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Displaying results 1 to 9 of 9.

  1. See it again, say it again
    the artist as researcher
    Contributor: Wesseling, Janneke (Publisher)
    Published: 2011
    Publisher:  Valiz, Amsterdam

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Wesseling, Janneke (Publisher)
    Media type: Book
    ISBN: 978-90-78088-53-0
    Series: Antennae series ; 6
    Subjects: Künstler; Forschung; Kunstpsychologie
    Scope: 305 S. : Ill.
  2. Art Criticism in the Netherlands at the beginning of the 21st Century
    a personal observation
    Author: Wesseling, Janneke

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Pressures on art criticism : what is an independent art critic today?.(2009); 2009; S. 55 - 70
  3. The perfect spectator
    the experience of the art work and reception aesthetics
    Author: Wesseling, Janneke
    Published: [2017]; © 2017
    Publisher:  Valiz, Amsterdam

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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9789080818507
    RVK Categories: LH 61045
    Series: Vis-à-vis
    Subjects: Rezeptionsästhetik
    Scope: 254 Seiten, Illustrationen
    Notes:

    Dissertation, Universiteit Leiden, 2013
  4. <<The>> perfect spectator
    the experience of the art work and reception aesthetics
    Author: Wesseling, Janneke
    Published: [2017]
    Publisher:  Valiz, Amsterdam

    What happens between a spectator and an art work? How do we experience &#x91;meaning&#x92; in an art work? How can the process of interpretation be understood and articulated? To address these questions, the author explores the field of reception... more

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    Universitätsbibliothek Bielefeld
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    What happens between a spectator and an art work? How do we experience ‘meaning’ in an art work? How can the process of interpretation be understood and articulated? To address these questions, the author explores the field of reception aesthetics, with its central premise that the contemplation of art is a matter of interaction between the art work and the observer. The research is focused on unravelling and problematising the theoretical terminology of the interaction between art work and spectator, deriving from reception aesthetics as well as from hermeneutics and phenomenology, with the aim of building a new theoretical foundation for this terminology. Additionally, different concepts of spectatorship are extensively discussed. ‘I believe it is more productive to research how the art work works or signifies than what it shows or might signify. This ‘how’ reveals itself mainly in the performative act of experiencing the work.’ This book addresses scholars and students in the fields of art history, aesthetics and visual and cultural studies, as well as artists and art students, and all those art spectators who wish to develop a deeper understanding of the experience of art

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789080818507; 908081850X
    RVK Categories: LH 61045
    Series: vis-à-vis
    Subjects: Rezeptionsästhetik
    Scope: 254 Seiten, Illustrationen
  5. The perfect spectator
    the experience of the art work and reception aesthetics
    Author: Wesseling, Janneke
    Publisher:  Valiz, Amsterdam

    Location:
    Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bibliothek
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    Source: Union catalogues
    Media type: Book
    ISBN: 9789080818507; 908081850X
    Other subjects: Rezeptionsästhetik; Kunstbetrachtung
    Scope: 254 S.
  6. The perfect spectator
    the experience of the art work and reception aesthetics
    Author: Wesseling, Janneke
    Published: [2017]
    Publisher:  Valiz, Amsterdam

    What happens between a spectator and an art work? How do we experience &#x91;meaning&#x92; in an art work? How can the process of interpretation be understood and articulated? To address these questions, the author explores the field of reception... more

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    Universitätsbibliothek Bielefeld
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    FA140 W515
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    Kunst- und Museumsbibliothek der Stadt Köln
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    What happens between a spectator and an art work? How do we experience ‘meaning’ in an art work? How can the process of interpretation be understood and articulated? To address these questions, the author explores the field of reception aesthetics, with its central premise that the contemplation of art is a matter of interaction between the art work and the observer. The research is focused on unravelling and problematising the theoretical terminology of the interaction between art work and spectator, deriving from reception aesthetics as well as from hermeneutics and phenomenology, with the aim of building a new theoretical foundation for this terminology. Additionally, different concepts of spectatorship are extensively discussed. ‘I believe it is more productive to research how the art work works or signifies than what it shows or might signify. This ‘how’ reveals itself mainly in the performative act of experiencing the work.’ This book addresses scholars and students in the fields of art history, aesthetics and visual and cultural studies, as well as artists and art students, and all those art spectators who wish to develop a deeper understanding of the experience of art

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9789080818507; 908081850X
    RVK Categories: LH 61045
    Series: vis-à-vis
    Subjects: Rezeptionsästhetik
    Scope: 254 Seiten, Illustrationen
  7. The perfect spectator
    the experience of the art work and reception aesthetics
    Author: Wesseling, Janneke
    Published: [2017]; © 2017
    Publisher:  Valiz, Amsterdam

