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Displaying results 1 to 25 of 34.

  1. Textiles, text, intertext
    essays in honour of Gale R. Owen-Crocker
    Contributor: Hyer, Maren Clegg (Herausgeber); Frederick, Jill (Herausgeber); Owen-Crocker, Gale R. (Gefeierter)
    Published: 2016
    Publisher:  The Boydell Press, Woodbridge

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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Source: Union catalogues
    Contributor: Hyer, Maren Clegg (Herausgeber); Frederick, Jill (Herausgeber); Owen-Crocker, Gale R. (Gefeierter)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781782046226
    Subjects: Textilien <Motiv>; Altenglisch; Literatur
    Other subjects: Owen-Crocker, Gale R. (1947-)
    Scope: 1 Online-Ressource (viii, 265 Seiten), Illustrationen
  2. Ornament und Mode bei Kafka, Broch und Musil
    Literatur- und kulturwissenschaftliche Perspektiven auf das Fin de Siècle in Wien
    Author: Wray, Miriam Annabelle
    Published: [2019]
    Publisher:  transcript-Verlag, Bielefeld ; Walter de Gruyter GmbH, Berlin

    Franz Kafka, Robert Musil und Hermann Broch haben etwas gemeinsam: einen biografischen Bezug zur Textilindustrie. Miriam Annabelle Wray untersucht in ihrer literatur- und kulturwissenschaftlichen Studie Ornamentik und Mode in der Literatur des fin de... more

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    Universität Mainz, Zentralbibliothek
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    Franz Kafka, Robert Musil und Hermann Broch haben etwas gemeinsam: einen biografischen Bezug zur Textilindustrie. Miriam Annabelle Wray untersucht in ihrer literatur- und kulturwissenschaftlichen Studie Ornamentik und Mode in der Literatur des fin de siècle in Wien und Prag. Vor allem anhand der drei Werke Der Verschollene, Die Schlafwandler und Der Mann ohne Eigenschaften setzt sie sich mit der Textilindustrie und dem jüdisch dominierten Schmate-Handel auseinander und zeigt, dass der Ursprung der Ornamentik nicht in der Architektur, sondern in der Mode liegt.

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839449158
    Other identifier:
    RVK Categories: GM 2680
    DDC Categories: 830; 430
    Series: Lettre
    Subjects: Textilien <Motiv>; Ornament <Motiv>; Mode <Motiv>
    Other subjects: Kafka, Franz (1883-1924): Der Verschollene; Broch, Hermann (1886-1951): Die Schlafwandler; Musil, Robert (1880-1942): Der Mann ohne Eigenschaften
    Scope: 1 Online-Ressource (194 Seiten)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  3. Textil & Raum
    Visuelle Poetologien in Gustave Flauberts Madame Bovary
    Author: Fehringer, Kathrin
    Published: 2017
    Publisher:  transcript Verlag, Bielefeld ; UTB GmbH, Stuttgart

    Madame Bovary (1857) ist nicht nur die Geschichte einer stickenden Heldin, die sich mit Romanlektüren, mit Text und Bild, buchstäblich vergiftet. Gustave Flaubert inszeniert seine Protagonistin auch in Anspielung auf berühmte Handarbeiterinnen wie... more

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Madame Bovary (1857) ist nicht nur die Geschichte einer stickenden Heldin, die sich mit Romanlektüren, mit Text und Bild, buchstäblich vergiftet. Gustave Flaubert inszeniert seine Protagonistin auch in Anspielung auf berühmte Handarbeiterinnen wie Homers Penelope, Ovids Arachne und die Heilige Maria. Dabei werden nun die geschlossenen (Garten-)Räume bedeutsam, in denen diese Frauenfiguren in Kunst und Literatur klassischerweise gezeigt werden. Kathrin Fehringers Studie zeichnet nach, wie der Autor - in seinem eigenen Inklusorium bei Rouen schreibend - sein Erzählen ebenfalls als textile Handarbeit versteht und sich damit in seiner Heldin selbst zu erkennen gibt. In meisterhafter Ironie setzt er sich, konfrontiert mit einer durch neue Reproduktionsverfahren hervorgerufenen Flut von Bildern, in seinem »Buch über nichts«, wie er berühmterweise sagte, mit der Moderne auseinander.

