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  1. Chinese Landscape Woodcuts
    From an Imperial Commentary to the Tenth-Century Printed Edition of the Buddhist Canon
    Author: Loehr, Max
    Published: [1968]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674430235; 9780674430211
    Other identifier:
    Subjects: Engraving / China / History; Geschichte; Druckgrafik, Drucke; Landscapes in art; Engraving; Landschaft <Motiv>; Holzschnitt; Songdynastie <960-1279>
    Scope: 1 Online-Ressource (xiv,114p.)
    Notes:

    41 schw.-w. Abb

  2. The poetry demon
    Song-Dynasty monks on verse and the way
    Published: [2021]; © 2021
    Publisher:  University of Hawai'i Press, Honolulu

    Chinese Buddhist monks of the Song dynasty (960-1279) called the irresistible urge to compose poetry "the poetry demon." In this ambitious study, Jason Protass seeks to bridge the fields of Buddhist studies and Chinese literature to examine the place... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Chinese Buddhist monks of the Song dynasty (960-1279) called the irresistible urge to compose poetry "the poetry demon." In this ambitious study, Jason Protass seeks to bridge the fields of Buddhist studies and Chinese literature to examine the place of poetry in the lives of Song monks. Although much has been written about verses in the gong'an (Jpn. kōan) tradition, very little is known about the large corpora-roughly 30,000 extant poems-composed by these monastics. Protass addresses the oversight by using strategies associated with religious studies, literary studies, and sociology. He weaves together poetry with a wide range of monastic sources and in doing so argues against positing a "literary Chan" movement that wrote poetry as a path to awakening; he instead presents an understanding of monks' poetry grounded in the Song discourse of monks themselves.The work begins by examining how monks fashioned new genres, created their own books, and fueled a monastic audience for monks' poetry. It traces the evolution of gāthā from hymns found in Buddhist scripture to an independent genre for poems associated with Chan masters as living buddhas. While Song monastic culture produced a prodigious amount of verse, at the same time it promoted prohibitions against monks' participation in poetry as a worldly or Confucian art: This constructive tension was an animating force. The Poetry Demon highlights this and other intersections of Buddhist doctrine with literary sociality and charts productive pathways through numerous materials, including collections of Chan "recorded sayings," monastic rulebooks, "eminent monk" and "flame record" hagiographies, manuscripts of poetry, Buddhist encyclopedia, primers, and sūtra commentary.Two chapter-length case studies illustrate how Song monks participated in two of the most prominent and conservative modes of poetry of the time, those of parting and mourning. Protass reveals how monks used Chan humor with reference to emptiness to transform acts of separation into Buddhist teachings. In another chapter, monks in mourning expressed their grief and dharma through poetry. The Poetry Demon impressively uncovers new and creative ways to study Chinese Buddhist monks' poetry while contributing to the broader study of Chinese religion and literature

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780824889074; 9780824889081
    Other identifier:
    Series: Studies in East Asian Buddhism ; 29
    Subjects: RELIGION / Buddhism / Sacred Writings; Chinese poetry; Monks' writings; Zen poetry, Chinese; Lyriker; Songdynastie <960-1279>; Mönch; Buddhismus
    Scope: 1 Online-Ressource (xiv, 334 Seiten), Illustrationen
  3. The social circulation of poetry in the mid-Northern Song
    emotional energy and literati self-cultivation
    Published: c2005
    Publisher:  State University of New York Press, Albany

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0791464717; 9780791464717; 9780791483183
    Series: SUNY series in Chinese philosophy and culture
    Subjects: Chinese poetry; Friendship; Social interaction; Lyrik; Soziale Funktion; Chinesisch; Songdynastie <960-1279>; Freundeskreis
    Scope: x, 213 p
    Notes:

    Includes bibliographical references (p. 203-209) and index

  4. The social circulation of poetry in the mid-Northern Song
    emotional energy and literati self-cultivation
    Published: ©2005
    Publisher:  State University of New York Press, Albany

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0791464717; 1423748697; 9780791464717; 9781423748694
    Series: SUNY series in Chinese philosophy and culture
    Subjects: LITERARY CRITICISM / Asian / General; Chinese poetry; Friendship; Social interaction; Song Dynasty (China); Chinese poetry; Social interaction; Friendship; Songdynastie <960-1279>; Lyrik; Soziale Funktion; Chinesisch; Freundeskreis
    Scope: 1 Online-Ressource (x, 213 pages)
    Notes:

