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  1. Disknowledge
    literature, alchemy, and the end of humanism in Renaissance England
    Published: 2015
    Publisher:  University of Pennsylvania Press, Philadelphia

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812291889; 9780812247510
    Other identifier:
    Subjects: Geschichte; Ignorance (Theory of knowledge); Knowledge, Theory of; Knowledge, Theory of; Alchemy; Alchemy; Alchemy in literature; Religion and science; Religion and science; Science, Renaissance; Alchemie; Humanismus; Nichtwissen; Literatur
    Scope: 1 Online-Ressource (XII, 384 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index

  2. Showing Like a Queen
    Female Authority and Literary Experiment in Spenser, Shakespeare, and Milton
    Published: [2015]; © 2000
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

    For most Renaissance English thinkers, queenship was a catastrophe, a political accident that threatened to emasculate an entire nation. But some English poets and playwrights proved more inventive in their responses to female authority. In Showing... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    For most Renaissance English thinkers, queenship was a catastrophe, a political accident that threatened to emasculate an entire nation. But some English poets and playwrights proved more inventive in their responses to female authority. In Showing Like a Queen, Katherine Eggert argues that Spenser, Shakespeare, and Milton turned the political problem of queenship to their advantage by using it as an occasion to experiment with new literary genres. Unlike other critics who have argued that a queen provoked only anxiety and defensiveness in her male subjects, Eggert demonstrates that even after her death Elizabeth I's forty-five-year reign enabled writers to entertain the fantasy of a counterpatriarchal realm.Eggert traces a literary history of the late sixteenth and early seventeenth centuries in which the destabilizing anomaly of female rule enables Spenser to reshape the genre of epic romance and gives Shakespeare scope to create the ruptured dynastic epic of the history plays, the psychologized tragedy of Hamlet, and the feminized tragedies of "Antony and Cleopatra" and "The Winter's Tale." Turning to the second half of the seventeenth century, Eggert reveals how even after more than sixty years of male governance, Milton bases his marital epic Paradise Lost upon the formulae of queenship

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812292619
    Other identifier:
    Subjects: Geschichte; English literature; Feminism and literature; Feminism and literature; Literature, Experimental
    Other subjects: Elisabeth England, Königin (1533-1603); Spenser, Edmund (1552-1599); Shakespeare, William (1564-1616); Milton, John (1608-1674)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Oct. 27, 2016)

  3. Disknowledge
    literature, alchemy, and the end of humanism in Renaissance England
    Published: [2015]
    Publisher:  University of Pennsylvania Press, Philadelphia

    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
    001 E295d
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2015 A 13562
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    A 2015/8596
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    Herzog August Bibliothek Wolfenbüttel
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  4. Showing Like a Queen
    Female Authority and Literary Experiment in Spenser, Shakespeare, and Milton
    Published: [2015]; ©2000.
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

    For most Renaissance English thinkers, queenship was a catastrophe, a political accident that threatened to emasculate an entire nation. But some English poets and playwrights proved more inventive in their responses to female authority. In Showing... more

