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Displaying results 1 to 18 of 18.

  1. Der Stoff der Stoffe
    Textile Innenräume in der Literatur des 19. Jahrhunderts
    Published: 2021
    Publisher:  Böhlau Verlag, Köln ; Vandenhoeck & Ruprecht GmbH & Co.KG, Göttingen

    Universitätsbibliothek Gießen
    No inter-library loan
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan
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  2. The double-sided image
    abstraction and figuration in early medieval painting
    Published: 2021

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Article (edited volume)
    Parent title:
    Abstraction in medieval art / edited by Elina Gertsman; Amsterdam, 2021; Seite 213-242
    Subjects: Textilien; Rückseite; Rezeptionsästhetik; Kloster; Bild; Fingierung; Monochromie; Buchmalerei
    Scope: Illustrationen
  3. "Reading-In"
    Franz Boas and the languages of the anthropology of art
    Published: 2021

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  4. Trading textiles
    fifty years of advertising for fibres and fabrics : 1920-1970
    Published: [2021]
    Publisher:  Artmonsky Arts, London

    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 1916384536; 9781916384538
    RVK Categories: AP 17380
    Subjects: Werbegrafik; Textilien <Motiv>
    Other subjects: Advertising / History / 20th century; Textile fabrics / History / 20th century; Advertising; Textile fabrics; History
    Scope: 111 Seiten, Illustrationen, 18 x 22 cm
  5. Der Stoff der Stoffe
    textile Innenräume in der Literatur des 19. Jahrhunderts
    Published: [2021]
    Publisher:  Böhlau Verlag, Wien

    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    /GL 1461 J93
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    91.311.17
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    Universität Mainz, Zentralbibliothek
    303.102
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783412520847; 3412520845
    Other identifier:
    9783412520847
    RVK Categories: GL 1461
    DDC Categories: 830
    Series: Literatur, Kultur, Geschlecht ; Band 76
    Subjects: Innenraum <Motiv>; Stoff <Textilien, Motiv>; Innenraum; Textilien; Stoff <Textilien>
    Other subjects: Droste-Hülshoff, Annette von (1797-1848): Ledwina; Stifter, Adalbert (1805-1868): Der Nachsommer; Stifter, Adalbert (1805-1868): Die Mappe meines Urgroßvaters; Stifter, Adalbert (1805-1868): Abdias; Stifter, Adalbert (1805-1868): Der Hagestolz; Zola, Émile (1840-1902): Au bonheur des dames; Keller, Gottfried (1819-1890): Regine; Loos, Adolf (1870-1933)
    Scope: 382 Seiten, Illustrationen, 23 cm
    Notes:

    Dissertation, Université de Lausanne, 2017

  6. Étoffes & littérature
    les textiles dans la littérature au XIXe siècle
    Contributor: Rouart, Sophie (Herausgeber); Sudre, Anne (Herausgeber)
    Published: [2021]; © 2021
    Publisher:  SilvanaEditoriale, Cinisello Balsamo, Milano

    Le XIXe siècle voit se développer l'intérêt des écrivains pour les tissus d'ameublement, aussi bien dans la décoration de leurs demeures que dans l'écriture de leurs romans. Certains auteurs sont particulièrement investis dans le choix des tissus... more

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Q 91.380.43
    Unlimited inter-library loan, copies and loan
    Universität Mainz, Zentralbibliothek
    4° BG 5624
    Unlimited inter-library loan, copies and loan

     

    Le XIXe siècle voit se développer l'intérêt des écrivains pour les tissus d'ameublement, aussi bien dans la décoration de leurs demeures que dans l'écriture de leurs romans. Certains auteurs sont particulièrement investis dans le choix des tissus meublant leurs intérieurs : Honoré de Balzac, Victor Hugo, George Sand, Edmond et Jules de Goncourt, Émile Zola et Guy de Maupassant. À une époque où l'obsession de l'apparence et la recherche du confort s'amplifient, jusqu'à créer des pièces habillées du sol au plafond, les étoffes reflètent la manière dont les écrivains s'approprient leur univers intime. La décoration, voire la mise en scène comme chez Hugo ou les Goncourt, recouvre des dimensions multiples : sociale, professionnelle, économique, créative, esthétique, symbolique, sensuelle, psychologique. Avec la floraison des romans réalistes, les textiles décoratifs occupent une place importante au fil des pages, parmi les détails caractérisant les personnages, et constituent un langage à part entière. Les auteurs utilisent une grande diversité de tissus, dont les sonorités rythment le texte : la moire, le damas, le velours d'Utrecht ou de Gênes, le lampas, le brocart pour les plus évocateurs. Sous l'impulsion de la révolution industrielle, de nouveaux thèmes se déploient : le développement des manufactures, l'apparition des grands magasins, la transformation de l'économie et des métiers du textile

