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  1. A Nation of victims?
    representations of German wartime suffering from 1945 to the present
    Published: 2007
    Publisher:  Rodopi, Amsterdam

    Preliminary material /Editors A Nation of Victims? -- Introduction: The Return of Wartime Suffering in Contemporary German Memory Culture, Literature and Film /Editors A Nation of Victims? -- Germans in the Lager. Reports and Narratives about... more

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    Universitätsbibliothek Leipzig
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    Preliminary material /Editors A Nation of Victims? -- Introduction: The Return of Wartime Suffering in Contemporary German Memory Culture, Literature and Film /Editors A Nation of Victims? -- Germans in the Lager. Reports and Narratives about Imprisonment in Post-War Allied Internment Camps /Gregor Streim -- Die, von denen man erzählt hat, dass sie die kleinen Kinder schlachten’. Deutsche Leiderfahrung und Bilder von Juden in der deutschen Kultur nach 1945. Zu einigen Texten Wolfgang Weyrauchs /Hans-Joachim Hahn -- The Representation of Wehrmacht Soldiers as Victims in Post-war West German Film: Hunde, wollt ihr ewig leben? and Der Arzt von Stalingrad /Helen Wolfenden -- The German Myth of a Victim Nation: (Re-)presenting Germans as Victims in the New Debate on their Flight and Expulsion from Eastern Europe /Samuel Salzborn -- Implicit Equations in Constructions of German Suffering /Bill Niven -- Dresden and Hamburg - Official Memory and Commemoration of the Victims of Allied Air Raids in the two Germanies /Gilad Margalit -- Regarding and Imagining. Contrived Immediacy of the Allied Bombing Campaign in Photography, Novel and Historiography /Heinz-Peter Preußer -- Lost in Translations? The Discourse of ‘German Suffering’ and W. G. Sebald’s Luftkrieg und Literatur /Annette Seidel Arpacı -- Wahrheit und Erinnerung. Die Spuren des Jahres 1945 in Texten von Christa Wolf /Odile Jansen -- Historicism, Sentimentality and the Problem of Empathy: Uwe Timm’s Am Beispiel meines Bruders in the Context of Recent Representations of German Suffering /Helmut Schmitz -- Literary Representations in Contemporary German Fiction of the Expulsions of Germans from the East in 1945 /Stuart Taberner -- Der Untergang (2004): Victims, Perpetrators and the Continuing Fascination of Fascism /Paul Cooke -- Index of Contributors /Editors A Nation of Victims?. The re-emergence of the issue of wartime suffering to the fore of German public discourse represents the greatest shift in German memory culture since the Historikerstreit of the 1980s. The (international) attention and debates triggered by, for example, W.G. Sebald’s Luftkrieg und Literatur , Günter Grass’s Im Krebsgang , Jörg Friedrich’s Der Brand testify to a change in focus away from the victims of National Socialism to the traumatic experience of the ‘perpetrator collective’ and its legacies. The volume brings together German, English and Israeli literary and film scholars and historians addressing issues surrounding the representation of German wartime suffering from the immediate post-war period to the present in literature, film and public commemorative discourse. Split into four sections, the volume discusses the representation of Germans as victims in post-war literature and film, the current memory politics of the Bund der Vertriebenen , the public commemoration of the air raids on Hamburg and Dresden and their representation in film, photography, historiography and literature, the impact and reception of W.G. Sebald’s Luftkrieg und Literatur , the representation of flight and expulsion in contemporary writing, the problem of empathy in representations of Germans as victims and the representation of suffering and National Socialism in Oliver Hirschbiegel’s film Der Untergang

     
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    Source: Union catalogues
    Language: English; German
    Media type: Ebook
    Format: Online
    ISBN: 9789401204453
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    Series: German monitor ; no. 67
    Subjects: Germans in literature; German literature; Germans in literature; Germans in motion pictures; Motion pictures; Suffering in literature; Suffering in motion pictures; War and motion pictures; War in literature; Criticism, interpretation, etc; History
    Scope: 1 Online-Ressource (265 pages)
    Notes:

    Includes bibliographical references
  2. Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933)
    Author: Kester, Bernadette
    Published: 2002
    Publisher:  Amsterdam University Press, Amsterdam

    Describes Germany's experience of World War I as depicted in the cinematography of the Weimar era. more

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Bibliothek der Frankfurt University of Applied Sciences
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Describes Germany's experience of World War I as depicted in the cinematography of the Weimar era.

     
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    Source: Union catalogues
    Language: Dutch; English
    Media type: Ebook
    Format: Online
    ISBN: 9789048505197; 9048505194; 9053565981; 9789053565988
    RVK Categories: AP 52700
    Series: Film Culture in Transition
    Subjects: Film; Kriegsfilm; Weimarer Republik <Motiv>; Erster Weltkrieg <Motiv>; World War, 1914-1918; Motion pictures; Propaganda, German; Society and social sciences; Society and culture: general; The arts; Film, TV and radio; Humanities; History; HISTORY; Motion pictures; Propaganda, German; War and motion pictures; History & Archaeology; History - General
    Scope: 1 Online-Ressource (331 Seiten)
    Notes:

    Includes bibliographical references (pages 305-317) and indexes
  3. Narratives of trauma
    discourses of German wartime suffering in national and international perspective
    Contributor: Schmitz, Helmut; Seidel-Arpacı, Annette
    Published: 2011
    Publisher:  Rodopi, Amsterdam ; EBSCO Industries, Inc., Birmingham, AL, USA

