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  1. "Hier muss ich mich festhalten." ; Die Tagebücher von Franz Kafka ; ein literarisches Laboratorium ; 1909-1923 ; "Here I have to hold me on." ; the diaries of Franz Kafka ; a literary laboratory
    Author: Rother, Andrea
    Published: 2007
    Publisher:  Technische Universität Berlin

    Abstract ; Thema der Dissertation sind die persönlichen Dokumente Franz Kafkas, die wir als sein Tagebuch bezeichnen. Sie entstanden 1909 bis 1923 und sind in 12 Heften und einem Stapel an losen Blättern (Konvoluten) überliefert. In den... more

     

    Abstract ; Thema der Dissertation sind die persönlichen Dokumente Franz Kafkas, die wir als sein Tagebuch bezeichnen. Sie entstanden 1909 bis 1923 und sind in 12 Heften und einem Stapel an losen Blättern (Konvoluten) überliefert. In den Tagebuchheften finden wir Notizen, Textansätze, kurze Erzählungen, Romankapitel, Briefentwürfe, Reflexionen, Innenweltbeschreibungen und vieles mehr nebeneinander. Franz Kafka nutzte das diaristische Medium für Formexperimente, Selbstporträts und Schreibübungen. Daneben reflektierte er die Problematik des Künstlers an sich, das Ausbleiben der Kreativität und den Mangel der Sprache. Politisches und Naturbeschreibungen blieben außen vor. Im Mittelpunkt standen die Entwicklung und Vollendung der Schriftstellerpersönlichkeit, die eigene Welt- und Selbstsicht, sowie die Beziehungen zur Außenwelt. Subjektive Perspektive und eine Fixierung auf Details dominieren alle Aufzeichnungen. Authentisches, Politisches und Naturbeschreibungen finden sich nur zwischen den Zeilen. Aussagen und Ausgangspunkte der Niederschrift wurden stilistisch überformt und literarisiert. Dabei ist eine Reife und Formvollendung des Autors zu erkennen. Im Laufe der Jahre nahmen die Selbstkritik ab und das künstlerische Niveau zu. Das Tagebuch selbst entwickelte sich zu einem literarischen Projekt, das 1921 erstmals einen zweiten Leser (Milena Jesenská) bekam. Um die Unterschiede der einzelnen Hefte in Funktion, Handhabung, Inhalt und Bedeutung zu verdeutlichen, ist die Dissertation chronologisch aufgebaut und mit einem Kapitel zur allgemeinen europäischen Tagebuchkultur versehen. Außerdem gibt es zwei Exkurse, zu den Reisetagebüchern und den Oktavheften Kafkas, welche den diaristischen Heften ähneln. Grundlage für die Analyse und Interpretation war die Kritische Kafka-Ausgabe, welche auf die Manuskripte gestützt ist, der Handschrift des Autors folgt. Sie wird seit 1983 herausgegeben und weicht von der bis dahin verbreiteten, stark redigierten, Ausgabe Max Brods ab. Biographische Details, Briefe und Zeitzeugenberichte wurden ebenfalls hinzugezogen. Es entstand eine Gesamtdarstellung des Tagebuch-Ichs, die zeigt, wie in Bezug auf das schriftstellerische und soziale Ich, Franz Kafka, alles im Schreibprozess zu Literatur wurde, dass wir es mit keiner Autobiographie zu tun haben, als welche die Hefte oft gelesen werden, sondern mit einem literarischen Tagebuch par excellence! Gedruckte Version im dissertation.de - Verlag im Internet [http://www.dissertation.de/] erschienen. ; Abstract ; Subject of the doctorale thesis are the personal documents of Franz Kafka, which we call his diary. They have been written between 1909 and 1923 in twelve exercise books and on a few loose papers. We find notes, beginning of texts, short stories, chapters of novels, plans for letters, reflections, description of Kafkas interior view and more coexisting. Franz Kafka used the diaristical medium to make experiments in his way of writing, for self-portraits and for exercises to become a better author. Next to it he was reflecting on the problems of an artist, about the absence of creativity, the faulty of language and so on. Political subjects and descriptions of nature were left out of it. The focus of interest were the development and the completion his work as an author. A subjective perspective and a fixing on details are dominating all notes. Authentical and political things as well as descriptions of nature can only be found between the lines. Statements and starting points of the writing were turned to stylistically literature. We can see the authors maturity and completion in style between the years of writing in his diary excerise books. In the course of time self-criticism became infinitely small and increased the artistically standard. The diary turned to a literary project by itself. In 1921 Milena Jesenská has been the first person who was permited to read the notes. The dissertation is constructed chronologically to explain the difference in function, handling, contents and subject of the diary. There are also integrated chapters about the journey diary and the smaller exercise books which Kafka used between 1916 and 1918. They are similar to the other notes in his diary. Basis for the analysis and interpretation has been the critical Kafka-Edition, which is based on the manuscripts of Franz Kafka and has started the publishing in 1983. It diverges from the highly edited Brod-Edition, which has been spread until then. The doctoral thesis gives a general impression of the diary and his author. It illustrates how everything turned to literature, that not all notes should be read as an autobiography! The diary of Franz Kafka is an absolutely literary diary! Printed Version available from dissertation.de - Verlag im Internet: [http://www.dissertation.de/]

