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Displaying results 1 to 25 of 1721.

  1. Klassik
    Published: 1978
    Publisher:  Volk und Wissen, Berlin

    Der vorliegende Band behandelt Leben und Werk von Friedrich Schiller und Johann Wolfgang v. Goethe. - I.) EINLEITUNG : DIE LAGE IN DEUTSCHLAND - HISTORISCHE VORAUSSETZUNGEN EINER DEUTSCHEN NATIONALLITERATUR II.) VOM STURM UND DRANG ZUR KLASSIK : 1.... more

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    Der vorliegende Band behandelt Leben und Werk von Friedrich Schiller und Johann Wolfgang v. Goethe. - I.) EINLEITUNG : DIE LAGE IN DEUTSCHLAND - HISTORISCHE VORAUSSETZUNGEN EINER DEUTSCHEN NATIONALLITERATUR II.) VOM STURM UND DRANG ZUR KLASSIK : 1. GOETHE - SCHILLER UND DER STURM UND DRANG 2. ]ohann Wolf gang Goethe (1749-1786) 3. Friedrich Schiller (1759-1787) III.) DIE KLASSIK ALS HÖHEPUNKT DER DEUTSCHEN LITERATUR : 1. Joham Wolfgang Goethe (1786-1794) 2. Friedrich Schiller (1787-1795) 3. Johann Wolfgang Goethe und Friedrich Schiller [Beginn der Freundschaftund Zusammenarbeit] (1794-1805) 4. Johann Wolfgang Goethe (1806-1832)

     
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    Source: Union catalogues
    Language: German
    Media type: Multimedia
    Edition: 8. Aufl.
    Series: Erläuterungen zur deutschen Literatur
    Subjects: Klassik <Literatur>
    Other subjects: Goethe, Johann Wolfgang von; Schiller, Friedrich
  2. Werther's Goethe and the game of literary creativity
    Author: Vincent, Deirdre W.
    Published: 1992
    Publisher:  Univ. of Toronto Press, Toronto u.a.

    Goethe's Die Leiden des jungen Werther has received a great deal of attention from the scholarly community over the years. But until now it has never been thoroughly explored or evaluated. Deirdre Vincent examines the two versions of Werther in the... more

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    Goethe's Die Leiden des jungen Werther has received a great deal of attention from the scholarly community over the years. But until now it has never been thoroughly explored or evaluated. Deirdre Vincent examines the two versions of Werther in the context of Goethe's personal life in the intervening years. Goethe wrote and published the original version of this novel to great acclaim throughout Europe in 1774, drawing on the experience of a traumatic love affair he had had in Wetzlar in 1772. When the revised work was published some thirteen years later, the public saw the second version as little more than a reissuing of the original, and scholars over the past two centuries have persisted in this view. Vincent analyses Goethe's mode of writing and the role that literary creativity played for him during the first ten years or so in Weimar. She reveals how greatly the second version differs from the first, and challenges conventional explanations for the changes. Vincent sheds new light on Werther and on some of Goethe's other important works written between 1776 and 1789.

     
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  3. Werther's Goethe and the game of literary creativity
    Author: Vincent, Deirdre W.
    Published: 1992
    Publisher:  Univ. of Toronto Press, Toronto u.a.

    Goethe's Die Leiden des jungen Werther has received a great deal of attention from the scholarly community over the years. But until now it has never been thoroughly explored or evaluated. Deirdre Vincent examines the two versions of Werther in the... more

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    Goethe's Die Leiden des jungen Werther has received a great deal of attention from the scholarly community over the years. But until now it has never been thoroughly explored or evaluated. Deirdre Vincent examines the two versions of Werther in the context of Goethe's personal life in the intervening years. Goethe wrote and published the original version of this novel to great acclaim throughout Europe in 1774, drawing on the experience of a traumatic love affair he had had in Wetzlar in 1772. When the revised work was published some thirteen years later, the public saw the second version as little more than a reissuing of the original, and scholars over the past two centuries have persisted in this view. Vincent analyses Goethe's mode of writing and the role that literary creativity played for him during the first ten years or so in Weimar. She reveals how greatly the second version differs from the first, and challenges conventional explanations for the changes. Vincent sheds new light on Werther and on some of Goethe's other important works written between 1776 and 1789.