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    For most Renaissance English thinkers, queenship was a catastrophe, a political accident that threatened to emasculate an entire nation. But some English poets and playwrights proved more inventive in their responses to female authority. In Showing Like a Queen, Katherine Eggert argues that Spenser, Shakespeare, and Milton turned the political problem of queenship to their advantage by using it as an occasion to experiment with new literary genres. Unlike other critics who have argued that a queen provoked only anxiety and defensiveness in her male subjects, Eggert demonstrates that even after her death Elizabeth I's forty-five-year reign enabled writers to entertain the fantasy of a counterpatriarchal realm.Eggert traces a literary history of the late sixteenth and early seventeenth centuries in which the destabilizing anomaly of female rule enables Spenser to reshape the genre of epic romance and gives Shakespeare scope to create the ruptured dynastic epic of the history plays, the psychologized tragedy of Hamlet, and the feminized tragedies of "Antony and Cleopatra" and "The Winter's Tale." Turning to the second half of the seventeenth century, Eggert reveals how even after more than sixty years of male governance, Milton bases his marital epic Paradise Lost upon the formulae of queenship.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812292619
    Other identifier:
    Subjects: English literature; Feminism and literature; Feminism and literature; Literature, Experimental; English literature; Feminism and literature; Feminism and literature; Literature, Experimental; English literature.; Feminism and literature.; Feminism and literature.; Literature, Experimental.
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- Contents -- -- Note on Texts and Editions -- -- 1. Forms of Queenship: Female Rule and Literary Structure in the English Renaissance -- -- 2. Genre and the Repeal of Queenship in Spenser's Faerie Queene -- -- 3. Leading Ladies: Feminine Authority and Theatrical Effect in Shakespeare's History Plays -- -- 4. Exclaiming Against Their Own Succession: Queenship, Genre, and What Happens in Hamlet -- -- 5. The Late Queen of Famous Memory: Nostalgic Form in Antony and Cleopatra and The Winter's Tale -- -- 6. Milton's Queenly Paradise -- -- Afterword: Queenship and New Feminine Genres -- -- Notes -- -- Bibliography -- -- Acknowledgments -- -- Index

  5. Disknowledge
    literature, alchemy, and the end of Humanism in Renaissance England
    Published: 2015
    Publisher:  Univ. of Pennsylvania Press, Philadelphia, Pa.

    Universitäts- und Landesbibliothek Münster
    3K 60805
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  6. Showing Like a Queen
    Female Authority and Literary Experiment in Spenser, Shakespeare, and Milton
    Published: [2000]
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa. ; Walter de Gruyter GmbH, Berlin

    For most Renaissance English thinkers, queenship was a catastrophe, a political accident that threatened to emasculate an entire nation. But some English poets and playwrights proved more inventive in their responses to female authority. In Showing... more

    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    For most Renaissance English thinkers, queenship was a catastrophe, a political accident that threatened to emasculate an entire nation. But some English poets and playwrights proved more inventive in their responses to female authority. In Showing Like a Queen, Katherine Eggert argues that Spenser, Shakespeare, and Milton turned the political problem of queenship to their advantage by using it as an occasion to experiment with new literary genres. Unlike other critics who have argued that a queen provoked only anxiety and defensiveness in her male subjects, Eggert demonstrates that even after her death Elizabeth I's forty-five-year reign enabled writers to entertain the fantasy of a counterpatriarchal realm.Eggert traces a literary history of the late sixteenth and early seventeenth centuries in which the destabilizing anomaly of female rule enables Spenser to reshape the genre of epic romance and gives Shakespeare scope to create the ruptured dynastic epic of the history plays, the psychologized tragedy of Hamlet, and the feminized tragedies of "Antony and Cleopatra" and "The Winter's Tale." Turning to the second half of the seventeenth century, Eggert reveals how even after more than sixty years of male governance, Milton bases his marital epic Paradise Lost upon the formulae of queenship.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812292619
    Other identifier:
    Subjects: English literature; Feminism and literature; Feminism and literature; Literature, Experimental
    Scope: 1 Online-Ressource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Oct. 27, 2016)

  7. Showing like a queen
    female authority and literary experiment in Spenser, Shakespeare, and Milton
    Published: 2000
    Publisher:  Univ. of Pennsylvania Press, Philadelphia

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0812235320
    RVK Categories: HI 3715
    Subjects: English literature; English literature; Feminism and literature; Feminism and literature; Literature, Experimental; Authority in literature; Queens in literature; Women in literature
    Other subjects: Spenser, Edmund (1552?-1599); Shakespeare, William (1564-1616); Milton, John (1608-1674); Elizabeth Queen of England (1533-1603)
    Scope: IX, 289 p
    Notes:

    Includes bibliographical references (p. [255] - 277) and index

  8. Showing like a queen
    female authority and literary experiment in Spenser, Shakespeare, and Milton
    Published: 2000
    Publisher:  Univ. of Pennsylvania Press, Philadelphia

