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Displaying results 176 to 200 of 269.

  1. Histoire de l'œil
    Author: Swoboda, Tomasz
    Published: 2013
    Publisher:  Rodopi, Amsterdam

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 904203775X; 9401210241; 9789042037755; 9789401210249
    Series: Faux titre ; no. 390
    Subjects: LITERARY CRITICISM / European / French; Perception (Philosophy); Vision in literature; Perception (Philosophy); Vision in literature; Anthropologie; Auge; Literatur
    Scope: 1 online resource
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    Print version record

    L'objectivation de l'organe de la vue est, peut-être, le trait dominant de ces histoires et, dans le même temps, une des idées les plus intéressantes de la modernité. Mais l'œil est ici non seulement vu et regardé : il est aussi voyant et regardant. Paradoxalement - et à la fois très logiquement - l'enfermement de l'œil dans l'objectif du discours signifie son ouverture sans précédent dans l'histoire de l'Occident. Ouverture comprise de deux manières : premièrement, chirurgicalement, avec un rasoir, par exemple ; deuxièmement, en perspective, en tant que con-templation obstinée de choses sur l
  2. Chaucer on love, knowledge, and sight
    Author: Klassen, Norman
    Published: 1995
    Publisher:  Boydell & Brewer, Suffolk

    In this study, Norman Klassen shows how Chaucer explores the complexity of the relationship between love and knowledge through recourse to the motif of sight. The convention of love at first sight involves love, knowledge, and sight, but insists that... more

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    In this study, Norman Klassen shows how Chaucer explores the complexity of the relationship between love and knowledge through recourse to the motif of sight. The convention of love at first sight involves love, knowledge, and sight, but insists that the claims of love and the realm of the rational are in strict opposition. In the metaphysical tradition, however, the relationship between love, knowledge and sight is more complex, manifesting both qualities of opposition and of symbiosis, similar to that found in late medieval natural philosophy. The author argues that Chaucer is unorthodox in exploiting the possibilities for using sight both to express emotional experience and to accentuate rationality at the same time. The conventional opposition of love and knowledge in the phenomenon of love at first sight gives way in Chaucer's development of love, knowledge, and sight to a symbiosis in his love poetry. The complexity of this relationship draws attention to his own role as artificer, as one who in the process of articulating the effects of love at first sight cannot help but bring together love and knowledge in ways not anticipated by the conventions of love poetry.'NORMAN KLASSEN'is a Social Sciences and Humanities Research Council of Canada postdoctorial fellow at the Centre for Medieval Studies and the Department of English Language and Literature at the University of Minnesota

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846153075
    RVK Categories: HH 5082 ; HH 5092
    Subjects: Philosophie; Knowledge, Theory of, in literature; Philosophy, Medieval, in literature; Vision in literature; Love in literature; Sehen; Liebe <Motiv>; Erkenntnis <Motiv>; Liebe; Sehen <Motiv>; Erkenntnis; Wissen <Motiv>
    Other subjects: Chaucer, Geoffrey / -1400 / Philosophy; Chaucer, Geoffrey (1343-1400)
    Scope: 1 online resource (xi, 225 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  3. Chaucer on love, knowledge, and sight
    Author: Klassen, Norman
    Published: 1995
    Publisher:  Boydell & Brewer, Suffolk

    In this study, Norman Klassen shows how Chaucer explores the complexity of the relationship between love and knowledge through recourse to the motif of sight. The convention of love at first sight involves love, knowledge, and sight, but insists that... more

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    In this study, Norman Klassen shows how Chaucer explores the complexity of the relationship between love and knowledge through recourse to the motif of sight. The convention of love at first sight involves love, knowledge, and sight, but insists that the claims of love and the realm of the rational are in strict opposition. In the metaphysical tradition, however, the relationship between love, knowledge and sight is more complex, manifesting both qualities of opposition and of symbiosis, similar to that found in late medieval natural philosophy. The author argues that Chaucer is unorthodox in exploiting the possibilities for using sight both to express emotional experience and to accentuate rationality at the same time. The conventional opposition of love and knowledge in the phenomenon of love at first sight gives way in Chaucer's development of love, knowledge, and sight to a symbiosis in his love poetry. The complexity of this relationship draws attention to his own role as artificer, as one who in the process of articulating the effects of love at first sight cannot help but bring together love and knowledge in ways not anticipated by the conventions of love poetry.'NORMAN KLASSEN'is a Social Sciences and Humanities Research Council of Canada postdoctorial fellow at the Centre for Medieval Studies and the Department of English Language and Literature at the University of Minnesota

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846153075
    RVK Categories: HH 5082 ; HH 5092
    Subjects: Philosophie; Knowledge, Theory of, in literature; Philosophy, Medieval, in literature; Vision in literature; Love in literature; Liebe; Sehen <Motiv>; Sehen; Erkenntnis; Wissen <Motiv>; Erkenntnis <Motiv>; Liebe <Motiv>
    Other subjects: Chaucer, Geoffrey / -1400 / Philosophy; Chaucer, Geoffrey (1343-1400)
    Scope: 1 online resource (xi, 225 pages)
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    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  4. Ghost-seers, detectives, and spiritualists
    theories of vision in Victorian literature and science
    Author: Smajić, Srdjan
    Published: 2010
    Publisher:  Cambridge University Press, Cambridge

    This book is a study of the narrative techniques that developed for two very popular forms of fiction in the nineteenth century - ghost stories and detective stories - and the surprising similarities between them in the context of contemporary... more

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    This book is a study of the narrative techniques that developed for two very popular forms of fiction in the nineteenth century - ghost stories and detective stories - and the surprising similarities between them in the context of contemporary theories of vision and sight. Srdjan Smajić argues that to understand how writers represented ghost-seers and detectives, the views of contemporary scientists, philosophers, and spiritualists with which these writers engage have to be taken into account: these views raise questions such as whether seeing really is believing, how much of what we 'see' is actually only inferred, and whether there may be other (intuitive or spiritual) ways of seeing that enable us to perceive objects and beings inaccessible to the bodily senses. This book will make a real contribution to the understanding of Victorian science in culture, and of the ways in which literature draws on all kinds of knowledge

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511712012
    Other identifier:
    Series: Cambridge studies in nineteenth-century literature and culture ; 71
    Subjects: Geschichte; English literature / 19th century / History and criticism; Visual perception in literature; Vision in literature; Ghost stories, English / History and criticism; Detective and mystery stories, English / History and criticism; Literature and science; Erzähltechnik; Kriminalgeschichte; Gespenstergeschichte; Sehen <Motiv>; Englisch
    Scope: 1 Online-Ressource (xi, 262 Seiten)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Contextualizing the ghost story -- The rise of optical apparitions -- Inner vision and spiritual optics -- 'Betwixt ancient faith and modern incredulity' -- Visual learning : sight and Victorian epistemology -- Scopophilia and scopophobia : Poe's readerly flâneur --Stains, smears, and visual language in The moonstone -- Semiotics vs. encyclopedism : the case of Sherlock Holmes -- Detective fiction's uncanny -- Light, ether, and the invisible world -- Inner vision and occult detection : Le Fanu's Martin Hesselius -- Other dimensions, other worlds -- Psychic sleuths and soul doctors
  5. <<The>> curious eye
    optics and imaginative literature in seventeenth-century England
    Author: Webster, Erin
    Published: 2020
    Publisher:  Oxford University Press, Oxford

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    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191884665
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    Edition: First edition
    Subjects: English literature ; 17th century ; History and criticism; Optical instruments ; England ; History ; 17th century; Optical instruments in literature; Vision in literature
    Scope: 1 Online-Ressource (212 Seiten)
  6. Textil & Raum
    Visuelle Poetologien in Gustave Flauberts Madame Bovary
    Author: Fehringer, Kathrin
    Published: [2017]; ©2017
    Publisher:  transcript Verlag, Bielefeld

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  7. Vision, the Gaze, and the Function of the Senses in "Celestina"
    Author: Burke, James F.
    Published: [2015]; © 2000
    Publisher:  Penn State University Press, University Park, PA

    The plot of the late-medieval Spanish work Celestina (1499) centers on the ill-fated love of Calisto and Melibea and the fascinating character of their intermediary, Celestina. In this ground-breaking rereading of the play, James F. Burke offers a... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    The plot of the late-medieval Spanish work Celestina (1499) centers on the ill-fated love of Calisto and Melibea and the fascinating character of their intermediary, Celestina. In this ground-breaking rereading of the play, James F. Burke offers a new interpretation of the characters' actions by analyzing medieval theories of perception that would have influenced the composition of Celestina. Drawing upon a variety of texts and thinkers-including the medieval theories of Thomas Aquinas, the Renaissance treatises of Marsilio Ficino, the classical philosophy of Aristotle, and the modern psychology of Jacques Lacan-Burke relates ancient and medieval theories of sensory functions to modern understandings. He demonstrates that modern concepts of ";the gaze"; have their premodern analogy in the idea of an all-encompassing sensory field, both visual and auditory, that surrounded and enveloped each individual. Touching on medieval theories of the ";evil eye,"; the sonic sphere, and ";the banquet of the senses,"; Burke offers a new perspective on the use and manipulation of sensory input by the characters of Celestina. This book will be welcomed not only by students of Spanish literature but also by those interested in new ways of approaching medieval and Renaissance texts

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271072388
    Other identifier:
    Series: Studies in Romance Literatures
    Subjects: LITERARY CRITICISM / European / Spanish & Portuguese; Gaze in literature; Senses and sensation in literature; Vision in literature
    Scope: 1 online resource (152 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021)
  8. The Primacy of Vision in Virgil's Aeneid
    Author: Smith, Riggs Alden
    Published: [2021]; © 2006
    Publisher:  University of Texas Press, Austin

    One of the masterpieces of Latin and, indeed, world literature, Virgil's Aeneid was written during the Augustan "renaissance" of architecture, art, and literature that redefined the Roman world in the early years of the empire. This period was marked... more

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    One of the masterpieces of Latin and, indeed, world literature, Virgil's Aeneid was written during the Augustan "renaissance" of architecture, art, and literature that redefined the Roman world in the early years of the empire. This period was marked by a transition from the use of rhetoric as a means of public persuasion to the use of images to display imperial power. Taking a fresh approach to Virgil's epic poem, Riggs Alden Smith argues that the Aeneid fundamentally participates in the Augustan shift from rhetoric to imagery because it gives primacy to vision over speech as the principal means of gathering and conveying information as it recounts the heroic adventures of Aeneas, the legendary founder of Rome. Working from the theories of French phenomenologist Maurice Merleau-Ponty, Smith characterizes Aeneas as a voyant-visible, a person who both sees and is seen and who approaches the world through the faculty of vision. Engaging in close readings of key episodes throughout the poem, Smith shows how Aeneas repeatedly acts on what he sees rather than what he hears. Smith views Aeneas' final act of slaying Turnus, a character associated with the power of oratory, as the victory of vision over rhetoric, a triumph that reflects the ascendancy of visual symbols within Augustan society. Smith's new interpretation of the predominance of vision in the Aeneid makes it plain that Virgil's epic contributes to a new visual culture and a new mythology of Imperial Rome

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780292796829
    Other identifier:
    Subjects: LITERARY CRITICISM / General; Aeneas (Legendary character) in literature; Art and literature; Epic poetry, Latin; Vision in literature; Visions in literature; Visual perception in literature
    Scope: 1 Online-Ressource (271 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)
  9. L' oeil écrit
    études sur des rapports entre texte et image, 1800 - 1940; volume en l'honneur de Barbara Wright
    Contributor: Conroy, Derval (Hrsg.); Wright, Barbara (GefeierteR)
    Published: 2005
    Publisher:  Slatkine Érudition, Genève

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    Source: Staatsbibliothek zu Berlin
    Contributor: Conroy, Derval (Hrsg.); Wright, Barbara (GefeierteR)
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2051019800; 9782051019804
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    9782051019804
    RVK Categories: EC 1090
    Subjects: French literature; French literature; Art and literature; Art and literature; Vision in literature
    Scope: XXII, 270 S., Ill.
  10. Vision et poésie dans l'œuvre romanesque de Sylvie Germain
    Author: Moris-Stefkovic, Milène
    Published: 2014
    Publisher:  Honoré Champion Éditeur, Paris

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Dissertation
    Format: Print
    ISBN: 9782745327901
    RVK Categories: IH 45605
    Series: Littérature de notre siècle ; 52
    Subjects: Vision in literature
    Other subjects: Germain, Sylvie (1954-)
    Scope: 311 Seiten, 24 cm
    Notes:

    Literaturverzeichnis: Seite 281-301

    Dissertation, Université Paris Nanterre, 2009
  11. How poets see the world
    the art of description in contemporary poetry
    Author: Spiegelman, Willard
    Published: 2005
    Publisher:  Oxford University Press, New York ;

    Spiegelman looks closely at a handful of contemporary poets including John Ashbery, Amy Clampitt, Jorie Graham, Charles Tomlinson and Charles Wright, to illustrate the art of description in poetry. more

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    Spiegelman looks closely at a handful of contemporary poets including John Ashbery, Amy Clampitt, Jorie Graham, Charles Tomlinson and Charles Wright, to illustrate the art of description in poetry.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199851294
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    Subjects: American poetry; Vision in literature; Art and literature; Visual perception in literature; Landscapes in literature; Description (Rhetoric); Nature in literature; Art in literature
    Scope: 1 online resource (xi, 238 p.)
    Notes:

    Includes bibliographical references and index. - Description based on print version record
  12. Vision in the novels of George Sand
    Author: Mathias, Manon
    Published: 2016
    Publisher:  Oxford University Press, Oxford

    The author offers the first study of vision in the works of George Sand. He argues that, rather than rejecting reality in favour of the ideal, he integrates physical observation with internal forms of seeing such as the imagination and visionary... more

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    The author offers the first study of vision in the works of George Sand. He argues that, rather than rejecting reality in favour of the ideal, he integrates physical observation with internal forms of seeing such as the imagination and visionary insights.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191799570
    Other identifier:
    Series: Oxford modern languages and literature monographs
    Subjects: French fiction; Vision in literature
    Scope: 1 online resource, illustrations (black and white).
    Notes:

    Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 14, 2015)
  13. Optiques
    the science of the eye and the birth of modern French fiction
    Author: Goulet, Andrea
    Published: 2006
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780812239317; 0812239318
    Series: Critical authors & issues
    Subjects: French fiction; French fiction; Vision in literature; French fiction; French fiction; Vision in literature
    Scope: VIII, 272, 23cm
    Notes:

    Includes bibliographical references and index
  14. Vision et poésie dans l'œuvre romanesque de Sylvie Germain
    Author: Moris-Stefkovic, Milène
    Published: 2014
    Publisher:  Honoré Champion Éditeur, Paris

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 43279
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    Universitätsbibliothek Freiburg
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    GE 2015/2113
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    Universitätsbibliothek Heidelberg
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    2015 A 4059
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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Dissertation
    Format: Print
    ISBN: 9782745327901
    RVK Categories: IH 45605
    Series: Littérature de notre siècle ; 52
    Subjects: Vision in literature
    Other subjects: Germain, Sylvie (1954-)
    Scope: 311 Seiten, 24 cm
    Notes:

    Literaturverzeichnis: Seite 281-301

    Dissertation, Université Paris Nanterre, 2009
  15. Optical play
    glass, vision, and spectacle in Russian culture
    Author: Chadaga, Julia Bekman
    Published: 2014
    Publisher:  Northwestern University Press, Evanston, Illinois

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 936525
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    Universitätsbibliothek Freiburg
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    GE 2016/3016
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    Universitätsbibliothek Heidelberg
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    2018 C 314
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    Badische Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    55 A 2062
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780810134355; 9780810130036
    Other identifier:
    9780810134355
    RVK Categories: KH 1040 ; KH 1530
    Series: Studies in Russian literature and theory
    Subjects: Russian literature; Glass in literature; Vision in literature; Glass; Vision; Glass construction; Russian literature; Glass in literature; Vision in literature; Glass; Vision; Glass construction
    Scope: XV, 315 S., Ill.
    Notes:

    Includes bibliographical references and index

    IntroductionLooking through glass : the transformation of visionThe language of glass : making rhetorical objectsThe display of power : spectacular glass in Imperial RussiaGlass architecture : glimpses of utopiaThe glass house as dream and nightmareLight in captivity : the glass object as ideological spectacleConclusion.
  16. Vision and narrative in Achilles Tatius' Leucippe and Clitophon
    Author: Morales, Helen
    Published: 2004
    Publisher:  Cambridge University Press, Cambridge [u.a.]

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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universität Freiburg, Seminar für Griechische und Lateinische Philologie, Abteilung für Griechische Philologie und Abteilung für Lateinische Philologie der Antike und der Neuzeit, Bibliothek
    Signature:
    Frei 75: G Ach 610
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    I Achill 12
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    A 7.1.2.-3
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Ba 24
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    Bereichsbibliothek Altertumswissenschaften, Abteilung Klassische Philologie
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    Cd 1/188
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    Badische Landesbibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Bereich Klassisches Altertum
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Universitätsbibliothek Leipzig
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    Universitätsbibliothek der Eberhard Karls Universität
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    Philologisches Seminar, Bibliothek
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    Herzog August Bibliothek Wolfenbüttel
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    55.126
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  17. <<The>> Victorians and the visual imagination
    Author: Flint, Kate
    Published: 2000
    Publisher:  Cambridge Univ. Press, Cambridge

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521770262
    RVK Categories: LO 50090 ; HL 1071 ; HL 1101
    Edition: 1. publ.
    Subjects: English literature; Painting, Victorian; Painting, British; Vision; Vision in literature
    Scope: XVI, 427 S., Ill., 25 cm
    Notes:

    Literaturverz. S. 384 - 415
  18. How poets see the world
    the art of description in contemporary poetry
    Author: Spiegelman, Willard
    Published: 2005
    Publisher:  Oxford University Press, Oxford

  19. Augen-Spiel
    Jean Pauls optische Metaphorik der Unsterblichkeit
    Author: Eickenrodt, Sabine
    Published: 2006
    Publisher:  Wallstein-Verl., Göttingen

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    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783835300842; 3835300849
    Other identifier:
    9783835300842
    RVK Categories: GK 4984
    DDC Categories: 830
    Subjects: Vision in literature
    Scope: 391 S., 22 cm
    Notes:

    Literaturverz. S. [346] - 378
  20. Word sightings
    visual apparatus and verbal reality in Stevens, Bishop and O'Hara
    Author: Riggs, Sarah
    Published: 2002
    Publisher:  Routledge, New York, NY [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0415938597
    Series: Studies in major literary authors ; 12
    Subjects: Vision in literature; American poetry
    Scope: XXIV, 134 S., Ill., 23cm
    Notes:

    Literaturverz. S. 127 - 129
  21. Augen zeugen
    zur Artikulation von Blickbezügen in der Fiktion ; mit Analysen zum Sehen in J. W. Goethes Roman "Die Wahlverwandtschaften" (1809) und in Peter Greenaways Film "The draughtsman's contract" (1982)
    Author: Lehmann, Thomas
    Published: 2003
    Publisher:  Francke, Tübingen

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    Content information
    Source: Union catalogues
    Media type: Dissertation
    Format: Print
    ISBN: 3772026818
    RVK Categories: GK 4675 ; AP 59800
    Series: Basler Studien zur deutschen Sprache und Literatur ; 82
    Subjects: Gaze in literature; Vision in literature; Visual perception in literature; Array
    Scope: 630 S.
    Notes:

    Zugl.: Basel, Univ., Diss., 1999
  22. <<Das>> optische Wissen
    mediologische Studien zu einer Geschichte des Sehens
    Author: Köhnen, Ralph
    Published: 2009
    Publisher:  Fink, München

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783770546725
    Other identifier:
    9783770546725
    RVK Categories: AP 14800 ; CC 6900 ; LH 61100 ; CC 8400 ; EC 5410 ; LH 61045
    DDC Categories: 900
    Subjects: Visual perception; Optics; Vision; Vision in literature
    Scope: 603 S., Ill., 24 cm
    Notes:

    Literaturverz. S. [567] - 601
  23. Spiegelungen
    zur Kultur der Visualität im Mittelalter
    Author: Wenzel, Horst
    Published: 2009
    Publisher:  <<Erich>> Schmidt, Berlin

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    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783503098736
    RVK Categories: GE 8051 ; GE 8202
    Series: Philologische Studien und Quellen ; 216
    Subjects: German literature; Civilization, Medieval; Vision in literature; Mirrors in literature
    Scope: 316 S., Ill., graph. Darst., 21 cm
    Notes:

    Literaturverz. S. 279 - 311
  24. Optiques
    the science of the eye and the birth of modern French fiction
    Author: Goulet, Andrea
    Published: c2006
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0812239318
    Series: Critical authors & issues
    Subjects: French fiction; French fiction; Vision in literature
    Scope: viii, 272 S., 23cm
    Notes:

    Includes bibliographical references and index. - Formerly CIP
  25. <<The>> language of the eyes
    science, sexuality, and female vision in English literature and culture, 1690 - 1927
    Author: Ogden, Daryl
    Published: 2005
    Publisher:  State Univ. of New York Press, New York, NY

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0791464997
    Series: SUNY series in feminist criticism and theory
    Subjects: English literature; Eye in literature; Feminism and literature; Literature and science; Women and literature; Visual perception in literature; Sex role in literature; Vision in literature; Sex in literature
    Scope: XIII, 272 S., Ill.
    Notes:

    Literaturverz. S. 245 - 262