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839439302
    RVK Categories: IG 6055 ; LM 92550
    DDC Categories: 840
    Edition: 1st ed.
    Series: machina ; 11
    Subjects: Textilherstellung <Motiv>; Raum <Motiv>; Textilien; Raum
    Other subjects: Flaubert, Gustave (1821-1880): Madame Bovary
    Scope: 1 Online-Ressource (416 p.)
  4. Der Stoff der Stoffe
    Textile Innenräume in der Literatur des 19. Jahrhunderts
    Author: Jürjens, Kira
    Published: 2021
    Publisher:  Böhlau Verlag, Köln ; Vandenhoeck & Ruprecht GmbH & Co.KG, Göttingen

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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  5. Textil & Raum
    Visuelle Poetologien in Gustave Flauberts Madame Bovary
    Author: Fehringer, Kathrin
    Published: [2017]
    Publisher:  transcript-Verlag, Bielefeld ; Walter de Gruyter GmbH, Berlin

    Madame Bovary (1857) ist nicht nur die Geschichte einer stickenden Heldin, die sich mit Romanlektüren, mit Text und Bild, buchstäblich vergiftet. Gustave Flaubert inszeniert seine Protagonistin auch in Anspielung auf berühmte Handarbeiterinnen wie... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    Madame Bovary (1857) ist nicht nur die Geschichte einer stickenden Heldin, die sich mit Romanlektüren, mit Text und Bild, buchstäblich vergiftet. Gustave Flaubert inszeniert seine Protagonistin auch in Anspielung auf berühmte Handarbeiterinnen wie Homers Penelope, Ovids Arachne und die Heilige Maria. Dabei werden nun die geschlossenen (Garten-)Räume bedeutsam, in denen diese Frauenfiguren in Kunst und Literatur klassischerweise gezeigt werden. Kathrin Fehringers Studie zeichnet nach, wie der Autor - in seinem eigenen Inklusorium bei Rouen schreibend - sein Erzählen ebenfalls als textile Handarbeit versteht und sich damit in seiner Heldin selbst zu erkennen gibt. In meisterhafter Ironie setzt er sich, konfrontiert mit einer durch neue Reproduktionsverfahren hervorgerufenen Flut von Bildern, in seinem »Buch über nichts«, wie er berühmterweise sagte, mit der Moderne auseinander. With masterly irony, Gustave Flaubert deals with the modern age in Madame Bovary, the relationship between text and image as well as needlework playing a central part.

     
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  6. Early modern women in the low countries
    feminizing sources and interpretations of the past
    Author: Broomhall, Susan; Spinks, Jennifer
    Published: c2011
    Publisher:  Ashgate, Farnham, Surrey

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781409425373
    RVK Categories: NW 8100
    Series: Women and gender in the early modern world
    Subjects: Frau; Geschichte; Women; Women; Sachkultur; Textilien; Soziale Rolle; Puppenhaus; Frau <Motiv>; Frau
    Scope: x, 247 p.
    Notes:

    Includes bibliographical references and index
  7. Textile Moderne
    = Textile modernism
    Contributor: Dogramaci, Burcu (Publisher)
    Published: [2019]; © 2019
    Publisher:  Böhlau Verlag, Wien ; Köln ; Weimar

