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Displaying results 26 to 50 of 66.

  1. Breathless
    sound recording, disembodiment, and the transformation of lyrical nostalgia
    Author: Weiss, Allen S.
    Published: 2002
    Publisher:  Wesleyan University Press, Middletown, Conn.

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0819565911; 081956592X
    RVK Categories: EC 5410
    Subjects: Death in literature; Array; Sound recordings
    Scope: XV, 177 S.
    Notes:

    mit Literaturverzeichnis
  2. The review as art and communication
    Published: 2013
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne

    Table of contents; chapter one -- introduction; chapter two -- the book review as a special form of communication; chapter three -- communication; chapter four -- the review as a work of art; chapter five -- the reviews (and review essays); chapter... more

    Location:
    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Table of contents; chapter one -- introduction; chapter two -- the book review as a special form of communication; chapter three -- communication; chapter four -- the review as a work of art; chapter five -- the reviews (and review essays); chapter six -- conclusion. The Review as Art and Communication not only presents the idea that book reviews, record reviews, theatrical reviews and reviews of any genre can be substantive essays on their own - expounding and elaborating on the concepts and ideas of the original material critiqued - but it also explores the ""shelf-life"" of the review: the odd phenomenon that just like other forms of art, some stand the test-of-time, and some do not. This book also collects the book reviews of one scholar: Max J. Skidmo

     
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  3. Worldrecords
    Contributor: Schäfer, Kai (FotografIn)
    Published: [2018]
    Publisher:  HENI Publishing, London

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Source: Union catalogues
    Contributor: Schäfer, Kai (FotografIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781912122134
    RVK Categories: AP 94100
    Subjects: Sound recordings; Photography, Artistic
    Other subjects: Schafer, Kai
    Scope: 108 ungezählte Seiten, 30 cm
  4. Phonopoetics
    the making of early literary recordings
    Author: Camlot, Jason
    Published: [2019]
    Publisher:  Stanford University Press, Stanford, California

    Introduction : audiotextual criticism -- The voice of the phonograph -- Charles Dickens in three minutes or less : early phonographic fiction -- Alfred Tennyson's spectral energy : historical intonation in dramatic recitation -- T.S. Eliot's recorded... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 102161
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    Universitätsbibliothek Heidelberg
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    2019 A 5586
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    Württembergische Landesbibliothek
    Signature:
    69/14507
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    Introduction : audiotextual criticism -- The voice of the phonograph -- Charles Dickens in three minutes or less : early phonographic fiction -- Alfred Tennyson's spectral energy : historical intonation in dramatic recitation -- T.S. Eliot's recorded experiments in modernist verse speaking -- Conclusion : analog, digital, conceptual

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781503605213
    Other identifier:
    9781503605213
    Subjects: English literature; Literature and technology; Sound recordings; Oral interpretation; Phonograph
    Scope: xv, 229 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index
  5. Breathless
    sound recording, disembodiment, and the transformation of lyrical nostalgia
    Published: (c)2002
    Publisher:  Wesleyan University Press, Middletown, Conn

    Explores how early radio and sound recording influenced modernist literature Purity of essence --Death's murmur --Erotic nostalgia and the inscription of desire --Narcissistic machines and erotic protheses --Libidinous mannerisms and profligate... more

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    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
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    Location:
    Hochschule Esslingen, Bibliothek
    Signature:
    E-Book Ebsco
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    Location:
    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Explores how early radio and sound recording influenced modernist literature Purity of essence --Death's murmur --Erotic nostalgia and the inscription of desire --Narcissistic machines and erotic protheses --Libidinous mannerisms and profligate abominations.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780819572523; 0819572527
    Subjects: Literature, Modern; Death in literature; Sound recordings; Literature, Modern; BIOGRAPHY & AUTOBIOGRAPHY ; Literary; Death in literature; Literature, Modern; Sound recordings; Literatur; Tod; Geluidsopnamen; Letterkunde; Dood; Sterfelijkheid; Sound recordings; Criticism, interpretation, etc; Sound recordings
    Scope: Online Ressource (xv, 177 pages)
    Notes:

    Includes bibliographical references (pages 165-173) and index. - Print version record
  6. The voice in the headphones
    Author: Grubbs, David
    Published: 2020
    Publisher:  Duke University Press, Durham

    "THE VOICE IN THE HEADPHONES is a book-length poem, largely but not exclusively in prose. Following in form Grubbs's previous book, Now the Audience is Assembled, which was about a musical performance, this book takes the reader into the recording... more

    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    a mus 082/747
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    "THE VOICE IN THE HEADPHONES is a book-length poem, largely but not exclusively in prose. Following in form Grubbs's previous book, Now the Audience is Assembled, which was about a musical performance, this book takes the reader into the recording booth. The poem takes place within the recording studio and Grubbs's fictional band, The Familiar Faces, surfaces and disappears throughout the text as the poems cycle through the creative process of music making and recording. The basic unit of each piece is the page, and the book presents itself in a hybridized form, recontextualizing contemporary poetry, using the language of recording in the studio as the material for the poem. The book is one continuous poem, flowing and looping through the forms and cycles of a studio recording session. Grubbs describes the process of recording as well as the emotions, tools, and systems that undergird music making. The past arrives in the musician's headphones, and the voice mixes with creativity in a series of loops. The poem loops in and on itself, in a way reminiscent of a record or a CD, returning to the present and to the beat. Grubbs describes his influences and inspirations. The Familiar Faces, his band, recur throughout the book within the lines of each page, which are a metaphor for the studio and the music venue. The reader follows Grubbs's creative journey through double takes. The lines rise and fall with the crescendo of the studio. The book is the rehearsal space, and the music is in each new line. This book will be of interest to music scholars and students, readers of the avant-garde arts, and creative writers"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781478007685; 9781478008132
    Subjects: Sound recordings; Avant-garde (Music)
    Scope: 146 Seiten
  7. The Voice in the Headphones.
    Author: Grubbs, David
    Published: 2020.; ©2020
    Publisher:  Duke University Press, Durham

    In his new book-length prose poem, David Grubbs draws on decades of recording experience, taking readers into the recording studio to tell the story of an unnamed musician who struggles to complete a film soundtrack in a day-long marathon recording... more

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    Location:
    Hochschulbibliothek Friedensau
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    Online-Ressource
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    In his new book-length prose poem, David Grubbs draws on decades of recording experience, taking readers into the recording studio to tell the story of an unnamed musician who struggles to complete a film soundtrack in a day-long marathon recording session. Cover -- Begin Reading -- Acknowledgments.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478009092
    Subjects: Sound recordings; Electronic books.
    Scope: 1 online resource (161 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  8. Making sense of recordings
    how cognitive processing of recorded sound works
    Author: Walther-Hansen, Mads
    Published: [2020]; © 2020
    Publisher:  Oxford University Press, New York

    Foundations and Theory. Discourses of Recorded Sound : Technologies, Production, Listening, and Conceptualization ; The Ontology of Recorded Sound ; Sound Quality : Reasoning, Action, and Language -- Encyclopedia. Conceptualizing Sound Quality : An... more

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Foundations and Theory. Discourses of Recorded Sound : Technologies, Production, Listening, and Conceptualization ; The Ontology of Recorded Sound ; Sound Quality : Reasoning, Action, and Language -- Encyclopedia. Conceptualizing Sound Quality : An Encyclopedia of Selected Sound Terminology. "The sonic qualities that emerge from aesthetic and technological decisions in the recording studio have a major impact on how music sounds, yet our ability to describe this impact on the listening experience is limited. Listeners often use very elaborate metaphors when describing sound quality, such as timbral and spatial characteristics. There is, however, a prevalent belief that metaphors are vague and highly subjective, and therefore unsuitable for academic and more exacting discussions of sound. Making Sense of Recordings challenges this assumption by showing how these metaphors are closely connected to our sonic experience and that they make sense within a larger historical context of technological developments and changing discourses of recorded sound. Part 1 of the book starts by tracing written discourses of recorded sound, discussing how everyday listeners and audio professionals describe their experiences of sound in recorded music. The concept of the listener, as it is theorized here, relates both to the production and reception side of recorded music and assumes some sort of conscious evaluative process where people give meaning to their experiences. Listening is approached from a quality-oriented mode of listening concerned with embodied cognition and is conditioned by the specific listening situation and the specific purpose of listening. Building on cognitive sciences, ideas of embodied cognition, and recent studies in discourse analysis, the book then provides new theoretical and methodological approaches to sound perception and conceptualization with particular relevance to recorded music. The aim is not only to expand on existing histories of studio music technologies, from production to reproduction to reception, but also to provide analytical and practical tools to aid in the understanding and communication of sound discourse in the studio and beyond"--

