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Displaying results 1 to 23 of 23.

  1. Wollstonecraft's ghost
    the fate of the female philosopher in the Romantic period
    Author: McInnes, Andrew.
    Published: 2017
    Publisher:  Routledge,, London

    1. Imagining Mary : representations of Wollstonecraft in the works of Mary Hays and William Godwin -- 2. The death of the feminist in Amelia Opie's Adeline Mowbray, Elizabeth Hamilton's Modern philosophers and Maria Edgeworth's Belinda -- 3. England... more

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    1. Imagining Mary : representations of Wollstonecraft in the works of Mary Hays and William Godwin -- 2. The death of the feminist in Amelia Opie's Adeline Mowbray, Elizabeth Hamilton's Modern philosophers and Maria Edgeworth's Belinda -- 3. England in eighteen hundred and fourteen : the state of the nation in Frances Burney's The wanderer and Jane Austen's Mansfield Park -- 4. Hideous progeny : the female philosopher in Gothic, historical and silver fork fiction -- 5. Afterword : the afterlives of the female philosopher.

     
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  2. Wordsworth and the poetics of air
    atmospheric Romanticism in a time of climate change
    Author: Ford, Thomas H.
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge

    Before the ideas we now define as Romanticism took hold the word 'atmosphere' meant only the physical stuff of air; afterwards, it could mean almost anything, from a historical mood or spirit to the character or style of an artwork. Thomas H. Ford... more

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    Before the ideas we now define as Romanticism took hold the word 'atmosphere' meant only the physical stuff of air; afterwards, it could mean almost anything, from a historical mood or spirit to the character or style of an artwork. Thomas H. Ford traces this shift of meaning, which he sees as first occurring in the poetry of William Wordsworth. Gradually 'air' and 'atmosphere' took on the new status of metaphor as Wordsworth and other poets re-imagined poetry as a textual area of aerial communication - conveying the breath of a transitory moment to other times and places via the printed page. Reading Romantic poetry through this ecological and ecocritical lens Ford goes on to ask what the poems of the Romantic period mean for us in a new age of climate change, when the relationship between physical climates and cultural, political and literary atmospheres is once again being transformed Introduction: An ecophilology of atmosphere -- Atmospheric romanticism -- Atmospheric mediation -- Romantic meteorology -- Atmospheric aesthetics -- In the breathing chamber: "lines written a few miles above" -- Conclusion: Romantic poetry after climate change

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108569316
    Other identifier:
    RVK Categories: HL 4905
    Series: Cambridge studies in Romanticism ; 121
    Subjects: Romanticism; Air in literature; Literature and science; Wordsworth, William ; 1770-1850 ; Criticism and interpretation; Literature and science ; England ; History ; 19th century; Air in literature; Romanticism ; England
    Other subjects: Wordsworth, William (1770-1850)
    Scope: 1 Online-Ressource (x, 269 Seiten), Illustrationen
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    Literaturverzeichnis: Seite 245 - 261
  3. Wollstonecraft's ghost
    the fate of the female philosopher in the Romantic period
    Author: McInnes, Andrew.
    Published: 2017
    Publisher:  Routledge,, London

    1. Imagining Mary : representations of Wollstonecraft in the works of Mary Hays and William Godwin -- 2. The death of the feminist in Amelia Opie's Adeline Mowbray, Elizabeth Hamilton's Modern philosophers and Maria Edgeworth's Belinda -- 3. England... more

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    1. Imagining Mary : representations of Wollstonecraft in the works of Mary Hays and William Godwin -- 2. The death of the feminist in Amelia Opie's Adeline Mowbray, Elizabeth Hamilton's Modern philosophers and Maria Edgeworth's Belinda -- 3. England in eighteen hundred and fourteen : the state of the nation in Frances Burney's The wanderer and Jane Austen's Mansfield Park -- 4. Hideous progeny : the female philosopher in Gothic, historical and silver fork fiction -- 5. Afterword : the afterlives of the female philosopher.

     
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  4. Mary Robinson and the genesis of Romanticism
    literary dialogues and debts, 1784-1821
    Author: Cross, Ashley
    Published: 2017
    Publisher:  Routledge,, New York

    1. Harping on lyrical exchange : Samuel Coleridge -- 2. Illegitimate influences : Charlotte Smith -- 3. The Morning post aesthetic : Robert Southey -- 4. Walsingham, Caleb Williams and queer panic : William Godwin -- 5. Vindicating the writing woman... more

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    Technische Universität Chemnitz, Universitätsbibliothek
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    1. Harping on lyrical exchange : Samuel Coleridge -- 2. Illegitimate influences : Charlotte Smith -- 3. The Morning post aesthetic : Robert Southey -- 4. Walsingham, Caleb Williams and queer panic : William Godwin -- 5. Vindicating the writing woman : Mary Wollstonecraft -- 6. From Lyrical ballads to Lyrical tales : Willam Wordsworth -- 7. Resurrecting Robinson : Charlotte Dacre -- 8. 'Sick of the same bruise': John Keats.