     
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  4. The Damnation of Newton
    Goethe's Color Theory and Romantic Perception
    Author: Burwick, Frederick
    Published: 1986
    Publisher:  De Gruyter, Berlin

    Contents -- Prelude in the Academy -- I. Goethe's Farbenlehre: The Newtonian Controversy -- II. Goethe's Entoptische Farben: The Problem of Polarity -- III. Goethe's Homunculus: The Mediation of Light -- IV. Novalis: Transcendental Physics and the... more

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    Contents -- Prelude in the Academy -- I. Goethe's Farbenlehre: The Newtonian Controversy -- II. Goethe's Entoptische Farben: The Problem of Polarity -- III. Goethe's Homunculus: The Mediation of Light -- IV. Novalis: Transcendental Physics and the Sidereal Man -- V. Achim von Arnim: The Galvanic Eye -- VI. Wordsworth: An Auxiliar Light -- VII. Coleridge and Jean Paul: The Look of Limbo -- Vili. Coleridge and Schlegel: The Glittering Eye -- IX. Shelley: The "Traces" of Faust -- Bibliography -- Index

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110107654
    Other identifier:
    9783110850277
    RVK Categories: GK 4211
    Series: Quellen und Forschungen zur Sprach- und Kulturgeschichte der germanischen Völker. N.F. ; 86
    Subjects: Goethe, Johann Wolfgang von; Farbenlehre; Romantik; Literatur; Rezeption; ; Goethe, Johann Wolfgang von;
    Scope: Online-Ressource (308 S.)
    Notes:

    Description based upon print version of record
  5. Faust
    theater of the world
    Author: Brown, Jane K.
    Published: 1992
    Publisher:  Twayne u.a., New York

    The devil is not fundamentally evil, God not essentially good. Faust, though he abandons his beloved to certain death, enters into dubious political schemes and economic swindles, and exploits war to his own advantage, is redeemed. These simple... more

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    The devil is not fundamentally evil, God not essentially good. Faust, though he abandons his beloved to certain death, enters into dubious political schemes and economic swindles, and exploits war to his own advantage, is redeemed. These simple extractions from Goethe's Faust tell of the play's essential modernity, its complexity, and its tendency to confuse. "It is hard to imagine a masterpiece as widely recognized yet as little understood," writes author Jane K. Brown. Yet it is the play's very complexity, she continues, that "has allowed successive ages to read Faust in terms of their own deepest concerns In Faust: Theater of the World Brown offers a clearly written explication of the play that leads the reader through many levels of interpretation. Written over the course of 60 years that span most of Goethe's working life and the romantic period, the play bears the mark of Goethe's personal growth and development as an artist as well as that of the significant events of his day. Brown notes the influence of the French Revolution, the industrial revolution, materialism, the decline of religious belief, and the flowering of individualism. Faust portrays both the oppressiveness of the old social order and the spiritlessness, doubt, and alienation of the new Since Goethe's time, Faust has been as much a quintessentially German tale as it has been a story of and for the entire Western world. Brown addresses its reception Goethe's homeland, including the Second Empire's disturbing interpretation of Faust's relentless desire to achieve--and the ultimate forgiveness of his transgression--as a call to German expansionism during World Wars I and II. Faust's redemption at the play's end sets Goethe's version of the Faust legend apart from most others. Brown reviews Goethe's rich and problematic development of the story in the context of the Faust canon, particularly Christopher Marlowe's Dr. Faustus. Goethe's decision to present Faust, God, and Mephistopheles from conflicting perspectives is closely examined as evidence of his attempt to convey the difficulty of surety in the modern world, the ineffability of truth

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0805794077; 0805785574
    RVK Categories: GK 4581
    Series: Twayne's masterwork studies ; 96
    Subjects: Goethe, Johann Wolfgang von;
    Other subjects: Goethe, Johann Wolfgang von <1749-1832>: Faust; Goethe, Johann Wolfgang von (1749-1832): Faust
    Scope: XV, 129 S.
  6. "Das ist eine heillose Manier, dieses Fragmente-Auftischen"
    die Vorabdrucke einzelner Abschnitte aus Goethes "Wanderjahren" in Cottas "Taschenbuch für Damen"
    Author: Bunzel, Wolfgang
    Published: 1992

    "Beykommendes wünsche für den Damenkalender geeignet." Mit diesen lapidaren Worten übersandte Goethe seinem Verleger Johann Friedrich Cotta am 8. Juli 1808 die erste Erzählung aus "Wilhelm Meisters Wanderjahre". Der Abdruck des Textes leitete eine... more

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    "Beykommendes wünsche für den Damenkalender geeignet." Mit diesen lapidaren Worten übersandte Goethe seinem Verleger Johann Friedrich Cotta am 8. Juli 1808 die erste Erzählung aus "Wilhelm Meisters Wanderjahre". Der Abdruck des Textes leitete eine sich (mit einer längeren Unterbrechung) über zehn Jahre hinweg erstreckende Veröffentlichungstätigkeit ein, während der Goethe einzelne Partien seines Romans im "Taschenbuch für Damen" vorabdrucken ließ. Diese Vorabdrucke waren Bestandteil einer gezielten Publikationsstrategie zur Gewinnung der Leser. Es soll deshalb hier gezeigt werden, wie Goethe versuchte, durch eine geschickte Lesersteuerung das Interesse an seinem Roman bleibend wachzuhalten. Zugleich gilt es, den Nachweis zu erbringen, daß Goethe die "Wanderjahre" nicht nachträglich aus den Almanachdrucken zusammengestellt, sondern daß er die Beiträge für das "Taschenbuch für Damen" aus dem im Entstehen begriffenen Romankomplex ausgekoppelt und im Hinblick auf dessen baldiges Erscheinen vorab veröffentlicht hat.