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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Katholische Stiftungshochschule München, Bibliothek Benediktbeuern
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Katholische Stiftungshochschule München, Bibliothek München
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    Evangelische Hochschule Nürnberg, Bibliothek
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    Technische Hochschule Nürnberg Georg Simon Ohm, Bibliothek
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    OTH- Ostbayerische Technische Hochschule Regensburg, Hochschulbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Dogramaci, Burcu (Publisher)
    Language: German; English
    Media type: Ebook
    Format: Online
    ISBN: 9783412518066
    Other identifier:
    RVK Categories: LH 78967
    DDC Categories: 700
    Series: Mode global ; Band 3
    Subjects: Bildteppich; Mode; Geschlecht; Raumausstattung; Arbeitstechnik; Weberei; Heimtextilien; Design; Avantgarde; Moderne; Textilkunst; Textilien; Künstlerisches Material; Stickerei; Globalisierung
    Other subjects: Textilkunst; Modedesign; Intermedialität; Translokalität; Textile Architekturen; Wohntextilien
    Scope: 1 Online-Ressource (459 Seiten), Illustrationen
  8. Textiles, text, intertext
    essays in honour of Gale R. Owen-Crocker
    Contributor: Hyer, Maren Clegg (Herausgeber); Frederick, Jill (Herausgeber); Owen-Crocker, Gale R (Gefeierter)
    Published: 2016
    Publisher:  The Boydell Press, Woodbridge

    Location:
    Ruhr-Universität Bochum, Universitätsbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Hyer, Maren Clegg (Herausgeber); Frederick, Jill (Herausgeber); Owen-Crocker, Gale R (Gefeierter)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781782046226
    Subjects: Altenglisch; Literatur; Textilien <Motiv>; Owen-Crocker, Gale R
    Scope: 1 Online-Ressource (viii, 265 Seiten), Illustrationen
  9. Texts and textiles
    affect, synaesthesia and metaphor in fiction
    Author: Thomas, Diana Mary Eva
    Published: 2016
    Publisher:  Cambridge Scholars Publishing, Newcastle-upon-Tyne, England

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781443879422
    RVK Categories: CP 2000 ; EC 5410 ; HQ 1040
    Subjects: Australian literature; Women authors, Australian; Ästhetische Wahrnehmung; Handarbeiten <Motiv>; Textilien <Motiv>; Literatur
    Scope: 1 Online-Ressource (260 pages), illustrations
    Notes:

    Description based on online resource; title from PDF title page (ebrary, viewed March 20, 2017)
  10. Medieval textiles across Eurasia, c. 300-1400
    Author: Blessing, Patricia; Dospěl Williams, Elizabeth; Shea, Eiren L.
    Published: 2023
    Publisher:  Cambridge University Press, Cambridge

    This study considers the textiles made, traded, and exchanged across Eurasia from late antiquity to the late Middle Ages with special attention to the socio-political and cultural aspects of this universal medium. It presents a wide range of textiles... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    This study considers the textiles made, traded, and exchanged across Eurasia from late antiquity to the late Middle Ages with special attention to the socio-political and cultural aspects of this universal medium. It presents a wide range of textiles used in both domestic and religious settings, as dress and furnishings, and for elite and ordinary owners. The introduction presents historiographical background to the study of textiles and explains the conditions of their survival in archaeological contexts and museums. A section on the materials and techniques used to produce textiles if followed by those outlining textile production, industry, and trade across Eurasia. Further sections examine the uses for dress and furnishing textiles and the appearance of imported fabrics in European contexts, addressing textiles' functions and uses in medieval societies. Lastly, a concluding section on textile aesthetics connects fabrics to their broader visual and material context

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781009393379
    Other identifier:
    Series: Cambridge elements
    Subjects: Textile fabrics, Medieval / Eurasia; Textile fabrics, Medieval / Social aspects / Eurasia; Textile industry / Eurasia / History / To 1500; Clothing and dress / Social aspects / Eurasia / To 1500; Sozialgeschichte; Ausstattung; Textilherstellung; Kulturaustausch; Ästhetik; Kultur; Textilien; Material; Kleidung; Gesellschaft; Textilhandel
    Scope: 1 Online-Ressource (99 Seiten), Illustrationen
    Notes:

    Also issued in print: 2023. - Includes bibliographical references
  11. Ornament und Mode bei Kafka, Broch und Musil
    Literatur- und kulturwissenschaftliche Perspektiven auf das Fin de Siècle in Wien
    Author: Wray, Miriam Annabelle
    Published: 2019
    Publisher:  transcript Verlag, Bielefeld ; UTB GmbH, Stuttgart

    Long description: Franz Kafka, Robert Musil und Hermann Broch haben etwas gemeinsam: einen biografischen Bezug zur Textilindustrie. Miriam Annabelle Wray untersucht in ihrer literatur- und kulturwissenschaftlichen Studie Ornamentik und Mode in der... more

