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  1. The Tragedy of Othello, the Moor of Venice
    Author: Shakespeare, William
    Published: 2014
    Publisher:  Lerner Publishing Group, Minneapolis

    Intro -- Title Page -- Copyright -- Table of Contents -- Persons Represented -- ACT 1 -- Act 1, Scene 1. Venice. A street -- Act 1, Scene 2. Venice. Another street -- Act 1, Scene 3. Venice. A Council Chamber -- ACT 2 -- Act 2, Scene 1. A Seaport in... more

     

    Intro -- Title Page -- Copyright -- Table of Contents -- Persons Represented -- ACT 1 -- Act 1, Scene 1. Venice. A street -- Act 1, Scene 2. Venice. Another street -- Act 1, Scene 3. Venice. A Council Chamber -- ACT 2 -- Act 2, Scene 1. A Seaport in Cyprus. A Platform -- Act 2, Scene 2. A street -- Act 2, Scene 3. A Hall in the Castle -- ACT 3 -- Act 3, Scene 1. Cyprus. Before the Castle -- Act 3, Scene 2. Cyprus. A Room in the Castle -- Act 3, Scene 3. Cyprus. The Garden of the Castle -- Act 3, Scene 4. Cyprus. Before the Castle -- ACT 4 -- Act 4, Scene 1. Cyprus. Before the Castle -- Act 4, Scene 2. Cyprus. A Room in the Castle -- Act 4, Scene 3. Cyprus. Another Room in the Castle -- ACT 5 -- Act 5, Scene 1. Cyprus. A Street -- Act 5, Scene 2. Cyprus. A Bedchamber in the Castle: Desdemona in Bed Asleep -- a Light Burning -- Back Cover

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781467776165
    Series: First Avenue Classics Ser
    First Avenue Classics (tm) Ser.
    Subjects: Interracial marriage-Drama; Othello-(Fictitious character from Shakespeare)-Drama; Electronic books
    Scope: 1 Online-Ressource (161 pages)
  2. The Tragedy of Othello, the Moor of Venice
    Author: Shakespeare, William
    Published: 2014
    Publisher:  Lerner Publishing Group, Minneapolis

    Cover -- Title Page -- Copyright Information -- Table Of Contents -- Persons Represented -- Act 1 -- Act 1, Scene1. Venice. A Street. -- Act 1, Scene 2. Venice. Another Street. -- Act 1, Scene 3. Venice. A Council Chamber. -- Act 2 -- Act 2, Scene 1.... more

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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    Cover -- Title Page -- Copyright Information -- Table Of Contents -- Persons Represented -- Act 1 -- Act 1, Scene1. Venice. A Street. -- Act 1, Scene 2. Venice. Another Street. -- Act 1, Scene 3. Venice. A Council Chamber. -- Act 2 -- Act 2, Scene 1. A Seaport In Cyprus. A Platform. -- Act 2, Scene 2. A Street. -- Act 2, Scene 3. A Hall In The Castle. -- Act 3 -- Act 3, Scene 1. Cyprus. Before The Castle. -- Act 3, Scene 2. Cyprus. A Room In The Castle. -- Act 3, Scene 3. Cyprus. The Garden Of The Castle. -- Act 3, Scene 4. Cyprus. Before The Castle. -- Act 4 -- Act 4, Scene 1. Cyprus. Before The Castle. -- Act 4, Scene 2. Cyprus. A Room In The Castle. -- Act 4, Scene 3. Cyprus. Another Room In The Castle. -- Act 5 -- Act 5, Scene 1. Cyprus. A Street. -- Act 5, Scene 2. Cyprus. A Bedchamber In The Castle: Desdemona In Bed Asleep -- A Light Burning. -- Back Cover

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781467757751
    Series: First Avenue Classics Ser
    First Avenue classics
    Subjects: Othello ; (Fictitious character from Shakespeare) ; Drama; Interracial marriage ; Drama; Jealousy ; Drama; Muslims ; Drama; Electronic books
    Scope: 1 Online-Ressource (168 pages)
  3. Writing and reading Byzantine secular poetry, 1025-1081
    Author: Bernard, Floris
    Published: 2014
    Publisher:  Oxford University Press, Oxford

    ""Cover""; ""Writing and Reading Byzantine Secular Poetry, 1025�1081""; ""Copyright""; ""Dedication""; ""Acknowledgements""; ""Contents""; ""List of Figures""; ""List of Abbreviations""; ""Note to the Reader""; ""1: Introduction""; ""1.1. BUILDING... more

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    Hochschule Aalen, Bibliothek
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    ""Cover""; ""Writing and Reading Byzantine Secular Poetry, 1025�1081""; ""Copyright""; ""Dedication""; ""Acknowledgements""; ""Contents""; ""List of Figures""; ""List of Abbreviations""; ""Note to the Reader""; ""1: Introduction""; ""1.1. BUILDING A BRIDGE""; ""1.2. THE ELEVENTH CENTURY: SOME TENDENCIES""; ""1.3. POETIC TEXTS IN BYZANTIUM, 1025�1081""; ""2: Concepts""; ""2.1. WRITING POETRY: CONTEMPORARY EVIDENCE""; ""2.2. POETRY, HOI LOGOI, AND RHETORIC""; ""2.3. POI�SIS AND POI�T�S""; ""2.4. POETRY AND LITERARY TRADITION""; ""3: Readings"" ""3.1. READING POETRY: THE TANGIBLE REMAINS""""3.1.1. Poetry in public spaces""; ""3.1.2. Poetry in manuscripts""; ""3.1.3. Visual aspects of reading poetry""; ""3.2. TWO ACCOUNTS OF READINGS""; ""3.2.1. Reading a funeral oration: Christophoros 75�79""; ""3.2.2. Reading an inscription: Mauropous 32�33""; ""3.3. CONTEMPORARY CIRCULATION OF POETRY""; ""3.3.1. Scrolls and separate leaves""; ""3.3.2. Reading circles""; ""3.4. PERFORMANCE OF POETRY""; ""3.4.1. Acoustic aspects of poetry""; ""3.4.2. Poetry to be sung""; ""3.4.3. Ceremonial poetry""; ""3.5. REAL WORLD OR WORLD ON PAPER?"" ""3.5.1. Deixis and speech situations""""3.5.2. Switching contexts""; ""4: Collections""; ""4.1. MINOR GROUPINGS OF POEMS""; ""4.2. MAUROPOUS� POETRY BOOK: A LIFE IN VERSE""; ""4.2.1. Vat. gr. 676: words materialized""; ""4.2.2. A double preface""; ""4.2.3. A progressive biographical logic""; ""4.2.4. Discontinuity as a continuous message""; ""4.3. VARIOUS VERSES: CHRISTOPHOROS �COLLECTION""; ""5: Ambitions""; ""5.1. PRELUDE: THE VOICE OF THE OUTSIDER""; ""5.2. THE �BEAMTENLITERAT�""; ""5.2.1. New social trajectories""; ""5.2.2. A meritocratic model""; ""5.3. DISPLAY"" ""5.3.1. Textual production and display""""5.3.2. A poem for a job""; ""5.3.3. Insects and fruit: epideictic pieces""; ""5.4. SHAPING AN ELITE""; ""5.4.1. Distinction""; ""5.4.2. Forging friendships""; ""5.4.3. An urbane ethos""; ""5.5. AMBITIONS AND ETHICAL CONSTRAINTS""; ""5.5.1. The ethic of disinterestedness""; ""5.5.2. Mauropous� self-representation: between ambition and resignation""; ""6: Education""; ""6.1. LEARNING POETRY AT SCHOOL""; ""6.1.1. Schools in eleventh-century Byzantium""; ""6.1.2. The teaching of poetry""; ""6.1.3. Poetic exercises"" ""6.2. TEACHING WITH POETRY: DIDACTIC VERSE""""6.2.1. Serious games: the charms of didactic verse""; ""6.2.2. The synoptic quality of poetry""; ""6.2.3. A classroom setting""; ""6.3. PUBLIC AND DEDICATEES OF DIDACTIC POETRY""; ""6.3.1. Political verse: an ambiguous metre""; ""6.3.2. Imperial tastes""; ""6.3.3. Recycling poems""; ""7: Competitions""; ""7.1. THE LOGIKOS AGON""; ""7.2. THE SCHEDOS CONTESTS""; ""7.3. DERISION AND ABUSE""; ""7.4. POETIC CONTESTS IN CHRISTOPHOROS� COLLECTION""; ""7.5. PSELLOS AND SABBA�TES: A POETIC AGON""; ""8: Patronage""; ""8.1. SOLICITING PATRONAGE"" In the mid-11th century, secular Byzantine poetry attained a hitherto unseen degree of wit, vividness, and personal involvement. This volume considers this poetic activity as a whole, focusing on Byzantine conceptions of the role of poetry in society