    Includes bibliographical references (pages 203-209) and index

    Observing that the vast majority of surviving Northern Song poems are directly addressed to other people, Colin S. C. Hawes explores how literati of China's mid-Northern Song period developed a social and therapeutic tradition in poetry. These social poems, produced in group settings and exchanged with friends and acquaintances, are often lighthearted in tone and full of witty banter and wordplay. Hawes challenges previous scholars' dismissal of these poems as trivial and insignificant because they lacked serious political and moral content by arguing that the central function of poetry at the time was to release pent-up emotions and share them with others in a socially acceptable manner--what Hawes views as circulating emotional energy or qi. Focusing on the circle of poets around Ouyang Xiu (1007-72 CE) and Mei Yaochen (1002-60 CE), the most influential literary figures of the mid-Northern Song period and the creators of a distinctive Song poetic style, Hawes provides a number of translations of poems of the period. Several major functions of poetic composition are discussed, including poetry as a game, as therapy, as a means of building relationships, and as a way of finding solace in history and in the natural world. Ultimately, the Northern Song attitude toward poetic composition spread throughout Chinese society

  5. Chinese Landscape Woodcuts
    From an Imperial Commentary to the Tenth-Century Printed Edition of the Buddhist Canon
    Author: Loehr, Max
    Published: [1968]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Hochschule Kempten, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674430235; 9780674430211
    Other identifier:
    Subjects: Engraving / China / History; Geschichte; Druckgrafik, Drucke; Landscapes in art; Engraving; Landschaft <Motiv>; Holzschnitt; Songdynastie <960-1279>
    Scope: 1 Online-Ressource (xiv,114p.)
    Notes:

    41 schw.-w. Abb

  6. Poetry and Painting in Song China
    The Subtle Art of Dissent
    Published: 2002
    Publisher:  Harvard University Asia Center, Boston ; Brill, Leiden

    Universität Mainz, Zentralbibliothek
    No inter-library loan
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781684170333; 9780674007826
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    RVK Categories: EG 9564 ; LO 89440
    Series: Harvard University Studies in East Asian Law ; 50
    Harvard University Asia Center E-Book Collection, ISBN: 9789004407077
    Subjects: Chinesisch; Literatur; Malerei; Songdynastie <960-1279>
    Scope: 1 Online-Ressource
  7. Song Dynasty figures of longing and desire
    gender and interiority in Chinese painting and poetry
    Published: [2018]; © 2018
    Publisher:  Brill, Leiden ; Boston

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    Verlag (lizenzpflichtig)
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004369399
    Other identifier:
    RVK Categories: LO 89440
    Series: Women and gender in China studies ; volume 10
    Subjects: Women in art; Women in literature; Sex (Psychology) in art; Sex (Psychology) in literature; Painting, Chinese; Chinese poetry; Romantik <Motiv>; Chinesisch; Songdynastie <960-1279>; Literatur; Frau <Motiv>; Malerei
    Scope: 1 Online-Ressource (XI, 319 Seiten), Illustrationen
  8. The poetry demon
    Song-Dynasty monks on verse and the way
    Published: [2021]; © 2021
    Publisher:  University of Hawai'i Press, Honolulu

    Chinese Buddhist monks of the Song dynasty (960-1279) called the irresistible urge to compose poetry "the poetry demon." In this ambitious study, Jason Protass seeks to bridge the fields of Buddhist studies and Chinese literature to examine the place... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Technische Hochschule Augsburg
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Kempten, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Chinese Buddhist monks of the Song dynasty (960-1279) called the irresistible urge to compose poetry "the poetry demon." In this ambitious study, Jason Protass seeks to bridge the fields of Buddhist studies and Chinese literature to examine the place of poetry in the lives of Song monks. Although much has been written about verses in the gong'an (Jpn. kōan) tradition, very little is known about the large corpora-roughly 30,000 extant poems-composed by these monastics. Protass addresses the oversight by using strategies associated with religious studies, literary studies, and sociology.

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780824889074; 9780824889081
    Other identifier:
    Series: Studies in East Asian Buddhism ; 29
    Subjects: RELIGION / Buddhism / Sacred Writings; Chinese poetry; Monks' writings; Zen poetry, Chinese; Buddhismus; Mönch; Lyriker; Songdynastie <960-1279>
    Scope: 1 Online-Ressource (xiv, 334 Seiten), Illustrationen