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Displaying results 1 to 7 of 7.

  1. Intersections of harm
    narratives of Latina deviance and defiance
    Published: [2015]
    Publisher:  Rutgers University Press, New Brunswick, New Jersey

    "In this innovative new study, Laura Halperin examines literary representations of harm inflicted on Latinas' minds and bodies, and on the places Latinas inhabit, but she also explores how hope can be found amid so much harm. Analyzing contemporary... more

    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    Unlimited inter-library loan, copies and loan

     

    "In this innovative new study, Laura Halperin examines literary representations of harm inflicted on Latinas' minds and bodies, and on the places Latinas inhabit, but she also explores how hope can be found amid so much harm. Analyzing contemporary memoirs and novels by Irene Vilar, Loida Maritza Perez, Ana Castillo, Cristina García, and Julia Alvarez, she argues that the individual harm experienced by Latinas needs to be understood in relation to the collective histories of aggression against their communities. Intersections of Harm is more than just a nuanced examination of the intersections among race, ethnicity, class, gender, and sexuality. It also explores the intersection between two representations of harm within Latina literature: as a symptom of individual deviance and as an act of communal defiance. Halperin proposes that, ironically, being labeled as a madwoman can be both a source of harm and a means for hope, as it fuels the Latina protagonists' ability to recognize, remember, and resist harm. In this analysis, Halperin broadens the parameters of literary studies of female madness, as she compels us to shift our understanding of where madness lies. She insists that the madness readily attributed to individual Latinas is entwined with the madness of institutional structures of oppression, and she maintains that psychological harm is bound together with physical and geopolitical harm. In her pan-Latina study, from the Caribbean to Mexico to the United States, Halperin shows how each writer's work emerges from a unique set of locales and histories, but she also traces a network of connections among them. Bringing together concepts from feminism, postcolonialism, illness studies, and ecocriticism, Intersections of Harm opens up exciting new avenues for Latina/o studies."--

     

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  2. Intersections of harm
    narratives of Latina deviance and defiance
    Published: [2015]
    Publisher:  Rutgers University Press, New Brunswick, New Jersey

    "In this innovative new study, Laura Halperin examines literary representations of harm inflicted on Latinas' minds and bodies, and on the places Latinas inhabit, but she also explores how hope can be found amid so much harm. Analyzing contemporary... more

    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    No inter-library loan

     

    "In this innovative new study, Laura Halperin examines literary representations of harm inflicted on Latinas' minds and bodies, and on the places Latinas inhabit, but she also explores how hope can be found amid so much harm. Analyzing contemporary memoirs and novels by Irene Vilar, Loida Maritza Perez, Ana Castillo, Cristina García, and Julia Alvarez, she argues that the individual harm experienced by Latinas needs to be understood in relation to the collective histories of aggression against their communities. Intersections of Harm is more than just a nuanced examination of the intersections among race, ethnicity, class, gender, and sexuality. It also explores the intersection between two representations of harm within Latina literature: as a symptom of individual deviance and as an act of communal defiance. Halperin proposes that, ironically, being labeled as a madwoman can be both a source of harm and a means for hope, as it fuels the Latina protagonists' ability to recognize, remember, and resist harm. In this analysis, Halperin broadens the parameters of literary studies of female madness, as she compels us to shift our understanding of where madness lies. She insists that the madness readily attributed to individual Latinas is entwined with the madness of institutional structures of oppression, and she maintains that psychological harm is bound together with physical and geopolitical harm. In her pan-Latina study, from the Caribbean to Mexico to the United States, Halperin shows how each writer's work emerges from a unique set of locales and histories, but she also traces a network of connections among them. Bringing together concepts from feminism, postcolonialism, illness studies, and ecocriticism, Intersections of Harm opens up exciting new avenues for Latina/o studies."--

     

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  3. Dream nation
    Puerto Rican culture and the fictions of independence
    Published: 2014
    Publisher:  Rutgers University Press, New Brunswick, New Jersey

