular. Narratives surrounding three geographically and temporally different national crises form the center of her study: Greek refugees' displacement from Asia Minor into Greece in 1922, the 1974 right-wing Cypriot coup and subsequent Turkish invasion of Cyprus, and the Palestinian and PLO expulsion from Beirut following the Israeli invasion in 1982.Drawing on readings of literature and of official documents and decrees, songs, poetry, cinema, public monuments, journalism, and conversations with exiles, refugees, and public officials, Layoun uses each historical incident as a means of highlighting a recurring trope within constructs of nationalism. The displacement of the Greek refugees in the 1920s calls into question the very idea of home, as well as the desire for ethnic homogeneity within nations. She reads the Cypriot coup and invasion as an illustration of the gendering of nation and how the notion of the inviolable woman came to represent sovereignity. In her third example she shows how the Palestinian and PLO expulsion from Beirut highlights the ambiguity of the borders upon which many manifestations of nationalism putatively depend. These chapters are preceded and introduced by a discussion of "culturing the nation" and closed by a consideration of citizenship and silence in which Layoun discusses rights ostensibly possessed by all members of a political community.This book will be of interest to scholars engaged in cultural and critical theory, Middle Eastern and Mediterranean history, literary studies, political science, postcolonial studies, and gender studies

     
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    Source: Union catalogues
    Contributor: Fish, Stanley (Publisher); Jameson, Fredric (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822380481
    Other identifier:
    Series: Post-Contemporary Interventions
    Subjects: LITERARY CRITICISM / Middle Eastern; Nationalism and literature; Nationalism in literature; Politics and culture; Politics in literature
    Scope: 1 online resource (240 pages), 10 b&w photographs
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  13. Lucchesi and The Whale
    Author: Lentricchia, Frank
    Published: [2000]; © 2001
    Publisher:  Duke University Press, Durham

    Lucchesi and The Whale is an unusual work of fiction by noted author and critic Frank Lentricchia. Its central character, Thomas Lucchesi Jr., is a college professor in the American heartland whose obsessions and compulsions include traveling to... more

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    Lucchesi and The Whale is an unusual work of fiction by noted author and critic Frank Lentricchia. Its central character, Thomas Lucchesi Jr., is a college professor in the American heartland whose obsessions and compulsions include traveling to visit friends in their last moments of life-because grief alone inspires him to write-and searching for secret meaning in Herman Melville's Moby-Dick. Himself a writer of "stories full of violence in a poetic style," Lucchesi tells his students that he teaches "only because [his] fiction is commercially untouchable" and to "never forget that." Austerely isolated, anxiety-ridden, and relentlessly self-involved, Lucchesi nonetheless cannot completely squelch his eagerness for love.Having become "a mad Ahab of reading," who is driven to dissect the "artificial body of Melville's behemothian book" to grasp its truth, Lucchesi allows his thoughts to wander and loop from theory to dream to reality to questionable memory. But his black humor-tinged musings are often as profoundly moving as they are intellectual, such as the section in which he ponders the life and philosophy of Ludwig Wittgenstein in relation to the significance of a name-and then attempts to share these thoughts with a sexy, middle-aged flight attendant-or another in which he describes a chance meeting with a similarly-named mafia don.Despite apparent spiritual emptiness, Lucchesi in the end does find "a secret meaning" to Moby-Dick. And Lentricchia's creations-both Lucchesi and The Whale and its main character-reveal this meaning through a series of ingeniously self-reflective metaphors, in much the way that Melville himself did in and through Moby-Dick. Vivid, humorous, and of unparalleled originality, this new work from Frank Lentricchia will inspire and console all who love and ponder both great literature and those who would write it

     
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    Contributor: Fish, Stanley (Publisher); Jameson, Fredric (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822380498
    Other identifier:
    Series: Post-Contemporary Interventions
    Subjects: LITERARY CRITICISM / General; College teachers; Fiction; Friendship; Grief; Psychological fiction
    Scope: 1 online resource (128 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  14. A Master on the Periphery of Capitalism
    Machado de Assis
    Author: Schwarz, Roberto
    Published: [2001]; © 2001
    Publisher:  Duke University Press, Durham