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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Long description: Franz Kafka, Robert Musil und Hermann Broch haben etwas gemeinsam: einen biografischen Bezug zur Textilindustrie. Miriam Annabelle Wray untersucht in ihrer literatur- und kulturwissenschaftlichen Studie Ornamentik und Mode in der Literatur des fin de siècle in Wien. Vor allem anhand der drei Werke Der Verschollene, Die Schlafwandler und Der Mann ohne Eigenschaften setzt sie sich mit der Textilindustrie und dem jüdisch dominierten Schmate-Handel auseinander und zeigt, dass der Ursprung der Ornamentik nicht in der Architektur, sondern in der Mode liegt. - Biographical note: Miriam Annabelle Wray lehrt Literaturwissenschaft an der Universität Antwerpen und der ETH Zürich. Sie studierte an der University of Pennsylvania, der Columbia University und an der Harvard University, an der sie mit einem Stipendium des Deutschen Literaturarchivs Marbach, des Winkler Funds und der Harvard University in Germanistik zu Mode und Ornamentik bei Kafka, Broch und Musil promovierte.

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839449158
    RVK Categories: GM 2680
    DDC Categories: 830
    Edition: 1. Aufl.
    Series: Lettre
    Subjects: Textilien <Motiv>; Ornament <Motiv>; Mode <Motiv>
    Other subjects: Kafka, Franz (1883-1924): Der Verschollene; Broch, Hermann (1886-1951): Die Schlafwandler; Musil, Robert (1880-1942): Der Mann ohne Eigenschaften
    Scope: 1 Online-Ressource (194 Seiten)
  12. Textilien als Medium kulturellen Transfers im Mittelalter
    Eine Analyse unter Berücksichtigung chinesisch-buddhistischer Tiermotivik
    Author: Grimm, Björn
    Published: 2023
    Publisher:  GRIN Verlag, München

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783346858412
    Other identifier:
    9783346858412
    Edition: 1. Auflage, digitale Originalausgabe
    Subjects: Kunst; Tierdarstellung; Textilkunst; Kleidung; Textilien; Medium
    Other subjects: (Produktform)Electronic book text; (BISAC Subject Heading)HIS003000: HISTORY / Asia / General; Buddhismus;Seidenstoffe;Textilien;Mittelalter;Tiermotivik; ge9: Geschichte - Asien; (VLB-WN)9558: Geschichte / Regionalgeschichte, Ländergeschichte
    Scope: Online-Ressource, 21 Seiten
    Notes:

    Vom Verlag als Druckwerk on demand und/oder als E-Book angeboten
  13. Textilien als Medium kulturellen Transfers im Mittelalter
    Eine Analyse unter Berücksichtigung chinesisch-buddhistischer Tiermotivik
    Author: Grimm, Björn
    Published: 2023
    Publisher:  GRIN Verlag, München

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783346858429
    Other identifier:
    9783346858429
    Edition: 1. Auflage
    Subjects: Kunst; Tierdarstellung; Textilkunst; Kleidung; Kultur; Textilien
    Other subjects: (Produktform)Paperback / softback; (BISAC Subject Heading)HIS003000: HISTORY / Asia / General; Buddhismus;Seidenstoffe;Textilien;Mittelalter;Tiermotivik; ge9: Geschichte - Asien; (VLB-WN)1558: Geschichte / Regionalgeschichte, Ländergeschichte
    Scope: Online-Ressource, 21 Seiten
    Notes:

    Vom Verlag als Druckwerk on demand und/oder als E-Book angeboten
  14. Textile Moderne
    = Textile modernism
    Contributor: Dogramaci, Burcu (Publisher)
    Published: [2019]; © 2019
    Publisher:  Böhlau Verlag, Wien ; Köln ; Weimar