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191008788; 0191008788
    Edition: First edition
    Series: Oxford studies in Byzantium
    Subjects: Byzantine poetry; POETRY ; Ancient, Classical & Medieval; Byzantine poetry; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (1 online resource)
    Notes:

    Title from PDF title page (viewed on Aug. 11, 2014)

    Includes bibliographical references and index
  4. Romeo and Juliet
    Author: Shakespeare, William
    Published: 2014
    Publisher:  Lerner Publishing Group, Minneapolis

    Cover -- Title Page -- Copyright Page -- Table Of Contents -- Persons Represented -- The Prologue -- Act 1 -- Act 1, Scene 1. A Public Place. -- Act 1, Scene 2. A Street. -- Act 1, Scene 3. A Room In Capulet's House. -- Act 1, Scene 4. A Street. --... more

     

    Cover -- Title Page -- Copyright Page -- Table Of Contents -- Persons Represented -- The Prologue -- Act 1 -- Act 1, Scene 1. A Public Place. -- Act 1, Scene 2. A Street. -- Act 1, Scene 3. A Room In Capulet's House. -- Act 1, Scene 4. A Street. -- Act 1, Scene 5. A Hall In Capulet's House. -- Act 2 -- Act 2, Scene 1. An Open Place Adjoining Capulet's Garden. -- Act 2, Scene 2. Capulet's Garden. -- Act 2, Scene 3. Friar Lawrence's Cell. -- Act 2, Scene 4. A Street. -- Act 2, Scene 5. Capulet's Garden. -- Act 2, Scene 6. Friar Lawrence's Cell. -- Act 3 -- Act 3, Scene 1. A Public Place. -- Act 3, Scene 2. A Room In Capulet's House. -- Act 3, Scene 3. Friar Lawrence's Cell. -- Act 3, Scene 4. A Room In Capulet's House. -- Act 3, Scene 5. An Open Gallery To Juliet's Chamber, Overlooking The Garden. -- Act 4 -- Act 4, Scene 1. Friar Lawrence's Cell. -- Act 4, Scene 2. A Hall In Capulet's House. -- Act 4, Scene 3. Juliet's Chamber. -- Act 4, Scene 4. A Hall In Capulet's House. -- Act 4, Scene 5. Juliet's Chamber -- Juliet On The Bed. -- Act 5 -- Act 5, Scene 1. Mantua. A Street. -- Act 5, Scene 2. Friar Lawrence's Cell. -- Act 5, Scene 3. A Churchyard -- In It A Monument Belonging To The Capulets. -- Back Cover

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781467746106
    Series: First Avenue Classics Ser
    Subjects: Juliet-(Fictitious character); Juliet-(Fictitious character)-Drama; Romeo-(Fictitious character)-Drama; Electronic books
    Scope: 1 Online-Ressource (154 pages)
  5. Romeo and Juliet
    Author: Shakespeare, William
    Published: 2014
    Publisher:  Lerner Publishing Group, Minneapolis

    Intro -- Title -- Copyright -- Table of Contents -- Persons Represented -- The Prologue -- ACT 1 -- Act 1, Scene 1. A Public Place. -- Act 1, Scene 2. A Street. -- Act 1, Scene 3. A Room in Capulet's House. -- Act 1, Scene 4. A Street. -- Act 1,... more

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Intro -- Title -- Copyright -- Table of Contents -- Persons Represented -- The Prologue -- ACT 1 -- Act 1, Scene 1. A Public Place. -- Act 1, Scene 2. A Street. -- Act 1, Scene 3. A Room in Capulet's House. -- Act 1, Scene 4. A Street. -- Act 1, Scene 5. A Hall in Capulet's House. -- ACT 2 -- Act 2, Scene 1. An Open Place Adjoining Capulet's Garden. -- Act 2, Scene 2. Capulet's Garden. -- Act 2, Scene 3. Friar Lawrence's Cell. -- Act 2, Scene 4. A Street. -- Act 2, Scene 5. Capulet's Garden. -- Act 2, Scene 6. Friar Lawrence's Cell. -- ACT 3 -- Act 3, Scene 1. A Public Place. -- Act 3, Scene 2. A Room in Capulet's House. -- Act 3, Scene 3. Friar Lawrence's Cell. -- Act 3, Scene 4. A Room in Capulet's House. -- Act 3, Scene 5. An Open Gallery to Juliet's Chamber, Overlooking the Garden. -- ACT 4 -- Act 4, Scene 1. Friar Lawrence's Cell. -- Act 4, Scene 2. A Hall in Capulet's House. -- Act 4, Scene 3. Juliet's Chamber. -- Act 4, Scene 4. A Hall in Capulet's House. -- Act 4, Scene 5. Juliet's Chamber -- Juliet on the Bed. -- ACT 5 -- Act 5, Scene 1. Mantua. A Street. -- Act 5, Scene 2. Friar Lawrence's Cell. -- Act 5, Scene 3. A Churchyard -- in it a Monument Belonging to the Capulets. -- Back cover

     
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    Source: Union catalogues
    Language: English
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    ISBN: 9781467768429
    Series: First Avenue Classics Ser
    Subjects: Shakespeare, William ; 1564-1616 ; Film adaptations; Electronic books
    Scope: 1 Online-Ressource (120 pages)
  6. Writing and Reading Byzantine Secular Poetry, 1025-1081
    Author: Bernard, Floris
    Published: 2014; ©2014
    Publisher:  Oxford University Press, Incorporated, Oxford

    In the mid-eleventh century, secular Byzantine poetry attained a hitherto unseen degree of wit, vividness, and personal involvement. This is the first volume to consider this poetic activity as a whole, focusing on Byzantine conceptions of the role... more

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    In the mid-eleventh century, secular Byzantine poetry attained a hitherto unseen degree of wit, vividness, and personal involvement. This is the first volume to consider this poetic activity as a whole, focusing on Byzantine conceptions of the role of poetry in society. Cover -- Writing and Reading Byzantine Secular Poetry, 1025-1081 -- Copyright -- Dedication -- Acknowledgements -- Contents -- List of Figures -- List of Abbreviations -- Note to the Reader -- 1: Introduction -- 1.1. BUILDING A BRIDGE -- 1.2. THE ELEVENTH CENTURY: SOME TENDENCIES -- 1.3. POETIC TEXTS IN BYZANTIUM, 1025-1081 -- 2: Concepts -- 2.1. WRITING POETRY: CONTEMPORARY EVIDENCE -- 2.2. POETRY, HOI LOGOI, AND RHETORIC -- 2.3. POIÈSIS AND POIÈTÈS -- 2.4. POETRY AND LITERARY TRADITION -- 3: Readings -- 3.1. READING POETRY: THE TANGIBLE REMAINS -- 3.1.1. Poetry in public spaces -- 3.1.2. Poetry in manuscripts -- 3.1.3. Visual aspects of reading poetry -- 3.2. TWO ACCOUNTS OF READINGS -- 3.2.1. Reading a funeral oration: Christophoros 75-79 -- 3.2.2. Reading an inscription: Mauropous 32-33 -- 3.3. CONTEMPORARY CIRCULATION OF POETRY -- 3.3.1. Scrolls and separate leaves -- 3.3.2. Reading circles -- 3.4. PERFORMANCE OF POETRY -- 3.4.1. Acoustic aspects of poetry -- 3.4.2. Poetry to be sung -- 3.4.3. Ceremonial poetry -- 3.5. REAL WORLD OR WORLD ON PAPER? -- 3.5.1. Deixis and speech situations -- 3.5.2. Switching contexts -- 4: Collections -- 4.1. MINOR GROUPINGS OF POEMS -- 4.2. MAUROPOUS' POETRY BOOK: A LIFE IN VERSE -- 4.2.1. Vat. gr. 676: words materialized -- 4.2.2. A double preface -- 4.2.3. A progressive biographical logic -- 4.2.4. Discontinuity as a continuous message -- 4.3. VARIOUS VERSES: CHRISTOPHOROS 'COLLECTION -- 5: Ambitions -- 5.1. PRELUDE: THE VOICE OF THE OUTSIDER -- 5.2. THE 'BEAMTENLITERAT' -- 5.2.1. New social trajectories -- 5.2.2. A meritocratic model -- 5.3. DISPLAY -- 5.3.1. Textual production and display -- 5.3.2. A poem for a job -- 5.3.3. Insects and fruit: epideictic pieces -- 5.4. SHAPING AN ELITE -- 5.4.1. Distinction -- 5.4.2. Forging friendships -- 5.4.3. An urbane ethos -- 5.5. AMBITIONS AND ETHICAL CONSTRAINTS.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191008788
    Series: Oxford Studies in Byzantium Ser.
    Subjects: Byzantine poetry; Electronic books
    Scope: 1 online resource (395 pages)
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    Description based on publisher supplied metadata and other sources
  7. Online appendix: how should we measure environmental policy stringency?
    a new approach
    Author: Sauter, Caspar
    Published: 2014
    Publisher:  Inst. de Recherches Economiques, Univ. de, Neuchâtel