     
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  5. Early Romanticism and religious dissent
    Author: White, Daniel E.
    Published: 2006
    Publisher:  Cambridge University Press, Cambridge

    Religious diversity and ferment characterize the period that gave rise to Romanticism in England. It is generally known that many individuals who contributed to the new literatures of the late eighteenth century came from Dissenting backgrounds, but... more

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    Religious diversity and ferment characterize the period that gave rise to Romanticism in England. It is generally known that many individuals who contributed to the new literatures of the late eighteenth century came from Dissenting backgrounds, but we nonetheless often underestimate the full significance of nonconformist beliefs and practices during this period. Daniel White provides a clear and useful introduction to Dissenting communities, focusing on Anna Barbauld and her familial network of heterodox 'liberal' Dissenters whose religious, literary, educational, political, and economic activities shaped the public culture of early Romanticism in England. He goes on to analyze the roles of nonconformity within the lives and writings of William Godwin, Mary Wollstonecraft, Samuel Taylor Coleridge, and Robert Southey, offering a Dissenting genealogy of the Romantic movement "True principles of religion and liberty": liberal dissent and the Warrington Academy -- Anna Barbauld and devotional tastes: extempore, particular, experimental -- The "Joineriana": Barbauld, the Aikin family circle, and the Dissenting public sphere -- Godwinian scenes and popular politics: Godwin, Wollstonecraft, and the legacies of Dissent -- "Properer for a sermon": Coleridgean ministries -- "A Saracenic mosque, not a Quaker meeting-house": Southey's Thalaba, Islam, and religious nonconformity

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484698
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    RVK Categories: HL 1091
    Series: Cambridge studies in Romanticism ; 65
    Subjects: Dissenters, Religious; Romanticism; English literature; English literature ; 18th century ; History and criticism; Romanticism ; England; Dissenters, Religious ; England ; History ; 18th century
    Scope: 1 Online-Ressource (xiii, 266 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  6. Transfiguring the arts and sciences
    knowledge and cultural institutions in the Romantic age
    Author: Klancher, Jon P.
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    In this important and innovative study Jon Klancher shows how the Romantic age produced a new discourse of the 'Arts and Sciences' by reconfiguring the Enlightenment's idea of knowledge and by creating new kinds of cultural institutions with... more

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    In this important and innovative study Jon Klancher shows how the Romantic age produced a new discourse of the 'Arts and Sciences' by reconfiguring the Enlightenment's idea of knowledge and by creating new kinds of cultural institutions with unprecedented public impact. He investigates the work of poets, lecturers, moral philosophers, scientists and literary critics - including Coleridge, Godwin, Bentham, Davy, Wordsworth, Robinson, Shelley and Hunt - and traces their response to book collectors and bibliographers, art-and-science administrators, painters, engravers, natural philosophers, radical journalists, editors and reviewers. Taking a historical and cross-disciplinary approach, he opens up Romantic literary and critical writing to transformations in the history of science, history of the book, art history, and the little-known history of arts-and-sciences administration that linked early-modern projects to nineteenth- and twentieth-century modes of organizing 'knowledges'. His conclusions transform the ways we think about knowledge, both in the Romantic period and in our own From the age of projects to the age of institutions -- The administrator as cultural producer: restructuring the arts and sciences -- Wild bibliography: the rise and fall of book history in the nineteenth century -- Print and institution in the making of art controversy -- History and organization in the romantic-age sciences -- The Coleridge institution -- Dissenting from the "arts and sciences" -- Epilogue: transatlantic crossings

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139245937
    Other identifier:
    RVK Categories: HL 1131
    Series: Cambridge studies in Romanticism ; 100
    Subjects: Science and the humanities; Associations, institutions, etc; Books and reading; Romanticism; Knowledge, Theory of; Knowledge, Theory of ; England ; History ; 19th century; Romanticism ; England; Science and the humanities ; Great Britain ; History ; 19th century; Associations, institutions, etc ; England ; History; Books and reading ; England ; History ; 19th century; London (England) ; Intellectual life ; 19th century
    Scope: 1 Online-Ressource (x, 307 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  7. Romantic vagrancy
    Wordsworth and the simulation of freedom
    Author: Langan, Celeste
    Published: 1995
    Publisher:  Cambridge University Press, Cambridge

    A provocative account of Wordsworth's representation of walking as the exercise of imagination, Romantic Vagrancy traces a recurrent analogy between the poet in search of material and the literally dispossessed vagrants and beggars he encounters.... more

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    A provocative account of Wordsworth's representation of walking as the exercise of imagination, Romantic Vagrancy traces a recurrent analogy between the poet in search of material and the literally dispossessed vagrants and beggars he encounters. Reading Wordsworth - and Rousseau before him - from the perspective of recent debates about the political and social rights of the homeless, Celeste Langan argues that both literature and vagrancy are surprisingly rich and disturbing images of the 'negative freedom' at the heart of liberalism. Langan shows how the formal structure of the Romantic poem - the improvisational excursion - mirrors its apparent themes, often narratives of impoverishment or abandonment. According to Langan, the encounter between the beggar and the passer-by in Wordsworth's poetry does not simply reveal a social conscience or its lack; it represents the advent of the liberal subject, whose identity is stretched out between origin and destination, caught between economic and political forces and the workings of desire Acknowledgments -- List of abbreviations -- A methodological preamble -- Introduction -- Rousseau plays the beggar: the last words of citizen subject -- Money walks: Wordsworth and the right to wander -- Walking and talking at the same time: the 'two histories' of The Prelude (1805) -- The walking cure -- Index

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
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    ISBN: 9780511553509
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    Series: Cambridge studies in Romanticism ; 15
    Subjects: Homelessness in literature; Liberalism in literature; Walking in literature; Romanticism; Poets in literature; Literature and society; Wordsworth, William ; 1770-1850 ; Political and social views; Literature and society ; England ; History ; 19th century; Homelessness in literature; Liberalism in literature; Walking in literature; Romanticism ; England; Poets in literature
    Other subjects: Wordsworth, William (1770-1850)
    Scope: 1 Online-Ressource (x, 304 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  8. Coleridge on dreaming
    Romanticism, dreams and the medical imagination
    Author: Ford, Jennifer
    Published: 1998
    Publisher:  Cambridge University Press, Cambridge

