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  1. How Literary Worlds Are Shaped
    A Comparative Poetics of Literary Imagination
    Author: Pettersson, Bo
    Published: [2016]; ©2016
    Publisher:  De Gruyter, Berlin ; Boston

    Literary studies still lack an extensive comparative analysis of different kinds of literature, including ancient and non-Western. How Literary Worlds Are Shaped. A Comparative Poetics of Literary Imagination aims to provide such a study. Literature,... more

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    Literary studies still lack an extensive comparative analysis of different kinds of literature, including ancient and non-Western. How Literary Worlds Are Shaped. A Comparative Poetics of Literary Imagination aims to provide such a study. Literature, it claims, is based on individual and shared human imagination, which creates literary worlds that blend the real and the fantastic, mimesis and genre, often modulated by different kinds of unreliability. The main building blocks of literary worlds are their oral, visual and written modes and three themes: challenge, perception and relation. They are blended and inflected in different ways by combinations of narratives and figures, indirection, thwarted aspirations, meta-usages, hypothetical action as well as hierarchies and blends of genres and text types. Moreover, literary worlds are not only constructed by humans but also shape their lives and reinforce their sense of wonder. Finally, ten reasons are given in order to show how this comparative view can be of use in literary studies. In sum, How Literary Worlds Are Shaped is the first study to present a wide-ranging and detailed comparative account of the makings of literary worlds

     
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  2. Latin American Poetry
    Intersections, Translations, Encounters
    Contributor: Korte, Hermann (Herausgeber); Masumoto, Hiroko (Herausgeber); Sandler, Stephanie (Herausgeber); Friedrichs, Ekaterina (Herausgeber); Hock, David (Herausgeber); Schlimpen, Hannah (Herausgeber); Jessen, Herle-Christin (Herausgeber); Stahl, Henrieke (Herausgeber)
    Published: 2024
    Publisher:  Peter Lang GmbH, Internationaler Verlag der Wissenschaften, Frankfurt a.M.

    This volume of “Neuere Lyrik” contains a selection of texts on Latin American poetry that focuses on its encounter – at times direct and dialogic; at times indirect or even oppositional – with foreign texts and traditions. The question it therefore... more

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    This volume of “Neuere Lyrik” contains a selection of texts on Latin American poetry that focuses on its encounter – at times direct and dialogic; at times indirect or even oppositional – with foreign texts and traditions. The question it therefore raises is what constitutes the borders – cultural, medial, discursive, linguistic, etc. – of a poetic tradition to begin with, particularly today. While each text replies uniquely, their approaches can be broadly assigned to three distinct areas of inquiry: transcultural and transhistorical discourse; intermedial experimentation; and translation. Their attention to these liminal modes, moreover, prompts a remapping of poetry itself by asking how, in continually becoming foreign to itself, poetry is returned to its proper home

     
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    Source: Union catalogues
    Contributor: Korte, Hermann (Herausgeber); Masumoto, Hiroko (Herausgeber); Sandler, Stephanie (Herausgeber); Friedrichs, Ekaterina (Herausgeber); Hock, David (Herausgeber); Schlimpen, Hannah (Herausgeber); Jessen, Herle-Christin (Herausgeber); Stahl, Henrieke (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783631913758
    Other identifier:
    9783631913758
    Edition: 1st,New edition
    Series: Neuere Lyrik. Interkulturelle und interdisziplinäre Studien ; 17
    Subjects: Translation & interpretation; Poetry; Literary studies: general; Literary studies: poetry & poets; FOREIGN LANGUAGE STUDY / General; LANGUAGE ARTS & DISCIPLINES / General; LANGUAGE ARTS & DISCIPLINES / Linguistics / General; LITERARY CRITICISM / Feminist; LITERARY CRITICISM / European / Eastern (see also Russian & Former Soviet Union); LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; LITERARY CRITICISM / European / General; LITERARY CRITICISM / European / French; LITERARY CRITICISM / European / Italian; American; Benjamin; Christin; comparative poetics; contemporary poetry; David; Ekaterina; Encounters; Friedrichs; Hannah; Henrieke; Herle; Hermann; Hiroko; Hock; intermediality; Intersections; Jessen; Kloss; Korte; Latin; liminality; Masumoto; Poetry; Sandler; Schlimpen; Stahl; Stephanie; translation; Translations
    Other subjects: Hardcover, Softcover / Sprachwissenschaft, Literaturwissenschaft/Romanische Sprachwissenschaft, Literaturwissenschaft
    Scope: 158 Seiten, 21 gr
    Notes:

    ; David Hock ; Introduction 1 ; I ; Niall Binns ; "Where’s the Dialogue?" The Contrasting Traditions of Twentieth-Century Poetry in Chile and Spain 9 ; Lucía Stecher ; On Writing Poetry in Postcolonial Texts: Dionne Brand’s "The Blue Clerk: Ars Poetica in 59 Versos" 21 ; Mikhail Martynov ; The Problem of Community in the Poetry of Subcomandante Marcos and Egor Letov 31 ; Herle-Christin Jessen ; The Poetics of Pain in the Poetry of Juan Gelman 41 ; II ; María Lucía Puppo ; The Balance of an "Old Poet Who Writes": Networks around Poetry and Art in Juana Bignozzi’s Final Book of Poems 55 ; Kirill Korchagin, Elizaveta Kuzina ; Between Poetry and the Visual Avant-Garde: Intermediality and Structuralism in Octavio Paz’s and Jagdish Swaminathan’s Oeuvres 67 ; Ekaterina Friedrichs ; The "third world of the fifth dimension" and the "metisization of meaning": A Topology of Sense in Natalia Azarova’s "brazil" 83 ; III ; Екатерина Волкова Америко ; Сбросить Пушкина с парохода современности: о переводах русскоязычной поэзии в Бразилии 95 ; Claus Telge ; Translating Pablo Neruda, or: How Erich Arendt and Hans Magnus Enzensberger Did the Same Thing Differently 117 ; Юрий Орлицкий ; Русский Неруда – один из «основоположников» советского верлибра 137 ;