Publisher:
The University of Chicago Press, Chicago ;
Intro -- Contents -- Acknowledgments -- Introduction -- Part I. The Sonic Flux and Sonic Materialism -- 1. Toward a Sonic Materialism -- Signification, Discourse, and Materialism -- Representation and the Sonic Arts -- Schopenhauer: Below...
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Intro -- Contents -- Acknowledgments -- Introduction -- Part I. The Sonic Flux and Sonic Materialism -- 1. Toward a Sonic Materialism -- Signification, Discourse, and Materialism -- Representation and the Sonic Arts -- Schopenhauer: Below Representation -- Nietzsche: The Naturalization of Art -- Dionysus, or the Intensive -- Sound as an Immemorial Flux -- Sonic Events and Sound Effects -- A Materialist Aesthetics -- 2. A Brief History of the Sonic Flux -- Noise, Deterritorialization, and Self-Organization -- Systems of Sonic Capture -- Interlude-Christian Marclay: Repetition and Difference -- Digitality, Decommodification, and Deterritorialization -- 3. The Symbolic and the Real: Phonography from Music to Sound -- Hearing Things -- Alvin Lucier: From Signification to Noise -- Part II. Being and Time in the Sonic Arts -- 4. Signal to Noise: An Ontology of Sound Art -- Noise -- Leibniz and the Auditory Unconscious -- Sound Art and the Sonic Flux -- Room Tone -- Sound, Symbol, Sample -- Music and Sound Art -- 5. Sound, Time, and Duration -- Beyond the Musical Object: From Being to Becoming, Time to Duration -- Installing Duration: Postminimalism in the Visual Arts -- Time's Square -- Time Pieces -- Against Becoming and Duration? The Sound of Hyper-Chaos -- Part III. The Optical and the Sonic -- 6. Audio/Visual: Against Synaesthetics -- From Gesamtkunstwerk to Synaesthesia -- Sound/Image -- Synaesthetics 2.0 -- Sound Figures -- Dubs and Versions -- Sound Cinema: Film and Video as Sonic Art -- A Transcendental Exercise of the Faculties -- Notes -- Index