    This book is the first in-depth investigation of Coleridge's responses to his dreams and to contemporary debates on the nature of dreaming, a subject of perennial interest to poets, philosophers and scientists throughout the Romantic period.... more

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    This book is the first in-depth investigation of Coleridge's responses to his dreams and to contemporary debates on the nature of dreaming, a subject of perennial interest to poets, philosophers and scientists throughout the Romantic period. Coleridge wrote and read extensively on the subject, but his richly diverse and original ideas have hitherto received little attention, scattered as they are throughout his notebooks, letters and marginalia. Jennifer Ford's emphasis is on analysing the ways in which dreaming processes were construed, by Coleridge in his dream readings, and by his contemporaries in a range of poetic and medical works. This historical exploration of dreams and dreaming allows Ford to explore previously neglected contemporary debates on 'the medical imagination'. By avoiding purely biographical or psychoanalytic approaches, she reveals instead a rich historical context for the ways in which the most mysterious workings of the Romantic imagination were explored and understood 1. Dreaming in the eighteenth and nineteenth centuries -- 2. Dramatic dreaming spaces -- 3. The language of dreams -- 4. Genera and species of dreams -- 5. 'Nightmairs' -- 6. The mysterious problem of dreams -- 7. Translations of dream and body -- 8. The dreaming medical imagination

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
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    ISBN: 9780511581861
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    Series: Cambridge studies in Romanticism ; 26
    Subjects: Poets, English; Poetry; Dreams; Dreams; Romanticism; Dreams in literature; Coleridge, Samuel Taylor ; 1772-1834 ; Knowledge ; Psychology; Dreams in literature; Poets, English ; 19th century ; Psychology; Poetry ; Psychological aspects; Dreams ; History ; 18th century; Dreams ; History ; 19th century; Romanticism ; England
    Other subjects: Coleridge, Samuel Taylor (1772-1834)
    Scope: 1 Online-Ressource (xii, 256 pages), digital, PDF file(s)
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  9. The invention of evening
    perception and time in Romantic poetry
    Author: Miller, Christopher R.
    Published: 2006
    Publisher:  Cambridge University Press, Cambridge

    Lyric poetry has long been considered an art form of timelessness, but Romantic poets became fascinated by one time above all others: evening, the threshold between day and night. Christopher R. Miller investigates the cultural background of this... more

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    Lyric poetry has long been considered an art form of timelessness, but Romantic poets became fascinated by one time above all others: evening, the threshold between day and night. Christopher R. Miller investigates the cultural background of this development. The tradition of evening poetry runs from the idyllic settings of Virgil to the urban twilights of T. S. Eliot, and flourished in the works of Coleridge, Wordsworth, Shelley and Keats. In fresh readings of familiar Romantic poems, Miller shows how evening settings enabled poets to represent the passage of time and to associate it with subtle movements of thought and perception. This leads to new ways of reading canonical works, and of thinking about the kinds of themes the lyric can express

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511720031
    Other identifier:
    RVK Categories: HL 1160 ; HL 1131 ; HL 1191
    Series: Cambridge studies in Romanticism ; 66
    Subjects: English poetry; Time in literature; Perception in literature; Romanticism; Coleridge, Samuel Taylor ; 1772-1834 ; Criticism and interpretation; Wordsworth, William ; 1770-1850 ; Criticism and interpretation; Shelley, Percy Bysshe ; 1792-1822 ; Criticism and interpretation; Keats, John ; 1795-1821 ; Criticism and interpretation; English poetry ; 19th century ; History and criticism; Time in literature; Perception in literature; Romanticism ; England
    Other subjects: Shelley, Percy Bysshe (1792-1822); Keats, John (1795-1821); Wordsworth, William (1770-1850); Coleridge, Samuel Taylor (1772-1834)
    Scope: 1 Online-Ressource (ix, 262 pages), digital, PDF file(s)
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    1. The pre-history of romantic time -- 2. Coleridge's lyric "moment" -- 3. Wordsworth's evening voluntaries -- 4. Shelley's "woven hymns of night and day" -- 5. Keats and the "Luxury of twilight" -- 6. Later inventions.
  10. Byron and romanticism
    Author: McGann, Jerome J.
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge

    This 2002 collection of essays represents twenty-five years of work by one of the most important critics of Romanticism and Byron studies, Jerome McGann. The collection demonstrates McGann's evolution as a scholar, editor, critic, theorist, and... more

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    This 2002 collection of essays represents twenty-five years of work by one of the most important critics of Romanticism and Byron studies, Jerome McGann. The collection demonstrates McGann's evolution as a scholar, editor, critic, theorist, and historian. His 'General Analytic and Historical Introduction' to the collection presents a meditation on the history of his own research on Byron, in particular how scholarly editing interacted with the theoretical innovations in literary criticism over the last quarter of the twentieth century. McGann's receptiveness to dialogic forms of criticism is also illustrated in this collection, which contains an interview and concludes with a dialogue between McGann and the editor. Many of these essays have previously been available only in specialist scholarly journals. Now McGann's influential work on Byron can be appreciated more widely by new generations of students and scholars Milton and Byron -- Byron, mobility, and the poetics of historical ventriloquism -- My brain is feminine': Byron and the poetry of deception -- What difference do the circumstances of publication make to the interpretation of a literary work? -- Byron and the anonymous lyric -- Private poetry, public deception -- Hero with a thousand faces: the rhetoric of Byronism -- Byron and the lyric of sensibility -- Byron and Wordsworth -- A point of reference -- History, herstory, theirstory, ourstory -- Literature, meaning, and the discontinuity of fact -- Rethinking romanticism -- An interview with Jerome McGann -- Poetry, 1780-1832 -- Byron and romanticism, a dialogue (Jerome McGann and the editor, James Soderholm)

