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  1. Ecology and literature of the British Left
    the red and the green
    Published: 2012
    Publisher:  Ashgate, Farnham [u.a.]

    Premised on the belief that a social and an ecological agenda are compatible, this collection offers readings in the ecology of left and radical writing from the Romantic period to the present. While early ecocriticism tended to elide the bitter... more

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
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    e-Book Academic Complete
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    Bibliothek LIV HN Sontheim
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    Bibliothek LIV HN Sontheim
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    Duale Hochschule Baden-Württemberg Stuttgart, Campus Horb, Bibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
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    Hochschulbibliothek Friedensau
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    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
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    Premised on the belief that a social and an ecological agenda are compatible, this collection offers readings in the ecology of left and radical writing from the Romantic period to the present. While early ecocriticism tended to elide the bitter divisions within and between societies, recent practitioners of ecofeminism, environmental justice, and social ecology have argued that the social, the economic and the environmental have to be seen as part of the same process. Taking up this challenge, the contributors trace the origins of an environmental sensibility and of the modern left to their roots in the late eighteenth and early nineteenth centuries, charting the ways in which the literary imagination responds to the political, industrial and agrarian revolutions. Topics include Samuel Taylor Coleridge's credentials as a green writer, the interaction between John Ruskin's religious and political ideas and his changing view of nature, William Morris and the Garden City movement, H. G. Wells and the Fabians, the devastated landscapes in the poetry and fiction of the First World War, and the leftist pastoral poetry of the 1930s. In historicizing and connecting environmentally sensitive literature with socialist thought, these essays explore the interactive vision of nature and society in the work of writers ranging from William Wordsworth and John Clare to John Berger and John Burnside. Cover -- Contents -- Notes on Contributors -- Acknowledgements -- Introduction: The Red and the Green -- 1 Contemporary Ecocriticism between Red and Green -- 2 Was Coleridge Green? -- 3 'Wastes of corn': Changes in Rural Land Use in Wordsworth's Early Poetry -- 4 John Clare's Weeds -- 5 John Clare & … & … & … Deleuze and Guattari's Rhizome -- 6 Graeco-Roman Pastoral and Social Class in Arthur Hugh Clough's Bothie and Thomas Hardy's Under The Greenwood Tree -- 7 Landscape, Labour and History in Later Nineteenth-Century Writing -- 8 Fallen Nature: Ruskin's Political Apocalypse -- 9 William Morris and the Garden City -- 10 H.G. Wells, Fabianism and the 'Shape of Things to Come' -- 11 Guardianship and Fellowship: Radicalism and the Ecological Imagination 1880-1940 -- 12 Felled Trees-Fallen Soldiers -- 13 Marxist Cricket? Some Versions of Pastoral in the Poetry of the Thirties -- 14 Eco-anarchism, the New Left and Romanticism -- 15 A Huge Lacuna vis-à-vis the Peasants: Red and Green in John Berger's Trilogy Into Their Labours -- 16 Green Links: Ecosocialism and Contemporary Scottish Writing -- Bibliography -- Index.

     
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  2. Ecology and literature of the British Left
    the red and the green
    Published: 2012
    Publisher:  Ashgate, Farnham [u.a.]

    Premised on the belief that a social and an ecological agenda are compatible, this collection offers readings in the ecology of left and radical writing from the Romantic period to the present. While early ecocriticism tended to elide the bitter... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    Premised on the belief that a social and an ecological agenda are compatible, this collection offers readings in the ecology of left and radical writing from the Romantic period to the present. While early ecocriticism tended to elide the bitter divisions within and between societies, recent practitioners of ecofeminism, environmental justice, and social ecology have argued that the social, the economic and the environmental have to be seen as part of the same process. Taking up this challenge, the contributors trace the origins of an environmental sensibility and of the modern left to their roots in the late eighteenth and early nineteenth centuries, charting the ways in which the literary imagination responds to the political, industrial and agrarian revolutions. Topics include Samuel Taylor Coleridge's credentials as a green writer, the interaction between John Ruskin's religious and political ideas and his changing view of nature, William Morris and the Garden City movement, H. G. Wells and the Fabians, the devastated landscapes in the poetry and fiction of the First World War, and the leftist pastoral poetry of the 1930s. In historicizing and connecting environmentally sensitive literature with socialist thought, these essays explore the interactive vision of nature and society in the work of writers ranging from William Wordsworth and John Clare to John Berger and John Burnside. Cover -- Contents -- Notes on Contributors -- Acknowledgements -- Introduction: The Red and the Green -- 1 Contemporary Ecocriticism between Red and Green -- 2 Was Coleridge Green? -- 3 'Wastes of corn': Changes in Rural Land Use in Wordsworth's Early Poetry -- 4 John Clare's Weeds -- 5 John Clare & … & … & … Deleuze and Guattari's Rhizome -- 6 Graeco-Roman Pastoral and Social Class in Arthur Hugh Clough's Bothie and Thomas Hardy's Under The Greenwood Tree -- 7 Landscape, Labour and History in Later Nineteenth-Century Writing -- 8 Fallen Nature: Ruskin's Political Apocalypse -- 9 William Morris and the Garden City -- 10 H.G. Wells, Fabianism and the 'Shape of Things to Come' -- 11 Guardianship and Fellowship: Radicalism and the Ecological Imagination 1880-1940 -- 12 Felled Trees-Fallen Soldiers -- 13 Marxist Cricket? Some Versions of Pastoral in the Poetry of the Thirties -- 14 Eco-anarchism, the New Left and Romanticism -- 15 A Huge Lacuna vis-à-vis the Peasants: Red and Green in John Berger's Trilogy Into Their Labours -- 16 Green Links: Ecosocialism and Contemporary Scottish Writing -- Bibliography -- Index.