     
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    Source: Union catalogues
    Language: German
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: In: Freies Deutsches Hochstift - Frankfurter Goethe-Museum; Jahrbuch des Freien Deutschen Hochstifts; Göttingen : Wallstein, 1902-; (1992), Seite 36-68; 24 cm

    DDC Categories: 830
    Scope: S. 36 - 68
    Notes:

    Online-Ausg.:
  7. Faust, a tragedy
    : Part one
    Author: Goethe, Johann Wolfgang von
    Published: 1992
    Publisher:  Yale University Press, New Haven, CT

    A classic of world literature, Goethe's Faust has been neglected by English-speaking readers of the twentieth century. One reason for this is that there has been no readable English version of Goethe's philosophical and poetic drama, one that... more

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    A classic of world literature, Goethe's Faust has been neglected by English-speaking readers of the twentieth century. One reason for this is that there has been no readable English version of Goethe's philosophical and poetic drama, one that captures its life, satire, irony, humor, and tragedy. Now an award-winning translator and critic has supplied such a translation; it will enchant and enlighten students and general readers alike.Martin Greenberg re-creates not only the varied meter and rhyme of Faust but also its diverse tones and styles--dramatic and lyrical, reflective and farcical, pathetic and coarse, colloquial and soaring. His rendition of Faust is the first faithful, readable, and elegantly written translation of Goethe's masterpiece available in English. Complete with preface and notes, it offers as does none other the range and power of the original in a modern idiom

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0300056567; 0300056559; 030015688X; 9780300056563; 9780300056556; 9780300156881
    Subjects: Drama; Théâtre (Genre littéraire) - 19e siècle; Drama
    Scope: 1 Online-Ressource
  8. Studies in Goethe's Lyric Cycles
    Author: Lee, Meredith
    Published: 1978
    Publisher:  University of North Carolina Press, Chapel Hill

    The book presents a series of interpretive readings of the "Römische Elegien", "Sonette", "Chinesisch-deutsche Jarhes- und Tageszeiten", several trilogies, and the shorter cycles of 1821, taking into account the variety of literary devices Goethe... more

     

    The book presents a series of interpretive readings of the "Römische Elegien", "Sonette", "Chinesisch-deutsche Jarhes- und Tageszeiten", several trilogies, and the shorter cycles of 1821, taking into account the variety of literary devices Goethe employs to link poems together into a cycle. The author examines Goethe's role in the history of the lyric cycle and, in stressing structural design, urges a reevaluation of the cycle's emergence as a standard poetic device.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Literature: history & criticism
    Other subjects: German Studies; Literature
    Scope: 1 electronic resource (208 p.)
  9. Joachim Burkhardt im Gespräch mit Irmtraut Schmidt in Weimar
    Contributor: Burkhardt, Joachim (InterviewerIn); Schmidt, Irmtraut (InterviewteR); Vogel, Gerhard (HerausgeberIn)
    Published: [1992]; © '92
    Publisher:  NDR, [Hamburg]

    Gespräch mit Dr. Irmtraut Schmidt, wissenschaftliche Mitarbeiterin im Goethe-Schiller-Archiv in Weimar. more

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    Gespräch mit Dr. Irmtraut Schmidt, wissenschaftliche Mitarbeiterin im Goethe-Schiller-Archiv in Weimar.

     
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    Source: Union catalogues
    Contributor: Burkhardt, Joachim (InterviewerIn); Schmidt, Irmtraut (InterviewteR); Vogel, Gerhard (HerausgeberIn)
    Language: German
    Media type: Book
    Subjects: Goethe- und Schiller-Archiv;
    Scope: 1 DVD-Video (15 min), farbig, 12 cm
    Notes:

    D 1992. - Fernsehmitschnitt
  10. Goethe
    wiederholte Spiegelungen aus fünf Jahrzehnten
    Author: Kraft, Werner
    Published: 1986
    Publisher:  Edition Text u. Kritik, München

    Werner Kraft: "Goethe. Wiederholte Spiegelungen aus fünf Jahrzehnten." edition text + kritik, München 1986. 286 S., br,. 34,- DM more

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    Werner Kraft: "Goethe. Wiederholte Spiegelungen aus fünf Jahrzehnten." edition text + kritik, München 1986. 286 S., br,. 34,- DM

     
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3883772240
    Parent title:
    RVK Categories: GK 4001 ; GK 4021 ; GM 4311 ; GK 4432
    Subjects: Goethe, Johann Wolfgang von; ; Goethe, Johann Wolfgang von;
    Scope: 285 S, 21 cm
  11. Die Leiden des jungen Werther
    Author: Goethe, Johann Wolfgang von
    Published: 1986
    Publisher:  Reclam, Stuttgart

    Der klassische, tragisch endende Liebesroman aus der Feder des jungen Goethe - ein Bestseller des ausgehenden 18. Jahrhunderts. more

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    Der klassische, tragisch endende Liebesroman aus der Feder des jungen Goethe - ein Bestseller des ausgehenden 18. Jahrhunderts.