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Soderholm, James (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484384
    Other identifier:
    RVK Categories: HL 1131 ; HL 2265
    Series: Cambridge studies in Romanticism ; 50
    Subjects: Romanticism; Byron, George Gordon Byron ; Baron ; 1788-1824 ; Criticism and interpretation; Romanticism ; England
    Other subjects: Byron, George Gordon Byron Baron (1788-1824)
    Scope: 1 Online-Ressource (ix, 311 pages), digital, PDF file(s)
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    Cover; Half-title; Series-title; Title; Copyright; Contents; Acknowledgments; General analytical and historical introduction; THEORY AND METHOD; THINKING AND WRITING; BYRONIC TEXTUALITY; ONE WORD MORE; NOTES; CHAPTER 1 Milton and Byron; CHAPTER 2 Byron, mobility, and the poetics of historical ventriloquism; CHAPTER 3 "My brain is feminine": Byron and the poetry of deception; CHAPTER 4 What difference do the circumstances of publication make of the interpretation of a literary work?; CHAPTER 5 Byron and the anonymous lyric; CHAPTER 6 Private poetry, public deception

    CHAPTER 7 Hero with a thousand faces: the rhetoric of ByronismCHAPTER 8 Byron and the lyric of sensibility; CHAPTER 9 Byron and Wordsworth; CHAPTER 10 Apoint of reference; CHAPTER 11 History, herstory, theirstory, ourstory; CHAPTER 12 Literature, meaning, and the discontinuity of fact; CHAPTER 13 Rethinking Romanticism; CHAPTER 14 An interview with Jerome McGann; CHAPTER 15 Poetry, 1780-1832; CHAPTER 16 Byron and Romanticism, a dialogue (Jerome McGann and the editor, James Soderholm); Subject index; Authors index
  11. Ecology and literature of the British Left
    the red and the green
    Published: 2012
    Publisher:  Ashgate, Farnham [u.a.]

    Premised on the belief that a social and an ecological agenda are compatible, this collection offers readings in the ecology of left and radical writing from the Romantic period to the present. While early ecocriticism tended to elide the bitter... more

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    Premised on the belief that a social and an ecological agenda are compatible, this collection offers readings in the ecology of left and radical writing from the Romantic period to the present. While early ecocriticism tended to elide the bitter divisions within and between societies, recent practitioners of ecofeminism, environmental justice, and social ecology have argued that the social, the economic and the environmental have to be seen as part of the same process. Taking up this challenge, the contributors trace the origins of an environmental sensibility and of the modern left to their roots in the late eighteenth and early nineteenth centuries, charting the ways in which the literary imagination responds to the political, industrial and agrarian revolutions. Topics include Samuel Taylor Coleridge's credentials as a green writer, the interaction between John Ruskin's religious and political ideas and his changing view of nature, William Morris and the Garden City movement, H. G. Wells and the Fabians, the devastated landscapes in the poetry and fiction of the First World War, and the leftist pastoral poetry of the 1930s. In historicizing and connecting environmentally sensitive literature with socialist thought, these essays explore the interactive vision of nature and society in the work of writers ranging from William Wordsworth and John Clare to John Berger and John Burnside. Cover -- Contents -- Notes on Contributors -- Acknowledgements -- Introduction: The Red and the Green -- 1 Contemporary Ecocriticism between Red and Green -- 2 Was Coleridge Green? -- 3 'Wastes of corn': Changes in Rural Land Use in Wordsworth's Early Poetry -- 4 John Clare's Weeds -- 5 John Clare & … & … & … Deleuze and Guattari's Rhizome -- 6 Graeco-Roman Pastoral and Social Class in Arthur Hugh Clough's Bothie and Thomas Hardy's Under The Greenwood Tree -- 7 Landscape, Labour and History in Later Nineteenth-Century Writing -- 8 Fallen Nature: Ruskin's Political Apocalypse -- 9 William Morris and the Garden City -- 10 H.G. Wells, Fabianism and the 'Shape of Things to Come' -- 11 Guardianship and Fellowship: Radicalism and the Ecological Imagination 1880-1940 -- 12 Felled Trees-Fallen Soldiers -- 13 Marxist Cricket? Some Versions of Pastoral in the Poetry of the Thirties -- 14 Eco-anarchism, the New Left and Romanticism -- 15 A Huge Lacuna vis-à-vis the Peasants: Red and Green in John Berger's Trilogy Into Their Labours -- 16 Green Links: Ecosocialism and Contemporary Scottish Writing -- Bibliography -- Index.

     
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  12. Wordsworth and the poetics of air
    atmospheric Romanticism in a time of climate change
    Author: Ford, Thomas H.
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge

    Before the ideas we now define as Romanticism took hold the word 'atmosphere' meant only the physical stuff of air; afterwards, it could mean almost anything, from a historical mood or spirit to the character or style of an artwork. Thomas H. Ford... more

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    Before the ideas we now define as Romanticism took hold the word 'atmosphere' meant only the physical stuff of air; afterwards, it could mean almost anything, from a historical mood or spirit to the character or style of an artwork. Thomas H. Ford traces this shift of meaning, which he sees as first occurring in the poetry of William Wordsworth. Gradually 'air' and 'atmosphere' took on the new status of metaphor as Wordsworth and other poets re-imagined poetry as a textual area of aerial communication - conveying the breath of a transitory moment to other times and places via the printed page. Reading Romantic poetry through this ecological and ecocritical lens Ford goes on to ask what the poems of the Romantic period mean for us in a new age of climate change, when the relationship between physical climates and cultural, political and literary atmospheres is once again being transformed Introduction: An ecophilology of atmosphere -- Atmospheric romanticism -- Atmospheric mediation -- Romantic meteorology -- Atmospheric aesthetics -- In the breathing chamber: "lines written a few miles above" -- Conclusion: Romantic poetry after climate change

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108569316
    Other identifier:
    RVK Categories: HL 4905
    Series: Cambridge studies in Romanticism ; 121
    Subjects: Romanticism; Air in literature; Literature and science; Wordsworth, William ; 1770-1850 ; Criticism and interpretation; Literature and science ; England ; History ; 19th century; Air in literature; Romanticism ; England
    Other subjects: Wordsworth, William (1770-1850)
    Scope: 1 Online-Ressource (x, 269 Seiten), Illustrationen
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    Literaturverzeichnis: Seite 245 - 261
  13. The blind and blindness in literature of the Romantic period
    Author: Larrissy, Edward
    Published: 2007
    Publisher:  Edinburgh University Press, Edinburgh

    In the first full-length literary-historical study of its subject Edward Larrissy examines the philosophical and literary background to representations of blindness and the blind in the Romantic period more

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    In the first full-length literary-historical study of its subject Edward Larrissy examines the philosophical and literary background to representations of blindness and the blind in the Romantic period

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748632015
    RVK Categories: HL 1101 ; HL 1131
    Subjects: Blind in literature; Romanticism; English literature; English poetry; Blindness in literature; Blindness in literature; Blind in literature; Romanticism ; England; English literature ; 19th century ; History and criticism; English poetry ; 19th century ; History and criticism
    Scope: 1 Online-Ressource (229 pages), digital, PDF file(s)
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  14. Mary Robinson and the genesis of Romanticism
    literary dialogues and debts, 1784-1821
    Author: Cross, Ashley
    Published: 2017
    Publisher:  Routledge,, New York

    1. Harping on lyrical exchange : Samuel Coleridge -- 2. Illegitimate influences : Charlotte Smith -- 3. The Morning post aesthetic : Robert Southey -- 4. Walsingham, Caleb Williams and queer panic : William Godwin -- 5. Vindicating the writing woman... more

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    1. Harping on lyrical exchange : Samuel Coleridge -- 2. Illegitimate influences : Charlotte Smith -- 3. The Morning post aesthetic : Robert Southey -- 4. Walsingham, Caleb Williams and queer panic : William Godwin -- 5. Vindicating the writing woman : Mary Wollstonecraft -- 6. From Lyrical ballads to Lyrical tales : Willam Wordsworth -- 7. Resurrecting Robinson : Charlotte Dacre -- 8. 'Sick of the same bruise': John Keats.

     
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  15. Ecology and literature of the British Left
    the red and the green
    Published: 2012
    Publisher:  Ashgate, Farnham [u.a.]

    Premised on the belief that a social and an ecological agenda are compatible, this collection offers readings in the ecology of left and radical writing from the Romantic period to the present. While early ecocriticism tended to elide the bitter... more

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    Premised on the belief that a social and an ecological agenda are compatible, this collection offers readings in the ecology of left and radical writing from the Romantic period to the present. While early ecocriticism tended to elide the bitter divisions within and between societies, recent practitioners of ecofeminism, environmental justice, and social ecology have argued that the social, the economic and the environmental have to be seen as part of the same process. Taking up this challenge, the contributors trace the origins of an environmental sensibility and of the modern left to their roots in the late eighteenth and early nineteenth centuries, charting the ways in which the literary imagination responds to the political, industrial and agrarian revolutions. Topics include Samuel Taylor Coleridge's credentials as a green writer, the interaction between John Ruskin's religious and political ideas and his changing view of nature, William Morris and the Garden City movement, H. G. Wells and the Fabians, the devastated landscapes in the poetry and fiction of the First World War, and the leftist pastoral poetry of the 1930s. In historicizing and connecting environmentally sensitive literature with socialist thought, these essays explore the interactive vision of nature and society in the work of writers ranging from William Wordsworth and John Clare to John Berger and John Burnside. Cover -- Contents -- Notes on Contributors -- Acknowledgements -- Introduction: The Red and the Green -- 1 Contemporary Ecocriticism between Red and Green -- 2 Was Coleridge Green? -- 3 'Wastes of corn': Changes in Rural Land Use in Wordsworth's Early Poetry -- 4 John Clare's Weeds -- 5 John Clare & … & … & … Deleuze and Guattari's Rhizome -- 6 Graeco-Roman Pastoral and Social Class in Arthur Hugh Clough's Bothie and Thomas Hardy's Under The Greenwood Tree -- 7 Landscape, Labour and History in Later Nineteenth-Century Writing -- 8 Fallen Nature: Ruskin's Political Apocalypse -- 9 William Morris and the Garden City -- 10 H.G. Wells, Fabianism and the 'Shape of Things to Come' -- 11 Guardianship and Fellowship: Radicalism and the Ecological Imagination 1880-1940 -- 12 Felled Trees-Fallen Soldiers -- 13 Marxist Cricket? Some Versions of Pastoral in the Poetry of the Thirties -- 14 Eco-anarchism, the New Left and Romanticism -- 15 A Huge Lacuna vis-à-vis the Peasants: Red and Green in John Berger's Trilogy Into Their Labours -- 16 Green Links: Ecosocialism and Contemporary Scottish Writing -- Bibliography -- Index.