    Over the last decade German culture has been engaged in a re-examination of the traumatic events of the Second World War and their post-war legacy in the public and private sphere. This shift in German memory culture from a focus on responsibility... more

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    Bibliothek der Hochschule Mainz, Untergeschoss
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    Over the last decade German culture has been engaged in a re-examination of the traumatic events of the Second World War and their post-war legacy in the public and private sphere. This shift in German memory culture from a focus on responsibility for the Holocaust to a focus on wartime suffering has attracted a lot of critical attention over the past decade, in both Cultural and Literary Studies and History. This volume brings together British, German, Dutch and American scholars from the fields of Cultural Studies, History and Sociology to address the national and international significance of discourses of ‘German wartime suffering’ in post-war and contemporary Germany. The focus of this interdisciplinary volume is both on the historical roots of the ‘Germans as victims’ narratives and the forms of their continuing existence in contemporary public memory and culture. The first three sections of this volume explore the conditions of German victim discourses in a variety of media and public arenas from historiography, sociology, literature and film to monuments, civil defence bunkers and local public memory. The final section sets the contemporary re-articulation of German wartime suffering in an international context with respect to its reception and its reflection in both Western and Eastern Europe and Israel. Over the last decade German culture has been engaged in a re-examination of the traumatic events of the Second World War and their post-war legacy in the public and private sphere. This shift in German memory culture from a focus on responsibility for the Holocaust to a focus on wartime suffering has attracted a lot of critical attention over the past decade, in both Cultural and Literary Studies and History. This volume brings together British, German, Dutch and American scholars from the fields of Cultural Studies, History and Sociology to address the national and international significance.

     
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  4. Chinese and Japanese films on the Second World War
    Contributor: Tam, King-Fai (HerausgeberIn); Tsu, Timothy Y. (HerausgeberIn); Wilson, Sandra (HerausgeberIn)
    Published: 2015
    Publisher:  Routledge, Taylor & Francis Group, London

    "This book examines representations of the Second World War in postwar Chinese and Japanese cinema. Drawing on a wide range of scholarly disciplines, and analysing a wide range of films, it demonstrates the potential of war movies for understanding... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "This book examines representations of the Second World War in postwar Chinese and Japanese cinema. Drawing on a wide range of scholarly disciplines, and analysing a wide range of films, it demonstrates the potential of war movies for understanding contemporary China and Japan. It shows how the war is remembered in both countries, including the demonisation of Japanese soldiers in postwar socialist-era Chinese movies, and the pervasive sense of victimhood in Japanese memories of the war. However, it also shows how some Chinese directors were experimenting with alternatives interpretations of the war from as early as the 1950s, and how, despite the "resurgence of nationalism" in japan since the 1980s, the production of Japanese movies critical of the war has continued"--

     
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    Verlag (Inhaltsverzeichnis)
    Source: Staatsbibliothek zu Berlin
    Contributor: Tam, King-Fai (HerausgeberIn); Tsu, Timothy Y. (HerausgeberIn); Wilson, Sandra (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781138791039
    Series: Media, culture, and social change in Asia series ; 38
    Subjects: World War, 1939-1945; Motion pictures; Motion pictures; Motion pictures; Motion pictures; World War, 1939-1945; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures; War and motion pictures; China; Japan; Film; 2. Weltkrieg (1939-1945)
    Scope: viii, 185 Seiten
    Notes:

    Bd-Zählung aus LOC-Aufnahme entnommen, auf Umschlag fälschlicherweise als Bd. 41 bezeichnet
  5. De la guerre à l'écran
    Ay Carmela! de Carlos Saura
    Author: Berthier, Nancy
    Published: 1999
    Publisher:  Pr. Univ. du Mirail, Toulouse

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    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2858164703
    RVK Categories: IP 9080
    Series: Cinespaña
    Subjects: Film criticism; War and motion pictures
    Other subjects: Saura, Carlos / Ay Carmela; Saura, Carlos <1932->: Ay Carmela!; Saura, Carlos (1932-2023)
    Scope: 100 S., Ill.
  6. The American Civil War and the Hollywood war film
    Author: Trafton, John
    Published: 2016
    Publisher:  Palgrave Macmillan, New York, NY

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: AP 52700 ; AP 59783
    Subjects: War films / United States / History and criticism; History in motion pictures; History in motion pictures; War and motion pictures; War films; Geschichte; Sezessionskrieg (1861-1865); Kriegsfilm; Sezessionskrieg <1861-1865, Motiv>; Malerei; Literatur
    Scope: 194 Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references (pages 181-187), filmography (pages 179-180), and index
  7. Shell shock cinema
    Weimar culture and the wounds of war
    Author: Kaes, Anton
    Published: 2011
    Publisher:  Princeton Univ. Press, Princeton [u.a.]

    The war at home. The wounded soldier -- The spirit of 1914 -- Film and nation -- The battle of images -- A medium for deception -- The new empire -- Mental breakdowns -- Notes from the asylum. War neurotics -- Recovering the past -- Phantoms and... more

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    Universitätsbibliothek Würzburg
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    The war at home. The wounded soldier -- The spirit of 1914 -- Film and nation -- The battle of images -- A medium for deception -- The new empire -- Mental breakdowns -- Notes from the asylum. War neurotics -- Recovering the past -- Phantoms and freaks -- From Dr. Charcot to Dr. Caligari -- Madness as resistance -- the Hitler connection -- Shattered space -- The return of the undead. The lost generation -- Mass death -- Dracula revisited -- A community under siege -- Hysteria on the home front -- The allure of the occult -- The work of mourning -- Myth, murder, and revenge. The national project -- Posing for Germany -- The will to form -- The fallen hero -- Excursus: Lang in World War I -- The sacred battle -- The end of violence -- Apocalypse redux. Rise of the machines -- Moloch war -- The American alternative -- The hunger for religion -- The workers&apos; revolt -- Destruction and regeneration -- Aftershocks -- Epilogue

     
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  8. Shell shock cinema
    Weimar culture and the wounds of war
    Author: Kaes, Anton
    Published: 2009
    Publisher:  Princeton Univ. Press, Princeton [u.a.]

    The war at home. The wounded soldier -- The spirit of 1914 -- Film and nation -- The battle of images -- A medium for deception -- The new empire -- Mental breakdowns -- Notes from the asylum. War neurotics -- Recovering the past -- Phantoms and... more

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule für Fernsehen und Film, Bibliothek
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    Institut für Zeitgeschichte München-Berlin, Bibliothek
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    NS-Dokumentationszentrum München, Bibliothek
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    The war at home. The wounded soldier -- The spirit of 1914 -- Film and nation -- The battle of images -- A medium for deception -- The new empire -- Mental breakdowns -- Notes from the asylum. War neurotics -- Recovering the past -- Phantoms and freaks -- From Dr. Charcot to Dr. Caligari -- Madness as resistance -- the Hitler connection -- Shattered space -- The return of the undead. The lost generation -- Mass death -- Dracula revisited -- A community under siege -- Hysteria on the home front -- The allure of the occult -- The work of mourning -- Myth, murder, and revenge. The national project -- Posing for Germany -- The will to form -- The fallen hero -- Excursus: Lang in World War I -- The sacred battle -- The end of violence -- Apocalypse redux. Rise of the machines -- Moloch war -- The American alternative -- The hunger for religion -- The workers&apos; revolt -- Destruction and regeneration -- Aftershocks -- Epilogue

     
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  9. Roma e il cinema del dopoguerra
    neorealismo, melodramma, noir
    Author: Marmo, Lorenzo
    Published: [2018]
    Publisher:  Bulzoni editore, Roma

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 45774
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    Source: Staatsbibliothek zu Berlin
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788868971120
    Series: Array ; 19
    Subjects: Motion pictures; Realism in motion pictures; Melodrama in motion pictures; Film noir; Film noir; Film noir; Melodrama in motion pictures; Melodrama in motion pictures; Motion pictures; Motion pictures; Realism in motion pictures; Realism in motion pictures; War and motion pictures; Italy; Rome (Italy); World War (1939-1945); History; 1900-1999
    Scope: 224 Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references (pages 207-224)
  10. Krieg und Militär im Film des 20. Jahrhunderts
    Published: 2003
    Publisher:  Oldenbourg, München

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    Staatliche Bibliothek, Provinzialbibliothek
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    AlliiertenMuseum, Bibliothek

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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Hochschule für Fernsehen und Film, Bibliothek
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    Institut für Zeitgeschichte München-Berlin, Bibliothek
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    Universitätsbibliothek Würzburg
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  11. The intimacies of conflict
    cultural memory and the Korean War
    Author: Kim, Daniel Y.
    Published: [2020]; © 2020
    Publisher:  New York University Press, New York

    The Intimacies of Conflict explores cultural memory and the Korean War more

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    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
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    951.90421 KIM
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    The Intimacies of Conflict explores cultural memory and the Korean War

     
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  12. Shell shock cinema
    Weimar culture and the wounds of war
    Author: Kaes, Anton
    Published: 2009
    Publisher:  Princeton Univ. Press, Princeton [u.a.]

    The war at home. The wounded soldier -- The spirit of 1914 -- Film and nation -- The battle of images -- A medium for deception -- The new empire -- Mental breakdowns -- Notes from the asylum. War neurotics -- Recovering the past -- Phantoms and... more

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    Bibliothek des Bundesarchivs
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    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
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    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    The war at home. The wounded soldier -- The spirit of 1914 -- Film and nation -- The battle of images -- A medium for deception -- The new empire -- Mental breakdowns -- Notes from the asylum. War neurotics -- Recovering the past -- Phantoms and freaks -- From Dr. Charcot to Dr. Caligari -- Madness as resistance -- the Hitler connection -- Shattered space -- The return of the undead. The lost generation -- Mass death -- Dracula revisited -- A community under siege -- Hysteria on the home front -- The allure of the occult -- The work of mourning -- Myth, murder, and revenge. The national project -- Posing for Germany -- The will to form -- The fallen hero -- Excursus: Lang in World War I -- The sacred battle -- The end of violence -- Apocalypse redux. Rise of the machines -- Moloch war -- The American alternative -- The hunger for religion -- The workers&apos; revolt -- Destruction and regeneration -- Aftershocks -- Epilogue

     
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  13. A Nation of victims?
    representations of German wartime suffering from 1945 to the present
    Published: 2010
    Publisher:  Rodopi, Amsterdam

    Introduction : the return of wartime suffering in contemporary German memory culture, literature, and film / Helmut Schmitz -- Germans in the Lager : reports and narratives about imprisonment in post-war Allied internment camps / Gregor Streim --... more

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    Hochschule Aalen, Bibliothek
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    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Introduction : the return of wartime suffering in contemporary German memory culture, literature, and film / Helmut Schmitz -- Germans in the Lager : reports and narratives about imprisonment in post-war Allied internment camps / Gregor Streim -- "Die, von denen man erzählt hat, dass sie die kleinen Kinder schlachten" : deutsche Leiderfahrung und Bilder von Juden in der deutschen Kultur nach 1945 : zu einigen Texten Wolfgang Weyrauchs / Hans-Joachim Hahn -- The representation of Wehrmacht soldiers as victims in post-war German film : Hunde, wollt ihr ewig leben? and Der Arzt von Stalingrad / Helen Wolfenden -- The German myth of a victim nation : (re- )presenting Germans as victims in the new debate on their flight and explusion from Eastern Europe / Samuel Salzborn -- Implicit equations in constructions of German suffering / Bill Niven -- Dresden and Hamburg : official memory and commemoration of the victims of Allied air raids in the two Germanies / Gilad Margalit -- Regarding and imagining : contrived immediacy of the Allied bombing campaign in photography, novel, and historiography / Heinz-Peter Preusser -- Lost in translations? : the discourse of "german suffering" and W.G. Sebald's Luftkrieg und Literatur / Annette Seidel Arpaci -- Wahrheit und Erinnerung : die Spuren des Jahres 1945 in Texten von Christa Wolf / Odile Jansen -- Historicism, sentimentality, and the problem of empathy : Uwe Timm's Am Beispiel meines Bruders in the context of recent representations of German suffering / Helmut Schmitz -- Literary representations in contemporary German fiction of the expulsions of Germans from the east in 1945 / Stuart Taberner -- Der Untergang (2004) : victims, perpetrators, and the continuing fascination of fascism / Paul Cooke. The re-emergence of the issue of wartime suffering to the fore of German public discourse represents the greatest shift in German memory culture since the Historikerstreit of the 1980s. The (international) attention and debates triggered by, for example, W.G. Sebald's Luftkrieg und Literatur , Günter Grass's Im Krebsgang , Jörg Friedrich's Der Brand testify to a change in focus away from the victims of National Socialism to the traumatic experience of the 'perpetrator collective' and its legacies. The volume brings together German, English and Israeli literary and film scholars and historians

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781435604933; 1435604938
    Series: German monitor 0144-6355 ; no. 67
    German monitor ; no. 67
    Subjects: World War, 1939-1945; German literature; German literature; Motion pictures; Germans in literature; Germans in motion pictures; Suffering in literature; Suffering in motion pictures; War in literature; German literature; Motion pictures; German literature; World War, 1939-1945; Literature; German literature; German literature; Motion pictures; World War, 1939-1945; Germans in literature; Germans in motion pictures; Suffering in literature; Suffering in motion pictures; War in literature; Motion pictures; War and motion pictures; Oorlogsslachtoffers; Collectief geheugen; Beeldvorming; Tweede Wereldoorlog; Weltkrieg; Leid; LITERARY CRITICISM ; European ; German; German literature; Criticism, interpretation, etc; History
    Scope: Online Ressource (265 pages)
    Notes:

    Includes bibliographical references

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library
  14. Krieg und Militär im Film des 20. Jahrhunderts
    Herausgegeben im Auftrag des Militärgeschichtlichen Forschungsamtes
    Published: 2009; ©2003
    Publisher:  Oldenbourg Wissenschaftsverlag, München

    Kaum ein anderes Medium hat die Erinnerung und Wahrnehmung von -- organisierter Gewalt und Krieg im 20. Jahrhundert mehr geformt als der -- Film. In international vergleichender Perspektive beleuchtet dieses -- Buch das Spannungsverhältnis von Film... more