     
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 315000067X
    Edition: [Nachdr.], durchges. Ausg
    Series: Reclams Universal-Bibliothek ; 67
    Reclams Basis-Bibliothek deutsche Literatur
    Scope: 154 S, 16 cm
  12. Goethe
    wiederholte Spiegelungen aus fünf Jahrzehnten
    Author: Kraft, Werner
    Published: 1986
    Publisher:  Edition Text u. Kritik, München

    Werner Kraft: "Goethe. Wiederholte Spiegelungen aus fünf Jahrzehnten." edition text + kritik, München 1986. 286 S., br,. 34,- DM more

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    Werner Kraft: "Goethe. Wiederholte Spiegelungen aus fünf Jahrzehnten." edition text + kritik, München 1986. 286 S., br,. 34,- DM

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3883772240
    RVK Categories: GK 4001 ; GK 4021 ; GM 4311 ; GK 4432
    Subjects: Goethe, Johann Wolfgang von; ; Goethe, Johann Wolfgang von;
    Scope: 285 S, 21 cm
  13. Beziehungsexperimente: Goethes "Werther" und Wielands "Musarion"
    Author: Erhart, Walter
    Published: 1992
    Publisher:  Metzler ; Springer

    Erhart W. Beziehungsexperimente: Goethes "Werther" und Wielands "Musarion". Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte . 1992;66:333-360. more

     

    Erhart W. Beziehungsexperimente: Goethes "Werther" und Wielands "Musarion". Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte . 1992;66:333-360.

     
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    Source: BASE Selection for Comparative Literature
    Language: German
    Media type: Article (journal)
    Format: Online
    DDC Categories: 830
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    info:eu-repo/semantics/openAccess ; rightsstatements.org/vocab/InC/1.0/
  14. Von Rahel Varnhagen bis Friedrich Gundolf
    Juden als deutsche Goethe-Verehrer
    Author: Barner, Wilfried
    Published: 1992
    Publisher:  Lessing-Akad., Wolfenbüttel ; Wallstein, Göttingen

    Wilfried Barner: "Von Rahel Varnhagen bis Friedrich Gundolf. Juden als deutsche Goethe-Verehrer". Herausgegeben von der Lessing-Akademie Wolfenbüttel. Wallstein Verlag, Göttingen 1992. 56 S., br., 25,- DM more

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    Wilfried Barner: "Von Rahel Varnhagen bis Friedrich Gundolf. Juden als deutsche Goethe-Verehrer". Herausgegeben von der Lessing-Akademie Wolfenbüttel. Wallstein Verlag, Göttingen 1992. 56 S., br., 25,- DM

     
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3892440239; 3892440220
    RVK Categories: GK 4351
    Series: Kleine Schriften zur Aufklärung ; 3
    Subjects: Jews; German literature; Judaism and literature
    Other subjects: Goethe, Johann Wolfgang von
    Scope: 56 S, Ill, 24 cm
    Notes:

    Literaturangaben S. 47 - 56
  15. Goethe als Emigrant
    auf der Suche nach dem Grünen bei einem alten Dichter
    Author: Muschg, Adolf
    Published: 1986
    Publisher:  Suhrkamp, Frankfurt am Main

    Adolf Muschg: "Goethe als Emigrant. Auf der Suche nach dem Grünen bei einem alten Dichter." Suhrkamp Verlag, Frankfurt am Main 1986. (st 1287). 209 S., br., 12,- DM more

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    Adolf Muschg: "Goethe als Emigrant. Auf der Suche nach dem Grünen bei einem alten Dichter." Suhrkamp Verlag, Frankfurt am Main 1986. (st 1287). 209 S., br., 12,- DM

     
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3518377876
    Parent title:
    RVK Categories: GK 4001 ; GK 4211 ; GN 7884 ; GK 4441
    Edition: 1. Aufl.
    Series: Suhrkamp-Taschenbuch ; 1287
    Subjects: Goethe, Johann Wolfgang von; ; Goethe, Johann Wolfgang von; Natur; Kultur; ; Goethe, Johann Wolfgang von; ; Goethe, Johann Wolfgang von; Natur <Motiv>; ; Goethe, Johann Wolfgang von;
    Scope: 209 S., 18 cm
    Notes:

    Quellenverz. S. 209
  16. Goethe als Emigrant
    auf der Suche nach dem Grünen bei einem alten Dichter
    Author: Muschg, Adolf
    Published: 1986
    Publisher:  Suhrkamp, Frankfurt am Main