    This is the online appendix to the paper "How should we measure environmental policy stringency? A new approach" (Sauter, 2014). The main paper outlines the general methodology proposed to construct environmental policy indexes and proposes a first... more

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    This is the online appendix to the paper "How should we measure environmental policy stringency? A new approach" (Sauter, 2014). The main paper outlines the general methodology proposed to construct environmental policy indexes and proposes a first implementation of a CO2 input index and a CO2 performance index. This online appendix reports the results of the implementation of a SO2 input index, a SO2 performance index, a CH4 input index, a CH4 performance index as well as the broad GHG input index. All of those indexes have been constructed using the methodology outlined in the main paper.

     
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    Language: English
    Media type: Book
    Format: Online
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    hdl: 10419/191470
    Series: IRENE, working paper / Institute of Economic Research, University of Neuchatel ; 14,02
    Scope: Online-Ressource (PDF-Datei: 15 S.), graph. Darst.
  8. Kunstprojecten Maasvlakte 2
    2008-2013 = Arts projects Maasvlakte 2 : 2008-2013
    Published: mei 2014
    Publisher:  Havenbedrijf Rotterdam, [Rotterdam]

    Image Project, Portscapes and Portscapes 2, a series of art projects alongside the construction of Maavslakte 2 more

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    Image Project, Portscapes and Portscapes 2, a series of art projects alongside the construction of Maavslakte 2

     
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    Source: Union catalogues
    Language: Dutch; English
    Media type: Book; Multimedia
    ISBN: 9789080989221; 9080989223
    Parent title:
    Subjects: Harbors in art; Art, Dutch; Art, Modern; Photography, Artistic
    Scope: 4 Bände und 1 USB-Stick im Schuber, 30 cm
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    Title from container

    "Lara Almarcegui, Rosa Barba, Maria Barnas, Bik van der Pol, Jan Dibbets, Marjolijn Dijkman, Marcel van Eeden, Fucking Good Art, Fritz Haeg, Ilana Halperin, Hehe, Christina Hemauer/Roman Keller, marie-José Jongerius, Jan Konings, Dorothée Meyer, Paulien Oltheten, Thomás Saraceno, Jorge Satorre, Hans Schabus"--Container

    Issued in an edition of 50 copies
  9. Kunstprojecten Maasvlakte 2
    2008-2013 = Arts projects Maasvlakte 2 : 2008-2013
    Published: mei 2014
    Publisher:  Havenbedrijf Rotterdam, [Rotterdam]

    Image Project, Portscapes and Portscapes 2, a series of art projects alongside the construction of Maavslakte 2 more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2015:3947:
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    Image Project, Portscapes and Portscapes 2, a series of art projects alongside the construction of Maavslakte 2

     
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    Source: Union catalogues
    Language: Dutch; English
    Media type: Book; Multimedia
    ISBN: 9789080989221; 9080989223
    Subjects: Harbors in art; Art, Dutch; Art, Modern; Photography, Artistic
    Scope: 4 Bände und 1 USB-Stick im Schuber, 30 cm
    Notes:

    Title from container

    "Lara Almarcegui, Rosa Barba, Maria Barnas, Bik van der Pol, Jan Dibbets, Marjolijn Dijkman, Marcel van Eeden, Fucking Good Art, Fritz Haeg, Ilana Halperin, Hehe, Christina Hemauer/Roman Keller, marie-José Jongerius, Jan Konings, Dorothée Meyer, Paulien Oltheten, Thomás Saraceno, Jorge Satorre, Hans Schabus"--Container

    Issued in an edition of 50 copies
  10. Twelfth Night
    Or, What You Will
    Author: Shakespeare, William
    Published: 2014
    Publisher:  Lerner Publishing Group, Minneapolis

    Cover -- Title Page -- Copyright Page -- Table Of Contents -- Act 1 -- Act 1, Scene 1. An Apartment In The Duke's Palace. -- Act 1, Scene 2. The Sea-coast. -- Act 1, Scene 3. A Room In Olivia's House. -- Act 1, Scene 4. A Room In The Duke's Palace.... more

     

    Cover -- Title Page -- Copyright Page -- Table Of Contents -- Act 1 -- Act 1, Scene 1. An Apartment In The Duke's Palace. -- Act 1, Scene 2. The Sea-coast. -- Act 1, Scene 3. A Room In Olivia's House. -- Act 1, Scene 4. A Room In The Duke's Palace. -- Act 1, Scene 5. A Room In Olivia's House. -- Act 2 -- Act 2, Scene 1. The Sea-coast. -- Act 2, Scene 2. A Street. -- Act 2, Scene 3. A Room In Olivia's House. -- Act 2, Scene 4. A Room In The Duke's Palace. -- Act 2, Scene 5. Olivia's Garden. -- Act 3 -- Act 3, Scene 1. Olivia's Garden. -- Act 3, Scene 2. A Room In Olivia's House. -- Act 3, Scene 3. A Street. -- Act 3, Scene 4. Olivia's Garden. -- Act 4 -- Act 4, Scene 1. The Street Before Olivia's House. -- Act 4, Scene 2. A Room In Olivia's House. -- Act 4, Scene 3. Olivia's Garden. -- Act 5 -- Act 5, Scene 1. The Street Before Olivia's House. -- Back Cover

     
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781467746168
    Series: First Avenue Classics Ser
    Subjects: Brothers and sisters-Drama; Illyria-Drama; Mistaken identity-Drama; Shipwreck survival-Drama; Electronic books
    Scope: 1 Online-Ressource (126 pages)
  11. Twelfth Night
    Or, What You Will
    Author: Shakespeare, William
    Published: 2014
    Publisher:  Lerner Publishing Group, Minneapolis

    Intro -- Title -- Copyright -- Table of Contents -- ACT 1 -- Act 1, Scene 1. An Apartment in the Duke's Palace -- Act 1, Scene 2. The Sea-coast -- Act 1, Scene 3. A Room in Olivia's House -- Act 1, Scene 4. A Room in the Duke's Palace -- Act 1, Scene... more

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    Intro -- Title -- Copyright -- Table of Contents -- ACT 1 -- Act 1, Scene 1. An Apartment in the Duke's Palace -- Act 1, Scene 2. The Sea-coast -- Act 1, Scene 3. A Room in Olivia's House -- Act 1, Scene 4. A Room in the Duke's Palace -- Act 1, Scene 5. A Room in Olivia's House -- ACT 2 -- Act 2, Scene 1. The Sea-coast -- Act 2, Scene 2. A Street -- Act 2, Scene 3. A Room in Olivia's House -- Act 2, Scene 4. A Room in the Duke's Palace -- Act 2, Scene 5. Olivia's Garden -- ACT 3. -- Act 3, Scene 1. Olivia's Garden -- Act 3, Scene 2. A Room in Olivia's House -- Act 3, Scene 3. A Street -- Act 3, Scene 4. Olivia's Garden -- ACT 4. -- Act 4, Scene 1. The Street before Olivia's House -- Act 4, Scene 2. A Room in Olivia's House -- Act 4, Scene 3. Olivia's Garden -- ACT 5 -- Act 5, Scene 1. The Street before Olivia's House -- Back cover

