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Displaying results 1 to 5 of 5.

  1. Radical decadence
    excess in contemporary feminist textiles and craft
    Author: Skelly, Julia
    Published: 2017
    Publisher:  Bloomsbury Academic, London ; Oxford ; New York ; New Delhi ; Sydney

    "This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    "This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties about women's power, consumption and pleasure are deconstructed through images of drug use, female sexuality and 'excessive' living, in artworks by several contemporary textile artists including Orly Cogan, Tracey Emin, Allyson Mitchell, and Rozanne Hawksley. Perceptions of decadence are invariably bound to the negative connotations of decay and degradation, particularly with regard to the transgression of social norms related to femininity and the female body. Excessive consumption by women has historically been represented as grotesque, and until now, women's pleasure in relation to drug and alcohol use has largely gone unexamined in feminist art history and craft studies. Here, representations of female consumption, from cupcakes to alcohol and cocaine, are opened up for critical discussion. Drawing on feminist and queer theories, Julia Skelly considers portrayals of 'bad girls' in artworks that explore female sexuality - performative pieces designed to subvert and exceed feminine roles. In this provocative book, decadence is understood not as a destructive force but as a liberating aesthetic."--Publisher's description

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781472569400; 1472569407
    RVK Categories: LH 60250
    Subjects: Textilkunst; Textilien; Handarbeiten; Frau; Kunsthandwerk; Frauenkunst; Design; Exzess <Motiv>
    Other subjects: Feminism and art; Women artists; Art and craft debate; Excess (Philosophy); SOCIAL SCIENCE / Feminism & Feminist Theory; DESIGN / Textile & Costume; Art and craft debate; Excess (Philosophy); Feminism and art; Women artists
    Scope: xi, 125 Seiten, 16 Seiten Tafeln, Illustrationen, 25 cm
    Notes:

    Introduction: decadence, feminism and "excess" -- Consuming craft, cupcakes, and cocaine: Orly Cogan, Shane Waltener, and Shelley Miller -- Pleasure craft: Nava Lubelski, Mickalene Thomas, and Shary Boyle -- Bad women? Tracey Emin, Ghada Amer and Allyson Mitchell -- "The decaying fabrics of life and death": Rozanne Hawksley's textile art
  2. Radical decadence
    excess in contemporary feminist textiles and craft
    Author: Skelly, Julia
    Published: 2017
    Publisher:  Bloomsbury Academic, London ; Oxford ; New York ; New Delhi ; Sydney

    "This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties... more

    Location:
    Universitätsbibliothek Paderborn
    Signature:
    JZXT1791
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties about women's power, consumption and pleasure are deconstructed through images of drug use, female sexuality and 'excessive' living, in artworks by several contemporary textile artists including Orly Cogan, Tracey Emin, Allyson Mitchell, and Rozanne Hawksley. Perceptions of decadence are invariably bound to the negative connotations of decay and degradation, particularly with regard to the transgression of social norms related to femininity and the female body. Excessive consumption by women has historically been represented as grotesque, and until now, women's pleasure in relation to drug and alcohol use has largely gone unexamined in feminist art history and craft studies. Here, representations of female consumption, from cupcakes to alcohol and cocaine, are opened up for critical discussion. Drawing on feminist and queer theories, Julia Skelly considers portrayals of 'bad girls' in artworks that explore female sexuality - performative pieces designed to subvert and exceed feminine roles. In this provocative book, decadence is understood not as a destructive force but as a liberating aesthetic."--Publisher's description

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781472569417; 9781472569400; 1472569407
    RVK Categories: LH 60250
    Subjects: Handarbeiten; Textilkunst; Frau; Kunsthandwerk; Exzess <Motiv>; Frauenkunst; Textilien; Design
    Scope: xi, 125 Seiten, 16 Seiten Tafeln, Illustrationen, 25 cm
    Notes:

    Introduction: decadence, feminism and "excess" -- Consuming craft, cupcakes, and cocaine: Orly Cogan, Shane Waltener, and Shelley Miller -- Pleasure craft: Nava Lubelski, Mickalene Thomas, and Shary Boyle -- Bad women? Tracey Emin, Ghada Amer and Allyson Mitchell -- "The decaying fabrics of life and death": Rozanne Hawksley's textile art
  3. Radical decadence
    excess in contemporary feminist textiles and craft
    Author: Skelly, Julia
    Published: 2017
    Publisher:  Bloomsbury Academic, London ; Oxford ; New York ; New Delhi ; Sydney

    "This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties about women's power, consumption and pleasure are deconstructed through images of drug use, female sexuality and 'excessive' living, in artworks by several contemporary textile artists including Orly Cogan, Tracey Emin, Allyson Mitchell, and Rozanne Hawksley. Perceptions of decadence are invariably bound to the negative connotations of decay and degradation, particularly with regard to the transgression of social norms related to femininity and the female body. Excessive consumption by women has historically been represented as grotesque, and until now, women's pleasure in relation to drug and alcohol use has largely gone unexamined in feminist art history and craft studies. Here, representations of female consumption, from cupcakes to alcohol and cocaine, are opened up for critical discussion. Drawing on feminist and queer theories, Julia Skelly considers portrayals of 'bad girls' in artworks that explore female sexuality - performative pieces designed to subvert and exceed feminine roles. In this provocative book, decadence is understood not as a destructive force but as a liberating aesthetic."--Publisher's description

