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  1. Über das Staunen
    eine ideengeschichtliche Analyse
    Published: 1991
    Publisher:  M. Niemeyer, Tübingen

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 3484181168; 9783484181168; 9783110912944
    Other identifier:
    Series: Studien zur deutschen Literatur ; Bd. 116
    Subjects: Poetics; Surprise in literature; Staunen; Erkenntnistheorie; Poetik; Kultur; Geschichte; Begriff; Ideengeschichte; Philosophie; Staunen <Motiv>
    Scope: 1 Online-Ressource (214 Seiten)
    Notes:

    Includes bibliographical references (p. 203-214)

  2. Surprise
    The Poetics of the Unexpected from Milton to Austen
    Published: [2015]; © 2015
    Publisher:  Cornell University Press, Ithaca, N.Y.

    Miller goes on to offer a fresh reading of what it means to be "surprised by sin" in Paradise Lost, showing how Milton’s epic both harks back to the symbolic functions of violence in allegory and looks ahead to the moral contours of the novel.... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Miller goes on to offer a fresh reading of what it means to be "surprised by sin" in Paradise Lost, showing how Milton’s epic both harks back to the symbolic functions of violence in allegory and looks ahead to the moral contours of the novel. Subsequent chapters study the Miltonic ramifications of surprise in the novels of Defoe, Haywood, Richardson, Fielding, and Sterne, as well as in the poems of Wordsworth and Keats. By focusing on surprise in its inflections as emotion, cognition, and event, Miller’s book illuminates connections between allegory and formal realism, between aesthetic discourse and prose fiction, and between novel and lyric; and it offers new ways of thinking about the aesthetic and ethical dimensions of the novel as the genre emerged in the eighteenth century

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801455780
    Other identifier:
    Subjects: English literature; Surprise in literature; Überraschung <Motiv>; Englisch; Literatur
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Dec. 14, 2016)

  3. Surprise
    The Poetics of the Unexpected from Milton to Austen
    Published: [2015]; ©2015
    Publisher:  Cornell University Press, Ithaca, N.Y.

    Today, in the era of the spoiler alert, “surprise” in fiction is primarily associated with an unexpected plot twist, but in earlier usage, the word had darker and more complex meanings. Originally denoting a military ambush or physical assault,... more

    Hochschule für Gesundheit, Hochschulbibliothek
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    Today, in the era of the spoiler alert, “surprise” in fiction is primarily associated with an unexpected plot twist, but in earlier usage, the word had darker and more complex meanings. Originally denoting a military ambush or physical assault, surprise went through a major semantic shift in the eighteenth century: from violent attack to pleasurable experience, and from external event to internal feeling. In Surprise, Christopher R. Miller studies that change as it took shape in literature ranging from Paradise Lost through the novels of Jane Austen. Miller argues that writers of the period exploited and arbitrated the dual nature of surprise in its sinister and benign forms. Even as surprise came to be associated with pleasure, it continued to be perceived as a problem: a sign of ignorance or naïveté, an uncontrollable reflex, a paralysis of rationality, and an experience of mere novelty or diversion for its own sake. In close readings of exemplary scenes—particularly those involving astonished or petrified characters—Miller shows how novelists sought to harness the energies of surprise toward edifying or comic ends, while registering its underpinnings in violence and mortal danger. In the Roman poet Horace’s famous axiom, poetry should instruct and delight, but in the early eighteenth century, Joseph Addison signally amended that formula to suggest that the imaginative arts should surprise and delight. Investigating the significance of that substitution, Miller traces an intellectual history of surprise, involving Aristotelian poetics, Cartesian philosophy, Enlightenment concepts of the passions, eighteenth-century literary criticism and aesthetics, and modern emotion theory. Miller goes on to offer a fresh reading of what it means to be “surprised by sin” in Paradise Lost, showing how Milton’s epic both harks back to the symbolic functions of violence in allegory and looks ahead to the moral contours of the novel. Subsequent chapters study the Miltonic ramifications of surprise in the novels of Defoe, Haywood, Richardson, Fielding, and Sterne, as well as in the poems of Wordsworth and Keats. By focusing on surprise in its inflections as emotion, cognition, and event, Miller’s book illuminates connections between allegory and formal realism, between aesthetic discourse and prose fiction, and between novel and lyric; and it offers new ways of thinking about the aesthetic and ethical dimensions of the novel as the genre emerged in the eighteenth century.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801455780
    Other identifier:
    Subjects: Surprise in literature; English literature; Surprise in literature; English literature; English literature.; Surprise in literature.
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- Contents -- -- Acknowledgments -- -- Introduction -- -- 1. From Aristotle to Emotion Theory -- -- 2. Being and Feeling: The Surprise Attacks of Paradise Lost -- -- 3. The Accidental Doctor: Physics and Metaphysics in Robinson Crusoe -- -- 4. The Purification of Surprise in Pamela -- -- 5. Fielding’s Statues of Surprize -- -- 6. Northanger Abbey and Gothic Perception: Austen’s Aesthetics and Ethics of Surprise -- -- 7. Wordsworthian Shocks, Gentle and Otherwise -- -- 8. “Fine Suddenness”: Keats’s Sense of a Beginning -- -- Epilogue -- -- Notes -- -- Index