     
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781467768559
    Series: First Avenue Classics Ser
    First Avenue Classics (tm) Ser.
    Subjects: Brothers and sisters-Drama..; Mistaken identity-Drama..; Shipwreck survival-Drama..; Twins-Drama; Electronic books
    Scope: 1 Online-Ressource (94 pages)
  12. A textual study of family 1 in the Gospel of John
    Author: Welsby, Alison
    Published: 2013
    Publisher:  De Gruyter, Berlin

    2.2.8 Codices 565, 884 and 2193 are Independent Witnesses of B2.2.9 B is an Independent Witness of A-1; 2.2.10 B is Independent of All Other Extant Family Manuscripts; 2.2.11 Codices 1 and 1582 are Independent of One Another; 2.2.12 Codices 1 and... more

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    2.2.8 Codices 565, 884 and 2193 are Independent Witnesses of B2.2.9 B is an Independent Witness of A-1; 2.2.10 B is Independent of All Other Extant Family Manuscripts; 2.2.11 Codices 1 and 1582 are Independent of One Another; 2.2.12 Codices 1 and 1582 Share an Intermediate Exemplar, C; 2.2.13 New Readings for Family 1 in the Gospel of John; 3 The Venice Group: Codices 118, 205abs, 205, 209 and 2713; 3.1 Manuscript Descriptions; 3.1.1 Codex 118; 3.1.2 Codex 205abs; 3.1.3 Codex 205; 3.1.4 Codex 209; 3.1.5 Codex 2713; 3.2 Textual Analysis; 3.2.1 Previous Research; 3.2.2 Family 1 Affinity. 3.2.3 Codices 118, 205abs, 205, 209 and 2713 Form a Distinct Subgroup3.2.4 Shared A-1 Readings; 3.2.5 Exclusive Readings; 3.2.6 Shared Shifts in Textual Affinity; 3.2.7 Explanation of the Textual Shifts in Manuscript E; 3.2.8 Manuscript E Shares an Intermediate Exemplar with Codex 1; 3.2.9 Manuscript E is Independent of Codex 1; 3.2.10 Codex 1 and Manuscript E Descend from Manuscript D; 3.2.11 Codices 118, 205abs, 209, and 2713 are Independent Witnesses of E; 3.2.12 Codex 209 is Independent; 3.2.13 Codex 118 is Independent; 3.2.14 Codex 2713 is Independent; 3.2.15 Codices 205abs and 205. 3.2.16 Codex 205 is a Copy of Codex 205abs3.2.17 Codex 205abs is Independent; 3.2.18 Summary of the Venice Group; 4 A Manuscript Subgroup: Codices 22, 1192, 1210, 1278 and 2372; 4.1 Manuscript Descriptions; 4.1.1 Codex 22; 4.1.2 Codex 1192; 4.1.3 Codex 1210; 4.1.4 Two Decorative Style Manuscripts: Codices 1278 and 2372; 4.1.5 Codex 1278; 4.1.6 Codex 2372; 4.2 Textual Analysis; 4.2.1 Previous Research; 4.2.2 Family 1 Affinity; 4.2.3 Codices 22, 1192, 1210, 1278, 2372 Share an Intermediate Ancestor; 4.2.4 Shared A-1 Readings; 4.2.5 Exclusive Readings. 4.2.6 G is the Intermediate Ancestor of 22, 1192, 1210, 1278 and 23724.2.7 G is an Independent Witness of A-1; 4.2.8 Does Manuscript G Descend from Manuscript C or Manuscript B?; 4.2.9 Codex 22 is an Independent Witness of Manuscript G; 4.2.10 Codex 1192 is an Independent Witness of Manuscript G; 4.2.11 Codex 1210 is a Copy of Codex 22; 4.2.12 Codices 1278 and 2372 Descend from an Intermediate Ancestor; 4.2.13 Codices 1278 and 2372 are Sibling Manuscripts; 4.2.14 Manuscript H is Independent of 22 and 1192; 4.2.15 Note on Correctors; 4.2.16 Summary of a Manuscript Subgroup. Part One: Analysis of Seventeen Manuscripts in the Gospel of John; 1 Introduction; 1.1 Rationale; 1.2 Method; 2 The Core Group: Codices 1, 565, 884, 1582, and 2193; 2.1 Manuscript Descriptions; 2.1.1 Codex 1; 2.1.2 Codex 565; 2.1.3 Codex 884; 2.1.4 Codex 1582; 2.1.5 Codex 2193; 2.2 Textual Analysis; 2.2.1 Establishing Textual Relationships; 2.2.2 Non-Majority Text Agreements; 2.2.3 Evidence from Marginalia; 2.2.4 Evidence of the Pericope Adulterae; 2.2.5 Non-Majority Text Correction and Disagreements; 2.2.6 Family Relationships; 2.2.7 Codices 565, 884 and 2193 have a Shared Ancestor, B. This textual study of the Gospel of John in seventeen Greek manuscripts offers a fresh investigation into the important textual group known as Family 1. The study, based on a full collation of the seventeen manuscripts, has re-defined the textual contours of Family 1, by establishing the existence of new core family manuscripts and subgroups. The study includes a reconstructed Family 1 text with critical apparatus for the Gospel of John

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Series: Arbeiten zur neutestamentlichen Textforschung ; Band 45
    Subjects: RELIGION ; Biblical Studies ; Jesus, the Gospels & Acts; RELIGION ; Biblical Studies ; New Testament; Manuscripts, Greek; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (242 pages)
    Notes:

    5 Miscellaneous Manuscripts

    Includes bibliographical references (pages 217-225) and index
  13. Hamlet, Prince of Denmark
    Author: Shakespeare, William
    Published: 2014
    Publisher:  Lerner Publishing Group, Minneapolis

    Cover -- Title Page -- Copyright Page -- Table Of Contents -- Persons Represented -- Act 1 -- Act 1, Scene 1. Elsinore. A Platform Before The Castle. -- Act 1, Scene 2. Elsinore. A Room Of State In The Castle. -- Act 1, Scene 3. A Room In Polonius's... more

     

    Cover -- Title Page -- Copyright Page -- Table Of Contents -- Persons Represented -- Act 1 -- Act 1, Scene 1. Elsinore. A Platform Before The Castle. -- Act 1, Scene 2. Elsinore. A Room Of State In The Castle. -- Act 1, Scene 3. A Room In Polonius's House. -- Act 1, Scene 4. The Platform. -- Act 1, Scene 5. A More Remote Part Of The Castle. -- ACT 2 -- Act 2, Scene 1. A Room In Polonius's House. -- Act 2, Scene 2. A Room In The Castle. -- ACT 3 -- Act 3, Scene 1. A Room In The Castle. -- Act 3, Scene 2. A Hall In The Castle. -- Act 3, Scene 3. A Room In The Castle. -- Act 3, Scene 4. Another Room In The Castle. -- ACT 4 -- Act 4, Scene 1. A Room In The Castle. -- Act 4, Scene 2. Another Room In The Castle. -- Act 4, Scene 3. Another Room In The Castle. -- Act 4, Scene 4. A Plain In Denmark. -- Act 4, Scene 5. Elsinore. A Room In The Castle. -- Act 4, Scene 6. Another Room In The Castle. -- Act 4, Scene 7. Another Room In The Castle. -- ACT 5 -- Act 5, Scene 1. A Churchyard. -- Act 5, Scene 2. A Hall In The Castle. -- Back Cover

     
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    ISBN: 9781467746069
    Series: First Avenue Classics Ser
    Subjects: Hamlet-(Legendary character)-Drama; Hamlet. Hamlet-(Legendary character); Shakespeare, William,-1564-1616; Electronic books
    Scope: 1 Online-Ressource (184 pages)
  14. Hamlet, Prince of Denmark
    Author: Shakespeare, William
    Published: 2014
    Publisher:  Lerner Publishing Group, Minneapolis