     

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    Source: Union catalogues
    Contributor: Rouart, Sophie (Herausgeber); Sudre, Anne (Herausgeber)
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9788836650408; 9791093187358; 8836650406
    RVK Categories: IG 3950
    Subjects: Französisch; Literatur; Stoff <Textilien, Motiv>; Textilien <Motiv>; Schriftsteller
    Scope: 143 Seiten, Illustrationen, 27 x 21 cm
    Notes:

    Bibliographie Seite 139-143

  7. Paris fashion
    a cultural history
    Published: 2017; [2021]
    Publisher:  Bloomsbury Visual Arts, [London] ; Bloomsbury Fashion Central, London

    Paris has been the international capital of fashion for more than 300 years. Even before the rise of the haute couture, Parisians were notorious for their obsession with fashion, and foreigners eagerly followed their lead. From Charles Frederick... more

    Hochschule für Technik und Wirtschaft Berlin, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan

     

    Paris has been the international capital of fashion for more than 300 years. Even before the rise of the haute couture, Parisians were notorious for their obsession with fashion, and foreigners eagerly followed their lead. From Charles Frederick Worth to Gabrielle Coco Chanel, Christian Dior, and Yves Saint Laurent, fashion history is dominated by the names of Parisian couturiers. But Valerie Steele s Paris Fashion is much more than just a history of great designers. This fascinating book demonstrates that the success of Paris ultimately rests on the strength of its fashion culture created by a host of fashion performers and spectators, including actresses, dandies, milliners, artists, and writers. First published in 1988 to great international acclaim, this pioneering book has now been completely revised and brought up to date, encompassing the rise of fashion s multiple world cities in the 21st century. Lavishly illustrated, deeply learned, and elegantly written, Valerie Steele's masterwork explores with brilliance and flair why Paris remains the capital of fashion

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474269711
    Edition: 3rd edition
    Subjects: Fashion; Fashion; Fashion design; Mode; Mode <Motiv>; Geschichte; Textilien; Kleidung
    Scope: 1 Online-Ressource (xii, 326 Seiten), Illustrationen
    Notes:

    This edition previously issued in print: London: Bloomsbury Visual Arts, 2017

  8. Radical decadence
    excess in contemporary feminist textiles and craft
    Published: 2017; [2021]
    Publisher:  Bloomsbury Academic, London ; Bloomsbury Fashion Central

    "This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties... more

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    Verlag (URL des Erstveröffentlichers)
    Hochschule für Technik und Wirtschaft Berlin, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan

     

    "This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties about women's power, consumption and pleasure are deconstructed through images of drug use, female sexuality and 'excessive' living, in artworks by several contemporary textile artists including Orly Cogan, Tracey Emin, Allyson Mitchell, and Rozanne Hawksley. Perceptions of decadence are invariably bound to the negative connotations of decay and degradation, particularly with regard to the transgression of social norms related to femininity and the female body. Excessive consumption by women has historically been represented as grotesque, and until now, women's pleasure in relation to drug and alcohol use has largely gone unexamined in feminist art history and craft studies. Here, representations of female consumption, from cupcakes to alcohol and cocaine, are opened up for critical discussion. Drawing on feminist and queer theories, Julia Skelly considers portrayals of 'bad girls' in artworks that explore female sexuality - performative pieces designed to subvert and exceed feminine roles. In this provocative book, decadence is understood not as a destructive force but as a liberating aesthetic"--Bloomsbury Publishing

     

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    Source: Union catalogues
    Language: Undetermined
    Media type: Ebook
    Format: Online
    ISBN: 9781474284981
    Other identifier:
    RVK Categories: LH 60250
    Subjects: Excess (Philosophy); Art and craft debate; Women artists; Feminism and art; Design; Exzess <Motiv>; Textilien; Frauenkunst; Handarbeiten; Textilkunst; Kunsthandwerk; Frau
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (xii, 141 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index