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    Universitätsbibliothek Braunschweig
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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Kaum ein anderes Medium hat die Erinnerung und Wahrnehmung von -- organisierter Gewalt und Krieg im 20. Jahrhundert mehr geformt als der -- Film. In international vergleichender Perspektive beleuchtet dieses -- Buch das Spannungsverhältnis von Film als einem Medium der Unterhaltung -- und politischer Meinungsbildung. Zur Sprache kommen neben methodischen -- Fragen die Rezeption im Ersten Weltkrieg und in der Weimarer Republik, -- die Affinität von Militär und Film im Nationalsozialismus sowie die -- Funktion von Militär- und Kriegsfilmen im Kalten Krieg. Das Spektrum -- reicht so von militärspezifischen Inhalten über Fragen der narrativen -- Konstruktion, der cineastischen Form bis zu den Mechanismen politischer -- Instrumentalisierung und gesellschaftlicher Wirkung von Filmen. -- Inhalt: -- -- Gerhard Paul, Krieg und Film im 20. Jahrhundert. Historische Skizze und -- methodologische Überlegungen -- -- Kriegsfilm und interdisziplinäres Umfeld -- -- Gerhard Paul, Kriegsfilm und interdisziplinäres Umfeld -- Günter Riederer, Was heißt und zu welchem Ende studiert man -- Filmgeschichte? Einleitende Überlegungen zu einer historischen Methodik -- der Filmanalyse -- Ulrich Fröschle und Helmut Mottel, Medientheoretische und -- mentalitätengeschichtliche Probleme filmhistorischer Untersuchungen. -- Fallbeispiel: »Apocalypse Now« -- Clemens Schwender, Bausteine zu einem evolutionspsychologischen -- Verständnis von Kriegsfilmen -- -- USA - Sowjetunion. Gewalt, Krieg und Nation im Film -- -- Bernhard Chiari, USA - Sowjetunion. Gewalt, Krieg und Nation im -- Film -- Andreas Etges, The Best War Ever? Der Deutungswandel des Zweiten -- Weltkriegs in US-amerikanischen Filmen am Beispiel von »The Best Years -- of Our Lives« und »Saving Private Ryan« -- Herbert Mehrtens, Die filmische Konstruktion der kampfbereiten Nation: -- »Deep Impact« -- Beate Fieseler, Der Kriegsinvalide in ausgewählten sowjetischen -- Spielfilmen der Kriegs- und Nachkriegszeit (1944 bis 1964) -- Carola Tischler, Kalter Krieg im Kino? Das Bild des »Amerikaners« in -- sowjetischen Spielfilmen nach 1945 -- -- Erster Weltkrieg und Weimarer Republik -- -- Martin Baumeister, Erster Weltkrieg und Weimarer Republik -- Martin Baumeister, »Leffet de réel«. Zum Verhältnis von Krieg und Film -- 1914 bis 1918 -- Philipp Stiasny, »Die poetische Schmachtlocke sträubt sich hier ohne -- weiteres zur politischen Borste«. »Fridericus Rex« und das Bild des -- Krieges im Weimarer Kino -- Barbara Ziereis, Kriegsgeschichte im Spielfilmformat. Der Erste -- Weltkrieg im Tonspielfilm der Weimarer Republik -- Ralph Winkle, Der Schock und die Ästhetik des Erhabenen. -- Darstellungsformen des Weltkrieges in Filmen der zwanziger und -- dreißiger Jahre -- -- Die Luftwaffe im NS-Propagandafilm -- -- Matthias Rogg, Die Luftwaffe im NS-Propagandafilm -- Rainer Rother, »Stukas«. Zeitnaher Film unter Kriegsbedingungen -- Rolf Seubert, »Junge Adler«. Technikfaszination und Wehrhaftmachung im -- nationalsozialistischen Jugendfilm -- Jan Kindler, »Wo wir sind, da ist immer oben«. Zur Inszenierung der -- Luftwaffe im NS-Kulturfilm -- Krieg und Militär im deutschen Nachkriegsfilm -- Wolfgang Schmidt, Krieg und Militär im deutschen Nachkriegsfilm -- Philipp von Hugo, Kino und kollektives Gedächtnis? Überlegungen zum -- westdeutschen Kriegsfilm der fünfziger Jahre -- Susanne Brandt, »Ich war neunzehn«. Konrad Wolfs Spielfilm über das -- Kriegsende 1945 als Bestandteil offizieller Erinnerungskultur in der -- DDR -- Wolfgang Schmidt, »Barras heute«. Bundeswehr und Kalter Krieg im -- westdeutschen Spielfilm der frühen sechziger Jahre -- Gerhard Wiechmann, »Top Gun« in der DDR? Der Kalte Krieg und die NVA im -- Spielfilm am Beispiel von »Anflug Alpha 1« -- Katja Protte, Auf der Suche nach dem Staatsbürger in Uniform. Frühe -- Ausbildungs- und Informationsfilme der Bundeswehr -- Matthias Rogg, »Filme von der Fahne«. Das Armeefilmstudio der -- Nationalen Volksarmee der DDR -- Die Herausgeber: -- Bernhard Chiari, Dr. phil., Wiss. Rat, geb. 1965 in Wien, Matthias -- Rogg, Dr. phil., Major, geb. 1963 in Wittmund, Wolfgang Schmidt, Dr. -- phil., Oberstleutnant, geb. 1958 in Regensburg. -- Die drei Herausgeber sind wissenschaftliche Mitarbeiter am -- Militärgeschichtlichen Forschungsamt, Potsdam.

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783486596243
    Other identifier:
    RVK Categories: AP 50300 ; AP 52700
    Series: Beiträge zur Militärgeschichte ; 59E
    Subjects: Armed Forces in motion pictures; War films; World War, 1914-1918; War and motion pictures; Filmgeschichte; Krieg; Kriegsfilm; Militär; USA; Sowjetunion; DDR; Deutschland; Zweiter Weltkrieg; Erster Weltkrieg; Nachkriegsdeutschland; Nationalsozialismus; NS; Propaganda; Kalter Krieg; HISTORY / General
    Scope: Online-Ressource
  15. Imag(in)ing the war in Japan
    representing and responding to trauma in postwar literature and film
    Published: 2010
    Publisher:  Brill, Leiden

    This study of a series of artistic representations of the Asia Pacific War experience in a variety of Japanese media is premised on Walter Davis' assertion that traumatic events and experiences must be 'constituted' before they can be assimilated,... more

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    This study of a series of artistic representations of the Asia Pacific War experience in a variety of Japanese media is premised on Walter Davis' assertion that traumatic events and experiences must be 'constituted' before they can be assimilated, integrated and understood. Arguing that the contribution of the arts to the constitution, integration and comprehension of traumatic historical events has yet to be sufficiently acknowledged or articulated, the contributors to this volume examine how various Japanese authors and other artists have drawn upon their imaginative powers to create affect-

     
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  16. Allied encounters
    the gendered redemption of World War II Italy
    Author: Escolar, Marisa
    Published: 2019
    Publisher:  Fordham University Press, New York

    Redeeming destination Italy : a guide to the occupation of enemy territory -- "Liberated" Rome beyond redemption : Roberto Rossellini's Paisá and Alfred Hayes's All They Conquests and The Girl on the Via Flamina -- Happily ever after redemption :... more

