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  1. Carlos Fuentes
    A Critical View
    Contributor: Alazraki, Jaime (MitwirkendeR); Brody, Robert (HerausgeberIn); Brushwood, John S (MitwirkendeR); Dauster, Frank (MitwirkendeR); Davis, Mary E (MitwirkendeR); Durán, Gloria (MitwirkendeR); Durán, Manuel (MitwirkendeR); Echevarria, Roberto Gonzalez (MitwirkendeR); Filer, Malva E (MitwirkendeR); Forster, Merlin H (MitwirkendeR); Gyurko, Lanin A (MitwirkendeR); Leal, Luis (MitwirkendeR); Peden, Margaret Sayers (MitwirkendeR); Reeve, Richard M (MitwirkendeR); Rossman, Charles (HerausgeberIn); Wing, George Gordon (MitwirkendeR)
    Published: [2021]
    Publisher:  University of Texas Press, Austin

    Frontmatter -- Contents -- Editors' Introduction -- History and Myth in the Narrative of Carlos Fuentes -- Los dias enmascarados and Cantor de ciegos: Reading the Stories and Reading the Books -- The Making of La region mas transparente: 1949-1974 --... more

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    Frontmatter -- Contents -- Editors' Introduction -- History and Myth in the Narrative of Carlos Fuentes -- Los dias enmascarados and Cantor de ciegos: Reading the Stories and Reading the Books -- The Making of La region mas transparente: 1949-1974 -- La muerte de Artemio Cruz and Citizen Kane: A Comparative Analysis -- Theme and System in Carlos Fuentes' Aura -- The Wounded Vision: Aum, Zona sagrada, and Cumpleanos -- A Change of Skin and the Shaping of a Mexican Time -- Terra Nostra: Theory and Practice -- On Becoming Velazquez: Carlos Fuentes7 The Hydra Head -- Forking Paths, Infinite Novels, Ultimate Narrators -- Dolls and Puppets as Wish-Fulfillment Symbols in Carlos Fuentes -- Carlos Fuentes as Dramatist -- Carlos Fuentes as an Art Critic -- Some Remarks on the Literary Criticism of Carlos Fuentes -- Chronology -- Notes on Contributors Carlos Fuentes is a master of modern world literature. With the translation of his major works into English and other languages, his reputation has surpassed the boundaries of his native Mexico and of Hispanic literature and has become international. Now each new novel stimulates popular and scholarly reviews in periodicals from Mexico City and Buenos Aires to Paris and New York. Carlos Fuentes: A Critical View is the first full-scale examination in English of this major writer's work. The range and diversity of this critical view are remarkable and reflect similar characteristics in the creative work of Carlos Fuentes, a man of formidable intellectual energy and curiosity. The whole of Fuentes' work is encompassed by Luis Leal as he explores history and myth in the writer's narrative. Insightful new views of single works are provided by other well-known scholars, such as Roberto González Echevarría, writing on Fuentes' extraordinary Terra Nostra, and Margaret Sayers Peden, exploring Distant Relations, for which she served as authorized translator. Here too are fresh approaches to Fuentes' other novels, among them Where the Air Is Clear, Aura, and The Hydra Head, as well as an examination by John Brushwood of the writer's short fiction and a look by Merlin Forster at Fuentes the playwright. Lanin Gyurko reaches outside Fuentes' canon for his fascinating study of the influence of Orson Welles' Citizen Kane on The Death of Artemio Cruz. Manuel Durán and George Wing consider Fuentes in his role as critic of both literature and art. Carlos Fuentes: A Critical View has been prepared with the writer's many English-speaking readers in mind. Quotations are most frequently from standard, readily available English translations of Fuentes' works. A valuable chronology of the writer's life rounds off the volume

     

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    Source: Union catalogues
    Contributor: Alazraki, Jaime (MitwirkendeR); Brody, Robert (HerausgeberIn); Brushwood, John S (MitwirkendeR); Dauster, Frank (MitwirkendeR); Davis, Mary E (MitwirkendeR); Durán, Gloria (MitwirkendeR); Durán, Manuel (MitwirkendeR); Echevarria, Roberto Gonzalez (MitwirkendeR); Filer, Malva E (MitwirkendeR); Forster, Merlin H (MitwirkendeR); Gyurko, Lanin A (MitwirkendeR); Leal, Luis (MitwirkendeR); Peden, Margaret Sayers (MitwirkendeR); Reeve, Richard M (MitwirkendeR); Rossman, Charles (HerausgeberIn); Wing, George Gordon (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780292762312
    Other identifier:
    Subjects: Fuentes, Carlos--Criticism and interpretation; LITERARY CRITICISM / Caribbean & Latin American
    Scope: 1 Online-Ressource (1 online resource)
  2. The Spanish American Novel
    A Twentieth-Century Survey
    Published: [2021]
    Publisher:  University of Texas Press, Austin

    Frontmatter -- CONTENTS -- Preface -- 1. The Heritage (1900-1915) -- 2. The Year of Los de abajo (1916) -- 3. From Los de abajo to Don Segundo Sombra (1917-1925) -- 4. The Year of Don Segundo Sombra (1926) -- 5. From Don Segundo Sombra to Doña... more