  4. Practices of surprise in American literature after Emerson
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge

    Universitäts- und Landesbibliothek Münster
    3K 79543
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781108426879
    Series: Cambridge studies in American literature and culture ; 180
    Subjects: American literature; Literature, Modern; Surprise in literature; Literatur; Überraschung <Motiv>
    Other subjects: Emerson, Ralph Waldo (1803-1882); Stein, Gertrude (1874-1946); Emerson, Ralph Waldo (1803-1882); Cage, John (1912-1992); James, Henry (1843-1916); Proust, Marcel (1871-1922); Larsen, Nella (1891-1964)
    Scope: xi, 241 Seiten, 23 cm
  5. Surprise
    the poetics of the unexpected from Milton to Austen
    Published: 2015
    Publisher:  Cornell Univ. Press, Ithaca [u.a.]

    Universitäts- und Landesbibliothek Düsseldorf
    angg870.m647
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    Universitäts- und Landesbibliothek Münster
    3K 71809
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780801453694
    Subjects: Surprise in literature; English literature; Überraschung <Motiv>; Englisch; Literatur
    Scope: VIII, 269 S., 24 cm
  6. The unexpected
    narrative temporality and the philosophy of surprise
    Author: Currie, Mark
    Published: 2013
    Publisher:  Edinburgh University Press, Edinburgh ; Oxford University Press, Oxford

    This study asks how stories affect the way we think about time and, in particular, how they condition thinking about the future. Focusing on surprise and the unforeseeable, the book argues that stories are mechanisms that reconcile what is taking... more

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    This study asks how stories affect the way we think about time and, in particular, how they condition thinking about the future. Focusing on surprise and the unforeseeable, the book argues that stories are mechanisms that reconcile what is taking place with what will have been.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748684465
    Other identifier:
    RVK Categories: HG 439 ; EC 4520
    Series: The frontiers of theory
    Subjects: Erzähltheorie; Roman; Überraschung <Motiv>; Modalität; Surprise in literature; Narration (Rhetoric); Time in literature; Future, The, in literature
    Scope: 1 Online-Ressource (vii, 184 p.).
    Notes:

    Includes bibliographical references and index

  7. Über das Staunen
    eine ideengeschichtliche Analyse
    Published: 1991
    Publisher:  Niemeyer, Tübingen

    Hofbibliothek Aschaffenburg
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Staatliche Bibliothek Passau
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 3484181168
    RVK Categories: CC 4400 ; EC 5410 ; EC 5910 ; LH 61040
    Series: Studien zur deutschen Literatur ; 116
    Subjects: Poetics; Surprise in literature; Philosophie; Staunen; Staunen <Motiv>; Ideengeschichte; Poetik; Begriff; Erkenntnistheorie; Geschichte; Kultur
    Scope: 214 S.
    Notes:

    Zugl.: Münster (Westfalen), Univ., Diss., 1990

  8. Elements of surprise
    our mental limits and the satisfactions of plot
    Author: Tobin, Vera
    Published: 2018
    Publisher:  Harvard University Press, Cambridge, Massachusetts