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9781472569400; 1472569407
    RVK Categories: LH 60250
    Subjects: Textilkunst; Textilien; Handarbeiten; Frau; Kunsthandwerk; Frauenkunst; Design; Exzess <Motiv>
    Other subjects: Feminism and art; Women artists; Art and craft debate; Excess (Philosophy); SOCIAL SCIENCE / Feminism & Feminist Theory; DESIGN / Textile & Costume; Art and craft debate; Excess (Philosophy); Feminism and art; Women artists
    Scope: xi, 125 Seiten, 16 Seiten Tafeln, Illustrationen, 25 cm
    Notes:

    Introduction: decadence, feminism and "excess" -- Consuming craft, cupcakes, and cocaine: Orly Cogan, Shane Waltener, and Shelley Miller -- Pleasure craft: Nava Lubelski, Mickalene Thomas, and Shary Boyle -- Bad women? Tracey Emin, Ghada Amer and Allyson Mitchell -- "The decaying fabrics of life and death": Rozanne Hawksley's textile art
  4. Radical decadence
    excess in contemporary feminist textiles and craft
    Author: Skelly, Julia
    Published: 2017; [2021]
    Publisher:  Bloomsbury Academic, London ; Bloomsbury Fashion Central

    "This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties... more

    Access:
    Verlag (URL des Erstveröffentlichers)

    Location:
    Hochschule für Technik und Wirtschaft Berlin, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties about women's power, consumption and pleasure are deconstructed through images of drug use, female sexuality and 'excessive' living, in artworks by several contemporary textile artists including Orly Cogan, Tracey Emin, Allyson Mitchell, and Rozanne Hawksley. Perceptions of decadence are invariably bound to the negative connotations of decay and degradation, particularly with regard to the transgression of social norms related to femininity and the female body. Excessive consumption by women has historically been represented as grotesque, and until now, women's pleasure in relation to drug and alcohol use has largely gone unexamined in feminist art history and craft studies. Here, representations of female consumption, from cupcakes to alcohol and cocaine, are opened up for critical discussion. Drawing on feminist and queer theories, Julia Skelly considers portrayals of 'bad girls' in artworks that explore female sexuality - performative pieces designed to subvert and exceed feminine roles. In this provocative book, decadence is understood not as a destructive force but as a liberating aesthetic"--Bloomsbury Publishing

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: Undetermined
    Media type: Ebook
    Format: Online
    ISBN: 9781474284981
    Other identifier:
    RVK Categories: LH 60250
    Subjects: Excess (Philosophy); Art and craft debate; Women artists; Feminism and art; Design; Exzess <Motiv>; Textilien; Frauenkunst; Handarbeiten; Textilkunst; Kunsthandwerk; Frau
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (xii, 141 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index
  5. Radical decadence
    excess in contemporary feminist textiles and craft
    Author: Skelly, Julia
    Published: 2017
    Publisher:  Bloomsbury Academic, New York

    "This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties... more

    Location:
    Universitätsbibliothek Paderborn
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties about women's power, consumption and pleasure are deconstructed through images of drug use, female sexuality and 'excessive' living, in artworks by several contemporary textile artists including Orly Cogan, Tracey Emin, Allyson Mitchell, and Rozanne Hawksley. Perceptions of decadence are invariably bound to the negative connotations of decay and degradation, particularly with regard to the transgression of social norms related to femininity and the female body. Excessive consumption by women has historically been represented as grotesque, and until now, women's pleasure in relation to drug and alcohol use has largely gone unexamined in feminist art history and craft studies. Here, representations of female consumption, from cupcakes to alcohol and cocaine, are opened up for critical discussion. Drawing on feminist and queer theories, Julia Skelly considers portrayals of 'bad girls' in artworks that explore female sexuality - performative pieces designed to subvert and exceed feminine roles. In this provocative book, decadence is understood not as a destructive force but as a liberating aesthetic."--Publisher's description

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781472569417; 9781472569400; 1472569407
    RVK Categories: LH 60250
    Subjects: Frauenkunst; Textilien; Kunsthandwerk; Exzess <Motiv>; Geschichte 1975-2017; Textilkunst; Handarbeiten; Design; Frau; Geschichte 1975-2017
    Scope: xi, 125 Seiten, 16 Seiten Tafeln, Illustrationen, 25 cm
    Notes:

    Introduction: decadence, feminism and "excess" -- Consuming craft, cupcakes, and cocaine: Orly Cogan, Shane Waltener, and Shelley Miller -- Pleasure craft: Nava Lubelski, Mickalene Thomas, and Shary Boyle -- Bad women? Tracey Emin, Ghada Amer and Allyson Mitchell -- "The decaying fabrics of life and death": Rozanne Hawksley's textile art