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    Hochschule für Technik und Wirtschaft Berlin, Hochschulbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Contributor: Dogramaci, Burcu (Publisher)
    Language: German; English
    Media type: Ebook
    Format: Online
    ISBN: 9783412518066
    Other identifier:
    RVK Categories: LH 78967
    DDC Categories: 700
    Series: Mode global ; Band 3
    Subjects: Bildteppich; Mode; Geschlecht; Raumausstattung; Arbeitstechnik; Weberei; Heimtextilien; Design; Avantgarde; Moderne; Textilkunst; Textilien; Künstlerisches Material; Stickerei; Globalisierung
    Other subjects: Textilkunst; Modedesign; Intermedialität; Translokalität; Textile Architekturen; Wohntextilien
    Scope: 1 Online-Ressource (459 Seiten), Illustrationen
  15. Textiles, community and controversy
    The knitting map
    Contributor: Gilson, Jools (Publisher); Moffat, Nicola (Publisher)
    Published: April 2019
    Publisher:  Bloomsbury Publishing, London, England

    "Taking a major textile artwork, The Knitting Map, as a central case study, this book interrogates the social, philosophical and critical issues surrounding contemporary textile art today. It explores gestures of community and controversy manifest in... more

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    Hochschule für Technik und Wirtschaft Berlin, Hochschulbibliothek
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    "Taking a major textile artwork, The Knitting Map, as a central case study, this book interrogates the social, philosophical and critical issues surrounding contemporary textile art today. It explores gestures of community and controversy manifest in contemporary textile art practices, as both process and object. Created by more than 2,000 knitters from 22 different countries, who were mostly working-class women, The Knitting Map became the subject of national controversy in Ireland. Exploring the creation of this multi-modal artwork as a key moment in Irish art history, Textiles, Community and Controversy locates the work within a context of feminist arts practice, including the work of Judy Chicago, Faith Ringold and the Guerilla Girls. Bringing together leading art critics and textile scholars, including Lucy Lippard, Jessica Hemmings and Joanne Turney, the collection explores key issues in textile practice from gender, class and nation to technology and performance."--

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Gilson, Jools (Publisher); Moffat, Nicola (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350027541
    Other identifier:
    Subjects: Textile artworks; Art and society; Fiberwork; Frau; Stricken; Geschlechterforschung; Kunst; Künstlerin; Soziologie; Textilien
    Other subjects: Fashion and Art; Fashion History; Gender and Media; Textile Art; Textile History; Textiles in Fashion; Electronic books
    Scope: 1 Online-Ressource (224 Seiten)
    Notes:

    Includes bibliographical references and index
  16. Trade adjustments following the removal of textile and clothing quotas
    Published: May 2005
    Publisher:  CEPS, Brussels

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Location:
    ZBW - Leibniz-Informationszentrum Wirtschaft, Standort Kiel
    Signature:
    W 1413 (222)
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9290795654
    Series: CEPS working document ; 222
    Subjects: WTO-Recht; Welttextilabkommen; Textilien; Textilindustrie; Welt
    Scope: Online-Ressource, 25 p., text, ill
  17. Paris fashion
    a cultural history
    Author: Steele, Valerie
    Published: 2017; [2021]
    Publisher:  Bloomsbury Visual Arts, [London] ; Bloomsbury Fashion Central, London

    Paris has been the international capital of fashion for more than 300 years. Even before the rise of the haute couture, Parisians were notorious for their obsession with fashion, and foreigners eagerly followed their lead. From Charles Frederick... more

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    Hochschule für Technik und Wirtschaft Berlin, Hochschulbibliothek
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    Paris has been the international capital of fashion for more than 300 years. Even before the rise of the haute couture, Parisians were notorious for their obsession with fashion, and foreigners eagerly followed their lead. From Charles Frederick Worth to Gabrielle Coco Chanel, Christian Dior, and Yves Saint Laurent, fashion history is dominated by the names of Parisian couturiers. But Valerie Steele s Paris Fashion is much more than just a history of great designers. This fascinating book demonstrates that the success of Paris ultimately rests on the strength of its fashion culture created by a host of fashion performers and spectators, including actresses, dandies, milliners, artists, and writers. First published in 1988 to great international acclaim, this pioneering book has now been completely revised and brought up to date, encompassing the rise of fashion s multiple world cities in the 21st century. Lavishly illustrated, deeply learned, and elegantly written, Valerie Steele's masterwork explores with brilliance and flair why Paris remains the capital of fashion