    Universitätsbibliothek Bayreuth
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  9. Disknowledge
    literature, alchemy, and the end of humanism in Renaissance England
    Published: 2015; © 2015
    Publisher:  published in cooperation with Folger Shakespeare Library, University of Pennsylvania Press, Philadelphia, Pennsylvania

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812247510; 9780812291889
    Subjects: Geschichte; Ignorance (Theory of knowledge); Knowledge, Theory of; Knowledge, Theory of; Alchemy; Alchemy; Alchemy in literature; Religion and science; Religion and science; Science, Renaissance; Alchemie; Humanismus; Nichtwissen; Literatur
    Scope: 1 online resource (364 pages)
    Notes:

    Description based on print version record

  10. Disknowledge
    literature, alchemy, and the end of humanism in Renaissance England
  11. Ovidian Transversions
    ‘Iphis and Ianthe’, 1300-1650
    Published: [2022]; ©2019
    Publisher:  Edinburgh University Press, Edinburgh

    Focuses on transversions of Ovid’s ‘Iphis and Ianthe’ in both English and French literatureMedieval and early modern authors engaged with Ovid’s tale of ‘Iphis and Ianthe’ in a number of surprising ways. From Christian translations to secular... more

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    Focuses on transversions of Ovid’s ‘Iphis and Ianthe’ in both English and French literatureMedieval and early modern authors engaged with Ovid’s tale of ‘Iphis and Ianthe’ in a number of surprising ways. From Christian translations to secular retellings on the seventeenth-century stage, Ovid’s story of a girl’s miraculous transformation into a boy sparked a diversity of responses in English and French from the fourteenth to the seventeenth centuries. In addition to analysing various translations and commentaries, the volume clusters essays around treatments of John Lyly’s Galatea (c. 1585) and Issac de Benserade’s Iphis et Iante (1637). As a whole, the volume addresses gender and transgender, sexuality and gallantry, anatomy and alchemy, fable and history, youth and pedagogy, language and climate change. Key Features:The only scholarly monograph to focus on Ovid’s ‘Iphis and Ianthe’Intervenes in the history of Ovidian reception and literary history, particularly in terms of gender and sexualityBroadens readings of ‘Iphis and Ianthe’ beyond concerns of gender and sexualityBrings medieval and early modern, English and French appropriations of the tale into productive dialogueProvides new readings of John Lyly’s Galathea and Issac Benserade’s ‘Iphis and Ianthe’, and of medieval versions of the storyIntervenes in the history of ‘trans’ phenomena

     

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    Source: Union catalogues
    Contributor: Badir, Patricia (MitwirkendeR); Billings, Laurel (MitwirkendeR); Dupas, Matthieu (MitwirkendeR); Eggert, Katherine (MitwirkendeR); Griffin, Miranda (MitwirkendeR); Lanser, Susan S. (MitwirkendeR); Lochrie, Karma (MitwirkendeR); Long, Kathleen Perry (MitwirkendeR); Mathie, Elizabeth (MitwirkendeR); McCracken, Peggy (MitwirkendeR); Traub, Valerie (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474448925
    Other identifier:
    Series: Array
    Subjects: English literature; English literature; French literature; French literature; Gender identity in literature; Sex in literature; Literary Studies; LITERARY CRITICISM / European / General
    Scope: 1 Online-Ressource (344 p.), 29 B/W illustrations
  12. Disknowledge
    literature, alchemy, and the end of Humanism in Renaissance England
    Published: 2015
    Publisher:  Univ. of Pennsylvania Press, Philadelphia, Pa.