     
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  16. The invention of evening
    perception and time in Romantic poetry
    Author: Miller, Christopher R.
    Published: 2006
    Publisher:  Cambridge University Press, Cambridge

    Lyric poetry has long been considered an art form of timelessness, but Romantic poets became fascinated by one time above all others: evening, the threshold between day and night. Christopher R. Miller investigates the cultural background of this... more

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    Lyric poetry has long been considered an art form of timelessness, but Romantic poets became fascinated by one time above all others: evening, the threshold between day and night. Christopher R. Miller investigates the cultural background of this development. The tradition of evening poetry runs from the idyllic settings of Virgil to the urban twilights of T. S. Eliot, and flourished in the works of Coleridge, Wordsworth, Shelley and Keats. In fresh readings of familiar Romantic poems, Miller shows how evening settings enabled poets to represent the passage of time and to associate it with subtle movements of thought and perception. This leads to new ways of reading canonical works, and of thinking about the kinds of themes the lyric can express

     
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511720031
    Other identifier:
    RVK Categories: HL 1160 ; HL 1131 ; HL 1191
    Series: Cambridge studies in Romanticism ; 66
    Subjects: English poetry; Time in literature; Perception in literature; Romanticism; Coleridge, Samuel Taylor ; 1772-1834 ; Criticism and interpretation; Wordsworth, William ; 1770-1850 ; Criticism and interpretation; Shelley, Percy Bysshe ; 1792-1822 ; Criticism and interpretation; Keats, John ; 1795-1821 ; Criticism and interpretation; English poetry ; 19th century ; History and criticism; Time in literature; Perception in literature; Romanticism ; England
    Other subjects: Shelley, Percy Bysshe (1792-1822); Keats, John (1795-1821); Wordsworth, William (1770-1850); Coleridge, Samuel Taylor (1772-1834)
    Scope: 1 Online-Ressource (ix, 262 pages), digital, PDF file(s)
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    1. The pre-history of romantic time -- 2. Coleridge's lyric "moment" -- 3. Wordsworth's evening voluntaries -- 4. Shelley's "woven hymns of night and day" -- 5. Keats and the "Luxury of twilight" -- 6. Later inventions.
  17. Byron and romanticism
    Author: McGann, Jerome J.
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge

    This 2002 collection of essays represents twenty-five years of work by one of the most important critics of Romanticism and Byron studies, Jerome McGann. The collection demonstrates McGann's evolution as a scholar, editor, critic, theorist, and... more

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    This 2002 collection of essays represents twenty-five years of work by one of the most important critics of Romanticism and Byron studies, Jerome McGann. The collection demonstrates McGann's evolution as a scholar, editor, critic, theorist, and historian. His 'General Analytic and Historical Introduction' to the collection presents a meditation on the history of his own research on Byron, in particular how scholarly editing interacted with the theoretical innovations in literary criticism over the last quarter of the twentieth century. McGann's receptiveness to dialogic forms of criticism is also illustrated in this collection, which contains an interview and concludes with a dialogue between McGann and the editor. Many of these essays have previously been available only in specialist scholarly journals. Now McGann's influential work on Byron can be appreciated more widely by new generations of students and scholars Milton and Byron -- Byron, mobility, and the poetics of historical ventriloquism -- My brain is feminine': Byron and the poetry of deception -- What difference do the circumstances of publication make to the interpretation of a literary work? -- Byron and the anonymous lyric -- Private poetry, public deception -- Hero with a thousand faces: the rhetoric of Byronism -- Byron and the lyric of sensibility -- Byron and Wordsworth -- A point of reference -- History, herstory, theirstory, ourstory -- Literature, meaning, and the discontinuity of fact -- Rethinking romanticism -- An interview with Jerome McGann -- Poetry, 1780-1832 -- Byron and romanticism, a dialogue (Jerome McGann and the editor, James Soderholm)

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Soderholm, James (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484384
    Other identifier:
    RVK Categories: HL 1131 ; HL 2265
    Series: Cambridge studies in Romanticism ; 50
    Subjects: Romanticism; Byron, George Gordon Byron ; Baron ; 1788-1824 ; Criticism and interpretation; Romanticism ; England
    Other subjects: Byron, George Gordon Byron Baron (1788-1824)
    Scope: 1 Online-Ressource (ix, 311 pages), digital, PDF file(s)
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    Cover; Half-title; Series-title; Title; Copyright; Contents; Acknowledgments; General analytical and historical introduction; THEORY AND METHOD; THINKING AND WRITING; BYRONIC TEXTUALITY; ONE WORD MORE; NOTES; CHAPTER 1 Milton and Byron; CHAPTER 2 Byron, mobility, and the poetics of historical ventriloquism; CHAPTER 3 "My brain is feminine": Byron and the poetry of deception; CHAPTER 4 What difference do the circumstances of publication make of the interpretation of a literary work?; CHAPTER 5 Byron and the anonymous lyric; CHAPTER 6 Private poetry, public deception

    CHAPTER 7 Hero with a thousand faces: the rhetoric of ByronismCHAPTER 8 Byron and the lyric of sensibility; CHAPTER 9 Byron and Wordsworth; CHAPTER 10 Apoint of reference; CHAPTER 11 History, herstory, theirstory, ourstory; CHAPTER 12 Literature, meaning, and the discontinuity of fact; CHAPTER 13 Rethinking Romanticism; CHAPTER 14 An interview with Jerome McGann; CHAPTER 15 Poetry, 1780-1832; CHAPTER 16 Byron and Romanticism, a dialogue (Jerome McGann and the editor, James Soderholm); Subject index; Authors index
  18. The blind and blindness in literature of the Romantic period
    Author: Larrissy, Edward
    Published: 2007
    Publisher:  Edinburgh University Press, Edinburgh

    In the first full-length literary-historical study of its subject Edward Larrissy examines the philosophical and literary background to representations of blindness and the blind in the Romantic period more

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    In the first full-length literary-historical study of its subject Edward Larrissy examines the philosophical and literary background to representations of blindness and the blind in the Romantic period

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748632015
    RVK Categories: HL 1101 ; HL 1131
    Subjects: Blind in literature; Romanticism; English literature; English poetry; Blindness in literature; Blindness in literature; Blind in literature; Romanticism ; England; English literature ; 19th century ; History and criticism; English poetry ; 19th century ; History and criticism
    Scope: 1 Online-Ressource (229 pages), digital, PDF file(s)
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  19. Early Romanticism and religious dissent
    Author: White, Daniel E.
    Published: 2006
    Publisher:  Cambridge University Press, Cambridge, UK

    Religious diversity and ferment characterize the period that gave rise to Romanticism in England. It is generally known that many individuals who contributed to the new literatures of the late eighteenth century came from Dissenting backgrounds, but... more

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    Religious diversity and ferment characterize the period that gave rise to Romanticism in England. It is generally known that many individuals who contributed to the new literatures of the late eighteenth century came from Dissenting backgrounds, but we nonetheless often underestimate the full significance of nonconformist beliefs and practices during this period. Daniel White provides a clear and useful introduction to Dissenting communities, focusing on Anna Barbauld and her familial network of heterodox 'liberal' Dissenters whose religious, literary, educational, political, and economic activities shaped the public culture of early Romanticism in England. He goes on to analyze the roles of nonconformity within the lives and writings of William Godwin, Mary Wollstonecraft, Samuel Taylor Coleridge, and Robert Southey, offering a Dissenting genealogy of the Romantic movement "True principles of religion and liberty": liberal dissent and the Warrington Academy -- Anna Barbauld and devotional tastes: extempore, particular, experimental -- The "Joineriana": Barbauld, the Aikin family circle, and the Dissenting public sphere -- Godwinian scenes and popular politics: Godwin, Wollstonecraft, and the legacies of Dissent -- "Properer for a sermon": Coleridgean ministries -- "A Saracenic mosque, not a Quaker meeting-house": Southey's Thalaba, Islam, and religious nonconformity

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484698; 052185895X; 9780521858953
    Other identifier:
    RVK Categories: HL 1091
    Series: Cambridge studies in Romanticism ; 65
    Subjects: Dissenters, Religious; Romanticism; English literature; English literature ; 18th century ; History and criticism; Romanticism ; England; Dissenters, Religious ; England ; History ; 18th century
    Scope: 1 Online-Ressource (xiii, 266 pages), digital, PDF file(s)
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  20. Metropolitan art and literature, 1810-1840
    Cockney adventures
    Author: Dart, Gregory
    Published: 2012
    Publisher:  Cambridge University Press, Cambridge

    Gregory Dart expands upon existing notions of Cockneys and the 'Cockney School' in the late Romantic period by exploring some of the broader ramifications of the phenomenon in art and periodical literature. He argues that the term was not confined to... more

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    Gregory Dart expands upon existing notions of Cockneys and the 'Cockney School' in the late Romantic period by exploring some of the broader ramifications of the phenomenon in art and periodical literature. He argues that the term was not confined to discussion of the Leigh Hunt circle, but was fast becoming a way of gesturing towards everything in modern metropolitan life that seemed discrepant and disturbing. Covering the ground between Romanticism and Victorianism, Dart presents Cockneyism as a powerful critical currency in this period, which helps provide a link between the works of Leigh Hunt and Keats in the 1810s and the early works of Charles Dickens in the 1830s. Through an examination of literary history, art history, urban history and social history, this book identifies the early nineteenth-century figure of the Cockney as the true ancestor of modernity Introduction: the Cockney moment -- 1. Leigh Hunt, John Keats and the suburbs -- 2. William Hazlitt and the Periodical Press -- 3. Liber Amoris and lodging houses -- 4. Pierce Egan and life in London -- 5. Charles Lamb and the alchemy of the streets -- 6. John Martin, John Soane and Cockney art -- 7. B.R. Haydon and debtors' prisons -- 8. Charles Dickens and Cockney adventures

     
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    ISBN: 9781139176187
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    RVK Categories: HL 1080 ; HL 1131
    Series: Cambridge studies in Romanticism ; 94
    Subjects: Romanticism; Art and literature; English literature; English literature ; 19th century ; History and criticism; Art and literature ; England ; History ; 19th century; Romanticism ; England
    Scope: 1 Online-Ressource (xi, 297 pages), digital, PDF file(s)
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  21. Transfiguring the arts and sciences
    knowledge and cultural institutions in the Romantic age
    Author: Klancher, Jon P.
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    In this important and innovative study Jon Klancher shows how the Romantic age produced a new discourse of the 'Arts and Sciences' by reconfiguring the Enlightenment's idea of knowledge and by creating new kinds of cultural institutions with... more