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474269711
    Edition: 3rd edition
    Subjects: Fashion; Fashion; Fashion design; Mode; Mode <Motiv>; Geschichte; Textilien; Kleidung
    Scope: 1 Online-Ressource (xii, 326 Seiten), Illustrationen
    Notes:

    This edition previously issued in print: London: Bloomsbury Visual Arts, 2017
  18. Radical decadence
    excess in contemporary feminist textiles and craft
    Author: Skelly, Julia
    Published: 2017; [2021]
    Publisher:  Bloomsbury Academic, London ; Bloomsbury Fashion Central

    "This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties... more

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    Verlag (URL des Erstveröffentlichers)

    Location:
    Hochschule für Technik und Wirtschaft Berlin, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties about women's power, consumption and pleasure are deconstructed through images of drug use, female sexuality and 'excessive' living, in artworks by several contemporary textile artists including Orly Cogan, Tracey Emin, Allyson Mitchell, and Rozanne Hawksley. Perceptions of decadence are invariably bound to the negative connotations of decay and degradation, particularly with regard to the transgression of social norms related to femininity and the female body. Excessive consumption by women has historically been represented as grotesque, and until now, women's pleasure in relation to drug and alcohol use has largely gone unexamined in feminist art history and craft studies. Here, representations of female consumption, from cupcakes to alcohol and cocaine, are opened up for critical discussion. Drawing on feminist and queer theories, Julia Skelly considers portrayals of 'bad girls' in artworks that explore female sexuality - performative pieces designed to subvert and exceed feminine roles. In this provocative book, decadence is understood not as a destructive force but as a liberating aesthetic"--Bloomsbury Publishing

     
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    Source: Union catalogues
    Language: Undetermined
    Media type: Ebook
    Format: Online
    ISBN: 9781474284981
    Other identifier:
    RVK Categories: LH 60250
    Subjects: Excess (Philosophy); Art and craft debate; Women artists; Feminism and art; Design; Exzess <Motiv>; Textilien; Frauenkunst; Handarbeiten; Textilkunst; Kunsthandwerk; Frau
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (xii, 141 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index
  19. Tales the Textiles Tell in the Lais of Marie de France
    Weaving as a Signifying System
    Author: Gilmore-Hunt, Gloria Thomas
    Published: 2001
    Publisher:  Edwin Mellen Press, Lewiston

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0773411658; 9780773411654
    Subjects: Marie, de France, 12th cent. Lais; Literature; POETRY / Continental European; Lais (Marie, de France); Literatur; Textilien
    Other subjects: Marie de France (active 12th century): Lais; Marie de France (1135-1200): Les lais
    Scope: 1 online resource (298 pages)
    Notes:

    Print version record

    Title Page; Copyright Page; Table of Contents; Foreword; Acknowledgements; Introduction: Textiles as a Signifying System; Signs, Symbols or Signals; History as Signs; A Feminine Perspective; Exploring Selfhood; "Fresne"; Chapter 1: The Relation of Textiles to Violence; As Pages; As Agents; Controlling Violence; As Texts; Passive Pages Actively Heal; Chapter 2: Textiles in the Generation of Subjectivity; Marie's Maternal Merveilleux; Substantiating Maternal Love; Bestowing Power; Synaesthesia in Marie's Imaginary; Empowering Language; Chapter 3: Textiles as Confinement or Expression

    Confining TextilesExpressing Selfhood; Balancing Personal and Social Needs; Chapter 4: Conclusion; Summary of Themes; Interweaving; Form for Subjectivity; Selected Bibliography; Subsequent Readings; Index

    This work is unique in showing that textiles constitute a cohesive secondary signifying system throughout the Lais of Marie de France. There they function as texts-within-a-text. Etymologically, both text and textile derive from weaving. We read these textiles as complete signs that transfer meaning, as symbols whose meaning may or may not be interpreted, or merely as signals highlighting import. The quantity of textile references in Marie's minimalistic texts emphasizes their potential for meaning. In view of the fact that women were the primary producers of textiles until the late Middle Age
  20. Textiles, text, intertext
    essays in honour of Gale R. Owen-Crocker
    Contributor: Hyer, Maren Clegg (Publisher); Frederick, Jill (Publisher); Owen-Crocker, Gale R.
    Published: 2016
    Publisher:  Boydell & Brewer, Suffolk