     
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    Language: German
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    DDC Categories: 830
    Subjects: Deutsche Literatur; Tagebuch; Franz Kafka; Laboratorium; Dissertation; Hefte; Diary; laboratory; exercise book
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  2. Contrasting the Automatic Identification of Two Discourse Markers in Multiparty Dialogues
    Author: Popescu-Belis, Andrei; Zufferey, Sandrine
    Published: 2007
    Publisher:  (:null)

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    Language: English
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    DDC Categories: 440; 840
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  3. Contact, Mobility and Authenticity: Language Ideologies in Koineisation
    Author: Tresch, Laura Alessandra
    Published: 2014
    Publisher:  (:null)

    Other ; New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an... more

     

    Other ; New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an autonomous and legitimised national variety and enjoys a distinct socio-political status, recognition and codification. In fact, a number of dictionaries of New Zealand English have been published1 and the variety is routinely used as the official medium on TV, radio and other media. This however, has not always been the case, as for long only British standard norms were deemed suitable for media broadcasting. While there is some work already on lay commentary about New Zealand English (see for example Gordon 1983, 1994; Hundt 1998), there is much more to be done especially concerning more recent periods of the history of this variety and the ideologies underlying its development and legitimisation. Consequently, the current project aims at investigating the metalinguistic discourses during the period of transition from a British norm to a New Zealand norm in the media context, this will be done by focusing on debates about language in light of the advent of radio and television. The main purpose of this investigation is thus to examine the (language) ideologies that have shaped and underlain these discourses (e.g. discussions about the appropriateness of New Zealand English vis à vis external, British models of language) and their related practices in these media (e.g. broadcasting norms). The sociolinguistic and pragmatic effects of these ideologies will also be taken into account. Furthermore, a comparison will be carried out, at a later stage in the project, between New Zealand English and a more problematic and less legitimised variety: Estuary English. Despite plenty of evidence of media and other public discourses on Estuary English, in fact, there has been very little metalinguistic analysis of this evidence, nor examinations of the underlying ideologies in these discourses. The comparison will seek to discover whether similar themes emerge in the ideologies played out in publish discourses about these varieties, themes which serve to legitimise one variety, whilst denying such legitimacy to the other.

     
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  4. Handschriftenfunde zur Literatur des Mittelalters. 220. Beitrag: Leipziger Handschriftenfunde I. Ein neu aufgefundenes Fragment von Wolframs 'Parziva' aus Naumburg
    Author: Eifler, Matthias; Stolz, Michael; Mackert, Christoph
    Published: 2014
    Publisher:  Hirzel

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    Language: German
    Media type: Undefined
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    DDC Categories: 830; 430
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  5. Language ideologies: the formation and legitimisation of New Zealand English
    Author: Tresch, Laura Alessandra; Neuenschwander, Christoph
    Published: 2014
    Publisher:  (:null)

    Other ; New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an... more

     

