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  1. The voice in the headphones
    Author: Grubbs, David
    Published: 2020; © 2020
    Publisher:  Duke University Press, Durham ; London

    The voice in the headphones says, "you're rolling" . . .The Voice in the Headphones is an experiment in music writing in the form of a long poem centered on the culture of the recording studio. It describes in intricate, prismatic detail one marathon... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    The voice in the headphones says, "you're rolling" . . .The Voice in the Headphones is an experiment in music writing in the form of a long poem centered on the culture of the recording studio. It describes in intricate, prismatic detail one marathon day in a recording studio during which an unnamed musician struggles to complete a film soundtrack. The book extends the form of Grubbs's previous volume Now that the audience is assembled, sharing its goal of musicalizing the language of writing about music. Mulling the insight that "studio is the absence of pushback"-now that no audience is assembled-The Voice in the Headphones details one musician's strategies for applying the requisite pressure to the proceedings, for making it count. The Voice in the Headphones is both a literary work and a meditation on sound recording, delivered at a moment in which the commercial recording studio shades into oblivion. It draws upon Grubbs's own history of several decades as a recording artist, and its location could be described as every studio in which he has set foot

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478009092
    Other identifier:
    Subjects: POETRY / American / General; Avant-garde (Music); Avant-garde (Music); Sound recordings; Filmmusik; Schallaufzeichnung; Komposition <Musik>
    Scope: 1 Online-Ressource (146 Seiten)
  2. Making sense of recordings
    how cognitive processing of recorded sound works
    Author: Hansen, Mads
    Published: 2020
    Publisher:  Oxford University Press, New York, NY

    The literature dealing with the auditory impact of studio-based practices and technologies on the listening experience is scattered and mainly comprises specialised articles inaccessible to most audio professionals and students. 'Making Sense of... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    The literature dealing with the auditory impact of studio-based practices and technologies on the listening experience is scattered and mainly comprises specialised articles inaccessible to most audio professionals and students. 'Making Sense of Recordings' addresses this problem by offering a comprehensive account of sound quality in recorded music. The text presents analytical tools to evaluate recorded sound and describes how the listening experience is reflected, often metaphorically, in language.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780197533949
    Other identifier:
    RVK Categories: LR 57470 ; ZN 6820
    Series: Oxford scholarship online
    Subjects: Tonträgerproduktion; Schallaufzeichnung; Klang; Ästhetik; Sound recordings
    Scope: 1 Online-Ressource, Illustrations (black and white, and colour).
    Notes:

    Also issued in print: 2020

    Includes bibliographical references and index
  3. Critical approaches to the production of music and sound
    Contributor: Bennett, Samantha (Publisher); Bates, Eliot (Publisher)
    Published: 2018
    Publisher:  Bloomsbury Academic, New York NY ; London ; Oxford ; New Delhi ; Sydney

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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Contributor: Bennett, Samantha (Publisher); Bates, Eliot (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501332081
    RVK Categories: LR 57790
    Subjects: Sound recordings; Popular music; Musikproduktion; Interdisziplinarität
    Scope: 1 Online-Ressource (xii, 274 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index
  4. The voice in the headphones
    Author: Grubbs, David
    Published: 2020; © 2020
    Publisher:  Duke University Press, Durham ; London

    The voice in the headphones says, "you're rolling" . . .The Voice in the Headphones is an experiment in music writing in the form of a long poem centered on the culture of the recording studio. It describes in intricate, prismatic detail one marathon... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    The voice in the headphones says, "you're rolling" . . .The Voice in the Headphones is an experiment in music writing in the form of a long poem centered on the culture of the recording studio. It describes in intricate, prismatic detail one marathon day in a recording studio during which an unnamed musician struggles to complete a film soundtrack. The book extends the form of Grubbs's previous volume Now that the audience is assembled, sharing its goal of musicalizing the language of writing about music. Mulling the insight that "studio is the absence of pushback"-now that no audience is assembled-The Voice in the Headphones details one musician's strategies for applying the requisite pressure to the proceedings, for making it count. The Voice in the Headphones is both a literary work and a meditation on sound recording, delivered at a moment in which the commercial recording studio shades into oblivion. It draws upon Grubbs's own history of several decades as a recording artist, and its location could be described as every studio in which he has set foot