    The triple themes of textile, text, and intertext, three powerful and evocative subjects within both Anglo-Saxon studies and Old English literature itself, run through the essays collected here. Chapters evoke the semantic complexities of textile... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The triple themes of textile, text, and intertext, three powerful and evocative subjects within both Anglo-Saxon studies and Old English literature itself, run through the essays collected here. Chapters evoke the semantic complexities of textile references and images drawn from the Bayeux Tapestry, examine parallels in word-woven poetics, riddling texts, and interwoven homiletic and historical prose, and identify iconographical textures in medieval art. The volume thus considers the images and creative strategies of textiles, texts, and intertexts, generating a complex and fascinating view ofthe material culture and metaphorical landscape of the Anglo-Saxon peoples. It is therefore a particularly fitting tribute to Professor Gale R. Owen-Crocker, whose career and lengthy list of scholarly works have centred on her interests in the meaning and cultural importance of textiles, manuscripts and text, and intertextual relationships between text and textile. Dr Maren Clegg Hyer is Associate Professor and Graduate Coordinator in the Department of English at Valdosta State University.; Jill Frederick is Professor of English at Minnesota State University Moorhead.Contributors: Marilina Cesario, Elizabeth Coatsworth, Martin Foys, Jill Frederick, Joyce Hill, Maren Clegg Hyer, Catherine E. Karkov, Christina Lee, Michael Lewis, Robin Netherton, Carol Neuman de Vegvar, Donald Scragg, Louise Sylvester, Paul Szarmach, Elaine Treharne

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Hyer, Maren Clegg (Publisher); Frederick, Jill (Publisher); Owen-Crocker, Gale R.
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781782046226
    RVK Categories: NK 8200
    Subjects: Geschichte; Clothing and dress / England / History / Medieval, 500-1500; Textile fabrics / England / History / To 1500; Clothing and dress in literature; Clothing and dress in art; Textile fabrics in art; Literatur; Altenglisch; Textilien <Motiv>
    Other subjects: Owen-Crocker, Gale R. (1947-)
    Scope: 1 online resource (viii, 265 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 04 Jul 2016)
  21. Textiles, text, intertext
    essays in honour of Gale R. Owen-Crocker
    Contributor: Hyer, Maren Clegg (Publisher); Frederick, Jill (Publisher); Owen-Crocker, Gale R.
    Published: 2016
    Publisher:  Boydell & Brewer, Suffolk

    The triple themes of textile, text, and intertext, three powerful and evocative subjects within both Anglo-Saxon studies and Old English literature itself, run through the essays collected here. Chapters evoke the semantic complexities of textile... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The triple themes of textile, text, and intertext, three powerful and evocative subjects within both Anglo-Saxon studies and Old English literature itself, run through the essays collected here. Chapters evoke the semantic complexities of textile references and images drawn from the Bayeux Tapestry, examine parallels in word-woven poetics, riddling texts, and interwoven homiletic and historical prose, and identify iconographical textures in medieval art. The volume thus considers the images and creative strategies of textiles, texts, and intertexts, generating a complex and fascinating view ofthe material culture and metaphorical landscape of the Anglo-Saxon peoples. It is therefore a particularly fitting tribute to Professor Gale R. Owen-Crocker, whose career and lengthy list of scholarly works have centred on her interests in the meaning and cultural importance of textiles, manuscripts and text, and intertextual relationships between text and textile. Dr Maren Clegg Hyer is Associate Professor and Graduate Coordinator in the Department of English at Valdosta State University.; Jill Frederick is Professor of English at Minnesota State University Moorhead.Contributors: Marilina Cesario, Elizabeth Coatsworth, Martin Foys, Jill Frederick, Joyce Hill, Maren Clegg Hyer, Catherine E. Karkov, Christina Lee, Michael Lewis, Robin Netherton, Carol Neuman de Vegvar, Donald Scragg, Louise Sylvester, Paul Szarmach, Elaine Treharne

