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  1. Une esthétique du voile
    essai sur l'art arabo-islamique
    Published: 1994
    Publisher:  Éd. L'Harmattan, Paris

    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
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  2. Le piège de Salomon
    la pensée de l'art dans le Coran
    Published: 2002
    Publisher:  Michel, Paris

    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2226126821
    RVK Categories: EH 5500
    Series: Collection La chaire de l'IMA
    Bibliothèque Albin Michel : Idées
    Subjects: Art islamique; Esthétique dans le Coran; Koran; Kunst; Symbolisme islamique; Aesthetics in the Koran; Islamic art; Islamic art and symbolism; Ästhetik; Islam; Kunst; Islamische Kunst
    Scope: 196 S., 23 cm
    Notes:

    Includes bibliographical references (p. 185-[192])

  3. Une esthétique du voile
    essai sur l'art arabo-islamique
    Published: 1994
    Publisher:  Éd. L'Harmattan, Paris

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
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  4. Of serpents and dragons in Islamic art and related animals
    an iconograpical study
    Published: 2021; ©2021
    Publisher:  Mazda Publishers, Costa Mesa, CA

    In the medieval Muslim world, the dragon was the most frequently represented fabulous beast. This applied across styles and media and in both sacred and secular contexts. Yet its prominence is marked by seemingly contradictory representations. Like... more

     

    In the medieval Muslim world, the dragon was the most frequently represented fabulous beast. This applied across styles and media and in both sacred and secular contexts. Yet its prominence is marked by seemingly contradictory representations. Like Plato's "Pharmakon, "; the dragon was imbued with antithetical meanings: as it stood for both the darkness of the eclipse and the light of God, the satanic and the divine, the transcendent and the earthly. The "yin" and the "yang" of Islam were embodied in the dragon, whose fire was the hell of destruction and also the blessed light of the divine. The dragon thus represented one of those exceptional and mysterious symbols that explained the more baffling phenomena such as creation, chaos and order, furthermore signifying amalgamations of dichotomous forces whose balance made life and the understanding of life possible ... -- Book Description

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781568593913; 1568593910
    Edition: Expanded and revised edition
    Series: Bibliotheca Iranica. Islamic art and architecture series ; no. 13
    Subjects: Dragons in art; Serpents in art; Islamic art and symbolism; Dragons dans l'art; Serpents dans l'art; Symbolisme islamique; Dragons in art; Islamic art and symbolism; Serpents in art; Islamische Kunst; Drachen; Schlangen; Motiv; Ikonographie; Dragons in art; Serpents in art; Animals in art; Islamic art and symbolism
    Scope: xxii, 250 pages, illustrations, 23 cm
    Notes:

    Series information from publisher's Web site

    Includes bibliographical references and index

    Background information -- Names, types and attributes -- The intrepid hero -- Astrocosmological symbolism of the dragon -- Dragons at the navel of the earth -- Hybrid representations of dragons and serpents -- Dragons, opium and Le livre de la Thériaque -- Dragons in the cult of the saints.