    Elements of Surprise opens with an novel but narrow focus: how a particular cognitive bias, the "curse of knowledge," underwrites stories that rely on what it calls "well-made surprise," as seen in (for example) classic detective fiction--that is,... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Elements of Surprise opens with an novel but narrow focus: how a particular cognitive bias, the "curse of knowledge," underwrites stories that rely on what it calls "well-made surprise," as seen in (for example) classic detective fiction--that is, surprises in novels, films, television, and plays that set us up to be fooled in ways we find pleasing and satisfying. But from there, the book expands its reach. At its core, "cursed" thinking underlies almost everything people write, say, and think about both other people and our own pasts. The more information we have about something, and the more experience we have with it, the harder it is to step outside that experience. What unfolds is both a fresh approach to mental heuristics and biases and an ambitious work of cognitive literary criticism. Elements of Surprise provides a new and exciting way of thinking about the mechanics of narrative, explored through thoughtful readings of classic, popular, and obscure texts.-- Elementary problems -- The curse of knowledge? -- The poetics of surprise -- The naming of things -- Revelations, recognitions, and the satisfactions of plot -- When unreliability is a surprise -- When narration itself is a surprise -- So many things are obvious (now that we're at the end)

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780674980204
    RVK Categories: EC 4520
    Subjects: Plots (Drama, novel, etc.); Surprise in literature; Literary anatomies; Narration (Rhetoric); Cognition
    Scope: 332 pages, 22 cm
    Notes:

    Includes bibliographical references [pages 291-320] and index

  9. Über das Staunen
    Eine ideengeschichtliche Analyse
    Published: 2011; ©1991
    Publisher:  De Gruyter, Berlin

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110912944
    Other identifier:
    RVK Categories: CC 4400 ; EC 3990 ; EC 5910 ; LH 61040 ; EC 5410
    Series: Studien zur deutschen Literatur ; 116
    Subjects: Poetics; Surprise in literature; Poetics.; Surprise in literature.
    Scope: Online-Ressource (214 S.)
  10. Am Anfang war das Staunen
    Wirklichkeitsentwürfe in der Kinder- und Jugendliteratur
    Contributor: Härle, Gerhard (HerausgeberIn); Weinkauff, Gina (HerausgeberIn)
    Published: [2005); © 2005
    Publisher:  Schneider Verlag Hohengehren, Baltmannsweiler

    Universität Potsdam, Universitätsbibliothek
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    Source: Union catalogues
    Contributor: Härle, Gerhard (HerausgeberIn); Weinkauff, Gina (HerausgeberIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3896769634
    RVK Categories: DX 1001 ; GE 6267 ; GE 6268 ; EC 8301 ; DX 1041 ; DX 1042
    Subjects: Children's literature, German; Children; Surprise in literature; Reality in literature
    Scope: VII, 324 Seiten, Diagramme, 23 cm
    Notes:

    Literaturangaben

  11. Elements of Surprise
    Our Mental Limits and the Satisfactions of Plot
    Author: Tobin, Vera
    Published: 2018
    Publisher:  Harvard University Press, Cambridge, MA

    Staats- und Universitätsbibliothek Bremen
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674919570
    Other identifier:
    Subjects: Plots (Drama, novel, etc.); Surprise in literature; Literary anatomies; Narration (Rhetoric)
    Scope: 1 Online-Ressource
    Notes:

    Frontmatter -- -- Contents -- -- Introduction -- -- 1. Elementary Problems -- -- 2. The Curse of Knowledge? -- -- 3. The Poetics of Surprise -- -- 4. The Naming of Things -- -- 5. Revelations, Recognitions, and the Satisfactions of Plot -- -- 6. When Unreliability Is a Surprise -- -- 7. When Narration Itself Is a Surprise -- -- 8. So Many Things Are Obvious (Now That We’re at the End) -- -- Notes -- -- References -- -- Acknowledgments -- -- Index

  12. Corneille's tragedies
    the role of the unexpected
    Published: 1991
    Publisher:  Barnes & Noble, Savage, Md.

    Bayerische Staatsbibliothek
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  13. Corneille's tragedies
    the role of the unexpected
    Published: 1991
    Publisher:  Univ. of Wales Press, Cardiff

    Universitätsbibliothek Bayreuth
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0708311008
    RVK Categories: IF 7105
    Subjects: Tragedies; Experimental drama, French; French drama (Tragedy); Surprise in literature; Tragödie
    Other subjects: Corneille, Pierre <1606-1684>; Corneille, Pierre <1606-1684>; Corneille, Pierre (1606-1684)
    Scope: VI, 134 S.
  14. Surprise
    The Poetics of the Unexpected from Milton to Austen
    Published: [2015]; © 2015
    Publisher:  Cornell University Press, Ithaca, N.Y.

