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  1. Fiction, crime, and the feminine
    Contributor: Abouddahab, Rédouane (Hrsg.)
    Published: 2011
    Publisher:  Cambridge Scholars, Newcastle

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    Universitätsbibliothek Dortmund
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    Source: Union catalogues
    Contributor: Abouddahab, Rédouane (Hrsg.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781283142700; 9781443828284
    Subjects: Weibliche Kriminelle <Motiv>; Frau <Motiv>; Kriminalliteratur; Englisch
    Scope: XVII, 186 S.
  2. Nazi-Täterinnen in der deutschen Literatur
    Author: Sanna, Simonetta
    Published: 2017
    Publisher:  Peter Lang GmbH, Frankfurt a.M. ; Peter Lang International Academic Publishers, Bern

    Die Studie verbindet mit der Thematisierung des NS-Vernichtungsapparates und Frauen, die darin als Protagonistinnen wirkten, ein doppeltes Skandalon. Die Autorin untersucht die Werke von Stephan Hermlin, Hans Lebert,　Bernhard Schlink, Lukas Hartmann... more

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    Die Studie verbindet mit der Thematisierung des NS-Vernichtungsapparates und Frauen, die darin als Protagonistinnen wirkten, ein doppeltes Skandalon. Die Autorin untersucht die Werke von Stephan Hermlin, Hans Lebert,　Bernhard Schlink, Lukas Hartmann und Helga Schneider. Diese ziehen　schuldige　Frauen nachträglich zur　Rechenschaft, lassen ihnen　gegenüber　jedoch einen nicht-ausgrenzenden　Sinn der Gerechtigkeit gelten. Aus der Erzählperspektive regt gerade die Unmöglichkeit der Vergebung das Interesse an, die Verschränkungen von Gut und Böse, Opfer und Täter wahrzunehmen. Das erfordert umfassende kognitive Fähigkeiten auch beim Leser. Das Buch fasst abschließend den Beitrag des Romans zur Aufarbeitung der Vergangenheit zusammen. Die Autorin geht hierbei der Frage nach, inwieweit die Erfahrung des Negativen zur Selbsterkenntnis des Menschen und damit auch zur Hinwendung zum anderen Menschen beiträgt.

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783631730386
    Other identifier:
    RVK Categories: GN 1701
    DDC Categories: 830
    Edition: 1st, New ed.
    Series: Signaturen der Gewalt / Signatures of Violence ; 1
    Subjects: Deutsch; Roman; Nationalismus <Motiv>; Frau <Motiv>; Weibliche Kriminelle <Motiv>; Nationalsozialistische Verbrecherin <Motiv>
    Scope: 1 Online-Ressource
  3. Framed
    the new woman criminal in British culture at the Fin de Siècle
    Author: Miller, Elizabeth Carolyn
    Published: 2008
    Publisher:  University of Michigan Press, Ann Arbor

    Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this... more

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres.

     
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  4. Fiction, crime, and the feminine
    Contributor: Abouddahab, Rédouane (Hrsg.)
    Published: 2011
    Publisher:  Cambridge Scholars Publ., Newcastle

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    Universität Frankfurt, Elektronische Ressourcen
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    Source: Union catalogues
    Contributor: Abouddahab, Rédouane (Hrsg.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781443827102; 144382710X; 9781283142700 (Sekundärausgabe); 9781443828284 (Sekundärausgabe)
    Subjects: Englisch; Roman; Frau <Motiv>; Weibliche Kriminelle <Motiv>; Kriminalliteratur
    Scope: XVII, 186 S.
    Notes:

    Literaturangaben

    Online-Ausg.:
  5. Violent women in print
    representations in the West German print media of the 1960s and 1970s
    Author: Bielby, Clare
    Published: 2012
    Publisher:  Boydell & Brewer, Suffolk ; Cambridge University Press, Cambridge, UK