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Hyer, Maren Clegg (Publisher); Frederick, Jill (Publisher); Owen-Crocker, Gale R.
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781782046226
    RVK Categories: NK 8200
    Subjects: Geschichte; Clothing and dress / England / History / Medieval, 500-1500; Textile fabrics / England / History / To 1500; Clothing and dress in literature; Clothing and dress in art; Textile fabrics in art; Literatur; Altenglisch; Textilien <Motiv>
    Other subjects: Owen-Crocker, Gale R. (1947-)
    Scope: 1 online resource (viii, 265 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 04 Jul 2016)
  22. From the material to the mystical in late medieval piety
    the vernacular transmission of Gertrude of Helfta's visions
    Author: Kirakosian, Racha
    Published: 2021
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

    The German mystic Gertrude the Great of Helfta (c.1256-1301) is a globally venerated saint who is still central to the Sacred Heart Devotion. Her visions were first recorded in Latin, and they inspired generations of readers in processes of creative... more

    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
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    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Nürnberg Georg Simon Ohm, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    The German mystic Gertrude the Great of Helfta (c.1256-1301) is a globally venerated saint who is still central to the Sacred Heart Devotion. Her visions were first recorded in Latin, and they inspired generations of readers in processes of creative rewriting. The vernacular copies of these redactions challenge the long-standing idea that translations do not bear the same literary or historical weight as the originals upon which they are based. In this study, Racha Kirakosian argues that manuscript transmission reveals how redactors serve as cultural agents. Examining the late medieval vernacular copies of Gertrude's visions, she demonstrates how redactors recast textual materials, reflected changes in piety, and generated new forms of devotional practices. She also shows how these texts served as a bridge between material culture, in the form of textiles and book illumination, and mysticism. Kirakosian's multi-faceted study is an important contribution to current debates on medieval manuscript culture, authorship, and translation as objects of study in their own right

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108893657
    Other identifier:
    RVK Categories: BM 4501
    Subjects: Manuscripts, Medieval / History and criticism; Transmission of texts; Textgeschichte; Vision; Textilien; Mystik; Illuminierte Handschrift; Buchmalerei; Handschrift; Frömmigkeit
    Other subjects: Gertrude / the Great, Saint / 1256-1302; Gertrud von Helfta, Heilige (1256-1302)
    Scope: 1 Online-Ressource (xviii, 350 Seiten), Illustrationen, Karten
  23. Höfische Textilien des Hochmittelalters
    Der ‚Parzival‘ des Wolfram von Eschenbach
    Author: Theiß, Alissa
    Published: 2020
    Publisher:  S. Hirzel Verlag, Stuttgart

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783777628318
    Other identifier:
    9783777628318
    Edition: 1. Auflage
    Series: Zeitschrift für deutsches Altertum und deutsche Literatur – Beihefte ; 30
    Subjects: Kleidung <Motiv>; Textilien <Motiv>; Höfische Kultur; Textilien; Kleidung; Textilien
    Other subjects: Wolfram von Eschenbach (1170-1220): Parzival; Wolfram von Eschenbach (1170-1220); (Produktform)Electronic book text; Höfische Kultur; Interdisziplinär; Kleidung; Kulturwissenschaft; Mediävistik; Mittelalter; Parzival; Realienkunde; Textilien; (VLB-WN)9563
    Scope: Online-Ressource, 516 Seiten, 35 Illustrationen, 136 Illustrationen
  24. Textil & Raum
    Visuelle Poetologien in Gustave Flauberts Madame Bovary
    Author: Fehringer, Kathrin
    Published: 2017
    Publisher:  transcript Verlag, Bielefeld

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  25. Wirtschaftsstruktur und Industriebetriebe der Region Reutlingen
    Dargestellt anhand der Textilfirma Heinzelmann und der Messgerätefirma Wandel & Goltermann
    Author: Engelhart, Roland
    Published: 2010
    Publisher:  GRIN Verlag, München

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