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Displaying results 1 to 6 of 6.

  1. Anachronismes créateurs
    Author: Bourdette-Donon, Marcel
    Published: 2021
    Publisher:  Presses universitaires Blaise-Pascal, Clermont-Ferrand ; OpenEdition, Marseille

    Considéré longtemps comme une grave faute, l'anachronisme a été réévalué pour en souligner les dimensions heuristiques. Acte délibéré ou involontaire, l’anachronisme peut ouvrir la voie aussi bien à une relecture du passé qu’à une réinterprétation du... more

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Bibliothek der Frankfurt University of Applied Sciences
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Considéré longtemps comme une grave faute, l'anachronisme a été réévalué pour en souligner les dimensions heuristiques. Acte délibéré ou involontaire, l’anachronisme peut ouvrir la voie aussi bien à une relecture du passé qu’à une réinterprétation du présent, nous permettant de repenser la « marche des temps » (Siegfried Kracauer) et de se pencher autrement sur les rapports que nous établissons à la fois avec le présent d’où écrit l’auteur, avec le passé que cet auteur réinvestit et avec le présent d’où nous lisons ses textes. L’objet de cet ouvrage est une revalorisation de l'anachronisme dont nous montrons aussi bien le potentiel poïétique que la dimension heuristique et interprétative de l’anachronisme en littérature. Cervantès, Camões, Chateaubriand, Gautier, Flaubert, Rimbaud Laforgue, Queneau, Perrault, Peter Handke, Thiéfaine, Pasolini, Jacques Demy, Kennely, Thomas Ostermeier, témoignent ici du potentiel poétique des « anachronismes créateurs ».

     
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  2. Reimaging Aesthetics
    Sergius Bulgakov on Seeing the Wisdom of Creation
    Author: Morgan, Brandon Lee
    Published: [2018]

    In this essay I resource the philosophy and theology of Sergius Bulgokov, particularly his understanding of divine and human imaging, as a way of mapping human comportment towards the non-human material world in aesthetic terms. By comparing the... more

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    Index theologicus der Universitätsbibliothek Tübingen
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    In this essay I resource the philosophy and theology of Sergius Bulgokov, particularly his understanding of divine and human imaging, as a way of mapping human comportment towards the non-human material world in aesthetic terms. By comparing the development of his account of human action from his early Philosophy of Economy and his later dogmatic theology, I seek to render less disconcerting an ambiguity in Bulgakov's work regarding human activity toward nature by contextualizing his early political philosophy within his later dogmatics. I argue that his later Trinitarian and Christological context more aptly suggests ways of viewing human action toward nature as aesthetic action animated by the perception of divinely created beauty. I then turn to Bulgakov's views on iconographic art in order to show some theologically informed constraints and limits to aesthetic judgment and human creativity in the practice of iconographic writing that accord with Bulgakov's broader theological anthropology.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Irish theological quarterly; London [u.a.] : Sage, 1951; 83(2018), 2, Seite 149-163; Online-Ressource

    Subjects: Bulgakov; Divine Sophia; aesthetics; creation; images
  3. bĕ-rēʾšît, “With ‘Wisdom,’” in Genesis 1.1 (MT)
    Author: Strawn, Brent A.
    Published: 2022

    This essay argues that the vocalization of the very first word of Gen. 1.1 in the Masoretic Text (MT), bĕrēʾšȋt, which is often thought to be in error in some way, may instead be the result of exegetical activity. Specifically, in light of the... more

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    This essay argues that the vocalization of the very first word of Gen. 1.1 in the Masoretic Text (MT), bĕrēʾšȋt, which is often thought to be in error in some way, may instead be the result of exegetical activity. Specifically, in light of the well-attested tradition that links Wisdom with creation both within the Bible and without, it is possible that bĕrēʾšȋt in MT Gen. 1.1 participates in the line of interpretation that ciphers Wisdom as “Beginning” (rēʾšȋt) in light of Prov. 8.22. If so, the MT of Gen. 1.1 is not a grammatical error to be corrected, but an exegetical cross-reference, referring readers to Wisdom’s role in creation as known, inter alia, in Proverbs 8.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Journal for the study of the Old Testament; London [u.a.] : Sage, 1976; 46(2022), 3, Seite 358-387; Online-Ressource