    Other ; New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an autonomous and legitimised national variety and enjoys a distinct socio-political status, recognition and codification. In fact, a number of dictionaries of New Zealand English have been published1 and the variety is routinely used as the official medium on TV, radio and other media. This however, has not always been the case, as for long only British standard norms were deemed suitable for media broadcasting. While there is some work already on lay commentary about New Zealand English (see for example Gordon 1983, 1994; Hundt 1998), there is much more to be done especially concerning more recent periods of the history of this variety and the ideologies underlying its development and legitimisation. Consequently, the current project aims at investigating the metalinguistic discourses during the period of transition from a British norm to a New Zealand norm in the media context, this will be done by focusing on debates about language in light of the advent of radio and television. The main purpose of this investigation is thus to examine the (language) ideologies that have shaped and underlain these discourses (e.g. discussions about the appropriateness of New Zealand English vis à vis external, British models of language) and their related practices in these media (e.g. broadcasting norms). The sociolinguistic and pragmatic effects of these ideologies will also be taken into account. Furthermore, a comparison will be carried out, at a later stage in the project, between New Zealand English and a more problematic and less legitimised variety: Estuary English. Despite plenty of evidence of media and other public discourses on Estuary English, in fact, there has been very little metalinguistic analysis of this evidence, nor examinations of the underlying ideologies in these discourses. The comparison will seek to discover whether similar themes emerge in the ideologies played out in publish discourses about these varieties, themes which serve to legitimise one variety, whilst denying such legitimacy to the other.

     
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  6. Digital multitext editions from scratch to electronic performance. Transcription and collation routines transformed in a flexible database system
    Author: Stolz, Michael
    Published: 2014
    Publisher:  (:null)

    Other ; The poster demonstrates the preparatory steps of a digital multi-text edition that are abstracted from the experiences made in the Parzival Project, based at the University of Bern, the Berlin-Brandenburg Academy of Sciences and the... more

     

    Other ; The poster demonstrates the preparatory steps of a digital multi-text edition that are abstracted from the experiences made in the Parzival Project, based at the University of Bern, the Berlin-Brandenburg Academy of Sciences and the University of Erlangen. This edition of Wolfram von Eschenbach’s German Grail novel, written shortly after 1200 and transmitted during several centuries in ca. hundred witnesses, has now been completed by more than a half of the textual corpus. As the text is transmitted in medieval manuscripts the witnesses have to be transcribed according to specific encoding rules. The transcriptions then are collated following certain ideas and concepts of how the transmission process could have developed. The transcriptions and collations finally have to be transferred to a digital edition that allows the users to explore the characteristics of single witnesses as well as the history of a text, which is delivered in variants and in different versions. A dynamically organized database offering various components and adapted to the needs of diverse user-profiles is nowadays the right tool for this purpose.

     
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  7. Introduction: Melodrama: Staging Emotions in the Anglophone World
    Author: Straub, Julia; Rippl, Gabriele
    Published: 2014
    Publisher:  De Gruyter

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  8. Workshop "Körper - Leib"
    Author: Klankert, Tanja; Reisigl, Martin; Alloa, Emmanuel
    Published: 2014
    Publisher:  (:null)

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    Language: English
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    DDC Categories: 300; 430; 790; 830; 000
    Subjects: sociology & anthropology; games & entertainment; knowledge & systems
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  9. Melodrama and Narrative Fiction: Towards a Typology
    Author: Straub, Julia
    Published: 2014
    Publisher:  De Gruyter

    Other ; Recent research on melodrama has stressed its versatility and ubiquity by approaching it as a mode of expression rather than a theatrical genre. A variety of contexts in which melodrama is at work have been explored, but only little scholarly... more

     

    Other ; Recent research on melodrama has stressed its versatility and ubiquity by approaching it as a mode of expression rather than a theatrical genre. A variety of contexts in which melodrama is at work have been explored, but only little scholarly attention has been paid to the relationship between melodrama and novels, short stories and novellas. This article proposes a typology of melodrama in narrative prose fiction, examining four different categories: Melodrama and Sentimentalism, Depiction of Melodramatic Performances in Narrative Prose Fiction, Theatrical Antics and Aesthetics in Narrative Prose Fiction and Meta-Melodrama. Its aim is to clarify the ways in which melodrama, ever since its early days on the stages of late eighteenth-century Europe, has interacted with fictional prose narratives, thereby shaping the literary imagination in the Anglophone world.

