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Artificial I's
the self as artwork in Ovid, Kierkegaard, and Thomas Mann -
Artificial I's
The Self as Artwork in Ovid, Kierkegaard, and Thomas Mann -
The Chain of Things
Divinatory Magic and the Practice of Reading in German Literature and Thought, 1850–1940 -
Sprachmagie, Stimmung und Geselligkeit
Überschreitungen des Realismus in Fontanes Der Stechlin -
Literary studies and the pursuits of reading
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Artificial I's
the self as artwork in Ovid, Kierkegaard, and Thomas Mann -
Artificial I's
the self as artwork in Ovid, Kierkegaard, and Thomas Mann -
Double exposures
repetition and realism in nineteenth-century German fiction -
After images
photography, archaeology, and psychoanalysis and the tradition of Bildung -
Literary studies and the pursuits of reading
-
Artificial I's
The Self as Artwork in Ovid, Kierkegaard, and Thomas Mann -
The chain of things
divinatory magic and the practice of reading in German literature and thought, 1850-1940 -
Artificial I's
the self as artwork in Ovid, Kierkegaard, and Thomas Mann -
German literature of the nineteenth century, 1832-1899
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Literary studies and the pursuits of reading
-
The Chain of Things
Divinatory Magic and the Practice of Reading in German Literature and Thought, 1850-1940 -
The Chain of Things
Divinatory Magic and the Practice of Reading in German Literature and Thought, 1850–1940 -
Literary studies and the pursuits of reading
-
After images
photography, archaeology, and psychoanalysis and the tradition of Bildung -
Double exposures
repetition and realism in nineteenth century German fiction -
The Chain of Things
Divinatory Magic and the Practice of Reading in German Literature and Thought, 1850–1940 -
The chain of things
divinatory magic and the practice of reading in German literature and thought, 1850-1940 -
The Chain of Things
Divinatory Magic and the Practice of Reading in German Literature and Thought, 1850-1940 -
Literary studies and the pursuits of reading
-
Artificial I's
the self as artwork in Ovid, Kierkegaard, and Thomas Mann