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Displaying results 1 to 25 of 97.

  1. A Second Life : German Cinema's First Decades
    Contributor: Elsaesser, Thomas (Publisher)
    Published: 1996
    Publisher:  Amsterdam University Press

    German cinema is best known for its art cinema and its long line of outstanding individual directors. The double spotlight on these two subject has only deepened the obscurity surrounding the popular cinema. A Second Life<i/> performs a kind of... more

     

    German cinema is best known for its art cinema and its long line of outstanding individual directors. The double spotlight on these two subject has only deepened the obscurity surrounding the popular cinema. A Second Life performs a kind of archaeology on a period largely overlooked: the first two decades of German cinema. This collection of essays by established authors refocuses the terms of a debate that will develop in the years to come concerning the historical and cultural significance of popular cinema in Wilhelmine Germany. De Duitse film is het bekendst om zijn kunstfilms en zijn geschiedenis van eminente regisseurs. De aandacht voor deze twee heeft aandacht voor de populaire film in Duitsland vertroebeld. 'A Second Life' doet een soort van archeologie naar deze grotendeels over overschaduwde periode: namelijk de eerste twee decennia van Duitse film. Deze verzameling essays door gevestigde auteurs focusset zich op wat in de nabije toekomst onderwerp zal zijn van debat: de historische en culturele betekenis van populaire Film in het Duitsland van Willem II.

     
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    Source: OAPEN
    Contributor: Elsaesser, Thomas (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789053561720
    Other identifier:
    Subjects: Film, TV & radio
    Other subjects: motion pictures; film
    Scope: 1 electronic resource (352 p.)
  2. Harun Farocki : Working on the Sight-Lines
    Contributor: Elsaesser, Thomas (Publisher)
    Published: 2004
    Publisher:  Amsterdam University Press

    For more than thirty years Farocki has been a filmmaker, documentarist, film-essayist and installation artist. What preoccupies him above all is not so much an image of life, but the life of images, as they surround us in the newspapers, the cinema,... more

     

    For more than thirty years Farocki has been a filmmaker, documentarist, film-essayist and installation artist. What preoccupies him above all is not so much an image of life, but the life of images, as they surround us in the newspapers, the cinema, history books, user manuals, posters, CCTV footage and advertising. His vast oeuvre of some sixty films includes three feature films (Zwischen den Kriegen/Between the Wars, Etwas wird sichtbar: Vietnam/In Your Eyes: Vietnam, Wie Man sieht/As You See), essay films (e.g. Images of the World-Inscription of War), critical media-pieces, experimental work, children's features for television, historical film essays (e.g. on Peter Lorre), `learning-films' in the tradition of Brecht (e.g. Workers Leaving the Factory) and installation pieces (e.g. Still Life). In this monograph, Elsaesser approaches Farocki's work from different critical perspectives, as well as reflecting on his extraordinary biography. The volume is complemented by interviews, a selection of writings by Farocki and an annotated filmography. £22,50 $39,95 Al meer dan dertig jaar is Harun Farocki werkzaam als filmmaker, documentaire-maker, film-essayist en installatie kunstenaar. Hij houdt zich niet zozeer bezig met het creëren van een beeld van het leven, als wel met het leven van de beelden die ons omringen in kranten, de bioscoop, in de geschiedenis- en handboeken, op posters en in advertenties. Zijn enorme oeuvre omvat meer dan zestig films waaronder drie speelfilms (Zwischen den Kriegen/Between the Wars, Etwas wird sichtbar/In Your Eyes: Vietnam, Wie man sieht), essay films (zoals Images of the World-Inscription of War, Videogramme of a Revolution), kritische mediastukken, experimenteel werk, kinderfilms voor televisie, filmhistorische filmessays (waaronder een film over Peter Lorre), 'educatieve' films in de traditie van Brecht (zoals bijvoorbeeld Workers leaving the Factory) and installaties (zoals Still Life, tentoongesteld op de Documenta X, Kassel, Duitsland). In deze monografie - de eerste Engelstalige studie over Harun Farocki - benaderen toonaangevende wetenschappers Farocki's werk vanuit verschillende invalshoeken, waarbij zowel aandacht is voor een reeks theoretische vraagstukken alsook gereflecteerd wordt op zijn voorbeeldige werk als filmmaker. Het boek is aangevuld met interviews, een selectie uit de artikelen van Farocki en een becommentarieerde filmografie.