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780197533932
    Subjects: Sound recordings; Sound recordings
    Scope: 1 Online-Ressource (viii, 144 Seiten), Illustrationen, Diagramme
    Notes:

    Includes bibliographical references and index
  9. Critical approaches to the production of music and sound
    Contributor: Bennett, Samantha (Herausgeber); Bates, Eliot (Herausgeber)
    Published: 2018
    Publisher:  Bloomsbury Academic, New York NY ; London ; Oxford ; New Delhi ; Sydney

    Location:
    Universität Bonn, Institut für Sprach-, Medien- und Musikwissenschaft, Bibliothek für Medien- und Musikwissenschaft
    Signature:
    LR 57790 B471
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    Location:
    Universitätsbibliothek Paderborn
    Signature:
    KHSP1024
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    Source: Union catalogues
    Contributor: Bennett, Samantha (Herausgeber); Bates, Eliot (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9781501332050
    RVK Categories: LR 57790
    Subjects: Sound recordings; Popular music; Musikproduktion; Interdisziplinarität
    Scope: xii, 274 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  10. Total records
    photography and the art of the album cover
    Author: Denis, Jacques
    Published: 2016
    Publisher:  Aperture, New York, N.Y.

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Contributor: Beaupré, Antoine de (HerausgeberIn); Vincendet, Serge (HerausgeberIn); Stourdzé, Sam (HerausgeberIn); Mondino, Jean-Baptiste (InterviewteR)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781597113847
    RVK Categories: AP 17450 ; AP 95740 ; LH 71250
    Edition: First Aperture edition
    Subjects: Photography, Artistic; Musicians; Sound recordings
    Scope: 447 Seiten
    Notes:

    Letzte Seite: "This catalogue was first published by Edition 213 to accompany the Total Record exibition, curated by Antione de Beaupré, Sam Stourdzé, and Serge Vincendet and held at Rencontres d'Arles, France, 2015."
  11. Making sense of recordings
    how cognitive processing of recorded sound works
    Author: Walther-Hansen, Mads
    Published: 2020
    Publisher:  Oxford University Press, New York, NY

    The literature dealing with the auditory impact of studio-based practices and technologies on the listening experience is scattered and mainly comprises specialised articles inaccessible to most audio professionals and students. 'Making Sense of... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    The literature dealing with the auditory impact of studio-based practices and technologies on the listening experience is scattered and mainly comprises specialised articles inaccessible to most audio professionals and students. 'Making Sense of Recordings' addresses this problem by offering a comprehensive account of sound quality in recorded music. The text presents analytical tools to evaluate recorded sound and describes how the listening experience is reflected, often metaphorically, in language.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780197533949; 9780197533932
    Other identifier:
    Series: Oxford scholarship online
    Subjects: Sound recordings; Sound recordings; Sound recordings ; Production and direction
    Scope: 1 online resource, illustrations (black and white, and colour).
    Notes:

    Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 16, 2020)
  12. Making sense of recordings
    how cognitive processing of recorded sound works
    Author: Walther-Hansen, Mads
    Published: [2020]; © 2020
    Publisher:  Oxford University Press, New York

    Foundations and Theory. Discourses of Recorded Sound : Technologies, Production, Listening, and Conceptualization ; The Ontology of Recorded Sound ; Sound Quality : Reasoning, Action, and Language -- Encyclopedia. Conceptualizing Sound Quality : An... more