    Intro -- Title -- Copyright -- Table of Contents -- Persons Represented -- ACT 1 -- Act 1, Scene 1. Elsinore. A platform before the Castle. -- Act 1, Scene 2. Elsinore. A room of state in the Castle. -- Act 1, Scene 3. A room in Polonius's house. --... more

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    Intro -- Title -- Copyright -- Table of Contents -- Persons Represented -- ACT 1 -- Act 1, Scene 1. Elsinore. A platform before the Castle. -- Act 1, Scene 2. Elsinore. A room of state in the Castle. -- Act 1, Scene 3. A room in Polonius's house. -- Act 1, Scene 4. The platform. -- Act 1, Scene 5. A more remote part of the Castle. -- ACT 2 -- Act 2, Scene 1. A room in Polonius's house. -- Act 2, Scene 2. A room in the Castle. -- ACT 3 -- Act 3, Scene 1. A room in the Castle. -- Act 3, Scene 2. A hall in the Castle. -- Act 3, Scene 3. A room in the Castle. -- Act 3, Scene 4. Another room in the castle. -- ACT 4 -- Act 4, Scene 1. A room in the Castle. -- Act 4, Scene 2. Another room in the Castle. -- Act 4, Scene 3. Another room in the Castle. -- Act 4, Scene 4. A plain in Denmark. -- Act 4, Scene 5. Elsinore. A room in the Castle. -- Act 4, Scene 6. Another room in the Castle. -- Act 4, Scene 7. Another room in the Castle. -- ACT 5 -- Act 5, Scene 1. A churchyard. -- Act 5, Scene 2. A hall in the Castle. -- Back cover

     
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    Language: English
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    Format: Online
    ISBN: 9781467768344
    Series: First Avenue Classics Ser
    First Avenue classics
    Subjects: Hamlet ; (Legendary character) ; Drama; Kings and rulers ; Succession ; Drama; Murder victims' families ; Drama; Regicides ; Drama; Revenge ; Drama; Princes ; Drama; Denmark ; Drama; Electronic books
    Scope: 1 Online-Ressource (141 pages)
  15. Much Ado about Nothing
    Author: Shakespeare, William
    Published: 2014
    Publisher:  Lerner Publishing Group, Minneapolis

    Cover -- Title Page -- Copyright Info -- Table Of Contents -- Persons Represented -- Act 1 -- Act 1, Scene 1. Before Leonato's House -- Act 1, Scene 2. A Room In Leonato's House -- Act 1, Scene 3. Another Room In Leonato's House -- Act 2 -- Act 2,... more

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    Cover -- Title Page -- Copyright Info -- Table Of Contents -- Persons Represented -- Act 1 -- Act 1, Scene 1. Before Leonato's House -- Act 1, Scene 2. A Room In Leonato's House -- Act 1, Scene 3. Another Room In Leonato's House -- Act 2 -- Act 2, Scene 1. A Hall In Leonato's House -- Act 2, Scene 2. Another Room In Leonato's House -- Act 2, Scene 3. Leonato's Garden -- Act 3 -- Act 3, Scene 1. Leonato's Garden -- Act 3, Scene 2. A Room In Leonato's House -- Act 3, Scene 3. A Street. -- Act 3, Scene 4. A Room In Leonato's House -- Act 3, Scene 5. Another Room In Leonato's House -- Act 4 -- Act 4, Scene 1. The Inside Of A Church. -- Act 4, Scene 2. A Prison -- Act 5 -- Act 5, Scene 1. Before Leonato's House -- Act 5, Scene 2. Leonato's Garden -- Act 5, Scene 3. The Inside Of A Church -- Act 5, Scene 4. A Room In Leonato's House -- Back Cover

     
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    ISBN: 9781467746083
    Series: First Avenue Classics Ser
    Scope: 1 Online-Ressource (130 pages)
  16. Much Ado about Nothing
    Author: Shakespeare, William
    Published: 2014
    Publisher:  Lerner Publishing Group, Minneapolis

    Intro -- Title -- Copyright -- Table of Contents -- Persons Represented -- ACT 1 -- Act 1, Scene 1. Before Leonato's House -- Act 1, Scene 2. A Room in Leonato's House -- Act 1, Scene 3. Another Room in Leonato's House -- ACT 2. -- Act 2, Scene 1. A... more

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Intro -- Title -- Copyright -- Table of Contents -- Persons Represented -- ACT 1 -- Act 1, Scene 1. Before Leonato's House -- Act 1, Scene 2. A Room in Leonato's House -- Act 1, Scene 3. Another Room in Leonato's House -- ACT 2. -- Act 2, Scene 1. A Hall in Leonato's House -- Act 2, Scene 2. Another Room in Leonato's House -- Act 2, Scene 3. Leonato's Garden -- ACT 3 -- Act 3, Scene 1. Leonato's Garden -- Act 3, Scene 2. A Room in Leonato's House -- Act 3, Scene 3. A Street -- Act 3, Scene 4. A Room in Leonato's House -- Act 3, Scene 5. Another Room in Leonato's House -- ACT 4 -- Act 4, Scene 1. The Inside of a Church -- Act 4, Scene 2. A Prison -- ACT 5 -- Act 5, Scene 1. Before Leonato's House -- Act 5, Scene 2. Leonato's Garden -- Act 5, Scene 3. TheInside of a Church -- Act 5, Scene 4. A Room in Leonato's House -- Back cover

     
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    Source: Union catalogues
    Language: English
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    Format: Online
    ISBN: 9781467768382
    Series: First Avenue Classics Ser
    Subjects: Shakespeare, William,-1564-1616.-Much ado about nothing; Electronic books
    Scope: 1 Online-Ressource (88 pages)
  17. Silence in Verse
    Text, Übersetzung und Studien zu den Schweigegedichten Gregors von Nazianz (II,1,34A/B)
    Author: Kuhn, Thomas
    Published: 2014; ©2014
    Publisher:  De Gruyter, Inc., Berlin/Boston

    Die Beiträge zur Altertumskunde enthalten Monographien, Sammelbände, Editionen, Übersetzungen und Kommentare zu Themen aus den Bereichen Klassische, Mittel- und Neulateinische Philologie, Alte Geschichte, Archäologie, Antike Philosophie sowie... more

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    Die Beiträge zur Altertumskunde enthalten Monographien, Sammelbände, Editionen, Übersetzungen und Kommentare zu Themen aus den Bereichen Klassische, Mittel- und Neulateinische Philologie, Alte Geschichte, Archäologie, Antike Philosophie sowie Nachwirken der Antike bis in die Neuzeit. Dadurch leistet die Reihe einen umfassenden Beitrag zur Erschließung klassischer Literatur und zur Forschung im gesamten Gebiet der Altertumswissenschaften. Intro -- Einleitung -- A Das Gedichtpaar Carm. II,1,34A/B -- 1 Biographischer Hintergrund und Thema -- 2 Text, Übersetzung und Anmerkungen -- B Untersuchung der Bildersprache -- 1 Methodisch-terminologische Vorüberlegungen -- 2 Textchronologische Analyse der Bilder -- 2.1 Die Zunge als Bogen (A 39 - 45): allegorische Ausgestaltung einer verbreiteten Metapher -- 2.2 Das Ausspeien aus dem Inneren (A 47 - 52): medizinische Metaphorik in steigernder Variation -- 2.3 Instrumentenmetaphorik (A 69.91): patristische Psalmenallegorese und Poetologie -- 2.4 Bilder des ????: traditionelle Metaphorik in ungewöhnlicher Form -- 2.4.1 Der ???? als Pferdegespann (A 105 - 112) -- 2.4.2 Der ???? als Steuerruder (A 140sq.) -- 2.5 Der schiefe Trieb (A 119 - 122): ein homerisches Gleichnis mit aristotelischem Inhalt -- 2.6 Der Kampf gegen die Affekte (A 131 - 137): Verschmelzung stoischer und patristischer Topik -- 2.7 Die Seefahrt des Lebens (A 149sq.): konventionelle Metaphorik für gregorianische Gedanken -- 2.8 Waffen des Glaubens (B 3 - 6): ein biblisches Bild in der Sprache griechischer Dichtung -- 2.9 Askese als Aufstieg zum Himmel (B 21 - 24): Verflechtung mehrerer traditioneller Bilder -- 3 Sonderfälle -- 3.1 Bilder mit Anspielung auf einen maßgeblichen Einzeltext -- 3.1.1 Türen vor die Lippen (A 11, Ps. 140[141],3) -- 3.1.2 Wasser- und Feuermetaphorik (A 97, A 60, A 113 - 116, Jak. 3,1 - 12) -- 3.2 Bilder ohne fassbare Vorlage -- 3.2.1 Gnomen aus dem Sachfeld Krieg und Nautik (A 13 - 18) -- 3.2.2 Die Lake der paganen Literatur (B 9) -- 3.3 Literarische Exempla -- 3.3.1 Nadab und Abihu, Usa (A 99 - 102) -- 3.3.2 Polykrates (B 43 - 54) -- 4 Auswertung und Ausblick -- 4.1 Systematisierung und Zusammenfassung der Ergebnisse -- 4.2 Situierung der Ergebnisse in Gregors dichterischem OEuvre -- Literaturverzeichnis -- Register -- Stellen (in Auswahl).