     
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    Source: OAPEN
    Contributor: Elsaesser, Thomas (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789053566350
    Other identifier:
    Subjects: Film, TV & radio
    Other subjects: motion pictures; film
    Scope: 1 electronic resource (384 + 32 pag's ill. p.)
  3. Writing for the Medium : Television in transition
    Author: Elsaesser, Thomas; Simons, Jan; Bronk, Lucette
    Published: 1994
    Publisher:  Amsterdam University Press

    This collection of essays, by well known writers on the subject of writing for television, is divided into three sections, with the first one devoted to the debates on quality television. The second one focuses on literature and television. The final... more

     

    This collection of essays, by well known writers on the subject of writing for television, is divided into three sections, with the first one devoted to the debates on quality television. The second one focuses on literature and television. The final section examines 'Science on television', with series editors from Britain and Germany giving first-hand accounts of the scope for serious science reporting on television. Deze verzameling essays door bekende auteurs op het gebied van 'schrijven voor televisie', is verdeeld in drie delen, met het eerste toegewijd aan de debatten over kwaliteitstelevisie. Het tweede deel concentreert zich op literatuur en televisie. De laatste onderzoekt ' Wetenschap op televisie', met serieredacteurs uit Groot-Brittannië en Duitsland, die uit de eerste hand vertellen over aan welke eisen 'wetenschap op televisie' dient te voldoen.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789053560549
    Other identifier:
    Subjects: Film, TV & radio
    Other subjects: motion pictures; film
    Scope: 1 electronic resource (211 p.)
  4. European Cinema : Face to Face with Hollywood
    Author: Elsaesser, Thomas
    Published: 2005
    Publisher:  Amsterdam University Press

    In the face of renewed competition from Hollywood since the early 1980s and the challenges posed to Europe's national cinemas by the fall of the Wall in 1989, independent filmmaking in Europe has begun to re-invent itself. European Cinema: Face to... more

     

    In the face of renewed competition from Hollywood since the early 1980s and the challenges posed to Europe's national cinemas by the fall of the Wall in 1989, independent filmmaking in Europe has begun to re-invent itself. European Cinema: Face to Face with Hollywood re-assesses the different debates and presents a broader framework for understanding the forces at work since the 1960s. These include the interface of "world cinema" and the rise of Asian cinemas, the importance of the international film festival circuit, the role of television, as well as the changing aesthetics of auteur cinema. New audiences have different allegiances, and new technologies enable networks to reshape identities, but European cinema still has an important function in setting critical and creative agendas, even as its economic and institutional bases are in transition. Onder invloed van de rivaliteit met Hollywood en de val van de muur in 1989 vond er in de jaren '90 in veel West-Europese landen een levendig debat plaats over de toekomst van de nationale filmtradities. Van het bestaan van zich onderscheidende 'nationale' stijlen, zoals bijvoorbeeld neo-realisme, zou niet langer kunnen worden uitgegaan. Film zou een benepen kunstvorm geworden zijn, die redding zoekt in het bewaren van de 'nationale' erfenis of hoopt op artistieke vernieuwing van televisie en door de overheid gesubsidieerde prestigeprojecten. In European Cinema blikt Thomas Elsaesser terug op het debat en geeft een genuanceerder beeld van verschillende factoren die sinds de jaren zestig een rol speelden. Er is o.m. aandacht voor de raakvlakken met de 'world cinema' en de opkomst van de Aziatische film, de invloed van het internationale film festival circuit, de rol van televisie en de veranderende esthetiek in auteur-cinema. Nieuwe toeschouwers hebben andere voorkeuren, en nieuwe technologieën bieden de mogelijkheid om bestaande identiteiten te hervormen, maar de Europese cinema heeft nog steeds een belangrijke functie in het vaststellen van kritische en creatieve agenda's, ook al is haar economische en institutionele basis in beweging.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789053565940
    Other identifier:
    Subjects: Film, TV & radio; History; Society & culture: general
    Other subjects: culture and instituten; geschiedenis; motion pictures; film; culture and institutions; history, geography, and auxiliary disciplines
    Scope: 1 electronic resource (566 p.)
  5. Fassbinder's Germany : History, Identity, Subject
    Author: Elsaesser, Thomas
    Published: 1996
    Publisher:  Amsterdam University Press