  9. From the material to the mystical in late medieval piety
    the vernacular transmission of Gertrude of Helfta's visions
    Published: 2021
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

    The German mystic Gertrude the Great of Helfta (c.1256-1301) is a globally venerated saint who is still central to the Sacred Heart Devotion. Her visions were first recorded in Latin, and they inspired generations of readers in processes of creative... more

    Universitätsbibliothek Eichstätt-Ingolstadt
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Technische Hochschule Nürnberg Georg Simon Ohm, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    The German mystic Gertrude the Great of Helfta (c.1256-1301) is a globally venerated saint who is still central to the Sacred Heart Devotion. Her visions were first recorded in Latin, and they inspired generations of readers in processes of creative rewriting. The vernacular copies of these redactions challenge the long-standing idea that translations do not bear the same literary or historical weight as the originals upon which they are based. In this study, Racha Kirakosian argues that manuscript transmission reveals how redactors serve as cultural agents. Examining the late medieval vernacular copies of Gertrude's visions, she demonstrates how redactors recast textual materials, reflected changes in piety, and generated new forms of devotional practices. She also shows how these texts served as a bridge between material culture, in the form of textiles and book illumination, and mysticism. Kirakosian's multi-faceted study is an important contribution to current debates on medieval manuscript culture, authorship, and translation as objects of study in their own right

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108893657
    Other identifier:
    RVK Categories: BM 4501
    Subjects: Manuscripts, Medieval / History and criticism; Transmission of texts; Textgeschichte; Vision; Textilien; Mystik; Illuminierte Handschrift; Buchmalerei; Handschrift; Frömmigkeit
    Other subjects: Gertrude / the Great, Saint / 1256-1302; Gertrud von Helfta, Heilige (1256-1302)
    Scope: 1 Online-Ressource (xviii, 350 Seiten), Illustrationen, Karten
  10. From the material to the mystical in late medieval piety
    the vernacular transmission of Gertrude of Helfta's visions
    Published: 2021
    Publisher:  Cambridge University Press, Cambridge ; New York ; Melbourne ; New Dehli ; Singapore

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 9781108841238
    Edition: First published
    Subjects: Frömmigkeit; Mystik; Textgeschichte; Buchmalerei; Textilien; Vision; Illuminierte Handschrift; Handschrift
    Other subjects: Gertrud von Helfta, Heilige (1256-1302)
    Scope: xviii, 349 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis Seite 307 - 340

  11. La mediazione dell'ornamento
    vela dipinti nella Roma altomedievale
    Published: 2021

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: Italian
    Media type: Article (edited volume)
    Parent title:
    La pittura parietale aniconica e decorativa fra tarda antichità e alto Medioevo / a cura di Federico Marazzi, Marianna Cuomo; Cerro al Volturno (IS), 2021; Seite 77-104
    Subjects: Textilien <Motiv>; Wandmalerei
    Scope: Illustrationen
  12. Costanti nella variabilità
    persistenze ornamentali nella pittura altomedievale di area beneventana
    Published: 2021

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: Italian
    Media type: Article (edited volume)
    Parent title:
    La pittura parietale aniconica e decorativa fra tarda antichità e alto Medioevo / a cura di Federico Marazzi, Marianna Cuomo; Cerro al Volturno (IS), 2021; Seite 145-170
    Subjects: Textilien; Ornament <Motiv>; Wandmalerei
    Scope: Illustrationen
  13. I motivi decorativi del vestiario dei defunti nella pittura catacombale e i rapporti con la produzione tessile coeva
    Published: 2021

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: Italian
    Media type: Article (edited volume)
    Parent title:
    La pittura parietale aniconica e decorativa fra tarda antichità e alto Medioevo / a cura di Federico Marazzi, Marianna Cuomo; Cerro al Volturno (IS), 2021; Seite 389-410
    Subjects: Motiv; Wandmalerei; Katakombe; Leichengewand; Textilien <Motiv>; Dekoration; Textilherstellung
    Scope: Illustrationen
  14. La cochenille de la teinture à la peinture
    une histoire matérielle de la couleur
    Published: [2021]
    Publisher:  Gallimard, Paris

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der LMU München
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
    Deutsches Forum für Kunstgeschichte, Bibliothek
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  15. Der Stoff der Stoffe
    textile Innenräume in der Literatur des 19. Jahrhunderts
  16. Der Stoff der Stoffe
    Textile Innenräume in der Literatur des 19. Jahrhunderts
    Published: 2021
    Publisher:  Böhlau Verlag Köln, Göttingen