     
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  3. Ecology and literature of the British Left
    the red and the green
    Published: 2012
    Publisher:  Ashgate, Farnham [u.a.]

    Premised on the belief that a social and an ecological agenda are compatible, this collection offers readings in the ecology of left and radical writing from the Romantic period to the present. While early ecocriticism tended to elide the bitter... more

    Access:
    Verlag (lizenzpflichtig)

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    No inter-library loan

     

    Premised on the belief that a social and an ecological agenda are compatible, this collection offers readings in the ecology of left and radical writing from the Romantic period to the present. While early ecocriticism tended to elide the bitter divisions within and between societies, recent practitioners of ecofeminism, environmental justice, and social ecology have argued that the social, the economic and the environmental have to be seen as part of the same process. Taking up this challenge, the contributors trace the origins of an environmental sensibility and of the modern left to their roots in the late eighteenth and early nineteenth centuries, charting the ways in which the literary imagination responds to the political, industrial and agrarian revolutions. Topics include Samuel Taylor Coleridge's credentials as a green writer, the interaction between John Ruskin's religious and political ideas and his changing view of nature, William Morris and the Garden City movement, H. G. Wells and the Fabians, the devastated landscapes in the poetry and fiction of the First World War, and the leftist pastoral poetry of the 1930s. In historicizing and connecting environmentally sensitive literature with socialist thought, these essays explore the interactive vision of nature and society in the work of writers ranging from William Wordsworth and John Clare to John Berger and John Burnside. Cover -- Contents -- Notes on Contributors -- Acknowledgements -- Introduction: The Red and the Green -- 1 Contemporary Ecocriticism between Red and Green -- 2 Was Coleridge Green? -- 3 'Wastes of corn': Changes in Rural Land Use in Wordsworth's Early Poetry -- 4 John Clare's Weeds -- 5 John Clare & … & … & … Deleuze and Guattari's Rhizome -- 6 Graeco-Roman Pastoral and Social Class in Arthur Hugh Clough's Bothie and Thomas Hardy's Under The Greenwood Tree -- 7 Landscape, Labour and History in Later Nineteenth-Century Writing -- 8 Fallen Nature: Ruskin's Political Apocalypse -- 9 William Morris and the Garden City -- 10 H.G. Wells, Fabianism and the 'Shape of Things to Come' -- 11 Guardianship and Fellowship: Radicalism and the Ecological Imagination 1880-1940 -- 12 Felled Trees-Fallen Soldiers -- 13 Marxist Cricket? Some Versions of Pastoral in the Poetry of the Thirties -- 14 Eco-anarchism, the New Left and Romanticism -- 15 A Huge Lacuna vis-à-vis the Peasants: Red and Green in John Berger's Trilogy Into Their Labours -- 16 Green Links: Ecosocialism and Contemporary Scottish Writing -- Bibliography -- Index.

     
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  4. Metropolitan art and literature, 1810-1840
    Cockney adventures
    Author: Dart, Gregory
    Published: 2012
    Publisher:  Cambridge University Press, Cambridge

    Gregory Dart expands upon existing notions of Cockneys and the 'Cockney School' in the late Romantic period by exploring some of the broader ramifications of the phenomenon in art and periodical literature. He argues that the term was not confined to... more

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    E-Book CUP HSFK
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Peace Research Institute Frankfurt, Bibliothek
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Rostock
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    Württembergische Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Gregory Dart expands upon existing notions of Cockneys and the 'Cockney School' in the late Romantic period by exploring some of the broader ramifications of the phenomenon in art and periodical literature. He argues that the term was not confined to discussion of the Leigh Hunt circle, but was fast becoming a way of gesturing towards everything in modern metropolitan life that seemed discrepant and disturbing. Covering the ground between Romanticism and Victorianism, Dart presents Cockneyism as a powerful critical currency in this period, which helps provide a link between the works of Leigh Hunt and Keats in the 1810s and the early works of Charles Dickens in the 1830s. Through an examination of literary history, art history, urban history and social history, this book identifies the early nineteenth-century figure of the Cockney as the true ancestor of modernity Introduction: the Cockney moment -- 1. Leigh Hunt, John Keats and the suburbs -- 2. William Hazlitt and the Periodical Press -- 3. Liber Amoris and lodging houses -- 4. Pierce Egan and life in London -- 5. Charles Lamb and the alchemy of the streets -- 6. John Martin, John Soane and Cockney art -- 7. B.R. Haydon and debtors' prisons -- 8. Charles Dickens and Cockney adventures

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139176187
    Other identifier:
    RVK Categories: HL 1080 ; HL 1131
    Series: Cambridge studies in Romanticism ; 94
    Subjects: Romanticism; Art and literature; English literature; English literature ; 19th century ; History and criticism; Art and literature ; England ; History ; 19th century; Romanticism ; England
    Scope: 1 Online-Ressource (xi, 297 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)