    Subjects: history of interpretation; Versions; Masoretic Text; creation; wisdom; beginning; Genesis 1.1
  4. The Performance of Blessing as Imitation of Divine Beings
    Acknowledging the Creator in the Hymns of the Maśkîl and Related Texts
    Author: Bakker, Arjen
    Published: 2022

    This essay examines Qumran texts that not only perform blessing but also reflect on the activity of blessing itself, and thereby offer an opportunity to better understand the urge and necessity behind the growth of liturgical cycles that generate... more

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    Index theologicus der Universitätsbibliothek Tübingen
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    This essay examines Qumran texts that not only perform blessing but also reflect on the activity of blessing itself, and thereby offer an opportunity to better understand the urge and necessity behind the growth of liturgical cycles that generate traditions of prayer. The paper looks at three texts, the hymns of the maśkîl, the Hymn to the Creator, and 4Q408, in which the performance of blessing is presented as acknowledgment of the creator through the lens of primordial time and the actualization of creation narratives. The essay argues that the way in which divine beings are imagined as perceiving and responding to the act of creation forms a model that liturgical performers emulate in order to approach as much as possible the holiness of these higher beings. This example demonstrates the interaction between interpretation and performance and their impact on the emergence and growth of textual traditions, both oral and written, in the Second Temple period.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Dead Sea discoveries; Leiden [u.a.] : Brill, 1994; 29(2022), 3, Seite 325-341; Online-Ressource

    Subjects: Community Rule; Maskil; imitation; angels; creation; luminaries; blessing; liturgy; interpretation; performance
  5. On the Impossibility and Inevitability of Monsters in Biblical Thought
    Author: Paffenroth, Kim
    Published: [2020]

    After general considerations of what constitutes a "monster," this essay examines the examples of "monsters" in the Bible, showing that the Bible does not as frequently depict such beings as do other mythologies. The implications of this for... more

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    After general considerations of what constitutes a "monster," this essay examines the examples of "monsters" in the Bible, showing that the Bible does not as frequently depict such beings as do other mythologies. The implications of this for understanding the biblical outlook on creation in general are considered, leading to the conclusion that in fact, in the Bible, it is God who is a monster, or at least, on the side of monsters, and is not to be relied on to eradicate them.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Interpretation; London [u.a.] : Sage Publ., 1947; 74(2020), 2, Seite 120-131; Online-Ressource

    Subjects: Apocalyptic; Chaoskampf; God and gods; Shawshank Redemption; Wisdom; creation; monsters; mythology
    Other subjects: King, Stephen; Melville, Herman; O'Connor, Flannery; Otto, Rudolph
  6. The Golem Legend and the Enigma of Facebook
    Author: Ambrus, Gábor L.
    Published: [2020]

    We are easily misguided as to the true nature of Facebook, and tend to treat it simply as a powerful technological instrument in the service of human intentions. We can, however, gain a better picture of it through recourse to the Jewish tradition of... more

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    We are easily misguided as to the true nature of Facebook, and tend to treat it simply as a powerful technological instrument in the service of human intentions. We can, however, gain a better picture of it through recourse to the Jewish tradition of the golem, an image of human beings, created by them in a re-enactment of their own creation by God. It turns into a magic servant in modernity with an inherent dynamic running between its human and its subhuman characteristics. This dynamic is the main cause behind its becoming uncontrollable. In like manner, what is subhuman in Facebook serves its masters and functions under their total control, but also empowers Facebook's increasingly human operation, an algorithm-based capability which raises growing doubts about what counts as human. Facebook implies the crisis of humanity which coincides with the “death of God,” that is, the obsolescence of the idea of a divine creator.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Zygon; [London] : Open Library of Humanities$s2024-, 1966; 55(2020), 4, Seite 875-897; Online-Ressource

    Subjects: Frankenstein; control; creation; cybernetics; god; human and subhuman; image; instrumentalist paradigm of technology
    Other subjects: Norbert Wiener; Roger McNamee