     
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  10. The Best Story of the World: Theology, Geology and Philip Henry Gosse's Omphalos
    Author: Richter, Virginia
    Published: 2014
    Publisher:  Amsterdam University Press

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  11. Tim Lanzendörfer. The Professionalization of the American Magazine
    Author: Straub, Julia
    Published: 2014
    Publisher:  De Gruyter

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  12. Poetik des Unbehagens. Unlust als 'point de départ' in Romanen Marie NDiayes
    Author: Torra-Mattenklott, Caroline
    Published: 2014
    Publisher:  Böhlau

    Other ; Die Romane der französischen Autorin Marie NDiaye (geb. 1967) sind durchzogen von Zuständen des Unwohlseins: NDiayes Protagonistinnen werden auf diffuse Weise sozial ausgegrenzt oder massiv bedrängt, verlieren die Kontrolle über ihren Körper... more

     

    Other ; Die Romane der französischen Autorin Marie NDiaye (geb. 1967) sind durchzogen von Zuständen des Unwohlseins: NDiayes Protagonistinnen werden auf diffuse Weise sozial ausgegrenzt oder massiv bedrängt, verlieren die Kontrolle über ihren Körper oder geraten in schwindelerregende Zweifel über den Realitätsgehalt ihrer Sinneswahrnehmungen und Erinnerungen. Anhand der Romane "En famille" (1990), "Autoportrait en vert" (2005) und "Mon cœur à l’étroit" (2007) zeigt der Aufsatz, dass diese Momente des Unbehagens nicht nur die Suchbewegungen und Erkenntnisprozesse der Romanfiguren auslösen, sondern auch die kreative Spannung bilden, die den Vorgang der literarischen inventio in Gang setzt. Theoretische Modelle einer Psychologie, in der Unlust als Antrieb fungiert, finden sich bei Leibniz, Locke und Freud; Elemente einer Narratologie der Unlust, mit der sich die quête-Struktur von NDiayes Romanen beschreiben lässt, bietet die strukturalistische Märchentheorie Wladimir Propps und seiner Nachfolger.

     
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    Language: German
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    DDC Categories: 840; 800
    Subjects: rhetoric & criticism
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  13. "¿Critique génétique y/o filologia d’autore? Según los casos… ”Historia” —¿o fin?— “de una utopía real”
    Author: Vauthier, Bénédicte
    Published: 2014
    Publisher:  Departamento de Literatura Española. Facultad de Filosofía y Letras

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  14. El valor estructural de la magia en el universo pastoril de Lope de Vega
    Author: Fernández Rodríguez, Natalia
    Published: 2014
    Publisher:  University of California

    Other ; The different aspects of magic became an essential ingredient of bucolic universe since the origin of pastoral genre. Within an idealized and utopic frame, magic built a bridge towards transcendence, and balanced the disharmony created by... more

     

    Other ; The different aspects of magic became an essential ingredient of bucolic universe since the origin of pastoral genre. Within an idealized and utopic frame, magic built a bridge towards transcendence, and balanced the disharmony created by human love emotions within Arcadian microcosm. This concept of magic became infused to Sixteenth century pastoral novel through Neoplatonism and Hermetic tradition. From a narratological point of view, magic episodes became indispensable to complete the philosophical meaning of the works. Lope de Vega, in La Arcadia, published in 1598, fully participated from this tradition, though he will approach the convention from a particular dramatic-like perspective. And it was precisely in pastoral comedias where the Fénix ends up deconstructing bucolic code to remodel it as a mere vestige of the tradition and treat magic as a humorous ingredient.

     
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    Language: Spanish
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  15. Ancora su Hölderlin e gli scrittori di lingua italiana (da Giosue Carducci a Fabio Pusterla)
    Author: Cordibella, Giovanna
    Published: 2014
    Publisher:  Università degli Studi di Milano

    Other ; A discussion of the long-term “Hölderlinism” of Italian poets, starting from Vigolo’s essay on Hölderlin and the music (1966), moving back to Carducci’s translations, with a critical edition of his version of Hölderlin’s Achill (1874, see the... more

     

    Other ; A discussion of the long-term “Hölderlinism” of Italian poets, starting from Vigolo’s essay on Hölderlin and the music (1966), moving back to Carducci’s translations, with a critical edition of his version of Hölderlin’s Achill (1874, see the leaf reproduced in the appendix), and concluding with a look at later Italian poets up to Pusterla (2004).

     
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    Language: Italian
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    DDC Categories: 850; 830
    Subjects: Romanian & related literatures
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  16. Giorgio Vigolo – Quali musiche suonò Hölderlin? (28 aprile 1966)
    Author: Cordibella, Giovanna
    Published: 2014
    Publisher:  Università degli Studi di Milano

    Other ; Giorgio Vigolo’s lecture Quali musiche suonò Hölderlin? (Which Pieces of Music Did Hölderlin Play?), which the Italian poet held in Rome on April 28th 1966, here edited for the first time, with notes, by Giovanna Cordibella. more

     

    Other ; Giorgio Vigolo’s lecture Quali musiche suonò Hölderlin? (Which Pieces of Music Did Hölderlin Play?), which the Italian poet held in Rome on April 28th 1966, here edited for the first time, with notes, by Giovanna Cordibella.