    As the controversy surrounding the release of Uli Edel and Bernd Eichinger's 2008 feature film ‘The Baader Meinhof Complex’ demonstrates, West Germany's terrorist period, which reached its height in the ‘German autumn’ of 1977, is still a fascinating... more

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    As the controversy surrounding the release of Uli Edel and Bernd Eichinger's 2008 feature film ‘The Baader Meinhof Complex’ demonstrates, West Germany's terrorist period, which reached its height in the ‘German autumn’ of 1977, is still a fascinating - and troubling - subject. One of the most provocative aspects, still today, is the high proportion of women involved in terrorism, most notoriously Ulrike Meinhof. That the film concentrates on the trajectory of Meinhof's life and mobilizes established and hence reassuring paradigms of femininity in its representation of her (as ‘mother’ and ‘hysterical woman’) suggests that the combination of women and violence is still threatening and that there is still mileage to be had from feminizing the discourse. The present study returns to the West German print media of the 1960s and 1970s and raises questions about the continuing preoccupation with this period. Looking at publications from the right-wing ‘Bild’ to the liberal ‘Der Spiegel’, it explores how violent women - not only terrorists but also others such as the convicted murderer and media femme fatale Vera Brühne - were represented in text and image. This is the first book to explore print-media representations of German terrorism from an explicitly gendered perspective, and one of very few books in English to address the period in Germany at all, despite steadily increasing interest in the UK and the US. Clare Bielby is Lecturer in German Studies at the University of Hull.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571138378
    RVK Categories: AP 16000 ; MS 3010
    DDC Categories: 360; 300; 070
    Subjects: Presse; Mörderin; Terroristin; Berichterstattung; Frauenbild; Medien; Weibliche Kriminelle <Motiv>
    Scope: 1 Online-Ressource (x, 225 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  6. Fiction, crime, and the feminine
    Contributor: Abouddahab, Rédouane; Paccaud-Huguet, Josiane
    Published: 2011
    Publisher:  Cambridge Scholars, Newcastle ; EBSCO Industries, Inc., Birmingham, AL, USA

    The form of art called fiction has always been the privileged framework providing the perfect alibi for facing, framing, and containing the Other's desire and the strange libido attached to violence: in other words, there is an ambivalent dimension... more

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    Bibliothek der Hochschule Mainz, Untergeschoss
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    The form of art called fiction has always been the privileged framework providing the perfect alibi for facing, framing, and containing the Other's desire and the strange libido attached to violence: in other words, there is an ambivalent dimension inherent in the scenarios and fantasies we enjoy by proxy. Are not the fairy tales of our childhood full of images of death and violence, whose fascinating presence is paradoxically meant to make us feel all the more safely tucked up in bed? After ...

     
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    Source: Union catalogues
    Contributor: Abouddahab, Rédouane; Paccaud-Huguet, Josiane
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781443828284; 1443828289
    Subjects: Englisch; Roman; Frau <Motiv>; Weibliche Kriminelle <Motiv>; Kriminalliteratur
    Scope: 1 Online-Ressource (xvii, 186 pages)
    Notes:

    Includes bibliographical references
  7. Framed
    the new woman criminal in British culture at the Fin de Siècle
    Author: Miller, Elizabeth Carolyn
    Published: c2008
    Publisher:  University of Michigan Press, Ann Arbor

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0472070444; 0472050443
    RVK Categories: HL 1310
    Subjects: Geschichte; Detective and mystery stories, English; English fiction; Female offenders in literature; Terrorism in literature; Consumption (Economics) in literature; Feminism and literature; Literature and society; Detective and mystery films; Women in popular culture; Weibliche Kriminelle; Englisch; Weibliche Kriminelle <Motiv>; Literatur; Kultur
    Scope: xii, 284 p.
    Notes:

    Includes bibliographical references (p. 255-272) and index

    Includes filmography: p. 253

    Private and public eyes : Sherlock Holmes and the invisible woman -- Beautiful for ever! cosmetics, consumerism, L.T. Meade, and Madame Rachel -- The limits of the gaze : class, gender, and authority in early British cinema -- Dynamite, interrupted : gender in James's and Conrad's novels of failed terror -- "An invitation to dynamite" : female revolutionaries in late-Victorian dynamite narrative
  8. Framed
    the new woman criminal in British culture at the Fin de Siècle
    Author: Miller, Elizabeth Carolyn
    Published: c2008
    Publisher:  University of Michigan Press, Ann Arbor

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Universitätsbibliothek Regensburg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780472024469; 0472024469
    RVK Categories: HL 1310
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Frauenkriminalität / Motiv / Roman / englischer; Roman / englischer / Motiv / Frauenkriminalität; Kriminalliteratur / englische; Kriminalfilm / Grossbritannien; Kriminalliteratur / englische / Geschichte 19. Jh; Literatur; Weibliche Kriminelle (Motiv); Kultur; Weibliche Kriminelle; Geschichte; Detective and mystery stories, English; English fiction; Female offenders in literature; Terrorism in literature; Consumption (Economics) in literature; Feminism and literature; Literature and society; Detective and mystery films; Women in popular culture; Weibliche Kriminelle; Englisch; Weibliche Kriminelle <Motiv>; Literatur; Kultur
    Scope: 1 Online-Ressource (xii, 284 p.)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and index

    Includes filmography

    Private and public eyes : Sherlock Holmes and the invisible woman -- - Beautiful for ever! cosmetics, consumerism, L.T. Meade, and Madame Rachel -- - The limits of the gaze : class, gender, and authority in early British cinema -- - Dynamite, interrupted : gender in James's and Conrad's novels of failed terror -- - "An invitation to dynamite" : female revolutionaries in late-Victorian dynamite narrative

    Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres
  9. Framed: The New Woman Criminal in British Culture at the Fin de Siècle
    Author: Miller, Elizabeth Carolyn
    Published: 2008
    Publisher:  University of Michigan Press, [s.l.]

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780472070442; 9780472050444; 9780472024469
    RVK Categories: HL 1310
    Subjects: Detective and mystery stories, English / History and criticism; English fiction / 19th century / History and criticism; Female offenders in literature; Terrorism in literature; Consumption (Economics) in literature; Feminism and literature / Great Britain / History / 19th century; Literature and society / Great Britain / History / 19th century; Detective and mystery films / Great Britain / History and criticism; Women in popular culture / Great Britain / History / 19th century; Detective and mystery stories, English / History and criticism; English fiction / 19th century / History and criticism; Female offenders in literature; Terrorism in literature; Consumption (Economics) in literature; Feminism and literature / Great Britain / History / 19th century; Literature and society / Great Britain / History / 19th century; Detective and mystery films / Great Britain / History and criticism; Women in popular culture / Great Britain / History / 19th century; History of Great Britain; History of Great Britain; Geschichte; Detective and mystery stories, English; English fiction; Female offenders in literature; Terrorism in literature; Consumption (Economics) in literature; Feminism and literature; Literature and society; Detective and mystery films; Women in popular culture; Literatur; Weibliche Kriminelle; Kultur; Englisch; Weibliche Kriminelle <Motiv>
    Scope: 1 Online-Ressource
  10. Rebelles et criminelles chez les écrivaines d'expression française
    Contributor: Chevillot, Frédérique; Trout, Colette
    Published: 2013
    Publisher:  Rodopi, Amsterdam ; Brill, New York

    Les femmes rebelles et/ou criminelles seraient-elles plus monstrueuses que leurs homologues masculins parce qu'elles transgressent la construction socio-sexuée d'une élusive « nature féminine »? La représentation de la rébellion et de la criminalité... more

