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  1. Design and truth
    Author: Grudin, Robert
    Published: 2010
    Publisher:  Yale Univ. Press, New Haven, Conn. [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780300161403; 0300161409
    Subjects: Design.; Truth.
    Scope: 216 S., Ill., Kt., 22 cm
  2. Der Begriff des Sprunges und der Weg des Sprachdenkens
    Eine Einführung in Kierkegaard
    Author: Kühnhold, Christa
    Published: 2011; ©1975
    Publisher:  De Gruyter, Berlin

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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110827675
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    RVK Categories: CH 8517 ; CH 8500 ; BF 6081
    Subjects: Truth; Truth.; Bewegung (Philosophie).; Kierkegaard, Sören.; Qualität und Quantität (Philosophie).; Sprung <Philos.> / Geschichte.; PHILOSOPHY / History & Surveys / General
    Scope: Online-Ressource (XI, 183 S.)
  3. Inventing Falsehood, Making Truth
    Vico and Neapolitan Painting
    Author: Bull, Malcolm
    Published: 2013; ©2013.
    Publisher:  Princeton University Press, Princeton, New Jersey

    Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists... more

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    Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy. Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed.

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400849741
    Other identifier:
    Series: Essays in the arts
    Essays in the Arts
    Subjects: Malerei; Ästhetik; Painting, Baroque; Painting, Italian; Art and philosophy; Painting, Baroque; Art and philosophy; Painting, Italian; Truth; Painting; Art and philosophy.; Painting.; Painting, Baroque.; Painting, Italian.; Truth.; ART / European
    Scope: Online-Ressource (1 online resource)