    Adolf Muschg: "Goethe als Emigrant. Auf der Suche nach dem Grünen bei einem alten Dichter." Suhrkamp Verlag, Frankfurt am Main 1986. (st 1287). 209 S., br., 12,- DM more

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    Adolf Muschg: "Goethe als Emigrant. Auf der Suche nach dem Grünen bei einem alten Dichter." Suhrkamp Verlag, Frankfurt am Main 1986. (st 1287). 209 S., br., 12,- DM

     
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3518377876
    RVK Categories: GK 4001 ; GK 4211 ; GN 7884 ; GK 4441
    Edition: 1. Aufl.
    Series: Suhrkamp-Taschenbuch ; 1287
    Subjects: Goethe, Johann Wolfgang von; ; Goethe, Johann Wolfgang von; Natur; Kultur; ; Goethe, Johann Wolfgang von; ; Goethe, Johann Wolfgang von; Natur <Motiv>; ; Goethe, Johann Wolfgang von;
    Scope: 209 S., 18 cm
    Notes:

    Quellenverz. S. 209
  17. Von Rahel Varnhagen bis Friedrich Gundolf
    Juden als deutsche Goethe-Verehrer
    Author: Barner, Wilfried
    Published: 1992
    Publisher:  Lessing-Akad., Wolfenbüttel ; Wallstein, Göttingen

    Wilfried Barner: "Von Rahel Varnhagen bis Friedrich Gundolf. Juden als deutsche Goethe-Verehrer". Herausgegeben von der Lessing-Akademie Wolfenbüttel. Wallstein Verlag, Göttingen 1992. 56 S., br., 25,- DM more

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    Wilfried Barner: "Von Rahel Varnhagen bis Friedrich Gundolf. Juden als deutsche Goethe-Verehrer". Herausgegeben von der Lessing-Akademie Wolfenbüttel. Wallstein Verlag, Göttingen 1992. 56 S., br., 25,- DM

     
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3892440239; 3892440220
    RVK Categories: GK 4351
    Series: Kleine Schriften zur Aufklärung ; 3
    Subjects: Jews; German literature; Judaism and literature; George-Kreis; Rezeption; Judentum
    Other subjects: Goethe, Johann Wolfgang von; Gundolf, Friedrich (1880-1931); Goethe, Johann Wolfgang von (1749-1832); Simmel, Georg (1858-1918); George, Stefan (1868-1933)
    Scope: 56 S, Ill, 24 cm
    Notes:

    Literaturangaben S. 47 - 56
  18. Schöne Seele' Studies
    Essays on Goethe
    Author: Farrelly, Daniel J.
    Published: 1978
    Publisher:  Carysfort Press Limited, s.l.

    An examination of the use of employing the category 'schöne seele' in the interpretation of Goethe's work. It includes essays on: Iphigenia as 'Schöne seele', The Princess as 'Schöne seele', Tasso as 'verfehlte Schöne seele' and Natalie as 'Schöne... more

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    An examination of the use of employing the category 'schöne seele' in the interpretation of Goethe's work. It includes essays on: Iphigenia as 'Schöne seele', The Princess as 'Schöne seele', Tasso as 'verfehlte Schöne seele' and Natalie as 'Schöne seele'

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780905471099
    Scope: Online-Ressource (198 p)
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    Description based upon print version of record

    Copyright Page; Contents; Introduction; 1 | Iphigenie as 'Schöne Seele'; 2 | The Princess as 'Schöne Seele'; 3 | Tasso as 'verfehlte schöne Seele'; 4 | Natalie as 'Schöne Seele'; Conclusion; Endnotes; Bibliography
  19. Goethe's other Faust
    the drama, part II
    Author: Gearey, John
    Published: 1992
    Publisher:  Univ. of Toronto Press, Toronto u.a.

    The Goethe who began Faust was not the poet and thinker who completed it some sixty years later. The last thirty of those years span the writing of the second part, Faust II, a work that still puzzles critics today. John Gearey shows that the themes... more

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    Universitätsbibliothek Bayreuth
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    The Goethe who began Faust was not the poet and thinker who completed it some sixty years later. The last thirty of those years span the writing of the second part, Faust II, a work that still puzzles critics today. John Gearey shows that the themes of Faust II are markedly different from those of Faust I, a shift that reflects dramatic changes in the world around Goethe and in his own thinking. Gearey traces the antecedents of the new mode of thought that is reflected in Faust II to the developments in science related to the literary and artistic movements of our own century. Specifically, he argues that Faust II treats the theme of evolution in new, wholly conscious ways, some parallel to later 'Darwinian' science. Indeed, the more or less scientific idea of evolution determined the literary form of Faust, a form at once appropriate to that idea and evidence of faith in it.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 080202808X
    RVK Categories: GK 4575
    Subjects: Faust (Goethe)
    Other subjects: Goethe, Johann Wolfgang von <1749-1832>; Goethe, Johann Wolfgang von <1749-1832>: Faust; Goethe, Johann Wolfgang von (1749-1832): Faust
    Scope: XV, 211 S.
  20. Goethe's other Faust
    the drama, part II
    Author: Gearey, John
    Published: 1992
    Publisher:  Univ. of Toronto Press, Toronto u.a.