     
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    Language: Italian
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    DDC Categories: 850; 830; 780
    Subjects: Romanian & related literatures
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  17. Imaginería sacra y espacios pictóricos en las comedias de santos de Lope de Vega
    Author: Fernández Rodríguez, Natalia
    Published: 2014
    Publisher:  University of California

    Other ; Departing from the concepts of visualism and theatricality understood as the base of the world view of an epoch, a reflection about the presence of a pictorial-based expressiveness in the performance of Lope’s comedias de santos is suggested.... more

     

    Other ; Departing from the concepts of visualism and theatricality understood as the base of the world view of an epoch, a reflection about the presence of a pictorial-based expressiveness in the performance of Lope’s comedias de santos is suggested. Besides the analysis of the suitable contexts and staging procedures associated to the appearance of sacred images on stage, static performances, closer to painting than to drama, are also taken into account as a device which contribute to create that transcendent meaning which is essential to hagiographical comedias.

     
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  18. Rainer Werner Fassbinder’s "Garbage, The City, and Death". A Four Act Scandal in Post-war Germany
    Author: Schappach, Beate
    Published: 2014
    Publisher:  (:null)

    Other ; Rainer Werner Fassbinder’s Garbage, The City, and Death. A Four Act Scandal in Post-war Germany The paper explores the dramaturgy of the scandals around the play Garbage, The City and Death (Der Müll, die Stadt und der Tod) by German... more

     

    Other ; Rainer Werner Fassbinder’s Garbage, The City, and Death. A Four Act Scandal in Post-war Germany The paper explores the dramaturgy of the scandals around the play Garbage, The City and Death (Der Müll, die Stadt und der Tod) by German playwright, theatre and film maker Rainer Werner Fassbinder. Published in 1976, the play immediately caused a scandal in West Germany, because it was accused of reproducing anti-Semitic stereotypes. The presentation sheds light on the different phases of the scandal and their historical and cultural contexts in post-war Germany – starting as a literary scandal in 1976, being transformed into a theatre scandal in the 1980ies and finally being dissolved by the German premiere in 2009. The paper is structured as follows: Act One: The Literary Scandal. Destroying Fassbinder’s Garbage, Act Two: Preventing the Staging of the Play, Act Three: Blocking the Opening Night, Act Four: Performing the Play in Germany. By analysing the dramaturgical structure of this specific scandal, the paper discusses the following hypotheses: 1. Scandals arise through the circulation of decontextualised information in public. This is due to either a lack of information about the actual object or incident being scandalised or a lack of information about the context of the object or incident. This lack is caused by the logic of the scandal itself: Because the play or the performance is prohibited, it has been withdrawn from the public, making it impossible to form a well-founded opinion on the controversy. 2. The scandal is driven forward by an emotionalising rhetoric built around the decontextualised information. 3. Once the gap of information is filled, the scandalising rhetoric turns into a rhetoric of irrelevance: Reviews of the first performance of Garbage, The City and Death in Germany considered the play hardly a matter of public concern.

     
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    Subjects: rhetoric & criticism; games & entertainment; sociology & anthropology
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  19. Performing AIDS. The Film-maker Rosa von Praunheim between HIV/AIDS-Communities in Germany and the USA
    Author: Schappach, Beate
    Published: 2014
    Publisher:  (:null)

    Other ; This paper explores the works of German film-maker Rosa von Praunheim during the AIDS crisis. In the 1980ies and 1990ies he produced several films portraying the gay communities in Germany and the USA in the face of AIDS. First, this paper... more

     

    Other ; This paper explores the works of German film-maker Rosa von Praunheim during the AIDS crisis. In the 1980ies and 1990ies he produced several films portraying the gay communities in Germany and the USA in the face of AIDS. First, this paper analyses the cinematic techniques von Praunheim uses to criticise the German gay community and present the American practices of performing community as a role model for AIDS-activism. In a second step, the focus is put on von Praunheim’s autobiography and the rhetoric strategies he uses to participate in New York’s HIV-community, while being HIV-negative himself.