    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780812247510
    Subjects: Knowledge, Theory of; Knowledge, Theory of; Alchemy in literature; Science, Renaissance; Religion and science; Humanism
    Scope: 351 S. : Ill., 23 cm
  13. Ovidian Transversions
    'Iphis and Ianthe', 1300-1650
    Published: [2019]; ©2019
    Publisher:  Edinburgh University Press, Edinburgh ; Walter de Gruyter GmbH, Berlin

    Focuses on transversions of Ovid's 'Iphis and Ianthe' in both English and French literatureMedieval and early modern authors engaged with Ovid's tale of 'Iphis and Ianthe' in a number of surprising ways. From Christian translations to secular... more

    Universitätsbibliothek Gießen
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    Focuses on transversions of Ovid's 'Iphis and Ianthe' in both English and French literatureMedieval and early modern authors engaged with Ovid's tale of 'Iphis and Ianthe' in a number of surprising ways. From Christian translations to secular retellings on the seventeenth-century stage, Ovid's story of a girl's miraculous transformation into a boy sparked a diversity of responses in English and French from the fourteenth to the seventeenth centuries. In addition to analysing various translations and commentaries, the volume clusters essays around treatments of John Lyly's Galatea (c. 1585) and Issac de Benserade's Iphis et Iante (1637). As a whole, the volume addresses gender and transgender, sexuality and gallantry, anatomy and alchemy, fable and history, youth and pedagogy, language and climate change. Key Features:The only scholarly monograph to focus on Ovid's 'Iphis and Ianthe'Intervenes in the history of Ovidian reception and literary history, particularly in terms of gender and sexualityBroadens readings of 'Iphis and Ianthe' beyond concerns of gender and sexualityBrings medieval and early modern, English and French appropriations of the tale into productive dialogueProvides new readings of John Lyly's Galathea and Issac Benserade's 'Iphis and Ianthe', and of medieval versions of the storyIntervenes in the history of 'trans' phenomena...

     

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    Source: Union catalogues
    Contributor: Billings, Laurel (Mitwirkender); Dupas, Matthieu (Mitwirkender); Eggert, Katherine (Mitwirkender); Griffin, Miranda (Mitwirkender); Lanser, Susan S. (Mitwirkender); Lochrie, Karma (Mitwirkender); Long, Kathleen Perry (Mitwirkender); Mathie, Elizabeth (Mitwirkender)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474448925
    Other identifier:
    Series: Conversions : CONV
    Scope: 1 Online-Ressource (344 p.), 29 B/W illustrations
  14. Showing like a queen
    female authority and literary experiment in Spenser, Shakespeare, and Milton
    Published: 2000
    Publisher:  Univ. of Pennsylvania Press, Philadelphia

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 404658
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2000 A 15601
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0812235320
    RVK Categories: HI 3715
    Subjects: English literature; English literature; Feminism and literature; Feminism and literature; Literature, Experimental; Authority in literature; Queens in literature; Women in literature
    Other subjects: Spenser, Edmund (1552?-1599); Shakespeare, William (1564-1616); Milton, John (1608-1674); Elizabeth Queen of England (1533-1603)
    Scope: IX, 289 p
    Notes:

    Includes bibliographical references (p. [255] - 277) and index

  15. Disknowledge
    literature, alchemy, and the end of humanism in Renaissance England
    Published: [2015]; © 2015
    Publisher:  University of Pennsylvania Press, Philadelphia

    Cover; Contents; Notes on Texts, Biblical Quotations, and Bibliography; Introduction; Chapter 1. How to Sustain Humanism; Chapter 2. How to Forget Transubstantiation; Chapter 3. How to Skim Kabbalah; Chapter 4. How to Avoid Gynecology; Chapter 5. How... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Cover; Contents; Notes on Texts, Biblical Quotations, and Bibliography; Introduction; Chapter 1. How to Sustain Humanism; Chapter 2. How to Forget Transubstantiation; Chapter 3. How to Skim Kabbalah; Chapter 4. How to Avoid Gynecology; Chapter 5. How to Make Fiction; Afterword; Notes; Select Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Y; Z; Acknowledgments

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812291889
    Other identifier:
    Parent title: In: EBOOK PACKAGE COMPLETE 2015;
    In: EBOOK PACKAGE History 2015;
    In: Penn eBook Package Frontlist 2014-1015;
    Subjects: Alchemy; Knowledge, Theory of; Knowledge, Theory of; Religion and science; Science, Renaissance; Religion and science; Alchemy in literature; Religion and science; Alchemy; Religion and science
    Scope: 1 Online-Ressource (xii, 351 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index

    Electronic reproduction; Mode of access: World Wide Web

    Frontmatter -- Contents -- Notes on Texts, Biblical Quotations, and Bibliography -- Introduction -- Chapter 1. How to Sustain Humanism -- Chapter 2. How to Forget Transubstantiation -- Chapter 3. How to Skim Kabbalah -- Chapter 4. How to Avoid Gynecology -- Chapter 5. How to Make Fiction -- Afterword -- Notes -- Select Bibliography -- Index -- Acknowledgments.