     
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    Language: German
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    ISBN: 9783110345865
    Series: Beiträge Zur Altertumskunde Ser. ; v.328
    Subjects: Gregory, -- of Nazianzus, Saint. -- Carmina de se ipso..; Gregory, -- of Nazianzus, Saint -- Criticism and interpretation..; Gregory, -- of Nazianzus, Saint. -- Poems. -- Selections..; Silence in literature..; Asceticism -- Poetry; Electronic books
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  18. A quantitative assessment of the implications of including non-CO2 emissions in the European ETS
    Author: Orecchia, Carlo; Parrado, Ramiro
    Published: 2013
    Publisher:  Fondazione Eni Enrico Mattei, Milano

    Although CO2 emissions stand for most of greenhouse gas (GHG) emissions, the contribution of mitigation efforts based on non-CO2 emissions is still a field that needs to be explored more thoroughly. Extending abatement opportunities to non-CO2 could... more

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    Although CO2 emissions stand for most of greenhouse gas (GHG) emissions, the contribution of mitigation efforts based on non-CO2 emissions is still a field that needs to be explored more thoroughly. Extending abatement opportunities to non-CO2 could reduce overall mitigation costs but it could also exert a negative pressure on agricultural output. This paper offers insights about the first effect while provides a preliminary discussion for the second. We investigate the role of non-CO2 GHGs in climate change mitigation in Europe using a computable general equilibrium (CGE) model. We develop a specific modelling framework extending the model with non-CO2 GHGs as an additional mitigation alternative. These modifications allow us to analyse the implications for the European Union (EU) of including non-CO2 GHG emissions in its cap and trade system. We distinguish two targets on all GHG emissions for 2020, a reduction by 20% and 30% with respect to 1990 levels. Within each reduction cap, we consider two mitigation opportunities by means of a carbon tax levied on: 1) CO2 emissions only, and 2) All GHGs emissions (both CO2 and non-CO2 GHG). Results show that a multi-gas mitigation policy would slightly decrease policy costs compared to the CO2 only alternative.

     
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    Series: Array ; 100.2013
    Scope: Online-Ressource (20 S.), graph. Darst.
  19. Musical rhetoric
    foundations and annotation schemes
    Author: Saint-Dizier, Patrick
    Published: 2014
    Publisher:  Wiley, London

    1.5. Conclusion: a few historical milestones of traditional rhetoric1.6. A few historical references for classical rhetoric; Classical period; Medieval; Renaissance; Eighteenth century; 2: Language, Music and the Rhetoric Discourse; 2.1. Music and... more

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    1.5. Conclusion: a few historical milestones of traditional rhetoric1.6. A few historical references for classical rhetoric; Classical period; Medieval; Renaissance; Eighteenth century; 2: Language, Music and the Rhetoric Discourse; 2.1. Music and language; 2.1.1. On the relations between language and music; 2.1.2. Going into the details of music parameters, music for rhetoric; 2.1.3. Music and rhetoric; 2.2. A few historical milestones of music rhetoric emergence and evolution; 2.2.1. The Middle Ages and the Renaissance; 2.2.2. The transition between the Renaissance and the Baroque period. 2.2.3. The Baroque period2.2.4. The Classical period; 2.2.5. The Romantic period; 2.3. Main contemporary trends in music rhetoric; 3: The Symbolism of Musical Elements; 3.1. Symbolic and perceptual properties of modes and tonalities; 3.2. Perceptual and symbolic properties of intervals; 3.3. Musical figures and their role in rhetoric; 3.4. Figures of rhythm and their roles in rhetoric; 3.5. Motive alternations; 3.6. Figures of counterpoint; 3.7. The symbolism of numbers and proportions; 3.8. The rhetoric contents of classical forms; 3.8.1. The perception of large forms. 3.8.2. The simple bi- and tripartite forms3.8.3. The sonata forms; 3.9. Conclusion; 4: Feature Structures for Representing Musical Constructions; 4.1. Feature structures in language; 4.2. Representation of a melody by a feature structure; 4.3. From musical motives to polyphony; 4.4. Dealing with harmony; 4.5. A few generic operations of feature structures; 4.5.1. Transformations by augmentation or diminution; 4.5.2. Mirror forms; 4.5.3. Reverse forms; 4.5.4. A few other transformations; 4.5.5. Expressive power of this formalism; 4.6. Elements of annotation of musical structures in XML. 4.6.1. Basic feature structures4.6.2. Advanced XML annotations for two-dimension structures; 4.6.3. Figures of sound in XML; 4.7. Perspectives; 5: A Rhetoric Analysis of Musical Works; 5.1. Discourse theories in linguistics; 5.1.1. The rhetorical structure theory; 5.1.2. The pragma-dialectic movement; 5.2. The rhetoric of the stylus phantasticus; 5.3. The rhetoric and argumentation dimensions of J.S. Bach's C. minor Passacaglia; 5.3.1. The global structure and the symbolic of numbers; 5.3.2. The structure of the argumentation in the Passacaglia; 5.4. The dialectics of the personality split. Cover page; Half-Title page; Title page; Copyright page; Contents; Preface; 1: An Introduction to Classical Rhetoric; 1.1. A few basic definitions; 1.2. The structure of rhetoric; 1.2.1. Rhetoric and communication; 1.2.2. The structure of classical rhetoric; 1.2.3. The invention step; 1.2.4. The arrangement; 1.2.5. The style or elocution step; 1.2.6. The delivery or action; 1.2.7. The facets of rhetoric; 1.3. Some figures of speech; 1.3.1. Introduction; 1.3.2. The major figures of speech of interest in music rhetoric; 1.4. Argumentation and explanation. Discourse analysis and rhetoric are very much developed in communication, linguistics, cognitive science and artificial intelligence. Besides theoretical investigations, discourse analysis is central in a number of application areas such as dialogue and negotiation, the semantic web, question answering or authoring systems. Music is also a natural language, more abstract and mathematical, which follows very strict construction principles. However, there is very limited and no recent literature on Music Discourse analysis using computational principles. This book aims at developing a central is

     
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    ISBN: 1119035384; 1119004993; 1848215614; 9781119004998; 9781848215610; 9781119035381
    Other identifier:
    Series: FOCUS Series
    Subjects: Music and language; Music and rhetoric; MUSIC ; Genres & Styles ; Classical; MUSIC ; Reference; Music and language; Music and rhetoric; Rhetorik; Musik; Datenverarbeitung
    Scope: 1 Online-Ressource (1 online resource)
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    Includes bibliographical references and index

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  20. Musical rhetoric
    foundations and annotation schemes
    Author: Saint-Dizier, Patrick
    Published: 2014
    Publisher:  Wiley, London

    1.5. Conclusion: a few historical milestones of traditional rhetoric1.6. A few historical references for classical rhetoric; Classical period; Medieval; Renaissance; Eighteenth century; 2: Language, Music and the Rhetoric Discourse; 2.1. Music and... more