     
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    Subjects: games & entertainment; rhetoric & criticism; sociology & anthropology
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  20. Contact, Mobility and Authenticity: Language Ideologies in Koineisation and Creolisation - Poster for CSLS
    Author: Tresch, Laura Alessandra; Neuenschwander, Christoph
    Published: 2014
    Publisher:  (:null)

    Other ; How are new dialects and new languages represented and evaluated in public discourse? more

     

    Other ; How are new dialects and new languages represented and evaluated in public discourse?

     
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  21. Richtig ausgerüstet im Geburtskanal. Sportgeräte bei Hermann Burger
    Author: Pellin, Elio
    Published: 2007
    Publisher:  Slatkine

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  22. Alles klar, Herr Kommissar
    Author: Pellin, Elio
    Published: 2007
    Publisher:  (:null)

    Other ; Die Funktion des Rauchens in Krimis hat sich in den letzten Jahren markant verändert. Der Tabakqualm ist nicht mehr Stimulanz für brillantes Denken, sondern nur noch Suchtmittel für kaputte Verlierer. more

     

    Other ; Die Funktion des Rauchens in Krimis hat sich in den letzten Jahren markant verändert. Der Tabakqualm ist nicht mehr Stimulanz für brillantes Denken, sondern nur noch Suchtmittel für kaputte Verlierer.

     
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  23. Displacing Humans, Reconfiguring Darwin in Contemporary Culture and Theory
    Author: Richter, Virginia
    Published: 2014
    Publisher:  Ashgate

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  24. Ape Meets Primatologist. Post-Darwinian Interspecies Romances
    Author: Richter, Virginia
    Published: 2014
    Publisher:  University of Georgia Press

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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Undefined
    Format: Online
    DDC Categories: 820; 420
    Rights:

    info:eu-repo/semantics/openAccess
  25. Das deutschsprachige Oratorienlibretto 1945-2000 ; The German oratorio libretto 1945-2000
    Author: Kowald, Cäcilie
    Published: 2007
    Publisher:  Technische Universität Berlin

    Abstract ; Anders als das Opernlibretto hat das Oratorienlibretto bisher in der literaturwissenschaftlichen Forschung keine Beachtung gefunden. Dabei spielt der Text im Oratorium oft eine wichtigere Rolle als in der Oper. Die vorliegende Arbeit... more

     

    Abstract ; Anders als das Opernlibretto hat das Oratorienlibretto bisher in der literaturwissenschaftlichen Forschung keine Beachtung gefunden. Dabei spielt der Text im Oratorium oft eine wichtigere Rolle als in der Oper. Die vorliegende Arbeit unternimmt deshalb den Versuch, das Oratorium als (auch) literarische Gattung anhand des Textes genauer zu beschreiben. Da das Oratorium insgesamt eine recht offene Gattung ist, die zudem im Laufe der Zeit und regional sehr unterschiedliche Ausprägungen erfahren hat, wurde die Untersuchung auf zwischen 1945 und 2000 entstandene überwiegend deutschsprachige Libretti beschränkt. Zunächst werden die kulturgeschichtlichen Voraussetzungen der zeitgenössischen Oratorienproduktion und die derzeitige Forschungslage beleuchtet. Im zweiten Teil folgt die Untersuchung inhaltlicher Aspekte, wie die Wahl von Titeln und Sujets, sowie darauf aufbauend der Bedeutung der Bibel bei der Texterstellung und -gestaltung. Im dritten Teil wird schließlich die spezifische mehrlagige Erzählstruktur des Oratoriums herausgearbeitet, die sich aus verschiedenen, in Zeit und Perspektive voneinander unabhängigen Ebenen konstituiert. ; Abstract ; In contrast to the opera libretto, which is an established topic of research on literature, until now the oratorio has not yet been taken even into consideration. But in an oratorio, the text often plays an even more vital role than in an opera. Therefore, this study aims to describe oratorio as a literary genre by examining its text. As oratorio in general is a rather indefinite genre that contains many different historical and regional occurrences, the analysis has been restricted to librettos written between 1945 and 2000 in the German language. The study begins by investigating the cultural conditions of contemporary oratorio production and the current state of research. The second part deals with the content of the oratorio and its presentation, considering titles, subjects and the treatment of the bible. Finally, the third part works out the specific multi-layered structure of the oratorio libretto. This structure is constituted by several independent narrative levels differing in time and perspective.

     
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    Source: BASE Selection for Comparative Literature
    Language: Undetermined
    Media type: Undefined
    Format: Online
    DDC Categories: 800
    Subjects: Libretto; Oratorium; Oratorio
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    Terms of German Copyright Law