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  1. Storytelling for film and television
    from first word to last frame
    Published: 2019
    Publisher:  Routledge, Taylor & Francis, London ; New York

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780815371793; 9780815371786
    RVK Categories: AP 50600
    Subjects: Drehbuch; Erzählen; Filmeditor; Fernsehen; ; Film; Sprache; ; Film; Erzähltechnik; ; Fernsehen; Erzähltechnik;
    Other subjects: Motion picture authorship; Television authorship; Motion pictures / Production and direction; Television / Production and direction
    Scope: ix, 198 Seiten, 25 cm
    Notes:

    "A Focal Press book."

    Includes indexes

  2. Alternative Scriptwriting
    Successfully Breaking the Rules
    Published: 2014
    Publisher:  Taylor and Francis, Hoboken

    Alternative Scriptwriting 4E is an insightful and inspiring book on screenwriting concerned with challenging you to take creative risks with genre, tone, character, and structure. Concerned with exploring alternative approaches beyond the traditional... more

    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan

     

    Alternative Scriptwriting 4E is an insightful and inspiring book on screenwriting concerned with challenging you to take creative risks with genre, tone, character, and structure. Concerned with exploring alternative approaches beyond the traditional three-act structure, Alternative Scriptwriting first defines conventional approach, suggests alternatives, then provides case studies. These contemporary examples and case studies demonstrate what works, what doesn't, and why. Because the film industry as well as the public demand greater and greater creativity, one must go beyond the traditional

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780240808499
    Edition: 4th ed
    Scope: Online-Ressource (424 p)
    Notes:

    Description based upon print version of record

    Cover; Alternative Scriptwriting: Successfully Breaking the Rules; Copyright; Contents; Preface; Acknowledgments for the Fourth Edition; Acknowledgments; 1 Beyond the Rules; 2 Structure; 3 Critique of Restorative Three-Act Form; 4 Counter-Structure; 5 More Thoughts on Three Acts: Fifteen Years Later; 6 Narrative and Anti-Narrative: The Case of the Two Stevens: The Work of Steven Spielberg and Steven Soderbergh; 7 Working with Genre I; 8 Working with Genre II: The Melodrama and the Thriller; 9 Working Against Genre; 10 Genres of Voice; 11 The Non-Linear Film

    12 Reframing the Active/Passive Character Distinction13 Stretching the Limits of Character Identification; 14 Main and Secondary Characters; 15 Subtext, Action, and Character; 16 The Primacy of Character Over Action: The Non-American Screenplay; 17 The Subtleties and Implications of Screenplay Form; 18 Agency and the Other; 19 Character, History, and Politics; 20 Tone: The Inescapability of Irony; 21 Dramatic Voice/Narrative Voice; 22 Digital Features; 23 Writing the Narrative Voice; 24 Rewriting; 25 Adaptations from Contemporary Literature; 26 Personal Scriptwriting: The Edge

    27 Personal Scriptwriting: Beyond the EdgeIndex

  3. Alternative scriptwriting
    beyond the Hollywood formula
    Published: 2013
    Publisher:  Focal Press, New York

    Learn the rules of scriptwriting, and then how to successfully break them.Unlike other screenwriting books, this unique guide pushes you to challenge yourself and break free of tired, formulaic writing--bending or breaking the rules of storytelling... more

    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan

     

    Learn the rules of scriptwriting, and then how to successfully break them.Unlike other screenwriting books, this unique guide pushes you to challenge yourself and break free of tired, formulaic writing--bending or breaking the rules of storytelling as we know them. Like the best-selling previous editions, seasoned authors Dancyger and Rush explore alternative approaches to the traditional three-act story structure, going beyond teaching you ""how to tell a story"" by teaching you how to write against conventional formulas to produce original, exciting material. The pages are filled with an

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780240522463
    Edition: 5th ed
    Subjects: Motion picture plays; Motion picture authorship
    Scope: Online-Ressource (xi, 466 p)
    Notes:

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Front Cover; Alternative Scriptwriting Beyond the Hollywood Formula; Copyright Page; Contents; Preface; Acknowledgments for the Fifth Edition; Introduction; Chapter 1. Beyond the Rules; Structure; Chapter 2. Structure; Chapter 3. Critique of Restorative Three-Act Form; Chapter 4. Counter-Structure; Chapter 5. More Thoughts on Three Acts: Fifteen Years Later; Chapter 6. Narrative and Anti-Narrative: The Case of the Two Stevens; Chapter 7. Multiple Threaded, Long-Form Television Serial Scripts; Genre; Chapter 8. Why Genre?; Chapter 9. Working with Genre I