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    1.5. Conclusion: a few historical milestones of traditional rhetoric1.6. A few historical references for classical rhetoric; Classical period; Medieval; Renaissance; Eighteenth century; 2: Language, Music and the Rhetoric Discourse; 2.1. Music and language; 2.1.1. On the relations between language and music; 2.1.2. Going into the details of music parameters, music for rhetoric; 2.1.3. Music and rhetoric; 2.2. A few historical milestones of music rhetoric emergence and evolution; 2.2.1. The Middle Ages and the Renaissance; 2.2.2. The transition between the Renaissance and the Baroque period. 2.2.3. The Baroque period2.2.4. The Classical period; 2.2.5. The Romantic period; 2.3. Main contemporary trends in music rhetoric; 3: The Symbolism of Musical Elements; 3.1. Symbolic and perceptual properties of modes and tonalities; 3.2. Perceptual and symbolic properties of intervals; 3.3. Musical figures and their role in rhetoric; 3.4. Figures of rhythm and their roles in rhetoric; 3.5. Motive alternations; 3.6. Figures of counterpoint; 3.7. The symbolism of numbers and proportions; 3.8. The rhetoric contents of classical forms; 3.8.1. The perception of large forms. 3.8.2. The simple bi- and tripartite forms3.8.3. The sonata forms; 3.9. Conclusion; 4: Feature Structures for Representing Musical Constructions; 4.1. Feature structures in language; 4.2. Representation of a melody by a feature structure; 4.3. From musical motives to polyphony; 4.4. Dealing with harmony; 4.5. A few generic operations of feature structures; 4.5.1. Transformations by augmentation or diminution; 4.5.2. Mirror forms; 4.5.3. Reverse forms; 4.5.4. A few other transformations; 4.5.5. Expressive power of this formalism; 4.6. Elements of annotation of musical structures in XML. 4.6.1. Basic feature structures4.6.2. Advanced XML annotations for two-dimension structures; 4.6.3. Figures of sound in XML; 4.7. Perspectives; 5: A Rhetoric Analysis of Musical Works; 5.1. Discourse theories in linguistics; 5.1.1. The rhetorical structure theory; 5.1.2. The pragma-dialectic movement; 5.2. The rhetoric of the stylus phantasticus; 5.3. The rhetoric and argumentation dimensions of J.S. Bach's C. minor Passacaglia; 5.3.1. The global structure and the symbolic of numbers; 5.3.2. The structure of the argumentation in the Passacaglia; 5.4. The dialectics of the personality split. Cover page; Half-Title page; Title page; Copyright page; Contents; Preface; 1: An Introduction to Classical Rhetoric; 1.1. A few basic definitions; 1.2. The structure of rhetoric; 1.2.1. Rhetoric and communication; 1.2.2. The structure of classical rhetoric; 1.2.3. The invention step; 1.2.4. The arrangement; 1.2.5. The style or elocution step; 1.2.6. The delivery or action; 1.2.7. The facets of rhetoric; 1.3. Some figures of speech; 1.3.1. Introduction; 1.3.2. The major figures of speech of interest in music rhetoric; 1.4. Argumentation and explanation. Discourse analysis and rhetoric are very much developed in communication, linguistics, cognitive science and artificial intelligence. Besides theoretical investigations, discourse analysis is central in a number of application areas such as dialogue and negotiation, the semantic web, question answering or authoring systems. Music is also a natural language, more abstract and mathematical, which follows very strict construction principles. However, there is very limited and no recent literature on Music Discourse analysis using computational principles. This book aims at developing a central is

     
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    Language: English
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    Format: Online
    ISBN: 1119035384; 1119004993; 1848215614; 9781119004998; 9781848215610; 9781119035381
    Other identifier:
    Series: FOCUS Series
    Subjects: Music and language; Music and rhetoric; Rhetorik; Musik; Datenverarbeitung; MUSIC ; Genres & Styles ; Classical; MUSIC ; Reference; Music and language; Music and rhetoric; Musique et langage; Musique et rhétorique
    Scope: 1 Online-Ressource (1 online resource)
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    Includes bibliographical references and index

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  21. Esquisse de phonologie et de morphologie historique du tangoute
    Author: Jacques, Guillaume
    Published: 2014
    Publisher:  BRILL, Leiden

    Esquisse de phonologie et de morphologie historique du tangoute -- TABLE DES MATIÈRES -- Remerciements -- Liste des abréviations -- 1 Introduction -- 1.1 La place du tangoute dans la famille sino-tibétaine -- 1.2 Notions de phonologie tangoute -- 1.3... more

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    Esquisse de phonologie et de morphologie historique du tangoute -- TABLE DES MATIÈRES -- Remerciements -- Liste des abréviations -- 1 Introduction -- 1.1 La place du tangoute dans la famille sino-tibétaine -- 1.2 Notions de phonologie tangoute -- 1.3 Systèmes phonologiques des langues étudiées -- 1.3.1 Système phonologique du japhug -- 1.3.2 Système phonologique du tangoute -- 2 Phonologie comparée -- 2.1 Consonnes simples et groupes de consonnes -- 2.1.1 Reconstruction des préinitiales -- 2.1.1.1 Préinitiale *r- -- 2.1.1.2 Préinitiale *p- -- 2.1.1.3 Préinitiale *C- -- 2.1.1.4 Conclusion 2.1.2 Reconstruction des initiales -- 2.1.2.1 Reconstruction des prénasalisées -- 2.1.2.2 Reconstruction des vélaires -- 2.2 Reconstruction des rimes -- 2.2.1 Voyelle u -- 2.2.1.1 Tangoute -u :: tibétain -o :: japhug -u -- 2.2.1.2 Tangoute -u :: tibétain -u :: japhug -ɯ -- 2.2.1.3 Autres correspondances -- 2.2.2 Voyelles e et I -- 2.2.2.1 Tangoute -i :: tibétain -a :: japhug -a -- 2.2.2.2 Tangoute -i :: tibétain -i :: japhug - i/-e -- 2.2.2.3 Tangoute -e :: tibétain -a :: japhug -a -- 2.2.2.4 Tangoute -e :: tibétain -e :: japhug - i/-e -- 2.2.2.5 Autres correspondances -- 2.2.3 Voyelle a 2.2.3.1 Tangoute -a :: tibétain -ab :: japhug -aβ/-ɤβ -- 2.2.3.2 Tangoute -a :: tibétain -ad/-as :: japhug -at/-ɤt/-az/-ɤz -- 2.2.3.3 Tangoute -a :: tibétain -ag :: japhug -aʁ -- 2.2.3.4 Tangoute -a :: tibétain -ar :: japhug -ar, -ɤr -- 2.2.3.5 Tangoute -a :: japhug -ɣoN -- 2.2.3.6 Tangoute -a :: japhug -a -- 2.2.3.7 Autres correspondances -- 2.2.4 Voyelles ə et ɨ -- 2.2.4.1 Tangoute -ə/-jɨ :: tibétain -ub, -ib :: japhug -ɯβ/-ɤβ -- 2.2.4.2 Tangoute -ə/-jɨ :: tibétain -ud, -id :: japhug -ɯt/-ɤt -- 2.2.4.3 Tangoute -ə/-jɨ :: tibétain -us, -is :: japhug -ɯz/-ɤz 2.2.4.4 Tangoute -ə/-jɨ :: tibétain -ur, -ir :: japhug -ɯr/-ɤr -- 2.2.4.5 Tangoute -wə/-jwɨ :: tibétain -u :: japhug -ɯ/-u -- 2.2.4.6 Tangoute -ə/-jɨ :: tibétain -i :: japhug -i/-e -- 2.2.4.7 Autres correspondances -- 2.2.5 Rimes ej / ij -- 2.2.5.1 Tangoute -ej/-ij :: tibétain -e :: japhug -i/-e/-ɤj -- 2.2.5.2 Tangoute -ej/-ij :: tibétain -ang :: japhug -o -- 2.2.5.3 Autres correspondances -- 2.2.6 Rimes -əj / -ɨj -- 2.2.7 Rimes -ew / -iw -- 2.2.8 Rimes en -o -- 2.2.8.1 Tangoute -o(w) :: tibétain -Vm :: japhug -Vm -- 2.2.8.2 Tangoute -o :: tibétain -ang :: japhug -o 2.2.8.3 Tangoute -o :: tibétain -og :: japhug -oʁ, -ɤɣ -- 2.2.8.4 Autres correspondances -- 2.2.9 Conclusion -- 3 Morphologie comparée -- 3.1 Morphologie nominale -- 3.1.1 Marquage casuel -- 3.1.2 Préfixes numéraux -- 3.2 Morphologie verbale flexionnelle -- 3.2.1 Marquage de la personne -- 3.2.1.1 Formes du paradigme biactanciel -- 3.2.1.2 Autres emplois des suffixes d'accord -- 3.2.1.3 Origine de l'alternance vocalique -- 3.2.2 Les préfixes directionnels -- 3.2.3 Autres affixes -- 3.2.3.1 Temps / aspect / mode -- 3.2.3.2 Négation -- 3.3 Morphologie verbale dérivationnelle 3.3.1 Prénasalisation anticausative