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    In this important and innovative study Jon Klancher shows how the Romantic age produced a new discourse of the 'Arts and Sciences' by reconfiguring the Enlightenment's idea of knowledge and by creating new kinds of cultural institutions with unprecedented public impact. He investigates the work of poets, lecturers, moral philosophers, scientists and literary critics - including Coleridge, Godwin, Bentham, Davy, Wordsworth, Robinson, Shelley and Hunt - and traces their response to book collectors and bibliographers, art-and-science administrators, painters, engravers, natural philosophers, radical journalists, editors and reviewers. Taking a historical and cross-disciplinary approach, he opens up Romantic literary and critical writing to transformations in the history of science, history of the book, art history, and the little-known history of arts-and-sciences administration that linked early-modern projects to nineteenth- and twentieth-century modes of organizing 'knowledges'. His conclusions transform the ways we think about knowledge, both in the Romantic period and in our own From the age of projects to the age of institutions -- The administrator as cultural producer: restructuring the arts and sciences -- Wild bibliography: the rise and fall of book history in the nineteenth century -- Print and institution in the making of art controversy -- History and organization in the romantic-age sciences -- The Coleridge institution -- Dissenting from the "arts and sciences" -- Epilogue: transatlantic crossings

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139245937
    Other identifier:
    RVK Categories: HL 1131
    Series: Cambridge studies in Romanticism ; 100
    Subjects: Science and the humanities; Associations, institutions, etc; Books and reading; Romanticism; Knowledge, Theory of; Knowledge, Theory of ; England ; History ; 19th century; Romanticism ; England; Science and the humanities ; Great Britain ; History ; 19th century; Associations, institutions, etc ; England ; History; Books and reading ; England ; History ; 19th century; London (England) ; Intellectual life ; 19th century
    Scope: 1 Online-Ressource (x, 307 pages), digital, PDF file(s)
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  22. Romantic vagrancy
    Wordsworth and the simulation of freedom
    Author: Langan, Celeste
    Published: 1995
    Publisher:  Cambridge University Press, Cambridge

    A provocative account of Wordsworth's representation of walking as the exercise of imagination, Romantic Vagrancy traces a recurrent analogy between the poet in search of material and the literally dispossessed vagrants and beggars he encounters.... more

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    A provocative account of Wordsworth's representation of walking as the exercise of imagination, Romantic Vagrancy traces a recurrent analogy between the poet in search of material and the literally dispossessed vagrants and beggars he encounters. Reading Wordsworth - and Rousseau before him - from the perspective of recent debates about the political and social rights of the homeless, Celeste Langan argues that both literature and vagrancy are surprisingly rich and disturbing images of the 'negative freedom' at the heart of liberalism. Langan shows how the formal structure of the Romantic poem - the improvisational excursion - mirrors its apparent themes, often narratives of impoverishment or abandonment. According to Langan, the encounter between the beggar and the passer-by in Wordsworth's poetry does not simply reveal a social conscience or its lack; it represents the advent of the liberal subject, whose identity is stretched out between origin and destination, caught between economic and political forces and the workings of desire Acknowledgments -- List of abbreviations -- A methodological preamble -- Introduction -- Rousseau plays the beggar: the last words of citizen subject -- Money walks: Wordsworth and the right to wander -- Walking and talking at the same time: the 'two histories' of The Prelude (1805) -- The walking cure -- Index

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
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    Format: Online
    ISBN: 9780511553509
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    Series: Cambridge studies in Romanticism ; 15
    Subjects: Homelessness in literature; Liberalism in literature; Walking in literature; Romanticism; Poets in literature; Literature and society; Wordsworth, William ; 1770-1850 ; Political and social views; Literature and society ; England ; History ; 19th century; Homelessness in literature; Liberalism in literature; Walking in literature; Romanticism ; England; Poets in literature
    Other subjects: Wordsworth, William (1770-1850)
    Scope: 1 Online-Ressource (x, 304 pages), digital, PDF file(s)
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  23. Coleridge on dreaming
    Romanticism, dreams and the medical imagination
    Author: Ford, Jennifer
    Published: 1998
    Publisher:  Cambridge University Press, Cambridge

    This book is the first in-depth investigation of Coleridge's responses to his dreams and to contemporary debates on the nature of dreaming, a subject of perennial interest to poets, philosophers and scientists throughout the Romantic period.... more

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    This book is the first in-depth investigation of Coleridge's responses to his dreams and to contemporary debates on the nature of dreaming, a subject of perennial interest to poets, philosophers and scientists throughout the Romantic period. Coleridge wrote and read extensively on the subject, but his richly diverse and original ideas have hitherto received little attention, scattered as they are throughout his notebooks, letters and marginalia. Jennifer Ford's emphasis is on analysing the ways in which dreaming processes were construed, by Coleridge in his dream readings, and by his contemporaries in a range of poetic and medical works. This historical exploration of dreams and dreaming allows Ford to explore previously neglected contemporary debates on 'the medical imagination'. By avoiding purely biographical or psychoanalytic approaches, she reveals instead a rich historical context for the ways in which the most mysterious workings of the Romantic imagination were explored and understood 1. Dreaming in the eighteenth and nineteenth centuries -- 2. Dramatic dreaming spaces -- 3. The language of dreams -- 4. Genera and species of dreams -- 5. 'Nightmairs' -- 6. The mysterious problem of dreams -- 7. Translations of dream and body -- 8. The dreaming medical imagination

     
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    Source: Staatsbibliothek zu Berlin
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    ISBN: 9780511581861
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    Series: Cambridge studies in Romanticism ; 26
    Subjects: Poets, English; Poetry; Dreams; Dreams; Romanticism; Dreams in literature; Coleridge, Samuel Taylor ; 1772-1834 ; Knowledge ; Psychology; Dreams in literature; Poets, English ; 19th century ; Psychology; Poetry ; Psychological aspects; Dreams ; History ; 18th century; Dreams ; History ; 19th century; Romanticism ; England
    Other subjects: Coleridge, Samuel Taylor (1772-1834)
    Scope: 1 Online-Ressource (xii, 256 pages), digital, PDF file(s)
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