    Location:
    Staatliches Institut für Musikforschung - Preußischer Kulturbesitz, Bibliothek
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    Foundations and Theory. Discourses of Recorded Sound : Technologies, Production, Listening, and Conceptualization ; The Ontology of Recorded Sound ; Sound Quality : Reasoning, Action, and Language -- Encyclopedia. Conceptualizing Sound Quality : An Encyclopedia of Selected Sound Terminology. "The sonic qualities that emerge from aesthetic and technological decisions in the recording studio have a major impact on how music sounds, yet our ability to describe this impact on the listening experience is limited. Listeners often use very elaborate metaphors when describing sound quality, such as timbral and spatial characteristics. There is, however, a prevalent belief that metaphors are vague and highly subjective, and therefore unsuitable for academic and more exacting discussions of sound. Making Sense of Recordings challenges this assumption by showing how these metaphors are closely connected to our sonic experience and that they make sense within a larger historical context of technological developments and changing discourses of recorded sound. Part 1 of the book starts by tracing written discourses of recorded sound, discussing how everyday listeners and audio professionals describe their experiences of sound in recorded music. The concept of the listener, as it is theorized here, relates both to the production and reception side of recorded music and assumes some sort of conscious evaluative process where people give meaning to their experiences. Listening is approached from a quality-oriented mode of listening concerned with embodied cognition and is conditioned by the specific listening situation and the specific purpose of listening. Building on cognitive sciences, ideas of embodied cognition, and recent studies in discourse analysis, the book then provides new theoretical and methodological approaches to sound perception and conceptualization with particular relevance to recorded music. The aim is not only to expand on existing histories of studio music technologies, from production to reproduction to reception, but also to provide analytical and practical tools to aid in the understanding and communication of sound discourse in the studio and beyond"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780197533901; 9780197533918
    Subjects: Sound recordings; Sound recordings
    Scope: viii, 144 Seiten, Illustrationen, Diagramme
    Notes:

    Includes bibliographical references and index
  13. Phonopoetics
    the making of early literary recordings
    Author: Camlot, Jason
    Published: [2019]
    Publisher:  Stanford University Press, Stanford, California

    Introduction : audiotextual criticism -- The voice of the phonograph -- Charles Dickens in three minutes or less : early phonographic fiction -- Alfred Tennyson's spectral energy : historical intonation in dramatic recitation -- T.S. Eliot's recorded... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Introduction : audiotextual criticism -- The voice of the phonograph -- Charles Dickens in three minutes or less : early phonographic fiction -- Alfred Tennyson's spectral energy : historical intonation in dramatic recitation -- T.S. Eliot's recorded experiments in modernist verse speaking -- Conclusion : analog, digital, conceptual

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781503605213
    Other identifier:
    9781503605213
    Subjects: English literature; Literature and technology; Sound recordings; Oral interpretation; Phonograph
    Scope: xv, 229 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index
  14. Directory of recorded sound resources in the United Kingdom
    Contributor: Weerasinghe, Lali (Hrsg.)
    Published: 1989
    Publisher:  British Library National Sound Archive, London

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Weerasinghe, Lali (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0712305025
    RVK Categories: HD 118
    Subjects: Great Britain. Sound recordings. Collections; Sound recordings
    Other subjects: Array
    Scope: XXII, 173 S.
    Notes:

    Includes index
  15. The record
    contemporary art and vinyl ; [on the occasion of the exhibition "The Record: Contemporary Art and Vinyl" ... Nasher Museum of Art at Duke University, September 2, 2010 - February 6, 2011, The Institute of Contemporary Art, Boston April 15 - September 5, 2011]
    Published: 2010
    Publisher:  Nasher Museum of Art, Durham, NC

    "The Record is the full-color catalog accompanying the groundbreaking exhibition The Record: Contemporary Art and Vinyl, curated by Trevor Schoonmaker at the Nasher Museum of Art at Duke University from September 2, 2010 through February 6, 2011. The... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    "The Record is the full-color catalog accompanying the groundbreaking exhibition The Record: Contemporary Art and Vinyl, curated by Trevor Schoonmaker at the Nasher Museum of Art at Duke University from September 2, 2010 through February 6, 2011. The first exhibition to explore the culture of vinyl records in the history of contemporary art, The Record features rarely exhibited work and recent and newly commissioned pieces by thirty-three artists from around the world. These artists have taken vinyl records as their subject or medium, producing sound work, sculpture, installation, drawing, painting, photography, video, and performance."--Amazon