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478009092
    Other identifier:
    Subjects: POETRY / American / General; Avant-garde (Music); Avant-garde (Music); Sound recordings; Schallaufzeichnung; Filmmusik; Komposition <Musik>
    Scope: 1 Online-Ressource (146 Seiten)
  5. Breathless
    sound recording, disembodiment, and the transformation of lyrical nostalgia
    Author: Weiss, Allen S.
    Published: c2002
    Publisher:  Wesleyan University Press, Middletown, Conn.

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780819565921; 9780819565914; 9780819572523
    RVK Categories: EC 5410
    Subjects: Death in literature; Literature, Modern; Sound recordings; Tod <Motiv>; Literatur
    Scope: xv, 177 p
    Notes:

    Includes bibliographical references (p. 165-173) and index
  6. Phonopoetics
    the making of early literary recordings
    Author: Camlot, Jason
    Published: 2019
    Publisher:  Stanford University Press, Stanford, California

    Introduction : audiotextual criticism -- The voice of the phonograph -- Charles Dickens in three minutes or less : early phonographic fiction -- Alfred Tennyson's spectral energy : historical intonation in dramatic recitation -- T.S. Eliot's recorded... more

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    Hochschule Aalen, Bibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Introduction : audiotextual criticism -- The voice of the phonograph -- Charles Dickens in three minutes or less : early phonographic fiction -- Alfred Tennyson's spectral energy : historical intonation in dramatic recitation -- T.S. Eliot's recorded experiments in modernist verse speaking -- Conclusion : analog, digital, conceptual

     
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  7. Phonopoetics
    The Making of Early Literary Recordings
    Author: Camlot, Jason
    Published: [2020]
    Publisher:  Stanford University Press, Stanford, CA

    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- FIGURES AND TABLE -- RECORDINGS -- INTRODUCTION. Audiotextual Criticism -- 1. THE VOICE OF THE PHONOGRAPH -- 2. CHARLES DICKENS IN THREE MINUTES OR LESS -- 3. ALFRED, LORD TENNYSON’S SPECTRAL ENERGY -- 4.... more

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    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- FIGURES AND TABLE -- RECORDINGS -- INTRODUCTION. Audiotextual Criticism -- 1. THE VOICE OF THE PHONOGRAPH -- 2. CHARLES DICKENS IN THREE MINUTES OR LESS -- 3. ALFRED, LORD TENNYSON’S SPECTRAL ENERGY -- 4. T.S. ELIOT’S RECORDED EXPERIMENTS IN MODERNIST VERSE SPEAKING -- CONCLUSION. Analog, Digital, Conceptual -- NOTES -- INDEX Phonopoetics tells the neglected story of early "talking records" and their significance for literature, from the 1877 invention of the phonograph to some of the first recorded performances of modernist works. The book challenges assumptions of much contemporary criticism by taking the recorded, oral performance as its primary object of analysis and by exploring the historically specific convergences between audio recording technologies, media formats, generic forms, and the institutions and practices surrounding the literary. Opening with an argument that the earliest spoken recordings were a mediated extension of Victorian reading and elocutionary culture, Jason Camlot explains the literary significance of these pre-tape era voice artifacts by analyzing early promotional fantasies about the phonograph as a new kind of speaker and detailing initiatives to deploy it as a pedagogical tool to heighten literary experience. Through historically-grounded interpretations of Dickens impersonators to recitations of Tennyson to T.S. Eliot's experimental readings of "The Waste Land" and of a great variety of voices and media in between, this first critical history of the earliest literary sound recordings offers an unusual perspective on the transition from the Victorian to modern periods and sheds new light on our own digitally mediated relationship to the past

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781503609716
    Other identifier:
    Subjects: English literature; Literature and technology; Oral interpretation; Phonograph; Sound recordings; LITERARY CRITICISM / Poetry
    Scope: 1 Online-Ressource (248 p)
  8. The Voice in the Headphones
    Author: Grubbs, David
    Published: [2020]
    Publisher:  Duke University Press, Durham

