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Displaying results 1 to 5 of 5.

  1. L’@Apocalypse : une imagination politique
    Author: Agnese, Roberta
    Published: 2022
    Publisher:  Presses universitaires de Rennes, Rennes ; OpenEdition, Marseille

    Depuis deux cents ans, la littérature, la philosophie et le cinéma s’intéressent toujours davantage à l’apocalypse et aux catastrophes. Est-ce céder à un certain nihilisme ou au contraire chercher une ouverture politique quand l’horizon semble fermé... more

    Access:
    Verlag (kostenfrei)

    Location:
    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    No inter-library loan

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    Bibliothek der Frankfurt University of Applied Sciences
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    No inter-library loan

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    No inter-library loan

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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    No inter-library loan

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    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
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    Universitätsbibliothek Gießen
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    No inter-library loan

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    No inter-library loan

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    Universität Mainz, Zentralbibliothek
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    No inter-library loan

    Location:
    Universität Marburg, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

     

    Depuis deux cents ans, la littérature, la philosophie et le cinéma s’intéressent toujours davantage à l’apocalypse et aux catastrophes. Est-ce céder à un certain nihilisme ou au contraire chercher une ouverture politique quand l’horizon semble fermé ? Explorant la force et les limites de cet imaginaire politique ambivalent, les contributions rassemblées dans ce volume tentent d’expliquer pourquoi le scénario apocalyptique fait retour dans une civilisation qui n’est plus soudée ni par la croyance religieuse ni par l’espoir révolutionnaire. Qu’est-ce qui distingue l’apocalyptisme contemporain de l’apocalyptisme biblique et de ses avatars ? Comment distinguer un apocalyptisme laïc, qui affronte avec lucidité la perspective d’une destruction par l’homme des conditions nécessaires à la poursuite de son existence et les lubies des marchands d’apocalypse, qui mobilisent et galvaudent à leur profit le scénario religieux ? Enfin, comment restaurer une perspective politique dans ce climat de destruction générale ? En réunissant des contributions d’historiens, de philosophes, de spécialistes de littérature, d’études théâtrales et de cinéma, ce volume de La Licorne entreprend d’approcher de façon critique un art de désespérer avec espoir caractéristique de l’époque contemporaine.

     
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  2. Puissance du végétal et cinéma animiste
    la vitalité révélée par la technique
    Author: Agnese, Roberta
    Published: [2020]
    Publisher:  les presses du réel, Dijon

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent
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    Content information
    Source: Union catalogues
    Contributor: Castro, Teresa (Publisher); Pitrou, Perig (Publisher); Rebecchi, Marie (Publisher)
    Language: French
    Media type: Conference proceedings
    ISBN: 9782840669401
    Corporations / Congresses: Puissances du végétal : Cinéma animiste et anthropologie de la vie (Veranstaltung) (2016, Paris)
    Subjects: Fotografie; Animationsfilm; Animismus; Pflanzen <Motiv>; Film
    Other subjects: Plantes au cinéma; Plantes / Photographies; Animisme; Cinéma / Intrigues, thèmes, etc; Plantes / Au cinéma; Plantes / Photographies; Animisme / Au cinéma; Cinéma / Thèmes, motifs
    Scope: 311 Seiten, Illustrationen, 21 cm
  3. Archival reenactement and the role of fiction : Walid Raad and the 'Atlas Group Archive'
    Author: Agnese, Roberta
    Published: 2022

    The Atlas Group created a digital mixed-media archive of contemporary Lebanese history, made up of produced and found documents. These archives look immediately ambiguous: they don't collect historical documents; they actually contain visual... more

     

    The Atlas Group created a digital mixed-media archive of contemporary Lebanese history, made up of produced and found documents. These archives look immediately ambiguous: they don't collect historical documents; they actually contain visual artefacts created by the Lebanese artist Walid Raad. These digital mixed-media archives - partly accessible on the web but also physically exhibited and performed - are not intended to preserve the memory of the past, but they become indeed useful to actualize history by giving it back in the form of a historical fiction. What if archives should not deal with memory, but with amnesia? And what kind of historical temporality do they re-activate?

     
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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (edited volume)
    Format: Online
    DDC Categories: 770; 800
    Subjects: Raad; Walid; Atlas Group; Archiv; Libanon; Geschichte
    Rights:

    creativecommons.org/licenses/by-sa/4.0/ ; info:eu-repo/semantics/openAccess
  4. Archival reenactement and the role of fiction
    Walid Raad and the 'Atlas Group Archive'
    Author: Agnese, Roberta
    Publisher:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    Access:
    Resolving-System (kostenfrei)
    Verlag (kostenfrei)
    Verlag (kostenfrei)
    Resolving-System (kostenfrei)

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Title in the local catalogue:
    https://hds.hebis.de/ubffm/Record/HEB495514705
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    Source: Specialised Catalogue of Comparative Literature
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Over and Over and Over Again; Berlin : ICI Berlin Press, 2022; (2022), Seite 92-98; 1 Online-Ressource

    DDC Categories: 770; 800
  5. Archival reenactement and the role of fiction : Walid Raad and the 'Atlas Group Archive'
    Author: Agnese, Roberta
    Published: 13.04.2022

    The Atlas Group created a digital mixed-media archive of contemporary Lebanese history, made up of produced and found documents. These archives look immediately ambiguous: they don't collect historical documents; they actually contain visual... more

     

    The Atlas Group created a digital mixed-media archive of contemporary Lebanese history, made up of produced and found documents. These archives look immediately ambiguous: they don't collect historical documents; they actually contain visual artefacts created by the Lebanese artist Walid Raad. These digital mixed-media archives - partly accessible on the web but also physically exhibited and performed - are not intended to preserve the memory of the past, but they become indeed useful to actualize history by giving it back in the form of a historical fiction. What if archives should not deal with memory, but with amnesia? And what kind of historical temporality do they re-activate?

     
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    Content information: free
    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-028-2
    DDC Categories: 770; 800
    Collection: ICI Berlin
    Subjects: Raad, Walid; Atlas Group; Archiv; Libanon; Geschichte
    Rights:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess