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  1. Monster
    Author: Baker, Peter
    Published: 2017
    Publisher:  Peter Lang Inc., New York ; Peter Lang International Academic Publishers, Bern

    Monster: Distortion, Abstraction, and Originality in Contemporary American Poetry argues that memorable and resonant poetry often distorts form, image, concept, and notions of truth and metaphor. Discussing how changes in electronic communication and... more

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    Monster: Distortion, Abstraction, and Originality in Contemporary American Poetry argues that memorable and resonant poetry often distorts form, image, concept, and notions of truth and metaphor. Discussing how changes in electronic communication and artificial notions of landscape have impacted form and content in poetry, Monster redefines the idea of what is memorable and original through a broad range of poets including John Ashbery, Anne Carson, Thomas Sayers Ellis, Forrest Gander, Peter Gizzi, Jorie Graham, Robert Hass, Brenda Hillman, Laura Kasischke, W. S. Merwin, Srikanth Reddy, Donald Revell, Mary Ruefle, Arthur Sze, and James Tate. “In these essays Mark Irwin moves among poems like an ecstatic bee in pollen season. No one more zealous at placing both particulars and compositions under the strong light of a concept, whether distortion, transition, abstraction, or time.”—Calvin Bedient, Author, He Do the Police in Different Voices: The Waste Land and Its Protagonist... “This important work of literary and cultural criticism probes the essential issues of poetry today. For example, distortion in poetry may now be necessary to its truth-function, a broken language for a broken world. Are we so distracted by the buzz of electronic media that lyric silence, along with nature, has receded into the past? Is anything real or, as it often seems, a virtual creation? Quoting Alfred Jarry, ‘I call Monster all original and inexhaustible beauty,’ Irwin reminds us that monstrosity is inherent in the new. Every great work of art, from Picasso’s Guernica to W.C. Williams’ plainspoken objectivism, emerges as a monster. As the author writes in his wonderful essay, ‘The Emergency of Poetry’: ‘Poetry is born of crisis or will seek it, often beginning in medias res —the middle where the danger is.’ It is then a question if art can heal or does the cultural wound lie open. My response to reading this book was immediate. It made me want to write something.”—Paul Hoover, Editor, Postmodern American Poetry: A Norton Anthology...

     
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    Source: Union catalogues
    Contributor: Irwin, Mark
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781453918746
    Other identifier:
    DDC Categories: 810
    Edition: 1st, New ed.
    Series: Studies in Modern Poetry ; 21
    Subjects: Lyrik; Das Groteske; Verzerrung <Motiv>
    Scope: 1 Online-Ressource
  2. Monster
    distortion, abstraction, and originality in contemporary American poetry
    Author: Irwin, Mark
    Published: [2017]; © 2017
    Publisher:  Peter Lang, New York ; Bern ; Frankfurt ; Berlin ; Brussels ; Vienna ; Oxford ; Warsaw

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781433134050; 1433134055
    RVK Categories: HU 1769
    DDC Categories: 420
    Series: Studies in modern poetry ; vol. 21
    Subjects: Lyrik; Verzerrung; Abstraktion; Verzerrung <Motiv>; Das Groteske
    Scope: xviii, 208 Seiten, Illustrationen
  3. Monster
    Distortion, Abstraction, and Originality in Contemporary American Poetry
    Contributor: Baker, Peter (Publisher)
    Published: 2017
    Publisher:  Peter Lang Inc., International Academic Publishers, New York

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Baker, Peter (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781453918746
    Other identifier:
    9781453918746
    RVK Categories: HU 1769
    Edition: 1st, New ed
    Subjects: Das Groteske; Lyrik; Verzerrung <Motiv>; Abstraktion; Verzerrung
    Scope: 1 Online-Ressource (230 Seiten), 6 ill
    Notes:

    Online resource; title from title screen (viewed June 27, 2019)

    Monster: Distortion, Abstraction, and Originality in Contemporary American Poetry argues that memorable and resonant poetry often distorts form, image, concept, and notions of truth and metaphor. Discussing how changes in electronic communication and artificial notions of landscape have impacted form and content in poetry, Monster redefines the idea of what is memorable and original through a broad range of poets including John Ashbery, Anne Carson, Thomas Sayers Ellis, Forrest Gander, Peter Gizzi, Jorie Graham, Robert Hass, Brenda Hillman, Laura Kasischke, W. S. Merwin, Srikanth Reddy, Donald Revell, Mary Ruefle, Arthur Sze, and James Tate

    "In these essays Mark Irwin moves among poems like an ecstatic bee in pollen season. No one more zealous at placing both particulars and compositions under the strong light of a concept, whether distortion, transition, abstraction, or time."-Calvin Bedient, Author, He Do the Police in Different Voices: The Waste Land and Its Protagonist

    "This important work of literary and cultural criticism probes the essential issues of poetry today. For example, distortion in poetry may now be necessary to its truth-function, a broken language for a broken world. Are we so distracted by the buzz of electronic media that lyric silence, along with nature, has receded into the past? Is anything real or, as it often seems, a virtual creation? Quoting Alfred Jarry, 'I call Monster all original and inexhaustible beauty,' Irwin reminds us that monstrosity is inherent in the new. Every great work of art, from Picasso's Guernica to W.C. Williams' plainspoken objectivism, emerges as a monster. As the author writes in his wonderful essay, 'The Emergency of Poetry': 'Poetry is born of crisis or will seek it, often beginning in medias res -the middle where the danger is.' It is then a question if art can heal or does the cultural wound lie open. My response to reading this book was immediate. It made me want to write something."-Paul Hoover, Editor, Postmodern American Poetry: A Norton Anthology
  4. Thomas Ruff nudes
    with text by Michel Houellebecq
    Author: Ruff, Thomas
    Published: 2003
    Publisher:  Abrams, New York

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0810945819
    Subjects: Verzerrung; Erotische Kunst; Aktfotografie
    Other subjects: Ruff, Thomas (1958-)
    Scope: VII, 149 S., überw. Ill.
  5. Power and pelf
    a new-found "Old man" by Massys
    Author: Silver, Larry
    Published: 1977

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Parent title:
    Simiolus; Apeldoorn, 1977; 9.1977, 63-92
    Subjects: Mensch <Motiv>; Verzerrung <Motiv>
    Other subjects: Massys, Quentin (1466-1530); Erasmus, Desiderius (1466-1536)
  6. The new world of Pier Leone Ghezzi
    Author: Olszewski, Edward J.
    Published: 1983

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Parent title:
    The Art journal / College Art Association of America; New York, NY, 1983; 43.1983, 325-330
    Subjects: Mensch <Motiv>; Bildnis; Verzerrung <Motiv>
    Other subjects: Parmigianino (1504-1540); Ghezzi, Pier Leone (1674-1755); Pascoli, Lione (1674-1744)
  7. The poor in the frescoes of the Campo Santo at Pisa and Santa Croce in Florence
    Author: Skubiszewska, Maria; Skubiszewski, Piotr
    Published: 1986

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Book
    Parent title:
    Symbolae historiae artium; Warszawa, 1986; S. 267-288
    Subjects: Bettler <Motiv>; Mensch <Motiv>; Verzerrung <Motiv>
  8. Delacroix's lions and tigers
    a link between man and nature
    Author: Kliman, Eve Twose
    Published: 1982

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Parent title:
    The art bulletin / ed. John Shapley [u.a.]; New York, NY, 1982; 64.1982, 446-466
    Subjects: Löwe <Motiv>; Verzerrung <Motiv>; Mensch <Motiv>; Kopf <Motiv>; Tiger <Motiv>; Ikonographie
    Other subjects: Delacroix, Eugène (1798-1863)
  9. Thomas Ruff
    nudes
    Published: 2003
    Publisher:  Schirmer/Mosel, München

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    Münchner Stadtmuseum, Zentrale Bibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: German; English; French
    Media type: Book
    ISBN: 3829600410
    Subjects: Erotische Kunst; Verzerrung; Aktfotografie
    Other subjects: Ruff, Thomas (1958-)
    Scope: XV, 149 S., überw. Ill.
    Notes:

    Text dt., engl. und franz.
  10. Yi Hwan Kwon - Skulptur
    Dauer Exhibitiontime: 27. Okt.-25. Nov. 2007
    Contributor: Yi, Hwan Kwon (Künstler)
    Published: [2007]; © 2007
    Publisher:  Gallery Godo, Seoul, Korea

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    Kunst- und Museumsbibliothek der Stadt Köln
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    Source: Union catalogues
    Contributor: Yi, Hwan Kwon (Künstler)
    Language: English; Korean
    Media type: Book
    Format: Print
    Subjects: Yi, Hwan Kwon; Plastik; Verzerrung <Motiv>
    Scope: 29 Seiten
  11. The curious perspective
    literary and pictorial wit in the seventeenth century
    Author: Gilman, Ernest B.
    Published: 1978
    Publisher:  Yale Univ. Press, New Haven, Conn. [u.a.]

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    Universitätsbibliothek Augsburg
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 0300022220
    RVK Categories: HI 1125 ; HI 1130 ; HI 1140
    Subjects: Perspektive; Literatur; Bildersprache; Kunst; Englisch; Verzerrung <Motiv>; Manierismus; Mensch <Motiv>; Anamorphose
    Scope: XII, 267 S., Ill.
    Notes:

    Teilw. zugl.: New York, Columbia Univ., Diss.
  12. The portrait of eccentricity
    Arcimboldo and the mannerist grotesque
    Author: Maiorino, Giancarlo
    Published: 1991
    Publisher:  Pennsylvania State Univ. Press, University Park [u.a.]

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Passau
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  13. Thomas Ruff nudes
    Author: Ruff, Thomas
    Published: 2003
    Publisher:  Schirmer/Mosel, München ; New York

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    Universität der Künste Berlin, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0810945819
    Subjects: Verzerrung; Erotische Kunst; Aktfotografie
    Other subjects: Ruff, Thomas (1958-)
    Scope: VII, 149 S., überw. Ill.
  14. Roberto Polillo - future & the city
    Contributor: Polillo, Roberto (FotografIn)
    Published: [2017]
    Publisher:  MFD, Milano

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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Source: Union catalogues
    Contributor: Polillo, Roberto (FotografIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9788894259742
    RVK Categories: AP 94100
    Subjects: Polillo, Roberto; Fotografie; Verzerrung; Stadt <Motiv>;
    Scope: 91 Seiten, 33 x 47 cm
    Notes:

    Catalog of an exhibition held at the Università commerciale Luigi Bocconi, Milan, Italy, February 27- September 11, 2017. - 99 numbered copies printed. - Bound. - Roberto Polillo (1946-)
  15. Glitch. Die Kunst der Störung
    = Glitch. The art of interference
    Contributor: Kunze, Franziska (HerausgeberIn); Bauer, Katrin (HerausgeberIn)
    Published: [2023]; © 2023
    Publisher:  DISTANZ, Berlin

    Gesprungene Smartphone-Displays, verzerrte Bilder, bunte Pixelstrukturen: Als eine der jüngsten und unberechenbarsten Kunstformen lenkt die Glitch Art gezielt das Augenmerk auf die Ästhetik des Fehlerhaften. Zunächst in den 1950er-Jahren im... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Hochschule für Bildende Künste Braunschweig, Bibliothek
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    Kunsthalle Bremen
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    Staatliche Kunstsammlungen Dresden, Kunstbibliothek
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    Gesprungene Smartphone-Displays, verzerrte Bilder, bunte Pixelstrukturen: Als eine der jüngsten und unberechenbarsten Kunstformen lenkt die Glitch Art gezielt das Augenmerk auf die Ästhetik des Fehlerhaften. Zunächst in den 1950er-Jahren im Fachjargon von Radio- und Fernsehtechniker*innen verwendet, beschreibt der Terminus Glitch (frühneuhochdeutsch „glitschen“ – gleiten, gleiten lassen oder jiddisch „gletshn“ – rutschen, weggleiten) bald Programmier- oder Grafikfehler in Computerspielen – ein unerwartetes Ergebnis einer Fehlfunktion. Im Kunstkontext finden Störungen ihren unmittelbaren Ausdruck im Bereich computergenerierter Bilder, im Digitalen und in der Internetkunst. Die Wurzeln technischer Glitches reichen aber bis in die Frühzeit der Fotografiegeschichte zurück; als künstlerische Gegenbewegung zu anerkannten Ausdrucksformen entwickeln sie sich weiter über den Avantgardefilm und die Videokunst bis hin zu den digitalen Bildmedien, wo Bildstörungen bewusst provoziert oder gezielt programmiert werden. Der Katalog Glitch. Die Kunst der Störung zeigt erstmals ausführlich das Potenzial von Glitches in Kunst, Medien und Gesellschaft mit einer historischen Herleitung. Mit weiteren Werken u. a. von Maya Dunietz, Jake Elwes, JODI, Joan Jonas, Germaine Krull, Ryoichi Kurokawa, Mame-Diarra Niang, Carsten Nicolai, Kazuma Obara, Nam June Paik, Jiang Pengyi, Sondra Perry, Man Ray, Pipilotti Rist und Steina Vasulka sowie zahlreichen historischen Magazinen und Ratgebern zur Vermeidung von Fotofehlern. In Essays und freieren Textformen geben Franziska Barth und Markus Rautzenberg, Katrin Bauer, Nick Briz, Doris Gassert, Ute Holl, Justyna Janik, Franziska Kunze, Rosa Menkman, Mame-Diarra Niang und Agnieszka Roguski einen erweiterten Einblick in den aktuellen Forschungsstand zum globalen Phänomen der Glitch Art. „Der Katalog besticht vor allem durch seinen faszinierenden Ansatz, die Wurzeln der Glitch Art in frühen fotografischen Fehlern zu verorten und damit die avantgardistischen Tendenzen von Glitch als kreative Antwort auf die Herausforderungen der industriellen Moderne zu betonen. Das Buch verfügt über eine durchdachte Struktur, die einen Einblick in verschiedene Aspekte des Themas bietet, sowie über eine innovative Gestaltung“ (sehepunkte.de)

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Kunze, Franziska (HerausgeberIn); Bauer, Katrin (HerausgeberIn)
    Language: English; German
    Media type: Book
    Format: Print
    ISBN: 9783954766000
    Other identifier:
    9783954766000
    RVK Categories: LH 65020
    Subjects: Fotografie; Computerkunst; Abbildungsfehler; ; Kunst; Moderne; Verzerrung <Motiv>; Fehler <Motiv>; Störung <Motiv>; ; Glitch; Kunst;
    Scope: 279 Seiten, 28 cm
    Notes:

    Impressum: "Diese Publikation erscheint anlässlich der Ausstellung 'Glitch. Die Kunst der Störung', kuratiert von Franziska Kunze, Pinakothek der Moderne München, 1. Dezember 2023-17. März 2024"
  16. Yi Hwan Kwon - Skulptur
    Dauer Exhibitiontime: 27. Okt.-25. Nov. 2007
    Contributor: Yi, Hwan Kwon (Künstler)
    Published: [2007]; © 2007
    Publisher:  Gallery Godo, Seoul, Korea

    Location:
    Kunst- und Museumsbibliothek der Stadt Köln
    Signature:
    KMB/K YI,HWA 7 2007
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    Source: Union catalogues
    Contributor: Yi, Hwan Kwon (Künstler)
    Language: English; Korean
    Media type: Book
    Subjects: Verzerrung <Motiv>; Plastik
    Other subjects: Yi, Hwan Kwon (1974-)
    Scope: 29 Seiten
  17. Glitch. Die Kunst der Störung
    = Glitch. The art of interference
    Contributor: Kunze, Franziska (HerausgeberIn); Bauer, Katrin (HerausgeberIn)
    Published: [2023]; © 2023
    Publisher:  DISTANZ, Berlin

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Kunze, Franziska (HerausgeberIn); Bauer, Katrin (HerausgeberIn)
    Language: English; German
    Media type: Book
    Format: Print
    ISBN: 9783954766000
    Other identifier:
    9783954766000
    RVK Categories: LH 65020
    Subjects: Fotografie; Computerkunst; Abbildungsfehler; ; Kunst; Moderne; Verzerrung <Motiv>; Fehler <Motiv>; Störung <Motiv>; ; Glitch; Kunst;
    Scope: 279 Seiten, 28 cm
    Notes:

    Impressum: "Diese Publikation erscheint anlässlich der Ausstellung 'Glitch. Die Kunst der Störung', kuratiert von Franziska Kunze, Pinakothek der Moderne München, 1. Dezember 2023-17. März 2024"
  18. Monster
    distortion, abstraction, and originality in contemporary American poetry
    Author: Irwin, Mark
    Published: [2017]; © 2017
    Publisher:  Peter Lang, New York ; Bern ; Frankfurt ; Berlin ; Brussels ; Vienna ; Oxford ; Warsaw

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Content information
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9781433134050; 1433134055
    RVK Categories: HU 1769
    DDC Categories: 420
    Series: Studies in modern poetry ; vol. 21
    Subjects: Lyrik; Verzerrung; Abstraktion; Verzerrung <Motiv>; Das Groteske
    Scope: xviii, 208 Seiten, Illustrationen
  19. The portrait of eccentricity
    Arcimboldo and the mannerist grotesque
    Author: Maiorino, Giancarlo
    Published: 1991
    Publisher:  Pennsylvania State Univ. Press, University Park [u.a.]

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

    Location:
    TU Berlin, Universitätsbibliothek
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  20. The curious perspective
    literary and pictorial wit in the seventeenth century
    Author: Gilman, Ernest B.
    Published: 1978
    Publisher:  Yale Univ. Press, New Haven, Conn. [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    TU Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Dissertation
    ISBN: 0300022220
    RVK Categories: HI 1125 ; HI 1130 ; HI 1140
    Subjects: Perspektive; Literatur; Bildersprache; Kunst; Englisch; Verzerrung <Motiv>; Manierismus; Mensch <Motiv>; Anamorphose
    Scope: XII, 267 S., Ill.
    Notes:

    Teilw. zugl.: New York, Columbia Univ., Diss.
  21. Monster
    distortion, abstraction, and originality in contemporary American poetry
    Author: Irwin, Mark
    Published: [2017]
    Publisher:  Peter Lang : 89166, New York

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781433134050; 1433134055
    Other identifier:
    9781433134050
    Series: Studies in modern poetry ; vol. 21
    Subjects: Lyrik; Das Groteske; Verzerrung <Motiv>
    Other subjects: (Produktform)Hardback; (Zielgruppe)Fachpublikum/ Wissenschaft; (BIC subject category)DC: Poetry; Abstraction; American; Contemporary; Distortion; Irwin; Monster; Originality; Poetry; (VLB-WN)1564: Hardcover, Softcover / Sprachwissenschaft, Literaturwissenschaft/Englische Sprachwissenschaft, Literaturwissenschaft
    Scope: xviii, 208 Seiten, Illustrationen, 23 cm
  22. Monster
    Distortion, Abstraction, and Originality in Contemporary American Poetry
    Author: Irwin, Mark
    Published: 2017
    Publisher:  Peter Lang Inc., International Academic Publishers, New York

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781453918746
    Other identifier:
    9781453918746
    Series: Studies in Modern Poetry ; 21
    Subjects: Lyrik; Das Groteske; Verzerrung <Motiv>
    Other subjects: (Produktform)Electronic book text; (Zielgruppe)Fachpublikum/ Wissenschaft; (BIC subject category)DC: Poetry; Abstraction; American; Contemporary; Distortion; Irwin; Monster; Originality; Poetry; (VLB-WN)9564
    Scope: Online-Ressourcen, XX, 210 Seiten, 6 Illustrationen
    Notes:

    Lizenzpflichtig