    Frontmatter -- The Voice in the Headphones -- Acknowledgments The voice in the headphones says, “you’re rolling” . . .The Voice in the Headphones is an experiment in music writing in the form of a long poem centered on the culture of the recording... more

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    Hochschule für Gesundheit, Hochschulbibliothek
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    Frontmatter -- The Voice in the Headphones -- Acknowledgments The voice in the headphones says, “you’re rolling” . . .The Voice in the Headphones is an experiment in music writing in the form of a long poem centered on the culture of the recording studio. It describes in intricate, prismatic detail one marathon day in a recording studio during which an unnamed musician struggles to complete a film soundtrack. The book extends the form of Grubbs's previous volume Now that the audience is assembled, sharing its goal of musicalizing the language of writing about music. Mulling the insight that “studio is the absence of pushback”—now that no audience is assembled—The Voice in the Headphones details one musician's strategies for applying the requisite pressure to the proceedings, for making it count. The Voice in the Headphones is both a literary work and a meditation on sound recording, delivered at a moment in which the commercial recording studio shades into oblivion. It draws upon Grubbs's own history of several decades as a recording artist, and its location could be described as every studio in which he has set foot

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478009092
    Other identifier:
    Subjects: Avant-garde (Music); Sound recordings; Avant-garde (Music); POETRY / American / General
    Scope: 1 Online-Ressource (154 p)
  9. Recorded poetry and poetic reception from Edna Millay to the circle of Robert Lowell
    Author: Furr, Derek
    Published: 2010
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

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    Universitätsbibliothek Bielefeld
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    Universitätsbibliothek Paderborn
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780230109919
    Other identifier:
    Edition: 1. ed.
    Subjects: American poetry--20th century; Sound recordings
    Scope: VIII, 198 S. : Ill.
  10. Critical approaches to the production of music and sound
    Contributor: Bennett, Samantha (Publisher); Bates, Eliot (Publisher)
    Published: 2018
    Publisher:  Bloomsbury Academic, New York, New York

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Contributor: Bennett, Samantha (Publisher); Bates, Eliot (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501332081
    RVK Categories: LR 57790
    Subjects: Sound recordings; Popular music; Interdisziplinarität; Musikproduktion
    Scope: 1 Online-Ressource (289 pages)
    Notes:

    Description based on print version record
  11. The Voice in the Headphones
    Author: Grubbs, David
    Published: [2020]
    Publisher:  Duke University Press, Durham

    Frontmatter -- The Voice in the Headphones -- Acknowledgments The voice in the headphones says, “you’re rolling” . . .The Voice in the Headphones is an experiment in music writing in the form of a long poem centered on the culture of the recording... more

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    Verlag (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Frontmatter -- The Voice in the Headphones -- Acknowledgments The voice in the headphones says, “you’re rolling” . . .The Voice in the Headphones is an experiment in music writing in the form of a long poem centered on the culture of the recording studio. It describes in intricate, prismatic detail one marathon day in a recording studio during which an unnamed musician struggles to complete a film soundtrack. The book extends the form of Grubbs's previous volume Now that the audience is assembled, sharing its goal of musicalizing the language of writing about music. Mulling the insight that “studio is the absence of pushback”—now that no audience is assembled—The Voice in the Headphones details one musician's strategies for applying the requisite pressure to the proceedings, for making it count. The Voice in the Headphones is both a literary work and a meditation on sound recording, delivered at a moment in which the commercial recording studio shades into oblivion. It draws upon Grubbs's own history of several decades as a recording artist, and its location could be described as every studio in which he has set foot

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478009092
    Other identifier:
    Subjects: Avant-garde (Music); Sound recordings; Avant-garde (Music); POETRY / American / General
    Scope: 1 Online-Ressource (154 p)
  12. Phonopoetics
    The Making of Early Literary Recordings
    Author: Camlot, Jason
    Published: [2020]
    Publisher:  Stanford University Press, Stanford, CA

