This 2002 collection of essays represents twenty-five years of work by one of the most important critics of Romanticism and Byron studies, Jerome McGann. The collection demonstrates McGann's evolution as a scholar, editor, critic, theorist, and...
more
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
Inter-library loan:
Unlimited inter-library loan, copies and loan
This 2002 collection of essays represents twenty-five years of work by one of the most important critics of Romanticism and Byron studies, Jerome McGann. The collection demonstrates McGann's evolution as a scholar, editor, critic, theorist, and historian. His 'General Analytic and Historical Introduction' to the collection presents a meditation on the history of his own research on Byron, in particular how scholarly editing interacted with the theoretical innovations in literary criticism over the last quarter of the twentieth century. McGann's receptiveness to dialogic forms of criticism is also illustrated in this collection, which contains an interview and concludes with a dialogue between McGann and the editor. Many of these essays have previously been available only in specialist scholarly journals. Now McGann's influential work on Byron can be appreciated more widely by new generations of students and scholars Milton and Byron -- Byron, mobility, and the poetics of historical ventriloquism -- My brain is feminine': Byron and the poetry of deception -- What difference do the circumstances of publication make to the interpretation of a literary work? -- Byron and the anonymous lyric -- Private poetry, public deception -- Hero with a thousand faces: the rhetoric of Byronism -- Byron and the lyric of sensibility -- Byron and Wordsworth -- A point of reference -- History, herstory, theirstory, ourstory -- Literature, meaning, and the discontinuity of fact -- Rethinking romanticism -- An interview with Jerome McGann -- Poetry, 1780-1832 -- Byron and romanticism, a dialogue (Jerome McGann and the editor, James Soderholm)
1 Online-Ressource (ix, 311 pages),
digital, PDF file(s)
Notes:
Title from publisher's bibliographic system (viewed on 05 Oct 2015)
Cover; Half-title; Series-title; Title; Copyright; Contents; Acknowledgments; General analytical and historical introduction; THEORY AND METHOD; THINKING AND WRITING; BYRONIC TEXTUALITY; ONE WORD MORE; NOTES; CHAPTER 1 Milton and Byron; CHAPTER 2 Byron, mobility, and the poetics of historical ventriloquism; CHAPTER 3 "My brain is feminine": Byron and the poetry of deception; CHAPTER 4 What difference do the circumstances of publication make of the interpretation of a literary work?; CHAPTER 5 Byron and the anonymous lyric; CHAPTER 6 Private poetry, public deception
CHAPTER 7 Hero with a thousand faces: the rhetoric of ByronismCHAPTER 8 Byron and the lyric of sensibility; CHAPTER 9 Byron and Wordsworth; CHAPTER 10 Apoint of reference; CHAPTER 11 History, herstory, theirstory, ourstory; CHAPTER 12 Literature, meaning, and the discontinuity of fact; CHAPTER 13 Rethinking Romanticism; CHAPTER 14 An interview with Jerome McGann; CHAPTER 15 Poetry, 1780-1832; CHAPTER 16 Byron and Romanticism, a dialogue (Jerome McGann and the editor, James Soderholm); Subject index; Authors index
This 2002 collection of essays represents twenty-five years of work by one of the most important critics of Romanticism and Byron studies, Jerome McGann. The collection demonstrates McGann's evolution as a scholar, editor, critic, theorist, and...
more
Universitätsbibliothek der Eberhard Karls Universität
Inter-library loan:
No loan of volumes, only paper copies will be sent
This 2002 collection of essays represents twenty-five years of work by one of the most important critics of Romanticism and Byron studies, Jerome McGann. The collection demonstrates McGann's evolution as a scholar, editor, critic, theorist, and historian. His 'General Analytic and Historical Introduction' to the collection presents a meditation on the history of his own research on Byron, in particular how scholarly editing interacted with the theoretical innovations in literary criticism over the last quarter of the twentieth century. McGann's receptiveness to dialogic forms of criticism is also illustrated in this collection, which contains an interview and concludes with a dialogue between McGann and the editor. Many of these essays have previously been available only in specialist scholarly journals. Now McGann's influential work on Byron can be appreciated more widely by new generations of students and scholars Milton and Byron -- Byron, mobility, and the poetics of historical ventriloquism -- My brain is feminine': Byron and the poetry of deception -- What difference do the circumstances of publication make to the interpretation of a literary work? -- Byron and the anonymous lyric -- Private poetry, public deception -- Hero with a thousand faces: the rhetoric of Byronism -- Byron and the lyric of sensibility -- Byron and Wordsworth -- A point of reference -- History, herstory, theirstory, ourstory -- Literature, meaning, and the discontinuity of fact -- Rethinking romanticism -- An interview with Jerome McGann -- Poetry, 1780-1832 -- Byron and romanticism, a dialogue (Jerome McGann and the editor, James Soderholm)
1 Online-Ressource (ix, 311 pages),
digital, PDF file(s)
Notes:
Title from publisher's bibliographic system (viewed on 05 Oct 2015)
Cover; Half-title; Series-title; Title; Copyright; Contents; Acknowledgments; General analytical and historical introduction; THEORY AND METHOD; THINKING AND WRITING; BYRONIC TEXTUALITY; ONE WORD MORE; NOTES; CHAPTER 1 Milton and Byron; CHAPTER 2 Byron, mobility, and the poetics of historical ventriloquism; CHAPTER 3 "My brain is feminine": Byron and the poetry of deception; CHAPTER 4 What difference do the circumstances of publication make of the interpretation of a literary work?; CHAPTER 5 Byron and the anonymous lyric; CHAPTER 6 Private poetry, public deception
CHAPTER 7 Hero with a thousand faces: the rhetoric of ByronismCHAPTER 8 Byron and the lyric of sensibility; CHAPTER 9 Byron and Wordsworth; CHAPTER 10 Apoint of reference; CHAPTER 11 History, herstory, theirstory, ourstory; CHAPTER 12 Literature, meaning, and the discontinuity of fact; CHAPTER 13 Rethinking Romanticism; CHAPTER 14 An interview with Jerome McGann; CHAPTER 15 Poetry, 1780-1832; CHAPTER 16 Byron and Romanticism, a dialogue (Jerome McGann and the editor, James Soderholm); Subject index; Authors index