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    Redeeming destination Italy : a guide to the occupation of enemy territory -- "Liberated" Rome beyond redemption : Roberto Rossellini's Paisá and Alfred Hayes's All They Conquests and The Girl on the Via Flamina -- Happily ever after redemption : Luciana Peverelli's "true" romance novels of occupied Rome -- A queer redemption : John Horne Burns's The Gallery -- Sleights of hand, black skin, and the redemption of Curzio Malaparte's La pelle -- The redemption of Saint Paul : Norman Lewis's Naples '44.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780823284498
    Edition: First edition
    Series: Array
    Subjects: World War, 1939-1945; World War, 1939-1945; Allied Occupation of Italy (1943-1947); World War (1939-1945); War and literature; War and motion pictures; Italy; History
    Scope: xi, 240 Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references (pages 167-229) and index
  17. Imagining Afghanistan
    Global Fiction and Film of the 9/11 Wars
    Author: Ivanchikova, Alla
    Published: 2019
    Publisher:  Purdue University Press, West Lafayette, Indiana

    "Imagining Afghanistan examines how Afghanistan has been imagined in literary and visual texts that were published after the 9/11 attacks and the subsequent U.S.-led invasion-the era that propelled Afghanistan into the center of global media... more

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    "Imagining Afghanistan examines how Afghanistan has been imagined in literary and visual texts that were published after the 9/11 attacks and the subsequent U.S.-led invasion-the era that propelled Afghanistan into the center of global media visibility. Through an analysis of fiction, graphic novels, memoirs, drama, and film, the book demonstrates that writing and screening "Afghanistan" has become a conduit for understanding our shared post-9/11 condition. "Afghanistan" serves as a lens through which contemporary cultural producers contend with the moral ambiguities of twenty-first-century humanitarianism, interpret the legacy of the Cold War, debate the role of the U.S. in the rise of transnational terror, and grapple with the long-term impact of war on both human and nonhuman ecologies. Post-9/11 global Afghanistan literary production remains largely NATO-centric insofar as it is marked by an uncritical investment in humanitarianism as an approach to Third World suffering and in anti-communism as an unquestioned premise. The book's first half exposes how persisting anti-socialist biases-including anti-statist bias-not only shaped recent literary and visual texts on Afghanistan, resulting in a distorted portrayal of its tragic history, but also informed these texts' reception by critics. In the book's second half, the author examines cultural texts that challenge this limited horizon and forge alternative ways of representing traumatic histories. Captured by the author through the concepts of deep time, nonhuman witness, and war as a multispecies ecology, these new aesthetics bring readers a sophisticated portrait of Afghanistan as a rich multispecies habitat affected in dramatic ways by decades of war but not annihilated"--

     
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  18. Krieg und Militär im Film des 20. Jahrhunderts
    Contributor: Chiari, Bernhard (Hrsg.)
    Published: 2003
    Publisher:  Oldenbourg, München

    Kaum ein anderes Medium hat die Erinnerung und Wahrnehmung von organisierter Gewalt und Krieg im 20. Jahrhundert mehr geformt als der Film. In international vergleichender Perspektive beleuchtet dieses Buch das Spannungsverhältnis von Film als einem... more

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    Kaum ein anderes Medium hat die Erinnerung und Wahrnehmung von organisierter Gewalt und Krieg im 20. Jahrhundert mehr geformt als der Film. In international vergleichender Perspektive beleuchtet dieses Buch das Spannungsverhältnis von Film als einem Medium der Unterhaltung und politischer Meinungsbildung. Zur Sprache kommen neben methodischen Fragen die Rezeption im Ersten Weltkrieg und in der Weimarer Republik, die Affinität von Militär und Film im Nationalsozialismus sowie die Funktion von Militär- und Kriegsfilmen im Kalten Krieg. Das Spektrum reicht so von militärspezifischen Inhalten über Fragen der narrativen Konstruktion, der cineastischen Form bis zu den Mechanismen politischer Instrumentalisierung und gesellschaftlicher Wirkung von Filmen. Inhalt: Gerhard Paul, Krieg und Film im 20. Jahrhundert. Historische Skizze und methodologische Überlegungen Kriegsfilm und interdisziplinäres Umfeld Gerhard Paul, Kriegsfilm und interdisziplinäres Umfeld Günter Riederer, Was heißt und zu welchem Ende studiert man Filmgeschichte? Einleitende Überlegungen zu einer historischen Methodik der Filmanalyse Ulrich Fröschle und Helmut Mottel, Medientheoretische und mentalitätengeschichtliche Probleme filmhistorischer Untersuchungen. Fallbeispiel: "Apocalypse Now" Clemens Schwender, Bausteine zu einem evolutionspsychologischen Verständnis von Kriegsfilmen USA - Sowjetunion. Gewalt, Krieg und Nation im Film Bernhard Chiari, USA - Sowjetunion. Gewalt, Krieg und Nation im Film Andreas Etges, The Best War Ever? Der Deutungswandel des Zweiten Weltkriegs in US-amerikanischen Filmen am Beispiel von "The Best Years of Our Lives" und "Saving Private Ryan" Herbert Mehrtens, Die filmische Konstruktion der kampfbereiten Nation: "Deep Impact" Beate Fieseler, Der Kriegsinvalide in ausgewählten sowjetischen Spielfilmen der Kriegs- und Nachkriegszeit (1944 bis 1964) Carola Tischler, Kalter Krieg im Kino? Das Bild des "Amerikaners" in sowjetischen Spielfilmen nach 1945 Erster Weltkrieg und Weimarer Republik Martin Baumeister, Erster Weltkrieg und Weimarer Republik Martin Baumeister, "L'effet de réel". Zum Verhältnis von Krieg und Film 1914 bis 1918 Philipp Stiasny, "Die poetische Schmachtlocke sträubt sich hier ohne weiteres zur politischen Borste". "Fridericus Rex" und das Bild des Krieges im Weimarer Kino Barbara Ziereis, Kriegsgeschichte im Spielfilmformat. Der Erste Weltkrieg im Tonspielfilm der Weimarer Republik Ralph Winkle, Der Schock und die A ...