    A Master on the Periphery of Capitalism is a translation (from the original Portuguese) of Roberto Schwarz's renowned study of the work of Brazilian novelist Machado de Assis (1839-1908). A leading Brazilian theorist and author of the highly... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    A Master on the Periphery of Capitalism is a translation (from the original Portuguese) of Roberto Schwarz's renowned study of the work of Brazilian novelist Machado de Assis (1839-1908). A leading Brazilian theorist and author of the highly influential notion of "misplaced ideas," Schwarz focuses his literary and cultural analysis on Machado's The Posthumous Memoirs of Brás Cubas, which was published in 1880. Writing in the Marxist tradition, Schwarz investigates in particular how social structure gets internalized as literary form, arguing that Machado's style replicates and reveals the deeply embedded class divisions of nineteenth-century Brazil.Widely acknowledged as the most important novelist to have written in Latin America before 1940, Machado had a surprisingly modern style. Schwarz notes that the unprecedented wit, sarcasm, structural inventiveness, and mercurial changes of tone and subject matter found in The Posthumous Memoirs of Brás Cubas marked a crucial moment in the history of Latin American literature. He argues that Machado's vanguard narrative reflects the Brazilian owner class and its peculiar status in both national and international contexts, and shows why this novel's success was no accident. The author was able to confront some of the most prestigious ideologies of the nineteenth century with some uncomfortable truths, not the least of which was that slavery remained the basis of the Brazilian economy.A Master on the Periphery of Capitalism will appeal to those with interests in Latin American literature, nineteenth century history, and Marxist literary theory

     
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    Source: Union catalogues
    Contributor: Fish, Stanley (Publisher); Jameson, Fredric (Publisher); John, Gledson (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822380801
    Other identifier:
    Series: Latin America in Translation
    Subjects: LITERARY CRITICISM / Caribbean & Latin American
    Scope: 1 online resource (232 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  15. Shakespeare, Brecht, and the Intercultural Sign
    Author: Tatlow, Antony
    Published: [2001]; © 2001
    Publisher:  Duke University Press, Durham

    In Shakespeare, Brecht, and the Intercultural Sign renowned Brecht scholar Antony Tatlow uses drama to investigate cultural crossings and to show how intercultural readings or performances question the settled assumptions we bring to interpretations... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    In Shakespeare, Brecht, and the Intercultural Sign renowned Brecht scholar Antony Tatlow uses drama to investigate cultural crossings and to show how intercultural readings or performances question the settled assumptions we bring to interpretations of familiar texts. Through a "textual anthropology" Tatlow examines the interplay between interpretations of Shakespeare and readings of Brecht, whose work he rereads in the light of theories of the social subject from Nietzsche to Derrida and in relation to East Asian culture, as well as practices within Chinese and Japanese theater that shape their versions of Shakespearean drama.Reflecting on how, why, and to what effect knowledges and styles of performance pollinate across cultures, Tatlow demonstrates that the employment of one culture's material in the context of another defamiliarizes the conventions of representation in an act that facilitates access to what previously had been culturally repressed. By reading the intercultural, Tatlow shows, we are able not only to historicize the effects of those repressions that create a social unconscious but also gain access to what might otherwise have remained invisible.This remarkable study will interest students of cultural interaction and aesthetics, as well as readers interested in theater, Shakespeare, Brecht, China, and Japan

     
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    Source: Union catalogues
    Contributor: Fish, Stanley (Publisher); Jameson, Fredric (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822380894
    Other identifier:
    Series: Post-Contemporary Interventions
    Subjects: LITERARY CRITICISM / Shakespeare; Intercultural communication in literature; Intercultural communication; Theater
    Scope: 1 online resource (308 pages), 9 illustrations
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  16. Divergent Modernities
    Culture and Politics in Nineteenth-Century Latin America
    Author: Ramos, Julio
    Published: [2001]; © 2001
    Publisher:  Duke University Press, Durham

    With a Foreword by José David SaldívarSince its first publication in Spanish nearly a decade ago, Julio Ramos's Desenucuentros de la modernidad en America Latina por el siglo XIX has been recognized as one of the most important studies of modernity... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    With a Foreword by José David SaldívarSince its first publication in Spanish nearly a decade ago, Julio Ramos's Desenucuentros de la modernidad en America Latina por el siglo XIX has been recognized as one of the most important studies of modernity in the western hemisphere. Available for the first time in English-and now published with new material-Ramos's study not only offers an analysis of the complex relationships between history, literature, and nation-building in the modern Latin American context but also takes crucial steps toward the development of a truly comparative inter-American cultural criticism.With his focus on the nineteenth century, Ramos begins his genealogy of an emerging Latin Americanism with an examination of Argentinean Domingo Sarmiento and Chilean Andrés Bello, representing the "enlightened letrados" of tradition. In contrast to these "lettered men," he turns to Cuban journalist, revolutionary, and poet José Martí, who, Ramos suggests, inaugurated a new kind of intellectual subject for the Americas. Though tracing Latin American modernity in general, it is the analysis of Martí-particularly his work in the United States-that becomes the focal point of Ramos's study. Martí's confrontation with the unequal modernization of the New World, the dependent status of Latin America, and the contrast between Latin America's culture of elites and the northern mass culture of commodification are, for Ramos, key elements in understanding the complex Latin American experience of modernity.Including two new chapters written for this edition, as well as translations of three of Martí's most important works, Divergent Modernities will be indispensable for anyone seeking to understand development and modernity across the Americas