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783412520854; 3412520853
    Other identifier:
    9783412520854
    Edition: 1. Auflage
    Series: Literatur-Kultur-Geschlecht (ehem. Große Reihe) ; Band 076
    Subjects: Innenraum <Motiv>; Stoff <Textilien, Motiv>; Innenraum; Textilien; Stoff <Textilien>
    Other subjects: Stifter, Adalbert (1805-1868); Keller, Gottfried (1819-1890); Droste-Hülshoff, Annette von (1797-1848); (Produktform)Electronic book text; Jahrhundert, 19. /Literatur; Annette von Droste-Hülshoff; Materialität; Gottfried Keller; Neuere deutsche Literaturgeschichte; Adalbert Stifter; Stofflichkeit; Materielle Kultur; Realismus /i. d. Literatur; (VLB-WN)9562; (Produktgruppe)2000; (Artikeltyp)210
    Scope: Online-Ressource, 384 Seiten, mit 4 farb. und 3 s/w Abb.
    Notes:

    Dissertation, Université de Lausanne, 2017

  17. Progress towards preventing waste in Europe
    the case of textile waste prevention
    Published: 2021
    Publisher:  Publications Office of the European Union, Luxembourg

    Access:
    Resolving-System (kostenfrei)
    ZBW - Leibniz-Informationszentrum Wirtschaft, Standort Kiel
    VS 419
    No inter-library loan
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789294804112
    Other identifier:
    Series: EEA report ; no. 2021, 15
    Subjects: Abfallvermeidung; Textilien; EU-Staaten
    Scope: 1 Online-Ressource (circa 76 Seiten), Illustrationen
  18. Étoffes & littérature
    les textiles dans la littérature au XIXe siècle
    Contributor: Rouart, Sophie (Herausgeber); Sudre, Anne (Herausgeber)
    Published: [2021]; © 2021
    Publisher:  SilvanaEditoriale, Cinisello Balsamo, Milano

    Le XIXe siècle voit se développer l'intérêt des écrivains pour les tissus d'ameublement, aussi bien dans la décoration de leurs demeures que dans l'écriture de leurs romans. Certains auteurs sont particulièrement investis dans le choix des tissus... more

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Q 91.380.43
    Unlimited inter-library loan, copies and loan

     

    Le XIXe siècle voit se développer l'intérêt des écrivains pour les tissus d'ameublement, aussi bien dans la décoration de leurs demeures que dans l'écriture de leurs romans. Certains auteurs sont particulièrement investis dans le choix des tissus meublant leurs intérieurs : Honoré de Balzac, Victor Hugo, George Sand, Edmond et Jules de Goncourt, Émile Zola et Guy de Maupassant. À une époque où l'obsession de l'apparence et la recherche du confort s'amplifient, jusqu'à créer des pièces habillées du sol au plafond, les étoffes reflètent la manière dont les écrivains s'approprient leur univers intime. La décoration, voire la mise en scène comme chez Hugo ou les Goncourt, recouvre des dimensions multiples : sociale, professionnelle, économique, créative, esthétique, symbolique, sensuelle, psychologique. Avec la floraison des romans réalistes, les textiles décoratifs occupent une place importante au fil des pages, parmi les détails caractérisant les personnages, et constituent un langage à part entière. Les auteurs utilisent une grande diversité de tissus, dont les sonorités rythment le texte : la moire, le damas, le velours d'Utrecht ou de Gênes, le lampas, le brocart pour les plus évocateurs. Sous l'impulsion de la révolution industrielle, de nouveaux thèmes se déploient : le développement des manufactures, l'apparition des grands magasins, la transformation de l'économie et des métiers du textile

     

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    Content information
    Source: Specialised Catalogue of Comparative Literature
    Contributor: Rouart, Sophie (Herausgeber); Sudre, Anne (Herausgeber)
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9788836650408; 9791093187358; 8836650406
    RVK Categories: IG 3950
    Subjects: Französisch; Literatur; Stoff <Textilien, Motiv>; Textilien <Motiv>; Schriftsteller
    Scope: 143 Seiten, Illustrationen, 27 x 21 cm
    Notes:

    Bibliographie Seite 139-143