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Chiari, Bernhard (Hrsg.)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3486567160
    Other identifier:
    9783486567168
    RVK Categories: NK 7015 ; NQ 2570 ; NK 7010 ; AP 49600 ; AP 52700 ; AP 50300
    Series: Beiträge zur Militärgeschichte ; 59
    Subjects: War films; Armed Forces in motion pictures; War and motion pictures; World War, 1914-1918; World War, 1939-1945; Filmgeschichte; Krieg; Kriegsfilm; Militär; USA; Sowjetunion; DDR; Deutschland; Zweiter Weltkrieg; Erster Weltkrieg; Nachkriegsdeutschland; Nationalsozialismus; NS; Propaganda; Kalter Krieg
    Scope: X, 654 S., Ill.
    Notes:

    Literaturangaben
  19. The great war in American and British cinema, 1918-1938
    art amidst the ashes
    Author: Copping, Ryan
    Published: [2020]
    Publisher:  Palgrave Macmillan, Cham

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783030606701; 3030606708
    Series: Palgrave studies in the history of the media
    Subjects: World War, 1914-1918; Motion pictures; Motion pictures; World War, 1914-1918; World War, 1914-1918; Motion pictures; Public opinion; War and motion pictures; History
    Scope: xiii, 196 Seiten, 21 cm
  20. Han heroes and Yamato warriors
    competing masculinities in Chinese and Japanese war cinema
    Author: Weiss, Amanda
    Published: [2023]
    Publisher:  Hong Kong University Press, Hong Kong

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789888754274
    Series: Transnational Asian masculinities
    Subjects: World War, 1939-1945; Motion pictures; Motion pictures; Motion pictures; Collective memory and motion pictures; Masculinity in motion pictures; Collective memory and motion pictures; Masculinity in motion pictures; Motion pictures; War and motion pictures; History
    Scope: xiv, 163 Seiten, illustrations (black and white), 23 cm
  21. "Kogda my byli na vojne ..."
    ėsse i statʹi o stichach, pesnjach, proze i kino Velikoj Pobedy
    Author: Minakov, Stanislav Aleksandrovič
    Published: 2019
    Publisher:  Aletejja, Sankt-Peterburg

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: Russian
    Media type: Book
    Format: Print
    ISBN: 9785907189874; 5907189878
    Series: Nezavisimyj alʹjans
    Subjects: World War, 1939-1945; World War, 1939-1945; World War, 1939-1945; Russian literature; Russian literature; War and literature; War and motion pictures; Art; Criticism, interpretation, etc
    Scope: 276 Seiten, 22 cm
  22. Allied encounters
    the gendered redemption of World War II Italy
    Author: Escolar, Marisa
    Published: 2019
    Publisher:  Fordham University Press, New York

    Redeeming destination Italy : a guide to the occupation of enemy territory -- "Liberated" Rome beyond redemption : Roberto Rossellini's Paisá and Alfred Hayes's All They Conquests and The Girl on the Via Flamina -- Happily ever after redemption :... more

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    Redeeming destination Italy : a guide to the occupation of enemy territory -- "Liberated" Rome beyond redemption : Roberto Rossellini's Paisá and Alfred Hayes's All They Conquests and The Girl on the Via Flamina -- Happily ever after redemption : Luciana Peverelli's "true" romance novels of occupied Rome -- A queer redemption : John Horne Burns's The Gallery -- Sleights of hand, black skin, and the redemption of Curzio Malaparte's La pelle -- The redemption of Saint Paul : Norman Lewis's Naples '44.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780823284498
    Edition: First edition
    Series: Array
    Subjects: World War, 1939-1945; World War, 1939-1945; Allied Occupation of Italy (1943-1947); World War (1939-1945); War and literature; War and motion pictures; Italy; History
    Scope: xi, 240 Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references (pages 167-229) and index
  23. Krieg und Militär im Film des 20. Jahrhunderts
    Contributor: Chiari, Bernhard (Hrsg.)
    Published: 2003
    Publisher:  Oldenbourg, München

    Kaum ein anderes Medium hat die Erinnerung und Wahrnehmung von organisierter Gewalt und Krieg im 20. Jahrhundert mehr geformt als der Film. In international vergleichender Perspektive beleuchtet dieses Buch das Spannungsverhältnis von Film als einem... more