    The Goethe who began Faust was not the poet and thinker who completed it some sixty years later. The last thirty of those years span the writing of the second part, Faust II, a work that still puzzles critics today. John Gearey shows that the themes... more

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    Freie Universität Berlin, Universitätsbibliothek
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    The Goethe who began Faust was not the poet and thinker who completed it some sixty years later. The last thirty of those years span the writing of the second part, Faust II, a work that still puzzles critics today. John Gearey shows that the themes of Faust II are markedly different from those of Faust I, a shift that reflects dramatic changes in the world around Goethe and in his own thinking. Gearey traces the antecedents of the new mode of thought that is reflected in Faust II to the developments in science related to the literary and artistic movements of our own century. Specifically, he argues that Faust II treats the theme of evolution in new, wholly conscious ways, some parallel to later 'Darwinian' science. Indeed, the more or less scientific idea of evolution determined the literary form of Faust, a form at once appropriate to that idea and evidence of faith in it.

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 080202808X
    RVK Categories: GK 4575
    Subjects: Faust (Goethe)
    Other subjects: Goethe, Johann Wolfgang von <1749-1832>; Goethe, Johann Wolfgang von <1749-1832>: Faust; Goethe, Johann Wolfgang von (1749-1832): Faust
    Scope: XV, 211 S.
  21. Phänomen versus System
    Zum Verhältnis von philosophischer Systematik und Kunsturteil in Hegels Berliner Vorlesungen über Ästhetik oder Philosophie der Kunst
    Contributor: Gethmann-Siefert, Annemarie (HerausgeberIn)
    Published: 1992
    Publisher:  Meiner, F, Hamburg

    ANNEMARIE GETHMANN-SIEFERT. PHÄNOMEN VERSUS SYSTEM. Zum Verhältnis von philosophischer Systematik und Kunsturteil in Hegels Berliner Vorlesungen über Ästhetik oder Philosophie der Kunst JEONG-IM KWON. DIE METAMORPHOSEN DER "SYMBOLISCHEN KUNSTFORM".... more

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    ANNEMARIE GETHMANN-SIEFERT. PHÄNOMEN VERSUS SYSTEM. Zum Verhältnis von philosophischer Systematik und Kunsturteil in Hegels Berliner Vorlesungen über Ästhetik oder Philosophie der Kunst JEONG-IM KWON. DIE METAMORPHOSEN DER "SYMBOLISCHEN KUNSTFORM". Zur Rehabilitierung der ästhetischen Argumente Hegels 1. Zur Entwicklung des Symbolbegriffs – 2. Hegels Konzeption des Orients und die Triadik der Kunstform in der Phänomenologie des Geistes – 3. Die Konzeption der symbolischen Kunstform in den Berliner Vorlesungen zur Ästhetik – 3.1 Die symbolische Kunstform in der Vorlesung von 1820/21 – 3.2 Die symbolische Kunstform in der Vorlesung von 1823: die "substantielle Subjektivität" als Inhalt der Kunst – 3.3 Die symbolische Kunstform in der Vorlesung von 1826: der "Werkcharakter der Kunst" – 3.4 Die symbolische Kunstform in der Vorlesung von 1828/29: die "Menschwerdung Gottes" BERNADETTE GOLLENBERG. HEGELS KONZEPTION DES KOLORITS IN DEN BERLINER VORLESUNGEN ÜBER DIE PHILOSOPHIE DER KUNST. 1. Zum zeitgenössischen Kontext von Hegels Vorlesungen über das Kolorit – 2. Die Grundlagen zu Hegels Konzeption des Kolorits – 2.1 Zum Prinzip von Goethes Übersetzung und Kommentierung des Diderot-Essays – 2.2 Schellings Konzeption der Farbe in der "Philosophie der Kunst" – 2.3 Grundzüge der Positionen Diderots, Goethes und Schellings hinsichtlich des künstlerischen Kolorits – 3. Hegels Konzeption der Malerei im Zusammenhang der Rezeption von Goethes Diderot-Kommentar und der "Farbenlehre" – 3.1 Hegels Bestimmung des Ideals – 3.2 Hegel und Goethe: Die Auseinandersetzung um die systematische Grundlage der Farbenlehre – 3.3 Hegels Bestimmung der Farbe im Rahmen einer prinzipiellen Charakteristik der Malerei – 3.4 Hegels Bestimmung des Kolorits – 3.5 Hegels Vorlesungen zur Farbe im Vergleich mit der von Hotho bearbeiteten Druckfassung der "Ästhetik" – 4. Analysen zur Rolle der Farbe im Bild – 4.