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    Freie Universität Berlin, Universitätsbibliothek
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Dissertation
    ISBN: 9789080818507
    RVK Categories: LH 61045
    Series: Vis-à-vis
    Subjects: Rezeptionsästhetik
    Scope: 254 Seiten, Illustrationen
    Notes:

    Dissertation, Universiteit Leiden, 2013
  8. The perfect spectator
    the experience of the art work and reception aesthetics
    Author: Wesseling, Janneke
    Published: [2017]; © 2017
    Publisher:  Valiz, Amsterdam

    What happens between a spectator and an art work? How do we experience &#x91;meaning&#x92; in an art work? How can the process of interpretation be understood and articulated? To address these questions, the author explores the field of reception... more

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    What happens between a spectator and an art work? How do we experience ‘meaning’ in an art work? How can the process of interpretation be understood and articulated? To address these questions, the author explores the field of reception aesthetics, with its central premise that the contemplation of art is a matter of interaction between the art work and the observer. The research is focused on unravelling and problematising the theoretical terminology of the interaction between art work and spectator, deriving from reception aesthetics as well as from hermeneutics and phenomenology, with the aim of building a new theoretical foundation for this terminology. Additionally, different concepts of spectatorship are extensively discussed. ‘I believe it is more productive to research how the art work works or signifies than what it shows or might signify. This ‘how’ reveals itself mainly in the performative act of experiencing the work.’ This book addresses scholars and students in the fields of art history, aesthetics and visual and cultural studies, as well as artists and art students, and all those art spectators who wish to develop a deeper understanding of the experience of art

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789080818507; 908081850X
    Other identifier:
    9789080818507
    RVK Categories: LH 61045
    Series: vis-à-vis
    Subjects: Rezeptionsästhetik;
    Scope: 254 Seiten, Illustrationen
  9. Critical by design?
    genealogies, practices, positions
    Author: Bardzell, Jeffrey; Bardzell, Shaowen; Büsse, Michaela; De Visscher, Emile; DiSalvo, Carl; Elzenbaumer, Bianca; Fezer, Jesko; Franke, Björn; Förster, Marius; Geiger, Annette; Gransche, Bruno; Groten, Anja; Hardt, Meike; Julier, Guy; Quinz, Emanuele; Recklies, Mara; Ward, Matt; Wesseling, Janneke; Zdziarska, Patrycja
    Published: [2022]
    Publisher:  transcript Verlag, Bielefeld

    Frontmatter -- Contents -- Introduction -- Critical by design? An introduction -- Genealogies -- What is a critical object? Design as «desubjugation» (after Foucault) -- The vitality of the negative: critical design between social philosophy and... more

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    Frontmatter -- Contents -- Introduction -- Critical by design? An introduction -- Genealogies -- What is a critical object? Design as «desubjugation» (after Foucault) -- The vitality of the negative: critical design between social philosophy and conceptual art -- Ask what can be! Modal critique and design as drivers of accidence -- What are the politics of ontological design? A critical reflection on the mutual becoming of «the human» and «the world» -- Engaging in epistemic disobedience: on the decolonialization of design discourses -- Practices -- Unsettling individualized design practice through collaboration -- «Ci concimiamo a vicenda»: building support structures as part of design practice -- Re-visioning pelvic care through design -- Trojan horses: ambiguity as a critical design strategy -- Grey design: critical practices of design at the peripheries of the discipline -- Positions -- The ineliminable aesthetic dimension of art -- Design culture as critical practice -- What might be the speculative social? -- Biased design, or the misery of neutrality -- Undesign and understanding -- Epilogue -- The life and death of critical and speculative design: post-disciplinarity, post-truth, post-self and post-capital -- Appendix -- Critical by design? The book's design as SF figures -- List of Figures & Tables -- Biographies -- Imprint In its constructive and speculative nature, design has the critical potential to reshape prevalent socio-material realities. At the same time, design is inevitably normative, if not often violent, as it stabilises the past, normalises the present, and precludes just and sustainable futures. The contributions rethink concepts of critique that influence the field of design, question inherent blind spots of the discipline, and expand understandings of what critical design practices could be.With contributions from design theory, practice and education, art theory, philosophy, and informatics, »Critical by Design?« aims to question and unpack the ambivalent tensions between design and critique

     
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    Cover (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: Greiner-Petter, Moritz (HerausgeberIn, VerfasserIn); Mareis, Claudia (HerausgeberIn, VerfasserIn); Renner, Michael (HerausgeberIn, VerfasserIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839461044
    Other identifier:
    RVK Categories: MS 8000 ; MS 4850
    Series: Design ; 57
    Subjects: DESIGN / History & Criticism
    Other subjects: Critical Design; Critical Theory; Cultural Theory; Design Politics; Material Culture; Theory of Art
    Scope: 1 Online-Ressource (331 Seiten), Illustrationen