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Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- Illustrations -- Abbreviations -- Introduction: Human rights subjects, microhistories, and assemblages in Colombian cultural production -- PART I: Human rights narratives, micronarratives, and subjectivation -- 1. Savage states: Literature and human rights in nineteenth-century Colombiac -- 2. The deaths inscribed in us: Art, memory, and public space in Doris Salcedo -- 3. Towards emancipatory human rights narratives: Reflections on dissent, the state of siege, and embodiment in Daniel Ferreira's Rebelión de los oficios inútiles -- 4. Toe, cabinet, and float: Literary subjectivations of victimhood facing the human rights discourse -- PART II: Land, environment, commodity: The human and the non-human -- 5. The voids of memory: The reemergence of the Rubber Boom genocide in Embrace of the Serpent, by Ciro Guerra -- 6. Culture and resistance in Montes de María, Colombia: Ceferina Banquez's songs and memories of war -- 7 Colombian graphic narratives of the post-acuerdo: Dialogic views of water and land as human rights -- 8. Medicinal plants: Healing the relationships between human and non-human in post-accord times -- PART III: Structural, political, and gender-based violence and resistance -- 9. Wounds and monsters: Representations of gender-based violence and feminicide in the aftermath of the Colombian armed conflict -- 10. Rocking the Colombian casbah: Exposing lives of Colombian violence through music -- 11. Public secrets, private violence: A reading of Laura Restrepo's Delirio -- PART IV: Transitional justice, grassroots activism, and problematizing victimhood -- 12. Beyond the liberal-institutional paradigm: Grassroots human rights and transitional justice narratives in Antígonas, tribunal de mujeres.
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