    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- FIGURES AND TABLE -- RECORDINGS -- INTRODUCTION. Audiotextual Criticism -- 1. THE VOICE OF THE PHONOGRAPH -- 2. CHARLES DICKENS IN THREE MINUTES OR LESS -- 3. ALFRED, LORD TENNYSON’S SPECTRAL ENERGY -- 4.... more

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    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- FIGURES AND TABLE -- RECORDINGS -- INTRODUCTION. Audiotextual Criticism -- 1. THE VOICE OF THE PHONOGRAPH -- 2. CHARLES DICKENS IN THREE MINUTES OR LESS -- 3. ALFRED, LORD TENNYSON’S SPECTRAL ENERGY -- 4. T.S. ELIOT’S RECORDED EXPERIMENTS IN MODERNIST VERSE SPEAKING -- CONCLUSION. Analog, Digital, Conceptual -- NOTES -- INDEX Phonopoetics tells the neglected story of early "talking records" and their significance for literature, from the 1877 invention of the phonograph to some of the first recorded performances of modernist works. The book challenges assumptions of much contemporary criticism by taking the recorded, oral performance as its primary object of analysis and by exploring the historically specific convergences between audio recording technologies, media formats, generic forms, and the institutions and practices surrounding the literary. Opening with an argument that the earliest spoken recordings were a mediated extension of Victorian reading and elocutionary culture, Jason Camlot explains the literary significance of these pre-tape era voice artifacts by analyzing early promotional fantasies about the phonograph as a new kind of speaker and detailing initiatives to deploy it as a pedagogical tool to heighten literary experience. Through historically-grounded interpretations of Dickens impersonators to recitations of Tennyson to T.S. Eliot's experimental readings of "The Waste Land" and of a great variety of voices and media in between, this first critical history of the earliest literary sound recordings offers an unusual perspective on the transition from the Victorian to modern periods and sheds new light on our own digitally mediated relationship to the past

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781503609716
    Other identifier:
    Subjects: English literature; Literature and technology; Oral interpretation; Phonograph; Sound recordings; LITERARY CRITICISM / Poetry
    Scope: 1 Online-Ressource (248 p)
  13. The review as art and communication
    Published: 2013
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne

    Table of contents; chapter one -- introduction; chapter two -- the book review as a special form of communication; chapter three -- communication; chapter four -- the review as a work of art; chapter five -- the reviews (and review essays); chapter... more

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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Table of contents; chapter one -- introduction; chapter two -- the book review as a special form of communication; chapter three -- communication; chapter four -- the review as a work of art; chapter five -- the reviews (and review essays); chapter six -- conclusion. The Review as Art and Communication not only presents the idea that book reviews, record reviews, theatrical reviews and reviews of any genre can be substantive essays on their own - expounding and elaborating on the concepts and ideas of the original material critiqued - but it also explores the ""shelf-life"" of the review: the odd phenomenon that just like other forms of art, some stand the test-of-time, and some do not. This book also collects the book reviews of one scholar: Max J. Skidmo

     
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  14. Making sense of recordings
    how cognitive processing of recorded sound works
    Author: Walther-Hansen, Mads
    Published: [2020]; © 2020
    Publisher:  Oxford University Press, New York

    Foundations and Theory. Discourses of Recorded Sound : Technologies, Production, Listening, and Conceptualization ; The Ontology of Recorded Sound ; Sound Quality : Reasoning, Action, and Language -- Encyclopedia. Conceptualizing Sound Quality : An... more