    Miller goes on to offer a fresh reading of what it means to be "surprised by sin" in Paradise Lost, showing how Milton’s epic both harks back to the symbolic functions of violence in allegory and looks ahead to the moral contours of the novel.... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Miller goes on to offer a fresh reading of what it means to be "surprised by sin" in Paradise Lost, showing how Milton’s epic both harks back to the symbolic functions of violence in allegory and looks ahead to the moral contours of the novel. Subsequent chapters study the Miltonic ramifications of surprise in the novels of Defoe, Haywood, Richardson, Fielding, and Sterne, as well as in the poems of Wordsworth and Keats. By focusing on surprise in its inflections as emotion, cognition, and event, Miller’s book illuminates connections between allegory and formal realism, between aesthetic discourse and prose fiction, and between novel and lyric; and it offers new ways of thinking about the aesthetic and ethical dimensions of the novel as the genre emerged in the eighteenth century

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801455780
    Other identifier:
    Subjects: English literature; Surprise in literature; Überraschung <Motiv>; Englisch; Literatur
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Dec. 14, 2016)

  15. The otherworlds of Liz Jensen
    a critical reading
    Published: 2016
    Publisher:  Camden House, Rochester, NY

    Liz Jensen, a British author of eight novels, is among today's most innovative writers. Her literary thrillers occupy the terrain between realism and science fiction. This first study of Jensen centers on the very diverse "otherworlds" she creates in... more

    Bayerische Staatsbibliothek
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    Liz Jensen, a British author of eight novels, is among today's most innovative writers. Her literary thrillers occupy the terrain between realism and science fiction. This first study of Jensen centers on the very diverse "otherworlds" she creates in each of her novels, which can consist of an indeterminate space of ontological instability, a zone in which real and unreal converge to destabilize the realist text, as in Egg Dancing (1995) and The Ninth Life of Louis Drax (2004). In other novels the otherworld relies on defamiliarization: thus in War Crimes for the Home (2002) the experience of war is transformed by being seen from a woman's perspective. In still other cases, the otherworld spans the novel's entire topos, as in The Paper Eater (2000), the full-blown utopia at the center of Jensen's oeuvre.
    Jensen's work approaches contemporary social issues such as religious fundamentalism, ecological disaster, and assisted procreation. Simultaneously, itdisplays a number of characteristics of erudite fiction, including self-reflexivity, inter- and intratextual reference, parody, pastiche, and burlesque. Notwithstanding the "popular" elements of Jensen's work, Helen E. Mundler's study adopts a rigorously academic approach to it, referencing canonical works but also more innovative texts, particularly by contemporary women writers, as points of comparison.

    Helen E. Mundler is Senior Lecturer in English Studies at UPEC (Université Paris-Est Créteil) with a research affiliation at the Université Paris-X Nanterre-La Défense.

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781782048268
    Series: Studies in English and American literature, linguistics, and culture
    Subjects: Reality in literature; Fantastic, The, in literature; Society in literature; Surprise in literature
    Other subjects: Jensen, Liz / 1959- / Criticism and interpretation; Jensen, Liz (1959-)
    Scope: 1 online resource (232 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Jun 2017)

    Notes on abbreviations and gender-neutral language -- Introduction -- Egg dancing: paving the way for otherworlds in time and space -- Ark baby and the return to the nineteenth century -- Island life: the pure "ustopia" of the paper eater -- Liz Jensen's murder mysteries -- From family romance to the detective novel -- New rules, new otherworlds: Jensen's "third wave" -- Ecofiction, rapture fiction -- The uninvited: the most radically "other" world to date -- Conclusion

  16. Surprise
    the poetics of the unexpected from Milton to Austen
    Published: 2015
    Publisher:  Cornell University, Ithaca ; London

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801455780
    RVK Categories: HK 1091
    Subjects: Surprise in literature; English literature; Überraschung <Motiv>; Englisch; Literatur
    Scope: 1 online resource (280 pages)
    Notes:

    Description based on print version record

  17. Elements of surprise
    our mental limits and the satisfactions of plot
    Author: Tobin, Vera
    Published: 2018
    Publisher:  Harvard University Press, Cambridge, Massachusetts ; London, England

    Elements of Surprise opens with an novel but narrow focus: how a particular cognitive bias, the "curse of knowledge," underwrites stories that rely on what it calls "well-made surprise," as seen in (for example) classic detective fiction...that is,... more

    Universitätsbibliothek Augsburg
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    Bayerische Staatsbibliothek
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    Elements of Surprise opens with an novel but narrow focus: how a particular cognitive bias, the "curse of knowledge," underwrites stories that rely on what it calls "well-made surprise," as seen in (for example) classic detective fiction...that is, surprises in novels, films, television, and plays that set us up to be fooled in ways we find pleasing and satisfying. But from there, the book expands its reach. At its core, "cursed" thinking underlies almost everything people write, say, and think about both other people and our own pasts. The more information we have about something, and the more experience we have with it, the harder it is to step outside that experience. What unfolds is both a fresh approach to mental heuristics and biases and an ambitious work of cognitive literary criticism. Elements of Surprise provides a new and exciting way of thinking about the mechanics of narrative, explored through thoughtful readings of classic, popular, and obscure texts....