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    Universität Mainz, Zentralbibliothek
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    Les femmes rebelles et/ou criminelles seraient-elles plus monstrueuses que leurs homologues masculins parce qu'elles transgressent la construction socio-sexuée d'une élusive « nature féminine »? La représentation de la rébellion et de la criminalité des femmes par les écrivaines d'expression française soulève la question de la représentation de la violence tout autant que celle de la violence de cette représentation , à travers le temps mais aussi à travers l'espace. Ce n'est que très récemment qu'écrire a commencé de ne plus être vécu par les femmes dans la violence de la transgression; qu'en devient-il dès lors que celles-ci écrivent pour revendiquer leur propre violence? N'y a-t-il pas là une rébellion scripturale et sociétale doublement subversive? « Une violence à soi » tel pourrait être le sous-titre de cet ouvrage qui, dans une perspective résolument féministe, s'adresse à un lectorat pluridisciplinaire. Son originalité tient en ce qu'il offre, par le biais de disciplines telles que l'histoire, la psychanalyse ou la linguistique, ainsi que sous l'angle de théories récentes sur la narratologie, le postcolonialisme, le traumatisme ou la glottophagie, une diversité d'approches sur un sujet d'actualité trop longtemps resté tabou.

     
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    Source: Union catalogues
    Contributor: Chevillot, Frédérique; Trout, Colette
    Language: French; English
    Media type: Ebook
    Format: Online
    ISBN: 9789401209229
    Other identifier:
    RVK Categories: IE 2836
    Series: Faux titre ; 386
    Subjects: Französisch; Frauenliteratur; Rebellin <Motiv>; Weibliche Kriminelle <Motiv>
    Scope: 1 Online-Ressource (280 pages)
    Notes:

    Includes bibliographical references.
  11. Framed: The New Woman Criminal in British Culture at the Fin de Siècle
    Author: Miller, Elizabeth Carolyn
    Published: 2008
    Publisher:  University of Michigan Press, [s.l.]

    Location:
    Europa-Universität Viadrina, Universitätsbibliothek
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    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780472070442; 9780472050444; 9780472024469
    RVK Categories: HL 1310
    Subjects: Detective and mystery stories, English / History and criticism; English fiction / 19th century / History and criticism; Female offenders in literature; Terrorism in literature; Consumption (Economics) in literature; Feminism and literature / Great Britain / History / 19th century; Literature and society / Great Britain / History / 19th century; Detective and mystery films / Great Britain / History and criticism; Women in popular culture / Great Britain / History / 19th century; Detective and mystery stories, English / History and criticism; English fiction / 19th century / History and criticism; Female offenders in literature; Terrorism in literature; Consumption (Economics) in literature; Feminism and literature / Great Britain / History / 19th century; Literature and society / Great Britain / History / 19th century; Detective and mystery films / Great Britain / History and criticism; Women in popular culture / Great Britain / History / 19th century; History of Great Britain; History of Great Britain; Geschichte; Detective and mystery stories, English; English fiction; Female offenders in literature; Terrorism in literature; Consumption (Economics) in literature; Feminism and literature; Literature and society; Detective and mystery films; Women in popular culture; Literatur; Weibliche Kriminelle; Kultur; Englisch; Weibliche Kriminelle <Motiv>
    Scope: 1 Online-Ressource
  12. moralisch defekt
    Pauline Schwarz zwischen Psychiatrie und Gefängnis
    Author: Herger, Lisbeth
    Published: 2020
    Publisher:  Hier und Jetzt, Zürich

  13. Rebelles et criminelles chez les écrivaines d'expression française
    Contributor: Chevillot, Frédérique (Hrsg.); Trout, Colette (Hrsg.)
    Published: c2013
    Publisher:  Rodopi, Amsterdam

    Les femmes rebelles et/ou criminelles seraient-elles plus monstrueuses que leurs homologues masculins parce qu'elles transgressent la construction socio-sexuée d'une élusive " nature féminine "? La représentation de la rébellion et de la criminalité... more