     
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    Source: Union catalogues
    Contributor: Gethmann-Siefert, Annemarie (HerausgeberIn)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 378733078X; 9783787330782
    Other identifier:
    9783787330782
    Edition: Unverändertes eBook der 1. Aufl. von 1992.
    Series: Hegel-Studien, Beihefte ; 34
    Subjects: Ästhetik; G.W.F.; Hegel; Kunsttheorie; Klassische deutsche Philosophie; Kunsttheorie; Deutschland; 19. Jahrhundert (1800 bis 1899 n. Chr.); 1DFG; ABA; 3MN
    Scope: 1 Online-Ressource (238 S.)
  22. Phänomen versus System
    Zum Verhältnis von philosophischer Systematik und Kunsturteil in Hegels Berliner Vorlesungen über Ästhetik oder Philosophie der Kunst
    Contributor: Gethmann-Siefert, Annemarie (HerausgeberIn)
    Published: 1992
    Publisher:  Meiner, F, Hamburg

    ANNEMARIE GETHMANN-SIEFERT. PHÄNOMEN VERSUS SYSTEM. Zum Verhältnis von philosophischer Systematik und Kunsturteil in Hegels Berliner Vorlesungen über Ästhetik oder Philosophie der Kunst JEONG-IM KWON. DIE METAMORPHOSEN DER "SYMBOLISCHEN KUNSTFORM".... more

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    ANNEMARIE GETHMANN-SIEFERT. PHÄNOMEN VERSUS SYSTEM. Zum Verhältnis von philosophischer Systematik und Kunsturteil in Hegels Berliner Vorlesungen über Ästhetik oder Philosophie der Kunst JEONG-IM KWON. DIE METAMORPHOSEN DER "SYMBOLISCHEN KUNSTFORM". Zur Rehabilitierung der ästhetischen Argumente Hegels 1. Zur Entwicklung des Symbolbegriffs – 2. Hegels Konzeption des Orients und die Triadik der Kunstform in der Phänomenologie des Geistes – 3. Die Konzeption der symbolischen Kunstform in den Berliner Vorlesungen zur Ästhetik – 3.1 Die symbolische Kunstform in der Vorlesung von 1820/21 – 3.2 Die symbolische Kunstform in der Vorlesung von 1823: die "substantielle Subjektivität" als Inhalt der Kunst – 3.3 Die symbolische Kunstform in der Vorlesung von 1826: der "Werkcharakter der Kunst" – 3.4 Die symbolische Kunstform in der Vorlesung von 1828/29: die "Menschwerdung Gottes" BERNADETTE GOLLENBERG. HEGELS KONZEPTION DES KOLORITS IN DEN BERLINER VORLESUNGEN ÜBER DIE PHILOSOPHIE DER KUNST. 1. Zum zeitgenössischen Kontext von Hegels Vorlesungen über das Kolorit – 2. Die Grundlagen zu Hegels Konzeption des Kolorits – 2.1 Zum Prinzip von Goethes Übersetzung und Kommentierung des Diderot-Essays – 2.2 Schellings Konzeption der Farbe in der "Philosophie der Kunst" – 2.3 Grundzüge der Positionen Diderots, Goethes und Schellings hinsichtlich des künstlerischen Kolorits – 3. Hegels Konzeption der Malerei im Zusammenhang der Rezeption von Goethes Diderot-Kommentar und der "Farbenlehre" – 3.1 Hegels Bestimmung des Ideals – 3.2 Hegel und Goethe: Die Auseinandersetzung um die systematische Grundlage der Farbenlehre – 3.3 Hegels Bestimmung der Farbe im Rahmen einer prinzipiellen Charakteristik der Malerei – 3.4 Hegels Bestimmung des Kolorits – 3.5 Hegels Vorlesungen zur Farbe im Vergleich mit der von Hotho bearbeiteten Druckfassung der "Ästhetik" – 4. Analysen zur Rolle der Farbe im Bild – 4.

     
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    Source: Union catalogues
    Contributor: Gethmann-Siefert, Annemarie (HerausgeberIn)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 378733078X; 9783787330782
    Other identifier:
    9783787330782
    Edition: Unverändertes eBook der 1. Aufl. von 1992.
    Series: Hegel-Studien, Beihefte ; 34
    Subjects: 19. Jahrhundert (1800 bis 1899 n. Chr.); Ästhetik; G.W.F.; Hegel; Kunsttheorie; Klassische deutsche Philosophie; Kunsttheorie; Deutschland; 1DFG; ABA; 3MN; 19. Jahrhundert (ca. 1800 bis ca. 1899)
    Scope: 1 Online-Ressource (238 S.)
  23. Shamanism and the eighteenth century
    Author: Flaherty, Gloria
    Published: 1992
    Publisher:  Princeton Univ. Press, Princeton, NJ