    Literary tradition and the canon of independence -- Breaking tradition -- From the lush land to the traffic jam -- Dream history, dream nation -- Dreaming in Spanglish. Over the past fifty years, Puerto Rican voters have roundly rejected any calls... more

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Literary tradition and the canon of independence -- Breaking tradition -- From the lush land to the traffic jam -- Dream history, dream nation -- Dreaming in Spanglish. Over the past fifty years, Puerto Rican voters have roundly rejected any calls for national independence. Yet the rhetoric and iconography of independence have been defining features of Puerto Rican literature and culture. In the provocative new book Dream Nation, María Acosta Cruz investigates the roots and effects of this profound disconnect between cultural fantasy and political reality. Bringing together texts from Puerto Rican literature, history, and popular culture, Dream Nation shows how imaginings of national independence have served many competing purposes. They have given authority to the island's literary and artistic establishment but have also been a badge of countercultural cool. These ideas have been fueled both by nostalgia for an imagined past and by yearning for a better future. They have fostered local communities on the island, and still helped define Puerto Rican identity within U.S. Latino culture. In clear, accessible prose, Acosta Cruz takes us on a journey from the 1898 annexation of Puerto Rico to the elections of 2012, stopping at many cultural touchstones along the way, from the canonical literature of the Generación del 30 to the rap music of Tego Calderón. Dream Nation thus serves both as a testament to how stories, symbols, and heroes of independence have inspired the Puerto Rican imagination and as an urgent warning about how this culture has become detached from the everyday concerns of the island's people. A volume in the American Literature Initiatives series

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781461958208; 1461958202; 9780813565484; 0813565480; 1306460115; 9781306460118
    Series: Latinidad: Transnational Cultures in the United States
    Subjects: Puerto Rican literature; National characteristics, Puerto Rican; Puerto Rican literature; National characteristics, Puerto Rican; Puerto Rican literature; LITERARY CRITICISM ; European ; Spanish & Portuguese; Civilization; SOCIAL SCIENCE ; Ethnic Studies ; Hispanic American Studies; Criticism, interpretation, etc; History
    Scope: Online Ressource
    Notes:

    Includes bibliographical references and index. - Print version record

  4. Cruel Country
    Published: 2015
    Publisher:  University of Georgia Press

    "'I am learning the alchemy of grief--how it must be carefully measured and doled out, inflicted--but I have not yet mastered this art, ' writes Judith Ortiz Cofer in The Cruel Country. This richly textured, deeply moving, lyrical memoir centers on... more

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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    "'I am learning the alchemy of grief--how it must be carefully measured and doled out, inflicted--but I have not yet mastered this art, ' writes Judith Ortiz Cofer in The Cruel Country. This richly textured, deeply moving, lyrical memoir centers on Cofer's return to her native Puerto Rico after her mother has been diagnosed with late-stage lung cancer. Cofer's work has always drawn strength from her life's contradictions and dualities, such as the necessities and demands of both English and Spanish, her travels between and within various mainland and island subcultures, and the challenges of being a Latina living in the U.S. South. Interlaced with these far-from-common tensions are dualities we all share: our lives as both sacred and profane, our negotiation of both child and adult roles, our desires to be the person who belongs and also the person who is different. What we discover in The Cruel Country is how much Cofer has heretofore held back in her vivid and compelling writing. This journey to her mother's deathbed has released her to tell the truth within the truth. She arrives at her mother's bedside as a daughter overcome by grief, but she navigates this cruel country as a writer--an acute observer of detail, a relentless and insistent questioner"-- "The Cruel Country is a memoir centered around the author's journey to Puerto Rico after her mother had been diagnosed with late stage lung cancer. The story takes us through Cofer's journey as she sits by the her mother's hospital bed during the last moments of her life, through the grieving process and Catholic funereal rites that follow her mother's death and her return to her life in the U.S. Cofer's writerly talents richly inform this narrative meditation on her family's life in Puerto Rico and the States, her frantic research on cancer, considerations of Catholicism, family, and culture, and much more. The book at the same time is very much a study of cultural differences and the balance that the author must find as a Puerto-Rican American, not wholly part of her mother's culture. We see this come to a head as she communicates with doctors, participates in funeral arrangements and sacraments, and recollects her Anglo husband John's father's death. This very personal story about the author's life will resonate with Cofer's legions of fans including students and those interested in memoir, ethnic and cultural crossings, spirituality, loss, grief, and reconciliation"--