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0938989332
    RVK Categories: LH 65800 ; LH 65880 ; LR 55650 ; LR 57700
    Subjects: Sound recordings and the arts; Art, Modern; Art, Modern; Sound recordings
    Scope: 215 S, zahlr. Ill
    Notes:

    The record : contemporary art and vinyl ; Record timeline / Trevor SchoonmakerGuided by grooves : how records changed the music / Piotr Orlov -- Beware of gramomania : the pleasures and pathologies of record collecting / Mark Katz -- Home of the blues, house of sounds : the record store / Charles McGovern -- Just for the record : vinyl rules / Carlo McCormick -- Digging in the crates / Mark Anthony Neal -- El disco es cultura / Josh Kun -- The record in Jamaica / Vivien Goldman -- Needle to the groove : snippets from an omnidirectional history / Jeff Chang -- Do-it-yourself / Barbara London -- New feeling / Jennifer Kabat -- N.C. noise / Mac McCaughan -- Blazing hip-hop and R&B / Dave Tompkins -- Yesterday and today / Luc Sante.
  16. Critical approaches to the production of music and sound
    Contributor: Bennett, Samantha (Publisher); Bates, Eliot (Publisher)
    Published: 2018
    Publisher:  Bloomsbury Academic, New York NY ; London ; Oxford ; New Delhi ; Sydney

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Location:
    Universität der Künste Berlin, Universitätsbibliothek
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    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
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    Source: Union catalogues
    Contributor: Bennett, Samantha (Publisher); Bates, Eliot (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781501332050; 9781501355783
    RVK Categories: LR 57790
    Subjects: Sound recordings; Popular music; Interdisziplinarität; Musikproduktion
    Scope: xii, 274 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    Paperback edition first published 2019
  17. Sense sound/sound sense
    fluxus music, scores & records in the Luigi Bonotto collection
    Contributor: Rovere, Walter (HerausgeberIn, VerfasserIn von ergänzendem Text); Peterlini, Patrizio (HerausgeberIn, VerfasserIn von ergänzendem Text); Maffei, Giorgio (MitwirkendeR); Cestelli Guidi, Anna (VerfasserIn von ergänzendem Text); Knowles, Alison (VerfasserIn von ergänzendem Text)
    Published: [2016]
    Publisher:  Danilo Montanari editore, [Ravenna]

    About notations / Alison Knowles -- Fluxus scores / Anna Cestelli Guidi -- Indeterminacy / Patrizio Peterlini -- Sense sound sound sense / Walter Rovere more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    About notations / Alison Knowles -- Fluxus scores / Anna Cestelli Guidi -- Indeterminacy / Patrizio Peterlini -- Sense sound sound sense / Walter Rovere

     
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    Source: Union catalogues
    Contributor: Rovere, Walter (HerausgeberIn, VerfasserIn von ergänzendem Text); Peterlini, Patrizio (HerausgeberIn, VerfasserIn von ergänzendem Text); Maffei, Giorgio (MitwirkendeR); Cestelli Guidi, Anna (VerfasserIn von ergänzendem Text); Knowles, Alison (VerfasserIn von ergänzendem Text)
    Language: Italian; English
    Media type: Book
    Format: Print
    ISBN: 9788898120819
    Subjects: Avant-garde (Music); Art and music; Sound recordings; Fluxus (Group of artists); Arts, Modern; Arts
    Other subjects: Bonotto, Luigi
    Scope: 215 Seiten, Illustrationen, 24 cm
    Notes:

    Catalogue of an exhibition held at the Auditorium Parco della musica, Rome, Italy, May 6-July 2, 2016. - Includes bibliographical references. - Text in Italian and English
  18. Coverscaping
    discovering album aesthetics
    Author: Gronstad, Asbjorn; Vagnes, Oyvind
    Published: 2010
    Publisher:  Museum Tusculanum Press, Kopenhagen

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Location:
    Zentrum für Populäre Kultur und Musik, Bibliothek
    Signature:
    Frei 99: Me 2/92
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    No loan of volumes, only paper copies will be sent