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Les femmes rebelles et/ou criminelles seraient-elles plus monstrueuses que leurs homologues masculins parce qu'elles transgressent la construction socio-sexuée d'une élusive " nature féminine "? La représentation de la rébellion et de la criminalité des femmes par les écrivaines d'expression française soulève la question de la représentation de la violence tout autant que celle de la violence de cette représentation, à travers le temps mais aussi à travers l'espace. Ce n'est que très récemment qu'écrire a commencé de ne plus être vécu par les femmes dans la violence de la transgression; qu'en devient-il dès lors que celles-ci écrivent pour revendiquer leur propre violence? N'y a-t-il pas là une rébellion scripturale et sociétale doublement subversive? " Une violence à soi " tel pourrait être le sous-titre de cet ouvrage qui, dans une perspective résolument féministe, s'adresse à un lectorat pluridisciplinaire. Son originalité tient en ce qu'il offre, par le biais de disciplines telles que l'histoire, la psychanalyse ou la linguistique, ainsi que sous l'angle de théories récentes sur la narratologie, le postcolonialisme, le traumatisme ou la glottophagie, une diversité d'approches sur un sujet d'actualité trop longtemps resté tabou Preface /Paula Ruth Gilbert --Introduction /Frédérique Chevillot et Colette Trout --Crime is in the eye of the beholder: rebellion and decriminalization in Marguerite Queen de Navarre's Heptaméron /Grace Morgan Armstrong --Female playwrights and their filles rebelles in 17th-century France /Theresa Varney Kennedy --"Elénore n'est-elle pas un monstre qu'il faudrait étouffer?" ou une impossible criminelle au XVIII siècle /Edwige Besle-Amaducci --Pérégrinations d'une paria de Flora Tristan: novelogue d'une rebelle visionnaire et militante /S. Pascale Vergereau-Dewey --Ensorceleuse, empoisonneuse et graphomane: Marcelle Tinayre lisant Marie Cappelle Lafarge /Elisabeth-Christine Muelsch --Rebelles, prostituées et meurtriè̀res dans les romans d'Ananda Devi /Ashwiny O. Kistnareddy --Le double meurtrier chez Sabrina Kherbiche /Joëll Vitiello --Rebel without a cause? Female brutality and criminality in Leïla Marouane's Le châtiment des hypocrites /Siobhan McIlvanney --Ventriloquie et esclavage: du mutisme á la violence chez Marie-Célie Agnant et Fabienne Kanor /Eloise A. Brière --Crime and punishment: Calixthe Beyala's manic writing of Femme nue, femme noire /Adrienne Angelo --Female violence as social power: Joyce Mansour's surrealist anti-muse /Marylaura Papalas --Elisabeth: la belle et la bête de Kamouraska /Candice Nicolas --Abjection, altérité, violence: les méchantes filles de Catherine Klein /France Grenaudier-Klijn --"Amo ergo neco": les tueuses nothombiennes /Frédérique Chevillot --Une nécessaire rébellion féministe: de la violence au féminin chez Virginie Despentes /Michèle A. Schaal.

     
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    Source: Union catalogues
    Contributor: Chevillot, Frédérique (Hrsg.); Trout, Colette (Hrsg.)
    Language: French; English
    Media type: Ebook
    Format: Online
    ISBN: 9789401209229; 9401209227; 1299776973; 9781299776975
    Series: Faux titre ; 386
    Subjects: French literature; Violence in literature; Deviant behavior in literature; Women in literature; French literature; LITERARY CRITICISM ; European ; French; Deviant behavior in literature; French literature; Violence in literature; Women in literature; Französisch; Literatur; Gewalt; Weibliche Kriminelle; Abweichendes Verhalten; Criticism, interpretation, etc
    Scope: Online Ressource (280 p.)
    Notes:

    Includes bibliographical references. - In French or English. - Description based on print version record
  14. Framed
    the new woman criminal in British culture at the Fin de Siècle
    Author: Miller, Elizabeth Carolyn
    Published: ©2008
    Publisher:  University of Michigan Press, Ann Arbor

    Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this... more

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    Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres Private and public eyes : Sherlock Holmes and the invisible woman --Beautiful for ever! cosmetics, consumerism, L.T. Meade, and Madame Rachel --The limits of the gaze : class, gender, and authority in early British cinema --Dynamite, interrupted : gender in James's and Conrad's novels of failed terror --"An invitation to dynamite" : female revolutionaries in late-Victorian dynamite narrative.