     

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  5. The task of the cleric
    cartography, translation, and economics in thirteenth-century Iberia
    Published: 2016
    Publisher:  University of Toronto Press, Toronto

    "Composed in early thirteenth-century Iberia, the Libro de Alexandre was Spain's first vernacular version of the Romance of Alexander and the first poem in the corpus now known as the mester de clerecía. These learned works, written by clergy and... more

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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    "Composed in early thirteenth-century Iberia, the Libro de Alexandre was Spain's first vernacular version of the Romance of Alexander and the first poem in the corpus now known as the mester de clerecía. These learned works, written by clergy and connected with both school and court, were also tools for the articulation of sovereignty in an era of prolonged military and political expansion. In The Task of the Cleric, Simone Pinet considers the composition of the Libro de Alexandre in the context of cartography, political economy, and translation. Her discussion sheds light on how clerics perceived themselves and on the connections between literature and these other activities. Drawing on an extensive collection of early cartographic materials, much of it rarely considered in conjunction with the romance, Pinet offers an original and insightful view of the mester de clerecía and the changing role of knowledge and the clergy in thirteenth-century Iberia."--

     

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  6. Latinx writing Los Angeles
    nonfiction dispatches from a decolonial rebellion
    Contributor: López-Calvo, Ignacio (HerausgeberIn); Valle, Victor M. (HerausgeberIn)
    Published: [2018]
    Publisher:  University of Nebraska Press, Lincoln

    LA's Latina/o phantom nonfiction and the technologies of literary secrecy / Victor Valle -- Decolonizing Latina/o nonfiction in LA's writing / Ignacio López-Calvo and Victor Valle -- "With the amicable people of Ensenada de Palmas": excerpt from... more

    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    LA's Latina/o phantom nonfiction and the technologies of literary secrecy / Victor Valle -- Decolonizing Latina/o nonfiction in LA's writing / Ignacio López-Calvo and Victor Valle -- "With the amicable people of Ensenada de Palmas": excerpt from Breve relación de la nueva entrada al sur, en la copiosa gentilidad de la nación de los coras..., por el padre / Ignacio María Napoli, S. J. -- The public outcry. Noteworthy pamphlet / Francisco P. Ramírez -- The repercussions of a lynching / Ricardo Flores Magón -- To womankind, a manifesto / Blanca de Moncaleano -- Exerpt from "The Memoirs of Alfredo Cobos" / Alfredo Cobos -- Exerpts from The Journals of Anaïs Nin -- Bert Corona's "Struggle Is The Ultimate Teacher" / Jesús Mena --Beach blanket baja / Helena María Viramontes -- "The 'good old mission days' never existed: excerpt from The Medicine of Memory: A Mexican Clan in California / Alejandro Murguía -- Light at the end of tunnel vision: in memory of Gerardo Velázquez and Ray Navarro / Harry Gamboa Jr. -- "Deported to the north": excerpt from Dangerous Border Crossings: The Artist Talks Back / Gullermo Gómez-Peña -- Lights / Nylsa Martínez -- Movie version: "Hell to eternity" / Sesshu Foster -- Americanismo: city of peasants, Los Angeles, California / Héctor Tobar -- "The boy left behind": excerpt from Enrique's Journey / Sonia Nazario -- My father's house / Rubén Martínez Latinx Writing Los Angeles offers a critical anthology of Los Angeles’s most significant English-language and Spanish-language (in translation) nonfiction writing from the city’s inception to the present. Contemporary Latinx authors, including three Pulitzer Prize winners and writers such as Harry Gamboa Jr., Guillermo Gómez-Peña, and Rubén Martínez, focus on the ways in which Latinx Los Angeles’s nonfiction narratives record the progressive racialization and subalternization of Latinxs in the southwestern United States. While notions of racial memory, coloniality, biopolitics, internal colonialism, cultural assimilation, Mexican or pan-Latinx cultural nationalism, and transnationalism permeate this anthology, contributors advocate the idea of a contested modernity that refuses to accept mainstream cultural impositions, proposing instead alternative ways of knowing and understanding. Featuring a wide variety of voices as well as a diversity of subgenres, this collection is the first to illuminate divergent, hybrid Latinx histories and cultures. Redefining Los Angeles’s literary history and providing a new model for English, Spanish, and Latinx studies, Latinx Writing Los Angeles is an essential contribution to southwestern and borderland studies