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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Foundations and Theory. Discourses of Recorded Sound : Technologies, Production, Listening, and Conceptualization ; The Ontology of Recorded Sound ; Sound Quality : Reasoning, Action, and Language -- Encyclopedia. Conceptualizing Sound Quality : An Encyclopedia of Selected Sound Terminology. "The sonic qualities that emerge from aesthetic and technological decisions in the recording studio have a major impact on how music sounds, yet our ability to describe this impact on the listening experience is limited. Listeners often use very elaborate metaphors when describing sound quality, such as timbral and spatial characteristics. There is, however, a prevalent belief that metaphors are vague and highly subjective, and therefore unsuitable for academic and more exacting discussions of sound. Making Sense of Recordings challenges this assumption by showing how these metaphors are closely connected to our sonic experience and that they make sense within a larger historical context of technological developments and changing discourses of recorded sound. Part 1 of the book starts by tracing written discourses of recorded sound, discussing how everyday listeners and audio professionals describe their experiences of sound in recorded music. The concept of the listener, as it is theorized here, relates both to the production and reception side of recorded music and assumes some sort of conscious evaluative process where people give meaning to their experiences. Listening is approached from a quality-oriented mode of listening concerned with embodied cognition and is conditioned by the specific listening situation and the specific purpose of listening. Building on cognitive sciences, ideas of embodied cognition, and recent studies in discourse analysis, the book then provides new theoretical and methodological approaches to sound perception and conceptualization with particular relevance to recorded music. The aim is not only to expand on existing histories of studio music technologies, from production to reproduction to reception, but also to provide analytical and practical tools to aid in the understanding and communication of sound discourse in the studio and beyond"--

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780197533932
    Subjects: Sound recordings; Sound recordings
    Scope: 1 Online-Ressource (viii, 144 Seiten), Illustrationen, Diagramme
    Notes:

    Includes bibliographical references and index
  15. Making sense of recordings
    how cognitive processing of recorded sound works
    Author: Walther-Hansen, Mads
    Published: 2020
    Publisher:  Oxford University Press, New York, NY

    The literature dealing with the auditory impact of studio-based practices and technologies on the listening experience is scattered and mainly comprises specialised articles inaccessible to most audio professionals and students. 'Making Sense of... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    The literature dealing with the auditory impact of studio-based practices and technologies on the listening experience is scattered and mainly comprises specialised articles inaccessible to most audio professionals and students. 'Making Sense of Recordings' addresses this problem by offering a comprehensive account of sound quality in recorded music. The text presents analytical tools to evaluate recorded sound and describes how the listening experience is reflected, often metaphorically, in language.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780197533949; 9780197533932
    Other identifier:
    Series: Oxford scholarship online
    Subjects: Sound recordings; Sound recordings; Sound recordings ; Production and direction
    Scope: 1 online resource, illustrations (black and white, and colour).
    Notes:

    Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 16, 2020)
  16. The review as art and communication
    Author: Skidmore, Max J.
    Published: 2013
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1443844446; 1443866679; 9781443844444; 9781443866675
    Subjects: LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; LANGUAGE ARTS & DISCIPLINES / Rhetoric; REFERENCE / Writing Skills; Film; Book reviewing; Theater; Television programs; Motion pictures; Sound recordings; Kunstkritik; Literaturkritik
    Other subjects: Skidmore, Max J.
    Scope: 1 online resource (196 pages)
    Notes:

    Description based on print version record
  17. Breathless
    sound recording, disembodiment, and the transformation of lyrical nostalgia
    Author: Weiss, Allen S.
    Published: ©2002
    Publisher:  Wesleyan University Press, Middletown, Conn.

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0819565911; 081956592X; 0819572527; 9780819565914; 9780819565921; 9780819572523
    Series: UPCC book collections on Project MUSE.
    Subjects: BIOGRAPHY & AUTOBIOGRAPHY / Literary; Geluidsopnamen; Letterkunde; Dood; Sterfelijkheid; Literatur; Tod <Motiv>; Death in literature; Literature, Modern; Sound recordings; Literatur; Death in literature; Literature, Modern; Sound recordings; Tod <Motiv>; Literatur
    Scope: 1 Online-Ressource (xv, 177 pages)
    Notes:

    Includes bibliographical references (pages 165-173) and index

    Purity of essence -- - Death's murmur -- - Erotic nostalgia and the inscription of desire -- - Narcissistic machines and erotic protheses -- - Libidinous mannerisms and profligate abominations
  18. Breathless
    Sound Recording, Disembodiment, and the Transformation of Lyrical Nostalgia
    Author: Weiss, Allen S. S.
    Published: 2011
    Publisher:  Wesleyan University Press, Middletown