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780674980204
    RVK Categories: EC 4520
    Subjects: Plots (Drama, novel, etc.); Surprise in literature; Literary anatomies; Narration (Rhetoric); Cognition; Erzähltheorie; Überraschung
    Scope: 332 Seiten
    Notes:

    Includes bibliographical references and index

  18. Surprise
    the poetics of the unexpected from Milton to Austen
    Published: 2015
    Publisher:  Cornell Univ., Ithaca [u.a.]

    Universitätsbibliothek Bamberg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780801453694
    RVK Categories: HK 1091
    Edition: 1. publ.
    Subjects: Surprise in literature; English literature; Englisch; Literatur; Überraschung <Motiv>
    Scope: VIII, 269 S.
  19. Practices of surprise in American literature after Emerson
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge

    Universitätsbibliothek Eichstätt-Ingolstadt
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781108426879
    RVK Categories: HU 1691
    Series: Cambridge studies in American literature and culture ; 180
    Subjects: American literature; Literature, Modern; Surprise in literature; Literatur; Überraschung <Motiv>
    Other subjects: Emerson, Ralph Waldo (1803-1882); Emerson, Ralph Waldo (1803-1882); James, Henry (1843-1916); Stein, Gertrude (1874-1946); Larsen, Nella (1891-1964); Cage, John (1912-1992); Proust, Marcel (1871-1922)
    Scope: xi, 241 Seiten, 23 cm
  20. The unexpected
    narrative temporality and the philosophy of surprise
    Author: Currie, Mark
    Published: 2013
    Publisher:  Edinburgh Univ. Press, Edinburgh

    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780748676293; 9781474402354
    RVK Categories: EC 4520 ; HG 439
    Series: The frontiers of theory
    Subjects: Time in literature; Future, The, in literature; Surprise in literature; Überraschung; Zeit; Modalität; Erzähltheorie; Roman
    Scope: VII, 184 S.
  21. The Unexpected
    Narrative Temporality and the Philosophy of Surprise
    Author: Currie, Mark
    Published: [2022]; © 2013
    Publisher:  Edinburgh University Press, Edinburgh

    This new study asks how stories affect the way we think about time and, in particular, how they condition thinking about the future. Focusing on surprise and the unforeseeable, the book argues that stories are mechanisms that reconcile what is taking... more

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    This new study asks how stories affect the way we think about time and, in particular, how they condition thinking about the future. Focusing on surprise and the unforeseeable, the book argues that stories are mechanisms that reconcile what is taking place with what will have been. This relation between the present and the future perfect offers a grammatical formula quite different from our default notions of narrative as recollection or recapitulation. It promises new understandings of the reading process within the strange logic of a future that is already complete. It also points beyond that to some of the key temporal concepts of our epoch: prediction and unpredictability, uncertainty, the event, the untimely and the messianic. The argument is worked out in new readings of Sarah Waters' Fingersmith, Kazuo Ishiguro's Never Let Me Go and Julian Barnes' The Sense of an Ending.Key FeaturesAn original discussion of the relation of time and narrativeAn important intervention in narratologyA striking general argument about the workings of the mindProvides an overview of the question of surprise in philosophy and literature

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748676309
    Other identifier:
    Series: The Frontiers of Theory : FRTH
    Subjects: Literary Studies; LITERARY CRITICISM / General; Future, The, in literature; Surprise in literature; Time in literature
    Scope: 1 Online-Ressource (192 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022)

  22. Elements of surprise
    our mental limits and the satisfactions of plot
    Author: Tobin, Vera
    Published: 2018
    Publisher:  Harvard University Press, Cambridge, Massachusetts

    Elementary problems -- The curse of knowledge? -- The poetics of surprise -- The naming of things -- Revelations, recognitions, and the satisfactions of plot -- When unreliability is a surprise -- When narration itself is a surprise -- So many things... more