     
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    Source: Union catalogues
    Contributor: Fish, Stanley (Publisher); Jameson, Fredric (Publisher); José David, Saldivar (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822381099
    Other identifier:
    Series: Latin America in Translation
    Subjects: POLITICAL SCIENCE / History & Theory; Politics and literature; Spanish American literature
    Scope: 1 online resource (376 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  17. New Deal Modernism
    American Literature and the Invention of the Welfare State
    Author: Szalay, Michael
    Published: [2000]; © 2000
    Publisher:  Duke University Press, Durham

    In New Deal Modernism Michael Szalay examines the effect that the rise of the welfare state had on American modernism during the 1930s and 1940s, and, conversely, what difference this revised modernism made to the New Deal's famed invention of "Big... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    In New Deal Modernism Michael Szalay examines the effect that the rise of the welfare state had on American modernism during the 1930s and 1940s, and, conversely, what difference this revised modernism made to the New Deal's famed invention of "Big Government."Szalay situates his study within a liberal culture bent on security, a culture galvanized by its imagined need for private and public insurance.Taking up prominent exponents of social and economic security-such as Franklin Delano Roosevelt, John Maynard Keynes, and John Dewey-Szalay demonstrates how the New Deal's revision of free-market culture required rethinking the political function of aesthetics. Focusing in particular on the modernist fascination with the relation between form and audience, Szalay offers innovative accounts of Busby Berkeley, Jack London, James M. Cain, Robert Frost, Ayn Rand, Betty Smith, and Gertrude Stein, as well as extended analyses of the works of Ernest Hemingway, John Steinbeck, and Richard Wright

     
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    Source: Union catalogues
    Contributor: Fish, Stanley (Publisher); Jameson, Fredric (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822381143
    Other identifier:
    Series: Post-Contemporary Interventions
    Subjects: LITERARY CRITICISM / American / General; American literature; Invention (Rhetoric); Literature and society; Modernism (Literature); New Deal, 1933-1939; Politics and literature; Public welfare; Social problems in literature
    Scope: 1 online resource (352 pages), 8 b&w photographs
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  18. The Dialectics of Our America
    Genealogy, Cultural Critique, and Literary History
    Author: Saldívar, José David
    Published: [1991]; © 1991
    Publisher:  Duke University Press, Durham

    Joining the current debates in American literary history, José David Saldívar offers a challenging new perspective on what constitutes not only the canon in American literature, but also the notion of America itself. His aim is the articulation of a... more

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    Joining the current debates in American literary history, José David Saldívar offers a challenging new perspective on what constitutes not only the canon in American literature, but also the notion of America itself. His aim is the articulation of a fresh, transgeographical conception of American culture, one more responsive to the geographical ties and political crosscurrents of the hemisphere than to narrow national ideologies.Saldívar pursues this goal through an array of oppositional critical and creative practices. He analyzes a range of North American writers of color (Rolando Hinojosa, Gloria Anzaldúa, Arturo Islas, Ntozake Shange, and others) and Latin American authors (José Martí, Roberto Fernández Retamar, Gabriel García Márquez, and others), whose work forms a radical critique of the dominant culture, its politics, and its restrictive modes of expression. By doing so, Saldívar opens the traditional American canon to a dialog with other voices, not just the voices of national minorities, but those of regional cultures different from the prevalent anglocentric model.The Dialectics of Our America, in its project to expand the "canon" and define a pan-American literary tradition, will make a critical difference in ongoing attempts to reconceptualize American literary history

     
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    Contributor: Fish, Stanley (Publisher); Jameson, Fredric (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822381709
    Other identifier:
    Series: Post-Contemporary Interventions
    Subjects: LITERARY CRITICISM / American / General
    Scope: 1 online resource (232 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  19. Lines of Flight
    Discursive Time and Countercultural Desire in the Work of Thomas Pynchon
    Author: Mattessich, Stefan
    Published: [2002]; © 2002
    Publisher:  Duke University Press, Durham

    For Thomas Pynchon, the characteristic features of late capitalism-the rise of the military-industrial complex, consumerism, bureaucratization and specialization in the workplace, standardization at all levels of social life, and the growing... more