  16. Literature and pseudoscience
    Contributor: Eggert, Katherine (Hrsg.)
    Published: 2009
    Publisher:  Univ. of Colorado, Dept. of English, Boulder, Colo.

    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Universitätsbibliothek Freiburg
    ZG 377-47.2009
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    Frei122-F9/809
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    Allg Z/Eng 3
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    Source: Union catalogues
    Contributor: Eggert, Katherine (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    RVK Categories: HG 439
    Series: English language notes ; 47,2
    Subjects: Englisch; Literatur; Pseudowissenschaft;
    Scope: IV, 182 S.
  17. Showing like a queen
    female authority and literary experiment in Spenser, Shakespeare, and Milton
    Published: 2000
    Publisher:  Univ. of Pennsylvania Press, Philadelphia

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 404658
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    GE 2000/6938
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    2000 A 8500
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  18. Disknowledge
    literature, alchemy, and the end of humanism in Renaissance England
    Published: 2015
    Publisher:  University of Pennsylvania Press, Philadelphia

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812291889
    Other identifier:
    Subjects: Geschichte; Ignorance (Theory of knowledge); Knowledge, Theory of; Knowledge, Theory of; Alchemy; Alchemy; Alchemy in literature; Religion and science; Religion and science; Science, Renaissance; Literatur; Humanismus; Nichtwissen; Alchemie
    Scope: 1 Online-Ressource (XII, 384 Seiten), Illustrationen
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    Includes bibliographical references and index

  19. Showing Like a Queen
    Female Authority and Literary Experiment in Spenser, Shakespeare, and Milton
    Published: [2015]; © 2000
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

    For most Renaissance English thinkers, queenship was a catastrophe, a political accident that threatened to emasculate an entire nation. But some English poets and playwrights proved more inventive in their responses to female authority. In Showing... more

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    For most Renaissance English thinkers, queenship was a catastrophe, a political accident that threatened to emasculate an entire nation. But some English poets and playwrights proved more inventive in their responses to female authority. In Showing Like a Queen, Katherine Eggert argues that Spenser, Shakespeare, and Milton turned the political problem of queenship to their advantage by using it as an occasion to experiment with new literary genres. Unlike other critics who have argued that a queen provoked only anxiety and defensiveness in her male subjects, Eggert demonstrates that even after her death Elizabeth I's forty-five-year reign enabled writers to entertain the fantasy of a counterpatriarchal realm.Eggert traces a literary history of the late sixteenth and early seventeenth centuries in which the destabilizing anomaly of female rule enables Spenser to reshape the genre of epic romance and gives Shakespeare scope to create the ruptured dynastic epic of the history plays, the psychologized tragedy of Hamlet, and the feminized tragedies of "Antony and Cleopatra" and "The Winter's Tale." Turning to the second half of the seventeenth century, Eggert reveals how even after more than sixty years of male governance, Milton bases his marital epic Paradise Lost upon the formulae of queenship

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812292619
    Other identifier:
    Subjects: Geschichte; English literature; Feminism and literature; Feminism and literature; Literature, Experimental
    Other subjects: Elisabeth England, Königin (1533-1603); Spenser, Edmund (1552-1599); Shakespeare, William (1564-1616); Milton, John (1608-1674)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Oct. 27, 2016)

  20. Showing like a queen
    female authority and literary experiment in Spenser, Shakespeare, and Milton
    Published: 2000
    Publisher:  Univ. of Pennsylvania Press, Philadelphia

