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Cover -- Contents -- Foreword laura rattray -- Acknowledgments -- Introduction lisa tyler -- I. Wharton, Hemingway, and the Modernist Canon -- Hemingway and Wharton: Both Modernists peter hays -- From Wharton to Hemingway: The Evolution of Modernism ellen andrews knodt -- II. The Great War -- Sewing Up the Tears: Medical Systems and the Great War in Wharton's and Hemingway's Short Fiction jennifer haytock -- Gender, Philanthropy, and the Great War in the Works of Wharton and Hemingway milena radeva-costello -- III. Geographies -- Emancipated from Baedeker: Wharton and Hemingway in Italy cecilia macheski -- Dawn and Decline: Contrasting Spaces in Wharton's "False Dawn" and Hemingway's "A Very Short Story" sirpa salenius -- IV. Gender and modernity -- Too Bad Hemingway Never Reached The Reef: Wharton's Anna Leath and Hemingway's Brett Ashley linda wagner-martin -- Wharton, Hemingway, and the Architecture of Modernism: Gendered Tropes of Architecture and Interior Decoration lisa t yler -- Motor Flight: Gender, Power, and the Automobile anna green -- V. Intertextualities -- Wharton, Hemingway, Ecclesiastes, and the Modernist Impulse dustin faulstick -- Modernism Delayed, Not Denied: Wharton, Hemingway, and Scribner's Magazine caroline chamberlin hellman -- Wharton to Hemingway to Highsmith: American Noir Comes of Age parley ann boswell -- Contributors -- Index.
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