    Location:
    Popakademie Baden-Württemberg, Bibliothek
    Signature:
    PKK-PMS-TSÄ-Gro2010
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    No loan of volumes, only paper copies will be sent

    Location:
    Hochschule Osnabrück, Bibliothek Campus Westerberg
    Signature:
    KGR-B 260 471
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    Location:
    Hochschule Osnabrück, Bibliothek Campus Westerberg
    Signature:
    KGR-B 260 471+1
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    Source: Union catalogues
    Contributor: Grønstad, Asbjørn (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9788763507745; 8763507749
    RVK Categories: AP 17450
    Subjects: Sound recordings
    Scope: 209 Seiten
    Notes:

    10stellige ISBN aus Fremddaten
  19. Dead children playing
    a picture book
    Published: 2007
    Publisher:  Verso, London

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781844671700; 1844671704
    Other identifier:
    9781844671700
    RVK Categories: LO 50098 ; LS 48045
    Subjects: Art, English; Art, English; Sound recordings; Commercial art
    Other subjects: Donwood, Stanley; Tchock, K.
    Scope: [39] Bl., überw. Ill., 23 cm
  20. The review as art and communication
    Author: Skidmore, Max J.
    Published: 2013
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1443844446; 1443866679; 9781443844444; 9781443866675
    Subjects: LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; LANGUAGE ARTS & DISCIPLINES / Rhetoric; REFERENCE / Writing Skills; Film; Book reviewing; Theater; Television programs; Motion pictures; Sound recordings; Kunstkritik; Literaturkritik
    Other subjects: Skidmore, Max J.
    Scope: 1 online resource (196 pages)
    Notes:

    Description based on print version record
  21. Breathless
    sound recording, disembodiment, and the transformation of lyrical nostalgia
    Author: Weiss, Allen S.
    Published: ©2002
    Publisher:  Wesleyan University Press, Middletown, Conn.

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0819565911; 081956592X; 0819572527; 9780819565914; 9780819565921; 9780819572523
    Series: UPCC book collections on Project MUSE.
    Subjects: BIOGRAPHY & AUTOBIOGRAPHY / Literary; Geluidsopnamen; Letterkunde; Dood; Sterfelijkheid; Literatur; Tod <Motiv>; Death in literature; Literature, Modern; Sound recordings; Literatur; Death in literature; Literature, Modern; Sound recordings; Tod <Motiv>; Literatur
    Scope: 1 Online-Ressource (xv, 177 pages)
    Notes:

    Includes bibliographical references (pages 165-173) and index

    Purity of essence -- - Death's murmur -- - Erotic nostalgia and the inscription of desire -- - Narcissistic machines and erotic protheses -- - Libidinous mannerisms and profligate abominations
  22. Aesthetic technologies of modernity, subjectivity, and nature
    opera, orchestra, phonograph, film
    Author: Leppert, Richard D.
    Published: 2016
    Publisher:  University of California Press, Oakland, California

    "The book addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the nascent twentieth century and much of what followed... more

    Location:
    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    "The book addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the nascent twentieth century and much of what followed long thereafter, even to the present. Three tropes are central: the tensions and traumas...-cultural, social, and personal...-associated with modernity; changes in human subjectivity and its engagement and representation in music and film; and the more general societal impact of modern media, sound recording (the development of the phonograph in particular), and the critical role played by early-century opera recording. A principal focus of the book is the conflicted relationship in Western modernity to nature, particularly as nature is perceived in opposition to culture and articulated through music, film, and sound as agents of fundamental, sometimes shocking transformation. The book considers the sound/vision world of modernity filtered through the lens of aesthetic modernism and rapid technological change, and the impact of both, experienced with the prescient sense that there could be no turning back"...Provided by publisher

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0520287371; 9780520287372
    RVK Categories: LR 56827 ; LR 57737
    Subjects: Film; Geschichte; Gesellschaft; Musik; Music; Modernism (Music); Opera; Motion pictures; Sound recordings; Nature in music; Nature in motion pictures; Filmästhetik; Film; Schallaufzeichnung; Moderne; Musikästhetik; Ästhetik; Oper; Natur
    Other subjects: Puccini, Giacomo, (1858-1924); Puccini, Giacomo (1858-1924): La fanciulla del West
    Scope: XVI, 351 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Includes bibliographical references and index
  23. Critical approaches to the production of music and sound
    Contributor: Bennett, Samantha (Herausgeber); Bates, Eliot (Herausgeber)
    Published: 2018
    Publisher:  Bloomsbury Academic, Oxford