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    Kaum ein anderes Medium hat die Erinnerung und Wahrnehmung von organisierter Gewalt und Krieg im 20. Jahrhundert mehr geformt als der Film. In international vergleichender Perspektive beleuchtet dieses Buch das Spannungsverhältnis von Film als einem Medium der Unterhaltung und politischer Meinungsbildung. Zur Sprache kommen neben methodischen Fragen die Rezeption im Ersten Weltkrieg und in der Weimarer Republik, die Affinität von Militär und Film im Nationalsozialismus sowie die Funktion von Militär- und Kriegsfilmen im Kalten Krieg. Das Spektrum reicht so von militärspezifischen Inhalten über Fragen der narrativen Konstruktion, der cineastischen Form bis zu den Mechanismen politischer Instrumentalisierung und gesellschaftlicher Wirkung von Filmen. Inhalt: Gerhard Paul, Krieg und Film im 20. Jahrhundert. Historische Skizze und methodologische Überlegungen Kriegsfilm und interdisziplinäres Umfeld Gerhard Paul, Kriegsfilm und interdisziplinäres Umfeld Günter Riederer, Was heißt und zu welchem Ende studiert man Filmgeschichte? Einleitende Überlegungen zu einer historischen Methodik der Filmanalyse Ulrich Fröschle und Helmut Mottel, Medientheoretische und mentalitätengeschichtliche Probleme filmhistorischer Untersuchungen. Fallbeispiel: "Apocalypse Now" Clemens Schwender, Bausteine zu einem evolutionspsychologischen Verständnis von Kriegsfilmen USA - Sowjetunion. Gewalt, Krieg und Nation im Film Bernhard Chiari, USA - Sowjetunion. Gewalt, Krieg und Nation im Film Andreas Etges, The Best War Ever? Der Deutungswandel des Zweiten Weltkriegs in US-amerikanischen Filmen am Beispiel von "The Best Years of Our Lives" und "Saving Private Ryan" Herbert Mehrtens, Die filmische Konstruktion der kampfbereiten Nation: "Deep Impact" Beate Fieseler, Der Kriegsinvalide in ausgewählten sowjetischen Spielfilmen der Kriegs- und Nachkriegszeit (1944 bis 1964) Carola Tischler, Kalter Krieg im Kino? Das Bild des "Amerikaners" in sowjetischen Spielfilmen nach 1945 Erster Weltkrieg und Weimarer Republik Martin Baumeister, Erster Weltkrieg und Weimarer Republik Martin Baumeister, "L'effet de réel". Zum Verhältnis von Krieg und Film 1914 bis 1918 Philipp Stiasny, "Die poetische Schmachtlocke sträubt sich hier ohne weiteres zur politischen Borste". "Fridericus Rex" und das Bild des Krieges im Weimarer Kino Barbara Ziereis, Kriegsgeschichte im Spielfilmformat. Der Erste Weltkrieg im Tonspielfilm der Weimarer Republik Ralph Winkle, Der Schock und die A ...

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Chiari, Bernhard (Hrsg.)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3486567160
    Other identifier:
    9783486567168
    Parent title:
    RVK Categories: NK 7015 ; NQ 2570 ; NK 7010 ; AP 49600 ; AP 52700 ; AP 50300
    Series: Beiträge zur Militärgeschichte ; 59
    Subjects: War films; Armed Forces in motion pictures; War and motion pictures; World War, 1914-1918; World War, 1939-1945; Filmgeschichte; Krieg; Kriegsfilm; Militär; USA; Sowjetunion; DDR; Deutschland; Zweiter Weltkrieg; Erster Weltkrieg; Nachkriegsdeutschland; Nationalsozialismus; NS; Propaganda; Kalter Krieg
    Scope: X, 654 S., Ill.
    Notes:

    Literaturangaben
  24. Film Front Weimar
    Representations of the First World War in German Films from the Weimar Period (1919-1933)
    Author: Kester, Bernadette
    Published: 2002
    Publisher:  Amsterdam University Press, Amsterdam

    Chapter 6: 'Neid, Leid, Tränen -- das ist der Krieg' -- Gender and war filmsEpilogue; Notes; Credits Weimar War Films; Archives and Libraries; Bibliography; Index of names; Index of subjects Contents; Preface and Acknowledgements; Introduction;... more

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Chapter 6: 'Neid, Leid, Tränen -- das ist der Krieg' -- Gender and war filmsEpilogue; Notes; Credits Weimar War Films; Archives and Libraries; Bibliography; Index of names; Index of subjects Contents; Preface and Acknowledgements; Introduction; Chapter 1: 'Lehrreich und amüsant' -- Historical films in the period 1896-1933; Chapter 2: 'Die Legende von der Unschuld' -- Films about the run-up to the war, especially 1914. Die letzten Tage vor dem Weltbrand; Chapter 3: 'Das Dokumentarische gewinnt die Oberhand' -- Archival footage and constructions in war films; Chapter 4: 'Wenn wir Helden wären, wären wir schon längst daheim' -- Realism and anti-war tendencies in four films; Chapter 5: 'Auf dem Meere, da ist der Mann noch etwas wert' -- Films about the German navy during the First

     
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    Volltext (kostenfrei)
  25. Roma e il cinema del dopoguerra
    neorealismo, melodramma, noir
    Author: Marmo, Lorenzo
    Published: [2018]
    Publisher:  Bulzoni editore, Roma

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788868971120
    Series: Array ; 19
    Subjects: Motion pictures; Realism in motion pictures; Melodrama in motion pictures; Film noir; Film noir; Film noir; Melodrama in motion pictures; Melodrama in motion pictures; Motion pictures; Motion pictures; Realism in motion pictures; Realism in motion pictures; War and motion pictures; Italy; Rome (Italy); World War (1939-1945); History; 1900-1999
    Scope: 224 Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references (pages 207-224)