     
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  15. Violent women in print
    representations in the West German print media of the 1960s and 1970s
    Author: Bielby, Clare
    Published: 2012
    Publisher:  Camden House, Rochester, NY

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571135308
    RVK Categories: AP 23211
    Series: Studies in German literature linguistics and culture ; 126
    Subjects: Westdeutschland; Presse; Mörderin; Terroristin; Berichterstattung; Frauenbild; Geschichte 1960-1980; ; Deutschland <Bundesrepublik>; Medien; Weibliche Kriminelle <Motiv>; Terroristin; Geschichte 1960-1980; ; Deutschland <Bundesrepublik>; Druckmedien; Weibliche Kriminelle <Motiv>; Terroristin; Geschichte 1960-1980;
    Scope: Online-Ressource (X, 225 S.), Ill.
    Notes:

    Literaturverz. S. 197 - 216
  16. Framed
    the new woman criminal in British culture at the Fin de Siècle
    Author: Miller, Elizabeth Carolyn
    Published: ©2008
    Publisher:  University of Michigan Press, Ann Arbor

    Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres Private and public eyes : Sherlock Holmes and the invisible woman --Beautiful for ever! cosmetics, consumerism, L.T. Meade, and Madame Rachel --The limits of the gaze : class, gender, and authority in early British cinema --Dynamite, interrupted : gender in James's and Conrad's novels of failed terror --"An invitation to dynamite" : female revolutionaries in late-Victorian dynamite narrative.

     
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  17. Rebelles et criminelles chez les écrivaines d'expression française
    Published: c2013
    Publisher:  Rodopi, Amsterdam

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    Content information
    Source: Union catalogues
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 1299776973; 9042036540; 9401209227; 9781299776975; 9789042036543; 9789401209229
    Series: Faux titre ; 386
    Subjects: LITERARY CRITICISM / European / French; Deviant behavior in literature; French literature; Violence in literature; Women in literature; French literature; Violence in literature; Deviant behavior in literature; Women in literature; Weibliche Kriminelle <Motiv>; Literatur; Rebellin <Motiv>; Schriftstellerin; Französisch
    Scope: 1 Online-Ressource (280 p.)
    Notes:

    Preface - Paula Ruth Gilbert -- - Introduction - Frédérique Chevillot et Colette Trout -- - Crime is in the eye of the beholder: rebellion and decriminalization in Marguerite Queen de Navarre's Heptaméron - Grace Morgan Armstrong -- - Female playwrights and their filles rebelles in 17th-century France - Theresa Varney Kennedy -- - "Elénore n'est-elle pas un monstre qu'il faudrait étouffer?" ou une impossible criminelle au XVIII siècle - Edwige Besle-Amaducci -- - Pérégrinations d'une paria de Flora Tristan: novelogue d'une rebelle visionnaire et militante - S. Pascale Vergereau-Dewey -- - Ensorceleuse, empoisonneuse et graphomane: Marcelle Tinayre lisant Marie Cappelle Lafarge - Elisabeth-Christine Muelsch -- - Rebelles, prostituées et meurtriè̀res dans les romans d'Ananda Devi - Ashwiny O. Kistnareddy -- - Le double meurtrier chez Sabrina Kherbiche - Joëll Vitiello -- - Rebel without a cause? Female brutality and criminality in Leïla Marouane's Le châtiment des hypocrites - Siobhan McIlvanney -- - Ventriloquie et esclavage: du mutisme á la violence chez Marie-Célie Agnant et Fabienne Kanor - Eloise A. Brière -- - Crime and punishment: Calixthe Beyala's manic writing of Femme nue, femme noire - Adrienne Angelo -- - Female violence as social power: Joyce Mansour's surrealist anti-muse - Marylaura Papalas -- - Elisabeth: la belle et la bête de Kamouraska - Candice Nicolas -- - Abjection, altérité, violence: les méchantes filles de Catherine Klein - France Grenaudier-Klijn -- - "Amo ergo neco": les tueuses nothombiennes - Frédérique Chevillot -- - Une nécessaire rébellion féministe: de la violence au féminin chez Virginie Despentes - Michèle A. Schaal

