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  1. Populäres Drama, literarisches Feld und Intertextualität – Robert W. Buchanans Adaptionen für das viktorianische Theater ; Popular Drama, the Literary Field and Intertextuality – Robert W. Buchanan's Adaptations for the Victorian Theatre
    Published: 2013
    Publisher:  Universität Bielefeld

    Handel S. Populäres Drama, literarisches Feld und Intertextualität – Robert W. Buchanans Adaptionen für das viktorianische Theater . Bielefeld: Universität Bielefeld; 2013. ; This dissertation analyses Robert W. Buchanan’s (1841-1901) theatrical... more

     

    Handel S. Populäres Drama, literarisches Feld und Intertextualität – Robert W. Buchanans Adaptionen für das viktorianische Theater . Bielefeld: Universität Bielefeld; 2013. ; This dissertation analyses Robert W. Buchanan’s (1841-1901) theatrical adaptations for the London commercial stage. It uses two theoretical approaches: Intertextual theory for detailed textual analysis and comparison, and Pierre Bourdieu’s (1930-2002) sociology of culture that takes into account social aspects of literature. This includes society’s various influences on the definitions of “literature”, “literary success” and “literary quality”, e.g. the author’s habitus, his reputation and the expectations raised by it, as well as his social and financial position and background. After outlining the late Victorian theatrical field, Buchanan’s habitus and his position(s) therein, this thesis offers six in-depth studies of specific adaptations, with a special focus on the author’s motivation, the changes and modifications of the texts, their presentation on stage and their reception. All six plays are unpublished and can be accessed as manuscripts in the Lord Chamberlain’s Plays of the British Library. By analysing the textual and social aspects of Buchanan’s adaptations, this dissertation draws a comprehensive picture of London’s theatrical landscape in the late nineteenth century and of a neglected author. Bourdieu’s approach illuminates especially the subtle nuances and omissions that make Buchanan’s plays unique despite their apparent conventionality. ; Die vorliegende Dissertation untersucht Robert W. Buchanans (1841-1901) Adaptionen für das kommerzielle Londoner Theater und verbindet dabei zwei gegensätzliche Ansätze: Die Intertextualitätstheorie als Grundlage für detaillierte Textvergleiche und Pierre Bourdieus (1930-2002) kultursoziologische Feldtheorie, die die Untersuchung der gesellschaftlichen Dimension von Literatur ermöglicht. Zu Letzterer gehören vor allem textexterne Einflüsse auf “Literatur”, “literarischen Erfolg” oder auch ...

     

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