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    Frontmatter -- CONTENTS -- Preface -- 1. The Heritage (1900-1915) -- 2. The Year of Los de abajo (1916) -- 3. From Los de abajo to Don Segundo Sombra (1917-1925) -- 4. The Year of Don Segundo Sombra (1926) -- 5. From Don Segundo Sombra to Doña Bárbara (1927-1928) -- 6. The Year of Doña Bárbara (1929) -- 7. From Doña Bárbara to Don Goyo (1930-1932) -- 8. The Year of Don Goyo (1933) -- 9. From Don Goyo to Todo verdor perecerá (1934-1940) -- 10. The Year of Todo verdor perecerá (1941) -- 11. From Todo verdor perecerá to El Señor Presidente (1942-1945) -- 12. The Years of the Reaffirmation of Fiction: El Señor Presidente (1946), Al filo del agua (1947), Adán Buenosayres (1948), El reino de este mundo (1949) -- 13. From El reino de este mundo to Pedro Páramo (1950-1954) -- 14. The Year of Pedro Páramo (1955) -- 15. From Pedro Páramo to Rayuela (1956-1962 -- 16. The Year of Rayuela (1963) -- 17. From Rayuela to Cien años de soledad (1964-1966) -- 18. The Year of Cien años de soledad (1967) -- 19. After Cien años de soledad (1968-1970) -- 20. Conclusions -- A List of Novels by Year and Country -- Notes -- A Selected Bibliography -- Index In The Spanish American Novel, John S. Brushwood analyzes the twentieth-century Spanish American novel as an artistic expression of social reality. In relating the generic history of the novel to extraliterary events in Spanish America, he shows how twentieth-century fiction sets forth the essence of such phenomena as the first Perón regime, the Mexican Revolution, the Che Guevara legend, indigenismo, and the strongman political type. In essence, he views the novel as art rather than as document, but not as art alienated from society. The discussion is organized chronologically, opening with the turn of the century and focusing on novels from 1900 to 1915 that exemplify various aspects of the nineteenth-century literary inheritance. Brushwood then highlights the avant-garde fiction (influenced by Proust and Joyce) of the 1920s as a precursory movement to the “new” Latin American novel, a phenomenon that came into its own during the 1940s. He then examines the “boom” in Spanish American fiction, the period of extensive international recognition of certain works, which he dates from 1962 or 1963. In each era considered, the development of the novel is placed in dual perspective. One view—that of particularly significant novels in light of others published during the same year—is a cross section of the genre at one particular moment. The second view—that of a panorama of novels published in intervals between significant moments in the history of the novel—is more general and selective in the number of books discussed. Combining the historical with the analytical approach, the author proposes that the experience of a novel in which reality has been transformed into art is essential to our understanding of that reality

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780292771437
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    Subjects: Spanish American fiction; Spanish American fiction--20th century--History and criticism; LITERARY CRITICISM / Caribbean & Latin American
    Scope: 1 Online-Ressource (1 online resource)
  3. Mexico in Its Novel
    A Nation's Search for Identity
    Published: [2021]
    Publisher:  University of Texas Press, Austin

    Frontmatter -- PREFACE -- CONTENTS -- MEXICO IN ITS NOVEL -- A Note on Mexican History -- 1. The Novel of Time and Being (1947-1963) -- 2. The Colonial Temperament (1521-1831) -- 3. Common Sense and Clouded Vision (1832-1854) -- 4. A Design for... more

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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    Frontmatter -- PREFACE -- CONTENTS -- MEXICO IN ITS NOVEL -- A Note on Mexican History -- 1. The Novel of Time and Being (1947-1963) -- 2. The Colonial Temperament (1521-1831) -- 3. Common Sense and Clouded Vision (1832-1854) -- 4. A Design for Progress (1855-1884) -- 5. The Desperate Compromise (1885-1891) -- 6. A Certain Elegance (1892-1906) -- 7. The Hope of the Past (1907-1912) -- 8. The Gradual Tempest (1913-1924) -- 9. The Artists' Intent (1925-1930) -- 10. The Mirror Image (1931-1946) -- A Chronological List of Novels (1832-1963) -- A Selected Bibliography -- Index Mexico in Its Novel is a perceptive examination of the Mexican reality as revealed through the nation's novel. The author presents the Mexican novel as a cultural phenomenon: a manifestation of the impact of history upon the nation, an attempt by a people to come to grips with and understand what has happened and is happening to them. Written in a clear and graceful style, this study examines the life of the novel as a genre against the background of Mexican chronology. It begins with a survey of the mid-twentieth-century novel, the Mexican novel which came of age in the period following the 1947 publication of Agustín Yáñez's The Edge of the Storm. During this time the novel resolved some of its most complicated problems and, as a result, offered a wider and deeper view of reality. Having established this circumstance, John Brushwood goes back in time to the Conquest and then moves forward to the twentieth-century novel. Passing from the Colonial Period into the nineteenth century, the author recognizes the relationship between Romanticism and the desire for logical social behavior, and then views this relationship in the perspective of the Reform, an attempt to bring order out of chaos. The novel under the Díaz dictatorship is seen in three different phases, and the last Díaz chapter actually moves into the Revolution itself. The novel during the years of fighting is considered along with the first post-Revolutionary fiction. From that point the developing conflict within Mexican reality itself—a conflict between introversion and extroversion, nationalism and cosmopolitanism—reaches out to seek its solution in the novels of the first chapter

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780292771413
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    RVK Categories: IQ 12210
    Subjects: Group identity in literature; Mexican fiction; Mexican fiction--History and criticism; National characteristics, Mexican, in literature; LITERARY CRITICISM / Caribbean & Latin American
    Scope: 1 Online-Ressource (1 online resource)
  4. Angel del Río and the Literature of Ideas
    Published: 1997

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    Source: Online Contents Comparative Literature
    Media type: Article (journal)
    Format: Print
    Parent title: Hispania; Birmingham, AL : AATSP, American Association of Teachers of Spanisch & Portuguese, 1918-; Band 80, Heft 2 (1997), Seite 275-276; 25 cm