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    For Thomas Pynchon, the characteristic features of late capitalism-the rise of the military-industrial complex, consumerism, bureaucratization and specialization in the workplace, standardization at all levels of social life, and the growing influence of the mass media-all point to a transformation in the way human beings experience time and duration. Focusing on Pynchon's novels as representative artifacts of the postwar period, Stefan Mattessich analyzes this temporal transformation in relation not only to Pynchon's work but also to its literary, cultural, and theoretical contexts.Mattessich theorizes a new kind of time-subjective displacement-dramatized in the parody, satire, and farce deployed through Pynchon's oeuvre. In particular, he is interested in showing how this sense of time relates to the counterculture of the 1960s and 1970s. Examining this movement as an instance of flight or escape and exposing the beliefs behind it, Mattessich argues that the counterculture's rejection of the dominant culture ultimately became an act of self-cancellation, a rebellion in which the counterculture found itself defined by the very order it sought to escape. He points to parallels in Pynchon's attempts to dramatize and enact a similar experience of time in the doubling-back, crisscrossing, and erasure of his writing. Mattessich lays out a theory of cultural production centered on the ethical necessity of grasping one's own susceptibility to discursive forms of determination

     
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    Source: Union catalogues
    Contributor: Fish, Stanley (Publisher); Jameson, Fredric (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822384137
    Other identifier:
    Series: Post-Contemporary Interventions
    Subjects: LITERARY CRITICISM / American / General; Counterculture; Desire in literature; Escape in literature; Time in literature
    Scope: 1 online resource (302 pages), 4 illus
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  20. The Death-Bound-Subject
    Richard Wright's Archaeology of Death
    Author: JanMohamed, Abdul R.
    Published: [2005]; © 2005
    Publisher:  Duke University Press, Durham

    During the 1940s, in response to the charge that his writing was filled with violence, Richard Wright replied that the manner came from the matter, that the "relationship of the American Negro to the American scene [was] essentially violent," and... more

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    During the 1940s, in response to the charge that his writing was filled with violence, Richard Wright replied that the manner came from the matter, that the "relationship of the American Negro to the American scene [was] essentially violent," and that he could deny neither the violence he had witnessed nor his own existence as a product of racial violence. Abdul R. JanMohamed provides extraordinary insight into Wright's position in this first study to explain the fundamental ideological and political functions of the threat of lynching in Wright's work and thought. JanMohamed argues that Wright's oeuvre is a systematic and thorough investigation of what he calls the death-bound-subject, the subject who is formed from infancy onward by the imminent threat of death. He shows that with each successive work, Wright delved further into the question of how living under a constant menace of physical violence affected his protagonists and how they might "free" themselves by overcoming their fear of death and redeploying death as the ground for their struggle.Drawing on psychoanalytic, Marxist, and phenomenological analyses, and on Orlando Patterson's notion of social death, JanMohamed develops comprehensive, insightful, and original close readings of Wright's major publications: his short-story collection Uncle Tom's Children; his novels Native Son, The Outsider, Savage Holiday, and The Long Dream; and his autobiography Black Boy/American Hunger. The Death-Bound-Subject is a stunning reevaluation of the work of a major twentieth-century American writer, but it is also much more. In demonstrating how deeply the threat of death is involved in the formation of black subjectivity, JanMohamed develops a methodology for understanding the presence of the death-bound-subject in African American literature and culture from the earliest slave narratives forward

     
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    Source: Union catalogues
    Contributor: Fish, Stanley (Publisher); Jameson, Fredric (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822386629
    Other identifier:
    Series: Post-Contemporary Interventions
    Subjects: LITERARY CRITICISM / American / African-American; African Americans in literature; Death in literature; Literature and society; Slavery in literature; Violence in literature
    Scope: 1 online resource (342 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  21. The political unconscious
    narrative as a socially symbolic act
    Author: Jameson, Fredric
    Published: 1991
    Publisher:  Cornell Univ. Press, Ithaca, NY

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    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    94.041008
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    Source: Union catalogues
    Media type: Book
    Format: Print
    ISBN: 0801412331; 080149222X
    Scope: 305 S, Ill
  22. Postmodernism and Consumer Society
    Author: Jameson, Fredric

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Modernism / Postmodernism.(1993); 1993; S. 163-
  23. The geopolitical aesthetic
    cinema and space in the world system
    Author: Jameson, Fredric
    Published: 1992
    Publisher:  Indiana Univ. Press ; British Film Inst., Bloomington, Ind. ; London

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Book
    ISBN: 0-85170-311-9; 0-253-33093-9
    Series: Perspectives
    Subjects: Film; Geopolitik; Technologie; Filmtechnologie; Filmästhetik; Ästhetik
    Scope: XVI, 220 S. : Ill.
  24. Signatures of the visible
    Author: Jameson, Fredric
    Published: 1992
    Publisher:  Routledge, New York ; London

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Book
    ISBN: 0-415-90012-3 (pbk.); 0-415-90011-5
    Subjects: Film; Theorie
    Scope: 254 S.
  25. Metakommentar
    Author: Jameson, Fredric

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Kritik in der Krise : Theorie der Amerikanischen Literaturkritik.(1986); 1986; S. 49-