    Rainer Werner Fassbinder is one of the most prominent and important authors of post-war European cinema. Thomas Elsaesser is the first to write a thoroughly analytical study of his work. He stresses the importance of a closer understanding of... more

     

    Rainer Werner Fassbinder is one of the most prominent and important authors of post-war European cinema. Thomas Elsaesser is the first to write a thoroughly analytical study of his work. He stresses the importance of a closer understanding of Fassbinder's career through a re-reading of his films as textual entities. Approaching the work from different thematic and analytical perspectives, Elsaesser offers both an overview and a number of detailed readings of crucial films, while also providing a European context for Fassbinder's own coming to terms with fascism.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789053560594
    Other identifier:
    Subjects: Film, TV & radio; History; Society & culture: general
    Other subjects: culture and instituten; geschiedenis; motion pictures; film; culture and institutions; history, geography, and auxiliary disciplines
    Scope: 1 electronic resource (396 p.)
  6. The Last Great American Picture Show : New Hollywood Cinema in the 1970s
    Contributor: King, Noel (Publisher); Elsaesser, Thomas (Publisher); Horwath, Alexander (Publisher)
    Published: 2004
    Publisher:  Amsterdam University Press

    The Last Great American Picture Show brings together essays by scholars and writers who chart the changing evaluations of the American cinema of the 1970s, sometimes referred to as the decade of the lost generation, but now more and more recognized... more

     

    The Last Great American Picture Show brings together essays by scholars and writers who chart the changing evaluations of the American cinema of the 1970s, sometimes referred to as the decade of the lost generation, but now more and more recognized as the first New Hollywood, without which the cinema of Francis Coppola, Steven Spielberg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into existence. Identified with directors such as Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashby, Robert Altman and James Toback, American cinema of the 1970s is long overdue for this re-evaluation. Many of the films have not only come back from oblivion, as the benchmark for new directorial talents. They have also become cult films in the video shops and the classics of film courses all over the world. In The Last Great American Picture Show wordt de veranderende herwaardering in kaart gebracht voor de Amerikaanse film in de jaren zeventig. Deze periode, vroeger aangeduid als het decennium van de 'lost generation', wordt meer en meer erkend als het eerste 'Nieuwe Hollywood'. In deze periode werd de basis gelegd voor het werk van cineasten als Francis Ford Coppola, Steven Spielberg, Robert Zemeckis, Tim Burton en Quentin Tarantino. De Amerikaanse film uit de jaren zeventig met regisseurs als Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashby, Robert Altman and James Toback, is sterk toe aan herwaardering. Vele films uit dat tijdperk zijn nu als ijkpunt van nieuw regietalent niet alleen aan de vergetelheid ontsnapt, maar bereikten zelfs de status van cultfilm en werden klassiekers aan de filmopleidingen wereldwijd.