    Chapter 10. Working with Genre II: The Melodrama and the ThrillerChapter 11. Working Against Genre; Chapter 12. The Flexibility of Genre; Chapter 13. Genres of Voice; Chapter 14. The Non-Linear Film; Chapter 15. The Fable: A Case Study of Darkness: The Wizard of Oz and Pan's Labyrinth; Character; Chapter 16. Reframing the Active/ Passive Character Distinction; Chapter 17. Stretching the Limits of Character Identification; Chapter 18. Main and Secondary Characters; Chapter 19. Subtext, Action, and Character; Chapter 20. Exceptional, but Opaque Characters inFlattened Scripts

    Chapter 21. The Primacy of Character Over Action:The Non-American ScreenplayForm, Tone, and Theory; Chapter 22. The Subtleties and Implications of Screenplay Form; Chapter 23. Agency and the Other; Chapter 24. Character, History, and Politics; Chapter 25. Tone: The Inescapability of Irony; Chapter 26. Dramatic Voice/Narrative Voice; Chapter 27. Digital Features; Chapter 28. Writing the Narrative Voice; Chapter 29. Rewriting; Chapter 30. Adaptations from Contemporary Literature; Conclusion; Chapter 31. Personal Scriptwriting: The Edge; Chapter 32. Personal Scriptwriting: Beyond the Edge; Index

  4. Storytelling for Film and Television
    From First Word to Last Frame
    Published: 2019
    Publisher:  Routledge, Milton

    Storytelling for Film and Television is a theory and practice book which offers a definitive introduction to the art of storytelling through writing, directing, and editing. Author Ken Dancyger provides a comprehensive explanation of the tools that... more

     

    Storytelling for Film and Television is a theory and practice book which offers a definitive introduction to the art of storytelling through writing, directing, and editing. Author Ken Dancyger provides a comprehensive explanation of the tools that underpin successful narrative filmmaking and television production. The book takes a unique approach by connecting the different phases of the creative process of film and television production. It shows how writing, directing, and editing all contribute to the process of storytelling and function together to advance the narrative goals of a screenplay, to tell the best story. A case study approach provides numerous examples of effectiveness and brings together the core areas of aesthetics and production to make these concepts more accessible. Case studies include classic and modern films, foreign films, limited and series television, with examples including Breaking Bad, Game of Thrones, The Revenant, and Son of Saul. This is the ideal text for film and television production students at all levels. It is written in a style which makes it accessible to anybody interested in learning more about the storytelling process and is written for a global audience addressing a global industry

     

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    Volltext (URL des Erstveroeffentlichers)
  5. Writing the short film
    Author: Cooper, Pat
    Published: 2000
    Publisher:  Focal Press, Boston [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    12.987.91
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Contributor: Dancyger, Ken
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0240803698
    RVK Categories: AP 48700
    Subjects: Kurzfilm
    Scope: IX, 308 S.
  6. Broadcast writing
    dramas, comedies, and documentaries
    Published: 1991
    Publisher:  Focal Press, Boston [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    84.724.91
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0240800540
    Edition: 1. [Dr.]
    Series: Electronic media guide
    Scope: IX, 102 S.
  7. Writing the short film
    Author: Cooper, Pat
    Published: 1994
    Publisher:  Focal Press, Boston [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    85.636.20
    Unlimited inter-library loan, copies and loan
    Universität Mainz, Kunsthochschule
    FILM 144
    No inter-library loan
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    Source: Union catalogues
    Contributor: Dancyger, Ken
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0240801652
    RVK Categories: AP 48700
    Subjects: Kurzfilm
    Scope: XVII, 203 S.
  8. Alternative scriptwriting
    Published: 1995
    Publisher:  Focal Press, Boston [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    12.701.85
    Unlimited inter-library loan, copies and loan
    Universität Marburg, Universitätsbibliothek
    001 AP 50600 D175 (2)
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Contributor: Rush, Jeff
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0240802187
    RVK Categories: AP 50600
    Edition: 2. ed., 1. [Dr.]
    Subjects: Film
    Scope: XII, 300 S.
    Notes:

    Literaturangaben

  9. Alternative scriptwriting
    successfully breaking the rules
    Published: 2002
    Publisher:  Focal Press, Boston [u.a.]