    Explores how early radio and sound recording influenced modernist literature more

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Hochschulbibliothek Friedensau
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
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    Explores how early radio and sound recording influenced modernist literature

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780819565914
    Subjects: Death in literature; Literature, Modern ; History and criticism; Sound recordings; Electronic books
    Scope: Online-Ressource (199 p.)
    Notes:

    Description based upon print version of record

    Contents; Preface; Acknowledgments; Chapter 1: Purity of Essence; Chapter 2: Death's Murmur; Chapter 3: Erotic Nostalgia and the Inscription of Desire; Chapter 4: Narcissistic Machines and Erotic Prostheses; Chapter 5: Libidinous Mannerisms and Profligate Abominations; Notes; Selected Bibliography; Index;
  19. Making sense of recordings
    how cognitive processing of recorded sound works
    Author: Walther-Hansen, Mads
    Published: 2020
    Publisher:  Oxford University Press, New York, NY

    The literature dealing with the auditory impact of studio-based practices and technologies on the listening experience is scattered and mainly comprises specialised articles inaccessible to most audio professionals and students. 'Making Sense of... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Hochschule für Musik 'Carl Maria von Weber', Hochschulbibliothek
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    Hochschule für Technik und Wirtschaft Dresden, Bibliothek
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    Oxford Music 2020/2021
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    The literature dealing with the auditory impact of studio-based practices and technologies on the listening experience is scattered and mainly comprises specialised articles inaccessible to most audio professionals and students. 'Making Sense of Recordings' addresses this problem by offering a comprehensive account of sound quality in recorded music. The text presents analytical tools to evaluate recorded sound and describes how the listening experience is reflected, often metaphorically, in language.

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780197533949; 9780197533932
    Other identifier:
    Series: Oxford scholarship online
    Subjects: Sound recordings; Sound recordings; Sound recordings ; Production and direction
    Scope: 1 online resource, illustrations (black and white, and colour).
    Notes:

    Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 16, 2020)
  20. Breathless
    sound recording, disembodiment, and the transformation of lyrical nostalgia
    Published: (c)2002
    Publisher:  Wesleyan University Press, Middletown, Conn

    Explores how early radio and sound recording influenced modernist literature Purity of essence --Death's murmur --Erotic nostalgia and the inscription of desire --Narcissistic machines and erotic protheses --Libidinous mannerisms and profligate... more

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Explores how early radio and sound recording influenced modernist literature Purity of essence --Death's murmur --Erotic nostalgia and the inscription of desire --Narcissistic machines and erotic protheses --Libidinous mannerisms and profligate abominations.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780819572523; 0819572527
    Subjects: Literature, Modern; Death in literature; Sound recordings; Literature, Modern; BIOGRAPHY & AUTOBIOGRAPHY ; Literary; Death in literature; Literature, Modern; Sound recordings; Literatur; Tod; Geluidsopnamen; Letterkunde; Dood; Sterfelijkheid; Sound recordings; Criticism, interpretation, etc; Sound recordings
    Scope: Online Ressource (xv, 177 pages)
    Notes:

    Includes bibliographical references (pages 165-173) and index. - Print version record
  21. The Voice in the Headphones.
    Author: Grubbs, David
    Published: 2020.; ©2020
    Publisher:  Duke University Press, Durham

    In his new book-length prose poem, David Grubbs draws on decades of recording experience, taking readers into the recording studio to tell the story of an unnamed musician who struggles to complete a film soundtrack in a day-long marathon recording... more

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    Aggregator (lizenzpflichtig)

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    Hochschulbibliothek Friedensau
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    Online-Ressource
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    In his new book-length prose poem, David Grubbs draws on decades of recording experience, taking readers into the recording studio to tell the story of an unnamed musician who struggles to complete a film soundtrack in a day-long marathon recording session. Cover -- Begin Reading -- Acknowledgments.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478009092
    Subjects: Sound recordings; Electronic books.
    Scope: 1 online resource (161 pages)
    Notes:

    Description based on publisher supplied metadata and other sources