     
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    Source: OAPEN
    Contributor: King, Noel (Publisher); Elsaesser, Thomas (Publisher); Horwath, Alexander (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789053566312
    Other identifier:
    Subjects: Film, TV & radio
    Other subjects: motion pictures; film
    Scope: 1 electronic resource (400 p.)
  7. Terror und Trauma
    zur Gewalt des Vergangenen in der BRD
    Author: Elsaesser, Thomas
    Published: 2006/2007
    Publisher:  Kulturverl. Kadmos, Berlin

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    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3931659836; 9783931659837
    RVK Categories: AP 44911 ; AP 47000 ; AP 52600 ; AP 59711 ; GN 1873
    DDC Categories: 791; 943
    Subjects: World War, 1939-1945; Motion pictures
    Scope: 224 S., 19 cm
    Notes:

    Literaturangaben
  8. Writing for the Medium : Television in transition
    Author: Bronk, Lucette; Simons, Jan; Elsaesser, Thomas
    Published: 1994
    Publisher:  Amsterdam University Press, s.l.

    This collection of essays, by well known writers on the subject of writing for television, is divided into three sections, with the first one devoted to the debates on quality television. The second one focuses on literature and television. The final... more

    Location:
    Max-Planck-Institut für ethnologische Forschung, Bibliothek
    Inter-library loan:
    No inter-library loan

     

    This collection of essays, by well known writers on the subject of writing for television, is divided into three sections, with the first one devoted to the debates on quality television. The second one focuses on literature and television. The final section examines 'Science on television', with series editors from Britain and Germany giving first-hand accounts of the scope for serious science reporting on television.

    Deze verzameling essays door bekende auteurs op het gebied van 'schrijven voor televisie', is verdeeld in drie delen, met het eerste toegewijd aan de debatten over kwaliteitstelevisie. Het tweede deel concentreert zich op literatuur en televisie. De laatste onderzoekt ' Wetenschap op televisie', met serieredacteurs uit Groot-Brittannië en Duitsland, die uit de eerste hand vertellen over aan welke eisen 'wetenschap op televisie' dient te voldoen

     
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    Content information
    Volltext (Description of rights in Directory of Open Access Books (DOAB): Attribution Non-commercial (CC by-nc))
    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 9789053560549
    Subjects: Communication. Mass media; Communication. Mass media
    Scope: 1 Online-Ressource (1 electronic resource (211 p.))
  9. Hollywood Turn: Persistenz, Reflexivität, Feedback
    Author: Elsaesser, Thomas

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Hollywood im Zeitalter des Post Cinema : eine kritische Bestandsaufnahme.(2020); 2020; S. 105 - 130
  10. Filmtheorie zur Einführung
    Author: Elsaesser, Thomas; Hagener, Malte <1971->
    Published: 2013
    Publisher:  Junius, Hamburg

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    Content information
    http://d-nb.info/1042390150/04 (Inhaltsverzeichnis)
    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Language: German
    Media type: Book
    ISBN: 978-3-88506-078-9
    Edition: 4., überarb. Aufl.
    Series: Zur Einführung ; 321
    Subjects: Filmtheorie
    Scope: 269 S.
    Notes:

    Literaturangaben
  11. Körper, Tod und Technik
    Metamorphosen des Kriegsfilms
    Author: Elsaesser, Thomas; Wedel, Michael
    Published: 2016
    Publisher:  Konstanz University Press, Paderborn

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Language: German
    Media type: Book
    ISBN: 978-3-86253-028-1
    Subjects: Film; Krieg <Motiv>; Kriegsfilm
    Scope: 152 Seiten : Illustrationen
  12. Berlin 'Isle de Memoire'
    mediale Spuren einer Geschichte auf der Suche nach ihrem Familienroman
    Author: Elsaesser, Thomas

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Deutsche Familienromane : literarische Genealogien und internationaler Kontext.(2010); 2010; S. 233 - 250
  13. Kino der Kaiserzeit
    zwischen Tradition und Moderne
    Contributor: Elsaesser, Thomas (Publisher); Wedel, Michael (Publisher)
    Published: 2002
    Publisher:  Ed. Text + Kritik, München