    Bibliothek der Hochschule Darmstadt, Teilbibliothek Gestaltung
    20/AP 50400 D175 (3)
    No inter-library loan
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    Source: Union catalogues
    Contributor: Rush, Jeff
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0240804775
    RVK Categories: AP 50600 ; AP 50400
    Edition: 3. Aufl.
    Subjects: Film
    Scope: XIV, 378 S.
    Notes:

    Literaturangaben

  10. Writing the short film
    Author: Cooper, Pat
    Published: 2000
    Publisher:  Focal Press, Boston [u.a.]

    Bibliothek der Hochschule Darmstadt, Teilbibliothek Gestaltung
    20/AP 48700 C778 (2)
    No inter-library loan
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    Source: Union catalogues
    Contributor: Dancyger, Ken
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0240803698
    RVK Categories: AP 48700
    Edition: 2. ed.
    Subjects: Kurzfilm
    Scope: IX, 308 S.
    Notes:

    Literaturangaben

  11. Alternative scriptwriting
    beyond the Hollywood formula
    Published: 2013
    Publisher:  Focal, New York [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    90.069.57
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Contributor: Rush, Jeff
    Language: English
    Media type: Book
    Format: Print
    ISBN: 024052246X; 9780240522463
    Edition: 5. ed.
    Subjects: Drehbuch
    Scope: 466 S.
  12. Alternative scriptwriting
    beyond the Hollywood formula
    Published: 2013
    Publisher:  Focal Press, Burlington, MA

    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
    No inter-library loan
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    No inter-library loan
    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan
    Universität Marburg, Universitätsbibliothek
    No inter-library loan
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    Source: Union catalogues
    Contributor: Rush, Jeff
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781136053610; 1136053611; 9780240522463
    Edition: 5th ed
    Subjects: Drehbuch
    Notes:

    Online-Ausg.:

  13. Writing the short film
    Published: c2005
    Publisher:  Elsevier/Focal Press, Burlington, MA

    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
    No inter-library loan
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    No inter-library loan
    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan
    Universität Marburg, Universitätsbibliothek
    No inter-library loan
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    Source: Union catalogues
    Contributor: Dancyger, Ken
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780240805887
    RVK Categories: AP 48700
    Edition: 3rd ed
    Notes:

    Online-Ausg.:

  14. Writing the short film
    Published: 2013
    Publisher:  Focal Press, New York

    Universitätsbibliothek Gießen
    000 AP 48700 C778(3)
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780240805887
    RVK Categories: AP 48700
    Edition: Third edition
    Scope: ix, 359 Seiten
  15. Alternative scriptwriting
    [writing beyond the rules]
    Published: 1995
    Publisher:  Focal Press, Boston, Mass. [u.a.]

    Hochschule für Fernsehen und Film, Bibliothek
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0240802187
    Edition: 2. ed.
    Subjects: Drehbuch
    Scope: XII, 300 S.
  16. Global scriptwriting
    Published: ©2001
    Publisher:  Focal Press, Boston

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0080507425; 9780080507422; 9780240804286; 0240804287
    Subjects: Literature; PERFORMING ARTS / Film & Video / Screenwriting; Motion picture authorship; Literatur; Motion picture authorship; Drehbuch; Schreiben
    Scope: xiv, 254 pages
    Notes:

    Includes index

    Global Scriptwriting offers a look at an exciting new phase in screen storytelling, as writers and directors from all over the world infuse traditional forms with their own cultural values to create stories that have an international appeal and suggest a universality among readers, viewers, and listeners. A unique blend of screenwriting technique and film studies, Global Scriptwriting discusses screen stories as they have evolved through the years, focusing first on the basics of scriptwriting, then going on to afford a more sophisticated look at script via different models of scriptwriting: the Hollywood model, the independent model, the national model, and various alternative models. It examines the internationalization of storytelling, and illustrates how particular innovations have helped national screen stories to international success. This book is the first to incorporate the basics of the classical form with the innovative edge of the last decade, as well the culture specific changes that have taken place outside of North America. It offers readers a view of the enriched repertoire available to writers resulting from the introduction of cultural perspectives into traditional story forms. Specific topics examined include, the ascent of voice, the search for new forms, the struggle between style and content, and the centrality of megagenre. Includes numerous case studies and examples Focuses on how adaptation, innovation, and cultural values combine to create internationally successful stories