  21. Disknowledge
    literature, alchemy, and the end of humanism in Renaissance England
    Published: [2015]; © 2015
    Publisher:  University of Pennsylvania Press, Philadelphia

    Cover; Contents; Notes on Texts, Biblical Quotations, and Bibliography; Introduction; Chapter 1. How to Sustain Humanism; Chapter 2. How to Forget Transubstantiation; Chapter 3. How to Skim Kabbalah; Chapter 4. How to Avoid Gynecology; Chapter 5. How... more

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    Cover; Contents; Notes on Texts, Biblical Quotations, and Bibliography; Introduction; Chapter 1. How to Sustain Humanism; Chapter 2. How to Forget Transubstantiation; Chapter 3. How to Skim Kabbalah; Chapter 4. How to Avoid Gynecology; Chapter 5. How to Make Fiction; Afterword; Notes; Select Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Y; Z; Acknowledgments

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812291889
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    Parent title: In: EBOOK PACKAGE COMPLETE 2015;
    In: EBOOK PACKAGE History 2015;
    In: Penn eBook Package Frontlist 2014-1015;
    Subjects: Alchemy; Knowledge, Theory of; Knowledge, Theory of; Religion and science; Science, Renaissance; Religion and science; Alchemy in literature; Religion and science; Alchemy; Religion and science
    Scope: 1 Online-Ressource (xii, 351 Seiten), Illustrationen
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    Includes bibliographical references and index

    Electronic reproduction; Mode of access: World Wide Web

    Frontmatter -- Contents -- Notes on Texts, Biblical Quotations, and Bibliography -- Introduction -- Chapter 1. How to Sustain Humanism -- Chapter 2. How to Forget Transubstantiation -- Chapter 3. How to Skim Kabbalah -- Chapter 4. How to Avoid Gynecology -- Chapter 5. How to Make Fiction -- Afterword -- Notes -- Select Bibliography -- Index -- Acknowledgments.

  22. Showing Like a Queen
    Female Authority and Literary Experiment in Spenser, Shakespeare, and Milton
    Published: 1999
    Publisher:  University of Pennsylvania Press, Inc, Philadelphia

    Hochschulbibliothek Friedensau
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    ISBN: 9780812235326
    Scope: Online-Ressource (304 p)
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    Description based upon print version of record

    ""Cover""; ""Showing Like a Queen""; ""Title""; ""Copyright""; ""Dedication""; ""Contents""; ""Note on Texts and Editions""; ""1. Forms of Queenship: Female Rule and Literary Structure in the English Renaissance""; ""2. Genre and the Repeal of Queenship in Spenser's Faerie Queene""; ""3. Leading Ladies: Feminine Authority and Theatrical Effect in Shakespeare's History Plays""; ""4. Exclaiming Against Their Own Succession: Queenship, Genre, and What Happens in Hamlet""; ""5. The Late Queen of Famous Memory: Nostalgic Form in Antony and Cleopatra and The Winter's Tale""

    ""6. Milton's Queenly Paradise""""Afterword: Queenship and New Feminine Genres""; ""Notes""; ""Bibliography""; ""Acknowledgments""; ""Index""

  23. Disknowledge
    literature, alchemy, and the end of humanism in Renaissance England
    Published: [2015]
    Publisher:  University of Pennsylvania Press, Philadelphia

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  24. Review: Virginia Woolf: Reading the Renaissance (review)
    Published: 2001

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    Source: Online Contents Comparative Literature
    Media type: Article (journal)
    Format: Print
    Parent title: Modernism, modernity; Baltimore, Maryland : Johns Hopkins Univ. Press, 1994-; Band 8, Heft 1 (2001), Seite 183-184

  25. REVIEWS - Showing Like a Queen: Female Authority and Literary Experiment in Spenser, Shakespeare, and Milton
    Published: 2002

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    Source: Online Contents Comparative Literature
    Contributor: DeZur, Kathryn
    Media type: Article (journal)
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    Parent title: Clio; Fort Wayne, Ind. : Indiana Univ., 1971-; Band 31, Heft 4 (2002), Seite 468-471