     

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  7. Latinx writing Los Angeles
    nonfiction dispatches from a decolonial rebellion
    Contributor: López-Calvo, Ignacio (HerausgeberIn); Valle, Victor M. (HerausgeberIn)
    Published: [2018]
    Publisher:  University of Nebraska Press, Lincoln

    LA's Latina/o phantom nonfiction and the technologies of literary secrecy / Victor Valle -- Decolonizing Latina/o nonfiction in LA's writing / Ignacio López-Calvo and Victor Valle -- "With the amicable people of Ensenada de Palmas": excerpt from... more

    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    Unlimited inter-library loan, copies and loan

     

    LA's Latina/o phantom nonfiction and the technologies of literary secrecy / Victor Valle -- Decolonizing Latina/o nonfiction in LA's writing / Ignacio López-Calvo and Victor Valle -- "With the amicable people of Ensenada de Palmas": excerpt from Breve relación de la nueva entrada al sur, en la copiosa gentilidad de la nación de los coras..., por el padre / Ignacio María Napoli, S. J. -- The public outcry. Noteworthy pamphlet / Francisco P. Ramírez -- The repercussions of a lynching / Ricardo Flores Magón -- To womankind, a manifesto / Blanca de Moncaleano -- Exerpt from "The Memoirs of Alfredo Cobos" / Alfredo Cobos -- Exerpts from The Journals of Anaïs Nin -- Bert Corona's "Struggle Is The Ultimate Teacher" / Jesús Mena --Beach blanket baja / Helena María Viramontes -- "The 'good old mission days' never existed: excerpt from The Medicine of Memory: A Mexican Clan in California / Alejandro Murguía -- Light at the end of tunnel vision: in memory of Gerardo Velázquez and Ray Navarro / Harry Gamboa Jr. -- "Deported to the north": excerpt from Dangerous Border Crossings: The Artist Talks Back / Gullermo Gómez-Peña -- Lights / Nylsa Martínez -- Movie version: "Hell to eternity" / Sesshu Foster -- Americanismo: city of peasants, Los Angeles, California / Héctor Tobar -- "The boy left behind": excerpt from Enrique's Journey / Sonia Nazario -- My father's house / Rubén Martínez Latinx Writing Los Angeles offers a critical anthology of Los Angeles’s most significant English-language and Spanish-language (in translation) nonfiction writing from the city’s inception to the present. Contemporary Latinx authors, including three Pulitzer Prize winners and writers such as Harry Gamboa Jr., Guillermo Gómez-Peña, and Rubén Martínez, focus on the ways in which Latinx Los Angeles’s nonfiction narratives record the progressive racialization and subalternization of Latinxs in the southwestern United States. While notions of racial memory, coloniality, biopolitics, internal colonialism, cultural assimilation, Mexican or pan-Latinx cultural nationalism, and transnationalism permeate this anthology, contributors advocate the idea of a contested modernity that refuses to accept mainstream cultural impositions, proposing instead alternative ways of knowing and understanding. Featuring a wide variety of voices as well as a diversity of subgenres, this collection is the first to illuminate divergent, hybrid Latinx histories and cultures. Redefining Los Angeles’s literary history and providing a new model for English, Spanish, and Latinx studies, Latinx Writing Los Angeles is an essential contribution to southwestern and borderland studies

     

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