  17. Storytelling for film and television
    from first word to last frame
    Published: 2019
    Publisher:  Routledge, Taylor & Francis, London ; New York

    Universitätsbibliothek Eichstätt-Ingolstadt
    Unlimited inter-library loan, copies and loan
    Hochschule für Fernsehen und Film, Bibliothek
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780815371793; 9780815371786
    RVK Categories: AP 50600
    Subjects: Drehbuch; Fernsehen; Erzähltechnik; Film; Erzählen; Filmeditor; Sprache
    Other subjects: Motion picture authorship; Television authorship; Motion pictures / Production and direction; Television / Production and direction
    Scope: ix, 198 Seiten, 25 cm
    Notes:

    "A Focal Press book."

    Includes indexes

  18. Alternative scriptwriting
    beyond the Hollywood formula
    Published: 2013

    Hochschule für Fernsehen und Film, Bibliothek
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780240522463
    Edition: Fifth edition.
    Subjects: Motion picture authorship; Motion picture plays
    Scope: 466 S.
  19. Alternative scriptwriting
    successfully breaking the rules
    Published: 2007
    Publisher:  Elsevier/Focal Press, Amsterdam [u.a.]

    Universitätsbibliothek der LMU München
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0240808495; 9780240808499
    Edition: 4. ed.
    Subjects: Motion picture authorship; Motion picture plays; Creative writing; Drehbuch
    Scope: xiv, 409 p., ill., 23 cm
    Notes:

    Includes bibliographical references and index

  20. Storytelling for Film and Television
    From First Word to Last Frame
    Published: 2019
    Publisher:  Routledge, Milton

    Cover; Half Title; Title; Copyright; Dedication; Contents; Acknowledgments; SECTION I NARRATIVE; Chapter 1 Introduction; Chapter 2 The narrative tools; Chapter 3 The technical dimension; Chapter 4 The creative possibilities; Chapter 5 Three case... more

    Access:
    Verlag (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    No inter-library loan
    Palucca-Hochschule für Tanz Dresden, Bibliothek
    No inter-library loan

     

    Cover; Half Title; Title; Copyright; Dedication; Contents; Acknowledgments; SECTION I NARRATIVE; Chapter 1 Introduction; Chapter 2 The narrative tools; Chapter 3 The technical dimension; Chapter 4 The creative possibilities; Chapter 5 Three case studies of excellence; SECTION II DIRECTING; Chapter 6 The directing tools; Chapter 7 The technical dimension; Chapter 8 The creative possibilities; Chapter 9 Three case studies of excellence; SECTION III EDITING; Chapter 10 The editing tools; Chapter 11 The technical dimension; Chapter 12 The creative possibilities

     

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  21. Alternative scriptwriting
    Successfully Breaking the Rules
    Published: 2007
    Publisher:  Elsevier/Focal Press, Amsterdam

    Beyond the Rules; Structure; Critique of Restorative Three-Act Form; Counter Structure; Narrative and Anti-Narrative; Working with Genre 1; Working with Genre 2; Working Against Genre; Reframing the Active/Passive Character Distinction; Stretching... more

    Technische Universität Chemnitz, Universitätsbibliothek
    No inter-library loan

     

    Beyond the Rules; Structure; Critique of Restorative Three-Act Form; Counter Structure; Narrative and Anti-Narrative; Working with Genre 1; Working with Genre 2; Working Against Genre; Reframing the Active/Passive Character Distinction; Stretching the Limits of Character Identification; Main and Secondary Characters; Subtext, Action and Character; The Primacy of Character Over Action; The Subtleties and Implications of Screenplay Form; Character, History and Politics; Tone; Dramatic Voice/Narrative Voice; Digital Features; Writing the Narrative Voice; Rewriting; Adaptations from Contemporary Literature; Personal Scriptwriting: The Edge; Beyond the Edge Alternative Scriptwriting 4E is an insightful and inspiring book on screenwriting concerned with challenging you to take creative risks with genre, tone, character, and structure. Concerned with exploring alternative approaches beyond the traditional three-act structure, Alternative Scriptwriting first defines conventional approach, suggests alternatives, then provides case studies. These contemporary examples and case studies demonstrate what works, what doesn't, and why. Because the film industry as well as the public demand greater and greater creativity, one must go beyond the traditional three-act restorative and predictable plot to test your limits and break new creative ground. Rather than teaching writing in a tired formulaic manner, this book elevates the subject and provides inspiration to reach new creative heights. Alternative Scriptwriting 4E covers: * The melodrama and the thriller * Adaptations from contemporary literature * Writing non-fictional narratives for the feature documentary * An in-depth exploration of point-of-view and perspective as expressive of the film writer's voice * Voice-oriented genres--docudrama, the fable and experimental narrative * Non-linear storytelling-the narrative strategies that are necessary to make an open-architecture story work * Considerations for writing for DV that speak to the flexibility and improvisation this medium allows

