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  1. A Sanctuary of Sounds
    Published: 2013
    Publisher:  punctum books, Brooklyn, NY

    A Sanctuary of Sounds is an aural rewriting of William Faulkner’s novel Sanctuary (1931). A polyphonic object. A garden — assemblage of blooms, of affects, of sounds, of meaning. An invitation to rethink appropriation ethically, aesthetically, and... more

     

    A Sanctuary of Sounds is an aural rewriting of William Faulkner’s novel Sanctuary (1931). A polyphonic object. A garden — assemblage of blooms, of affects, of sounds, of meaning. An invitation to rethink appropriation ethically, aesthetically, and epistemologically. The appropriation of a body of work, of a physical body, of an idea, of data. The history of knowledge and its production is enabled by the process of appropriation, by the differentiation of noise. What does it mean to sample data, not of finished artworks, but of noise itself, the environment? Being victimized by the crushing quality of noise is all too human. Art must become an acoustic ecology. Noticing the landscape of objects, the relationships, the environment itself, in order to compose the music of tomorrow. Let the song of vibrant matter sing itself. A Sanctuary of Sounds is a noise–totality. Noise — nothing but noise. Noise as the first object of metaphysics. Noise as the synchronic/diachronic mediator of production–processes and their reorganization in society. Utopia and dystopia at once. A Sanctuary of Sounds is a dialectical poem, it is noise against noise — raping a rape.

     

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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Poetry by individual poets
    Other subjects: William Faulkner; sound ecology; noise; poetry
    Scope: 1 electronic resource (98 p.)
  2. Into spotlight
    art at Baloise
  3. Into the spotlight
    art at Baloise
  4. Ins Licht gerückt
    Kunst bei der Baloise

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    Content information
    Source: Union catalogues
    Contributor: Schwander, Martin (Herausgeber); Schifferli, Teo (Designer)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783775746410; 3775746412
    Other identifier:
    9783775746410
    Edition: [1. Auflage]
    Corporations / Congresses:
    Bâloise Holding (Verfasser)
    Subjects: Kunst; Sammlung
    Other subjects: (Produktform)Hardback; Kunstsammlungen; Zeitgenössische Kunst; Zeitgenössische Fotografie; (VLB-WN)1950: Hardcover, Softcover / Sachbücher/Kunst, Literatur
    Scope: 244 Seiten, 29 cm
    Notes:

    Enthält die Kunstsammlung der Bâloise Holding

  5. A Sanctuary of Sounds
    Published: 2013
    Publisher:  punctum Books, [Erscheinungsort nicht ermittelbar]

    A Sanctuary of Sounds is an aural rewriting of William Faulkner's novel Sanctuary (1931). A polyphonic object. A garden -- assemblage of blooms, of affects, of sounds, of meaning. An invitation to rethink appropriation ethically, aesthetically, and... more

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    Hochschule Aalen, Bibliothek
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    Hochschule für Bildende Künste Dresden, Bibliothek
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    Hochschule für Musik 'Carl Maria von Weber', Hochschulbibliothek
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    Zeppelin Universität gGmbH, Bibliothek
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    Zentrum für Wissensmanagement, Bibliothek Hamm
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    Universitätsbibliothek Heidelberg
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    Badische Landesbibliothek
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    HTWG Hochschule Konstanz Technik, Wirtschaft und Gestaltung, Bibliothek
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    Hochschule für Technik, Wirtschaft und Kultur Leipzig, Hochschulbibliothek
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    Zentrum für Wissensmanagement, Bibliothek Lippstadt
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Hochschule für Wirtschaft und Umwelt Nürtingen-Geislingen, Bibliothek Nürtingen
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    Hochschulbibliothek Reutlingen (Lernzentrum)
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    A Sanctuary of Sounds is an aural rewriting of William Faulkner's novel Sanctuary (1931). A polyphonic object. A garden -- assemblage of blooms, of affects, of sounds, of meaning. An invitation to rethink appropriation ethically, aesthetically, and epistemologically. The appropriation of a body of work, of a physical body, of an idea, of data. The history of knowledge and its production is enabled by the process of appropriation, by the differentiation of noise. What does it mean to sample data, not of finished artworks, but of noise itself, the environment? Being victimized by the crushing quality of noise is all too human. Art must become an acoustic ecology. Noticing the landscape of objects, the relationships, the environment itself, in order to compose the music of tomorrow. Let the song of vibrant matter sing itself. A Sanctuary of Sounds is a noise-totality. Noise -- nothing but noise. Noise as the first object of metaphysics. Noise as the synchronic/diachronic mediator of production-processes and their reorganization in society. Utopia and dystopia at once. A Sanctuary of Sounds is a dialectical poem, it is noise against noise -- raping a rape

     

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