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Elsaesser, Thomas (Publisher); Wedel, Michael (Publisher)
    Media type: Book
    ISBN: 3-88377-695-5
    Subjects: Deutschland; Film; Film; Deutschland
    Scope: 429 S. : Ill.
  14. Filmgeschichte und frühes Kino
    Archäologie eines Medienwandels
    Author: Elsaesser, Thomas
    Published: 2002
    Publisher:  Ed. Text + Kritik, München

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Book
    ISBN: 3-88377-696-3
    Subjects: Film; Geschichte
    Scope: 346 S.
    Notes:

    Literaturverz. S. 318 - 340
  15. Rainer Werner Fassbinder
    Author: Elsaesser, Thomas
    Published: 2001
    Publisher:  Bertz, Berlin

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Kriest, Ulrich
    Media type: Book
    ISBN: 3-929470-79-9
    Series: Film: ; 9
    Arte-Edition
    Subjects: Film; Fassbinder, Rainer Werner
    Other subjects: Fassbinder, Rainer Werner
    Scope: 535 S. : Ill.
    Notes:

    Filmogr. u. Bibliogr. S. 421 - 524
  16. Metropolis
    der Filmklassiker von Fritz Lang
    Author: Elsaesser, Thomas
    Published: 2000
    Publisher:  Europa Verl., Hamburg ; Wien

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Language: German
    Media type: Book
    ISBN: 3-203-84118-5
    Series: Filmbibliothek
    Other subjects: Lang, Fritz: Metropolis
    Scope: 135 S. : Ill.
    Notes:

    Literaturverz. S. 120 - 124
  17. Studying contemporary American film
    a guide to movie analysis
    Author: Elsaesser, Thomas; Buckland, Warren
    Published: 2002
    Publisher:  Arnold [u.a.], London

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Book
    ISBN: 0-340-76206-3; 0-340-76205-5
    Subjects: USA; Film; filmkritik
    Scope: X, 309 S.
    Notes:

    Literaturverz. S. 294 - 302
  18. Das Weimarer Kino - aufgeklärt und doppelbödig
    Author: Elsaesser, Thomas
    Published: 1999
    Publisher:  Vorwerk 8, Berlin

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Wedel, Michael
    Language: German
    Media type: Book
    ISBN: 3-930916-24-x
    Subjects: Deutschland; Film; Geschichte 1918-1933; Film; Deutschland; Geschichte 1918-1933; Weimarer Republik; Film; Film; Weimarer Republik
    Scope: 357 S. : Ill.
  19. "Le cinéma d`après Lumière"
    Rereading the "Origins" of the Filmic Image
    Author: Elsaesser, Thomas

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: The Practice of cultural analysis : exposing interdisciplinary interpretation.(1999); 1999; S. 60 - 74
  20. Das digitale und das Kino
    Um-Schreibung der Filmgeschichte?
    Author: Elsaesser, Thomas

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Zukunft Kino : the end of the reel world.(2008); 2008; S. 42 - 59
  21. Round and round
    horses, carousels, and the meta-cinema of mechanical motion
    Author: Elsaesser, Thomas

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Cinematographic objects : things and operations.(2015); 2015; S. 43 - 64
  22. Siegfried Kracauers Affinitäten
    Author: Elsaesser, Thomas

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Siegfried Kracauers Grenzgänge : zur Rettung des Realen.([2019]); [2019]; S. 83 - 100
  23. Gebannte Leistung
    Cinema, Motion, Energie, Entropie
    Author: Elsaesser, Thomas

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Prometheische Kultur : wo kommen unsere Energien her?.(2013); 2013; S. 223 - 254
  24. American Grafitti und Neuer Deutscher Film
    Filmemacher zwischen Avantgarde und Postmoderne
    Author: Elsaesser, Thomas

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Postmoderne : Zeichen eines kulturellen Wandels.(1986); 1986; S. 302 - 328
  25. Zu groß und zu nah
    Alfred Hitchcock und Fritz Lang
    Author: Elsaesser, Thomas

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Bildtheorie und Film.(2006); 2006; S. 454 - 478