    Location:
    Universitäts- und Landesbibliothek Bonn
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    Location:
    Universitätsbibliothek Paderborn
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    Source: Union catalogues
    Contributor: Bennett, Samantha (Herausgeber); Bates, Eliot (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501332050
    RVK Categories: LR 57790
    Subjects: Sound recordings; Popular music
    Scope: xii, 274 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  24. Contemporary music graphics
    [sampler]
    Published: 1999
    Publisher:  Gingko Press, Hamburg

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    HAWK Hochschule für angewandte Wissenschaft und Kunst Hildesheim/Holzminden/Göttingen, Bibliothek, Elektronische Ressourcen
    Signature:
    KUN 5725/16
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Muthesius-Kunsthochschule, Zentrale Hochschulbibliothek
    Signature:
    GRA Des 717 gelb
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Pforzheim / Fakultät Gestaltung, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule für Gestaltung Schwäbisch Gmünd, Bibliothek
    Signature:
    766:78 Int
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Hochschule der Medien, Bibliothek Standort Nobelstr.
    Signature:
    Rqm
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Merz Akademie, Hochschule für Gestaltung, Kunst und Medien, Stuttgart, staatlich anerkannt, Bibliothek
    Signature:
    Gf Sam
    Inter-library loan:
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 3927258296; 1856691640
    RVK Categories: AP 15040
    Subjects: Graphic arts; Sound recordings
    Scope: 143 S., überw. Ill. (z.T. farb.)
  25. Eco-sonic media
    Author: Smith, Jacob
    Published: [2015]
    Publisher:  University of California Press, Oakland, California

    Green discs -- Birdland melodies -- Subterranean signals -- Radio's dark ecology -- The run-out groove "The negative environmental effects of media culture are not often acknowledged: the fuel required to keep huge server farms in operation,... more

    Location:
    Zentrum für Kunst und Medien Karlsruhe / Staatliche Hochschule für Gestaltung, Bibliothek
    Signature:
    Mg 9013
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signature:
    780 | SMI | Eco
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Mannheim
    Signature:
    500 EC 2440 S642 J15
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Offenburg, University of Applied Sciences, Bibliothek Campus Offenburg
    Signature:
    LR 57790 011 2015
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Green discs -- Birdland melodies -- Subterranean signals -- Radio's dark ecology -- The run-out groove "The negative environmental effects of media culture are not often acknowledged: the fuel required to keep huge server farms in operation, landfills full of high tech junk, and the extraction of rare minerals for devices reliant on them are just some of the hidden costs of the contemporary mediascape. Eco-Sonic Media brings an ecological critique to the history of sound media technologies in order to amplify the environmental undertones in sound studies and turn up the audio in discussions of greening the media. By looking at early and neglected forms of sound technology, Jacob Smith seeks to create a revisionist, ecologically aware history of sound media. Delving into the history of pre-electronic media like hand-cranked gramophones, comparatively eco-friendly media artifacts such as the shellac discs that preceded the use of petroleum-based vinyl, early forms of portable technology like divining rods, and even the use of songbirds as domestic music machines, Smith builds a scaffolding of historical case studies to demonstrate how 'green media archaeology' can make sound studies vibrate at an ecological frequency while opening the ears of eco-criticism. Throughout this eye-opening and timely book he makes readers more aware of the costs and consequences of their personal media consumption by prompting comparisons with non-digital, non-electronic technologies and by offering different ways in which sound media can become eco-sonic media. In the process, he forges interdisciplinary connections, opens new avenues of research, and poses fresh theoretical questions for scholars and students of media, sound studies, and contemporary environmental history"--Provided by publisher

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520286139; 0520286138; 9780520286146; 0520286146
    RVK Categories: LR 57790 ; EC 2440
    Subjects: Sound recordings; Sound; Audio equipment industry; Sound; Sound in mass media
    Scope: 254 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index