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780240808499; 0240808495
    Edition: 4. ed.
    Subjects: Motion picture authorship; Motion picture plays; Creative writing; PERFORMING ARTS
    Scope: XIV, 409 S.
    Notes:

    Includes bibliographical references and index. - Description based on print version record

  22. Storytelling for Film and Television
    From First Word to Last Frame.
    Published: 2019
    Publisher:  Routledge, Milton ; Taylor & Francis Group, London

    Storytelling for Film and Television is a theory and practice book which offers a definitive introduction to the art of storytelling through writing, directing, and editing. Author Ken Dancyger provides a comprehensive explanation of the tools that... more

    Access:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    No inter-library loan

     

    Storytelling for Film and Television is a theory and practice book which offers a definitive introduction to the art of storytelling through writing, directing, and editing. Author Ken Dancyger provides a comprehensive explanation of the tools that underpin successful narrative filmmaking and television production. The book takes a unique approach by connecting the different phases of the creative process of film and television production. It shows how writing, directing, and editing all contribute to the process of storytelling and function together to advance the narrative goals of a screenplay, to tell the best story. A case study approach provides numerous examples of effectiveness and brings together the core areas of aesthetics and production to make these concepts more accessible. Case studies include classic and modern films, foreign films, limited and series television, with examples including Breaking Bad, Game of Thrones, The Revenant, and Son of Saul. This is the ideal text for film and television production students at all levels. It is written in a style which makes it accessible to anybody interested in learning more about the storytelling process and is written for a global audience addressing a global industry

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781351245975; 135124597X; 9781351245968; 1351245961; 9781351245982; 1351245988; 9781351245951; 1351245953
    Subjects: Motion picture authorship; Television authorship; Motion pictures; Television
    Scope: 1 Online-Ressource (209 pages)
  23. Storytelling for Film and Television
    From First Word to Last Frame
    Published: 2019
    Publisher:  Routledge, Milton

    Cover; Half Title; Title; Copyright; Dedication; Contents; Acknowledgments; SECTION I NARRATIVE; Chapter 1 Introduction; Chapter 2 The narrative tools; Chapter 3 The technical dimension; Chapter 4 The creative possibilities; Chapter 5 Three case... more

    Access:
    Verlag (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Cover; Half Title; Title; Copyright; Dedication; Contents; Acknowledgments; SECTION I NARRATIVE; Chapter 1 Introduction; Chapter 2 The narrative tools; Chapter 3 The technical dimension; Chapter 4 The creative possibilities; Chapter 5 Three case studies of excellence; SECTION II DIRECTING; Chapter 6 The directing tools; Chapter 7 The technical dimension; Chapter 8 The creative possibilities; Chapter 9 Three case studies of excellence; SECTION III EDITING; Chapter 10 The editing tools; Chapter 11 The technical dimension; Chapter 12 The creative possibilities

     

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  24. Alternative scriptwriting
    beyond the Hollywood formula
    Published: 2013

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    Source: Union catalogues
    Contributor: Rush, Jeff (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780240522463; 9781299192386
    Edition: Fifth Edition
    Subjects: Motion picture authorship; Motion picture plays / Technique
    Scope: 1 online resource (xi, 466 pages)
    Notes:

    Description based on print version record

  25. Global scriptwriting
    Published: 2010
    Publisher:  Focal Press, Boston, Mass. [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780240804286; 0240804287
    RVK Categories: AP 50600
    Edition: Transferred to digital print.
    Subjects: Motion picture authorship
    Scope: XIV, 254 S., 24 cm