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    Hochschule Aalen, Bibliothek
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    Elementary problems -- The curse of knowledge? -- The poetics of surprise -- The naming of things -- Revelations, recognitions, and the satisfactions of plot -- When unreliability is a surprise -- When narration itself is a surprise -- So many things are obvious (now that we're at the end). Elements of Surprise opens with an novel but narrow focus: how a particular cognitive bias, the "curse of knowledge," underwrites stories that rely on what it calls "well-made surprise," as seen in (for example) classic detective fiction--that is, surprises in novels, films, television, and plays that set us up to be fooled in ways we find pleasing and satisfying. But from there, the book expands its reach. At its core, "cursed" thinking underlies almost everything people write, say, and think about both other people and our own pasts. The more information we have about something, and the more experience we have with it, the harder it is to step outside that experience. What unfolds is both a fresh approach to mental heuristics and biases and an ambitious work of cognitive literary criticism. Elements of Surprise provides a new and exciting way of thinking about the mechanics of narrative, explored through thoughtful readings of classic, popular, and obscure texts.--

     

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  23. Hiddenness, surprise, uncertainty
    three generative energies of poetry
    Published: 2008
    Publisher:  Bloodaxe, Tarset

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2008 A 14152
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1852247975; 9781852247973
    RVK Categories: EC 4360
    Series: Newcastle/Bloodaxe poetry series ; 7
    Subjects: Poetry; Uncertainty in literature; Surprise in literature
    Scope: 64 p.
  24. The Unexpected
    Narrative Temporality and the Philosophy of Surprise
    Author: Currie, Mark
    Published: [2022]
    Publisher:  Edinburgh University Press, Edinburgh

    Frontmatter -- Contents -- Series Editor's Preface -- Acknowledgements -- Introduction: What Lies Ahead -- PART I Surprise and the Theory of Narrative -- 1. A Flow of Unforeseeable Novelty -- 2. Narratological Approaches to the Unforeseeable -- PART... more

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    Frontmatter -- Contents -- Series Editor's Preface -- Acknowledgements -- Introduction: What Lies Ahead -- PART I Surprise and the Theory of Narrative -- 1. A Flow of Unforeseeable Novelty -- 2. Narratological Approaches to the Unforeseeable -- PART II The Unpredictable and the Future Anterior -- PART II The Unpredictable and the Future Anterior -- 4. What Will Have Happened: Writing and the Future Perfect -- 5. The Untimely and the Messianic -- PART III Time Flow and the Process of Reading -- 6. Narrative Modality: Possibility, Probability and the Passage of Time -- 7. Temporal Perspective: Narrative Futurity and the Distribution of Knowledge -- PART IV The Unforeseeable in Fictional Form -- 8. Maximum Peripeteia: Reversal of Fortune and the Rhetoric of Temporal Doubling -- 9. Freedom and the Inescapable Future -- 10. The Philosophy of Grammar -- Bibliography -- Index This new study asks how stories affect the way we think about time and, in particular, how they condition thinking about the future. Focusing on surprise and the unforeseeable, the book argues that stories are mechanisms that reconcile what is taking place with what will have been. This relation between the present and the future perfect offers a grammatical formula quite different from our default notions of narrative as recollection or recapitulation. It promises new understandings of the reading process within the strange logic of a future that is already complete. It also points beyond that to some of the key temporal concepts of our epoch: prediction and unpredictability, uncertainty, the event, the untimely and the messianic. The argument is worked out in new readings of Sarah Waters' Fingersmith, Kazuo Ishiguro's Never Let Me Go and Julian Barnes' The Sense of an Ending.Key FeaturesAn original discussion of the relation of time and narrativeAn important intervention in narratologyA striking general argument about the workings of the mindProvides an overview of the question of surprise in philosophy and literature

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748676309
    Other identifier:
    Series: Array
    Subjects: Future, The, in literature; Surprise in literature; Time in literature; LITERARY CRITICISM / General
    Scope: 1 Online-Ressource (192 p)
  25. Hiddenness, uncertainty, surprise
    three generative energies of poetry
    Published: 2008
    Publisher:  Bloodaxe, Tarset

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781852247973; 1852247975
    RVK Categories: EC 4360
    Edition: 1. publ.
    Series: Newcastle/Bloodaxe poetry series ; 7
    Subjects: Poetry / History and criticism; Uncertainty in literature; Surprise in literature; Poetry; Surprise in literature; Uncertainty in literature; Ambiguität; Lyrik
    Scope: 64 S., 22 cm
    Notes:

    Includes bibliographical references