     
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    ISBN: 9789004264847
    Series: Languages of Asia ; v.12
    Subjects: Tangut language - Phonology; Morphology; Grammar, Comparative and general ; Phonology; Phonetics; Electronic books
    Scope: 1 Online-Ressource (385 p)
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  22. A Midsummer Night's Dream
    Author: Shakespeare, William
    Published: 2014
    Publisher:  Lerner Publishing Group, Minneapolis

    Cover -- Title Page -- Copyright Page -- Table Of Contents -- Persons Represented -- Act 1 -- Act 1, Scene 1. Athens. A Room In The Palace Of Theseus -- Act 1, Scene 2. The Same. A Room In A Cottage -- Act 2 -- Act 2, Scene 1. A Wood Near Athens --... more

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    Cover -- Title Page -- Copyright Page -- Table Of Contents -- Persons Represented -- Act 1 -- Act 1, Scene 1. Athens. A Room In The Palace Of Theseus -- Act 1, Scene 2. The Same. A Room In A Cottage -- Act 2 -- Act 2, Scene 1. A Wood Near Athens -- Act 2, Scene 2. Another Part Of The Wood -- Act 3 -- Act 3, Scene 1. The Wood. The Queen Of Fairies Lying Asleep -- Act 3, Scene 2. Another Part Of The Wood -- Act 4 -- Act 4, Scene 1. The Wood -- Act 4, Scene 2. Athens. A Room In Quince's House -- Act 5 -- Act 5, Scene 1. Athens. An Apartment In The Palace Of Theseus -- Act 5, Scene 2 -- Back Cover

     
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    ISBN: 9781467746045
    Series: First Avenue Classics Ser
    Scope: 1 Online-Ressource (100 pages)
  23. A Midsummer Night's Dream
    Author: Shakespeare, William
    Published: 2014
    Publisher:  Lerner Publishing Group, Minneapolis

    Intro -- Title -- Copyright -- Table of Contents -- Persons Represented -- ACT 1 -- Act 1, Scene 1. Athens. A room in the Palace of Theseus -- Act 1, Scene 2. The Same. A Room in a Cottage -- ACT 2 -- Act 2, Scene 1. A Wood Near Athens -- Act 2,... more

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    Intro -- Title -- Copyright -- Table of Contents -- Persons Represented -- ACT 1 -- Act 1, Scene 1. Athens. A room in the Palace of Theseus -- Act 1, Scene 2. The Same. A Room in a Cottage -- ACT 2 -- Act 2, Scene 1. A Wood Near Athens -- Act 2, Scene 2. Another Part of the Wood -- ACT 3 -- Act 3, Scene 1. The Wood. The Queen of Fairies Lying Asleep -- Act 3, Scene 2. Another Part of the Wood -- ACT 4 -- Act 4, Scene 1. The Wood -- Act 4, Scene 2. Athens. A Room in Quince's House -- ACT 5 -- Act 5, Scene 1. Athens. An Apartment in the Palace of Theseus -- Act 5, Scene 2 -- Back cover

     
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    ISBN: 9781467768283
    Series: First Avenue Classics Ser
    Subjects: Shakespeare, William,-1564-1616.-Midsummer night's dream; Shakespeare, William,-1564-1616-Film adaptations; Theseus,-King of Athens-Drama; Electronic books
    Scope: 1 Online-Ressource (79 pages)
  24. The Tragedy of Julius Caesar
    Author: Shakespeare, William
    Published: 2014
    Publisher:  Lerner Publishing Group, Minneapolis

    Cover -- Title Page -- Copyright Info -- Table Of Contents -- Persons Represented -- Act 1. -- Act 1, Scene 1. Rome. A Street. -- Act 1, Scene 2. The Same. A Public Place. -- Act 1, Scene 3. The Same. A Street. -- Act 2. -- Act 2, Scene 1. Rome.... more

     

    Cover -- Title Page -- Copyright Info -- Table Of Contents -- Persons Represented -- Act 1. -- Act 1, Scene 1. Rome. A Street. -- Act 1, Scene 2. The Same. A Public Place. -- Act 1, Scene 3. The Same. A Street. -- Act 2. -- Act 2, Scene 1. Rome. Brutus's Orchard. -- Act 2, Scene 2. A Room In Caesar's Palace. -- Act 2, Scene 3. A Street Near The Capital. -- Act 2, Scene 4. Another Part Of The Same Street, Before The House Of Brutus. -- Act 3. -- Act 3, Scene 1. Rome. Before The Capital -- The Senate Sitting. -- Act 3, Scene 2. The Same. The Forum. -- Act 3, Scene 3. The Same. A Street. -- Act 4. -- Act 4, Scene 1. Rome. A Room In Antony's House. -- Act 4, Scene 2. Before Brutus' Tent, In The Camp Near Sardis. -- Act 4, Scene 3. Within The Tent Of Brutus. -- Act 5. -- Act 5, Scene 1. The Plains Of Philippi. -- Act 5, Scene 2. The Same. The Field Of Battle. -- Act 5, Scene 3. Another Part Of The Field. -- Act 5, Scene 4. Another Part Of The Field. -- Act 5, Scene 5. Another Part Of The Field. -- Back Cover

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781467758529
    Series: First Avenue Classics Ser
    Subjects: Assassins-Drama; Brutus, Marcus Junius,-85 B.C.?-42 B.C.-Drama; Caesar, Julius-Assassination-Drama; Conspiracies-Drama; Rome-History-Civil War, 43-31 B.C.-Drama; Electronic books
    Scope: 1 Online-Ressource (132 pages)
  25. The Tragedy of Julius Caesar
    Author: Shakespeare, William
    Published: 2014
    Publisher:  Lerner Publishing Group, Minneapolis

    Intro -- Title Page -- Copyright -- Table of Content -- Persons Represented -- ACT 1. -- Act 1, Scene 1. Rome. A Street -- Act 1, Scene 2. The Same. A Public Place -- Act 1, Scene 3. The Same. A Street -- ACT 2. -- Act 2, Scene 1. Rome. Brutus's... more

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    ProQuest Academic Complete
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    Intro -- Title Page -- Copyright -- Table of Content -- Persons Represented -- ACT 1. -- Act 1, Scene 1. Rome. A Street -- Act 1, Scene 2. The Same. A Public Place -- Act 1, Scene 3. The Same. A Street -- ACT 2. -- Act 2, Scene 1. Rome. Brutus's Orchard -- Act 2, Scene 2. A Room In Caesar's Palace -- Act 2, Scene 3. A Street Near the Capitol -- Act 2, Scene 4. Another Part of the Same Street, Before The House Of Brutus -- ACT 3. -- Act 3, Scene 1. Rome. before the Capitol -- the Senate Sitting -- Act 3, Scene 2. The Same. The Forum -- Act 3, Scene 3. The Same. A Street -- ACT 4. -- Act 4, Scene 1. Rome. A Room in Antony's House -- Act 4, Scene 2. Before Brutus' Tent, in the Camp Near Sardis -- Act 4, Scene 3. Within the Tent of Brutus -- ACT 5. -- Act 5, Scene 1. The Plains Of Philippi -- Act 5, Scene 2. The Same. The Field of Battle -- Act 5, Scene 3. Another Part of the Field -- Act 5, Scene 4. Another Part of the Field -- Act 5, Scene 5. Another Part of the Field -- Back Cover

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781467776134
    Series: First Avenue Classics Ser
    Subjects: Caesar, Julius ; Assassination ; Drama; Electronic books
    Scope: 1 Online-Ressource (128 pages)