    Includes bibliographical references
  18. Fiction, crime, and the feminine
    Contributor: Abouddahab, Rédouane (Herausgeber)
    Published: 2011
    Publisher:  Cambridge Scholars, Newcastle

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    Universitätsbibliothek Dortmund
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    Contributor: Abouddahab, Rédouane (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781283142700; 9781443828284
    Subjects: Englisch; Kriminalliteratur; Frau <Motiv>; Weibliche Kriminelle <Motiv>
    Scope: XVII, 186 S.
  19. Fiction, Crime, and the Feminine
    Author: Abouddahab, Redouane
    Published: 2011
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne

    The form of art called fiction has always been the privileged framework providing the perfect alibi for facing, framing, and containing the Other's desire and the strange libido attached to violence: in other words, there is an ambivalent dimension... more

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    The form of art called fiction has always been the privileged framework providing the perfect alibi for facing, framing, and containing the Other's desire and the strange libido attached to violence: in other words, there is an ambivalent dimension inherent in the scenarios and fantasies we enjoy by proxy. Are not the fairy tales of our childhood full of images of death and violence, whose fascinating presence is paradoxically meant to make us feel all the more safely tucked up in bed? After

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781443827102
    Subjects: Englisch; Kriminalliteratur; Frau <Motiv>; Weibliche Kriminelle <Motiv>;
    Scope: Online-Ressource (204 p)
    Notes:

    Description based upon print version of record

    Electronic reproduction; Available via World Wide Web

    TABLE OF CONTENTS; INTRODUCTION; CRIMELESS FEMININITY; THE LAW OF GENDER; LADY AUDLEY AND LYDIA GWILT; RE-WRITING A WOMAN'S CRIME; TESS THE MURDERESS, EUSTACIA THE ADDER; "THE IMP OF THE PERVERSE"; FROM THE MURDERER'S SOLILOQUY TO THE POISONER'S MONOLOGUE; FROM CONFIDENT TO MURDERER; RED BEADS AND FUNERAL HOMES; ANTIGONE LOST IN "THE FURY OF THE AGE OF BAR-ROOMS"; THE OBSCENE TRAGEDY OF THE DEATH DRIVE IN I HARDLY KNEW YOU, BY EDNA O'BRIEN; THE MILKY WAKE:SACRIFICE AS JOUISSANCE IN TONI MORRISON'S WORK; CONTRIBUTORS
  20. Framed
    the new woman criminal in British culture at the Fin de Siècle
    Author: Miller, Elizabeth Carolyn
    Published: ©2008
    Publisher:  University of Michigan Press, Ann Arbor

    Private and public eyes : Sherlock Holmes and the invisible woman --Beautiful for ever! cosmetics, consumerism, L.T. Meade, and Madame Rachel --The limits of the gaze : class, gender, and authority in early British cinema --Dynamite, interrupted :... more

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    Private and public eyes : Sherlock Holmes and the invisible woman --Beautiful for ever! cosmetics, consumerism, L.T. Meade, and Madame Rachel --The limits of the gaze : class, gender, and authority in early British cinema --Dynamite, interrupted : gender in James's and Conrad's novels of failed terror --"An invitation to dynamite" : female revolutionaries in late-Victorian dynamite narrative. Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres

     
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