    Pursuing special experiences that take them to the brink of permanent madness or death, men and women in every age have "returned" to heal and comfort their fellow human beings--and these shamans have fascinated students of society from Herodotus to... more

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Pursuing special experiences that take them to the brink of permanent madness or death, men and women in every age have "returned" to heal and comfort their fellow human beings--and these shamans have fascinated students of society from Herodotus to Mircea Eliade. Gloria Flaherty's book is about the first Western encounters with shamanic peoples and practices. Flaherty makes us see the eighteenth century as an age in which explorers were fascinating all Europe with tales of shamans who accomplished a "self-induced cure for a self-induced fit." Reports from what must have seemed a forbidden world of strange rites and moral licentiousness came from botanists, geographers, missionaries, and other travelers of the period, and these accounts created such a stir that they permeated cafe talk, journal articles, and learned debates, giving rise to plays, encyclopedia articles, art, and operas about shamanism. The first part of the book describes in rich detail how information about shamanism entered the intellectual mainstream of the eighteenth century. In the second part Flaherty analyzes the artistic and critical implications of that process. In so doing, she offers remarkable chapters on Diderot, Herder, Goethe, and the cult of the genius of Mozart, as well as a chapter devoted to a new reading of Goethe's Faust that views Faust as the modern shaman.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0691069239
    RVK Categories: BE 2710 ; LC 42000
    Subjects: Chamanisme - Histoire - 18e siècle; Cultuurgeschiedenis; Letterkunde; Receptie; Sjamanisme; Kulturgeschichte; Literatur; Rezeption; Shamanism; Schamanismus; Forschung
    Scope: XV, 320 S., Ill.
  24. Shamanism and the eighteenth century
    Author: Flaherty, Gloria
    Published: 1992
    Publisher:  Princeton Univ. Press, Princeton, NJ

    Pursuing special experiences that take them to the brink of permanent madness or death, men and women in every age have "returned" to heal and comfort their fellow human beings--and these shamans have fascinated students of society from Herodotus to... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Pursuing special experiences that take them to the brink of permanent madness or death, men and women in every age have "returned" to heal and comfort their fellow human beings--and these shamans have fascinated students of society from Herodotus to Mircea Eliade. Gloria Flaherty's book is about the first Western encounters with shamanic peoples and practices. Flaherty makes us see the eighteenth century as an age in which explorers were fascinating all Europe with tales of shamans who accomplished a "self-induced cure for a self-induced fit." Reports from what must have seemed a forbidden world of strange rites and moral licentiousness came from botanists, geographers, missionaries, and other travelers of the period, and these accounts created such a stir that they permeated cafe talk, journal articles, and learned debates, giving rise to plays, encyclopedia articles, art, and operas about shamanism. The first part of the book describes in rich detail how information about shamanism entered the intellectual mainstream of the eighteenth century. In the second part Flaherty analyzes the artistic and critical implications of that process. In so doing, she offers remarkable chapters on Diderot, Herder, Goethe, and the cult of the genius of Mozart, as well as a chapter devoted to a new reading of Goethe's Faust that views Faust as the modern shaman.

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 0691069239
    RVK Categories: BE 2710 ; LC 42000
    Subjects: Chamanisme - Histoire - 18e siècle; Cultuurgeschiedenis; Letterkunde; Receptie; Sjamanisme; Kulturgeschichte; Literatur; Rezeption; Shamanism; Schamanismus; Forschung
    Scope: XV, 320 S., Ill.
  25. The German Bildungsroman from Wieland to Hesse
    Author: Swales, Martin
    Published: ©1978
    Publisher:  Princeton University Press, Princeton, N.J

    Although some of the most distinguished German novels written since about 1770 are generally considered to be Bildungsromane, the term Bildungsroman is all too frequently used in English without an awareness of the tradition from which it arose.... more

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    Although some of the most distinguished German novels written since about 1770 are generally considered to be Bildungsromane, the term Bildungsroman is all too frequently used in English without an awareness of the tradition from which it arose. Professor Swales concentrates on the roles of plot, characterization, and narrative commentary in novels by Wieland, Goethe, Stifter, Keller, Mann, and Hesse. By pointing out that the goal in each work is both elusive and problematic, he suggests a previously unsuspected ironic intent. His analysis adds to our awareness of the potentialities inheren

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400871315; 140087131X
    Series: Princeton Essays in Literature
    Subjects: Bildungsromans; Psychological fiction, German; German fiction; Maturation (Psychology) in literature; Bildungsromans; Psychological fiction, German; German fiction; LITERARY CRITICISM ; General; Bildungsromans; German fiction; Maturation (Psychology) in literature; Psychological fiction, German; Criticism, interpretation, etc
    Scope: Online Ressource (xi, 171 pages)
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    Includes bibliographical references and index. - Print version record