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  1. Desire, the self, the social critic
    the rise of queer performance within the demise of transcendentalism
    Published: 1997
    Publisher:  Susquehanna Univ. Press [u.a.], Selinsgrove

    In Desire, the Self, the Social Critic, Professor Buckley shows that while few transcendentalists ever agree for long on philosophical or epistemological matters, four of them develop the use of "antisocial" desire into a transcendental critique of... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    In Desire, the Self, the Social Critic, Professor Buckley shows that while few transcendentalists ever agree for long on philosophical or epistemological matters, four of them develop the use of "antisocial" desire into a transcendental critique of nineteenth-century American culture. Margaret Fuller, Walt Whitman, Herman Melville, and Emily Dickinson represent the individual's inherent divinity and the individual's inherent ability to transcend the exigencies of the sensate world in terms that might appear to be homosexual, bisexual, or "pansexual." They alone among their contemporaries give expression to desire for the social other, give expression to desire for the self not to be seen in the heterosexist, homophobic, misogynist social realm of everyday life.

     

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  2. Desire, the self, the social critic
    the rise of queer performance within the demise of transcendentalism
    Published: 1997
    Publisher:  Susquehanna Univ. Press [u.a.], Selinsgrove

    In Desire, the Self, the Social Critic, Professor Buckley shows that while few transcendentalists ever agree for long on philosophical or epistemological matters, four of them develop the use of "antisocial" desire into a transcendental critique of... more

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    In Desire, the Self, the Social Critic, Professor Buckley shows that while few transcendentalists ever agree for long on philosophical or epistemological matters, four of them develop the use of "antisocial" desire into a transcendental critique of nineteenth-century American culture. Margaret Fuller, Walt Whitman, Herman Melville, and Emily Dickinson represent the individual's inherent divinity and the individual's inherent ability to transcend the exigencies of the sensate world in terms that might appear to be homosexual, bisexual, or "pansexual." They alone among their contemporaries give expression to desire for the social other, give expression to desire for the self not to be seen in the heterosexist, homophobic, misogynist social realm of everyday life.

     

    Export to reference management software   RIS file
      BibTeX file