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Displaying results 1 to 17 of 17.

  1. Das Grauen im Speicher
    Author: Hockenjos, Vreni
    Published: 2010
    Publisher:  Humboldt-Universität zu Berlin, Berlin

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    Parent title: In: Stephan Michael Schröder und Vreni Hockenjos (Hg.): Historisierung und Funktionalisierung. Intermedialität in den skandinavischenLiteraturen um 1900. Berlin: Nordeuropa-Institut, Band 2005, Ausgabe 8, Seite 125-157, 2005
    Subjects: Phonograph
    Other subjects: Strindberg, August (1849-1912)
    Scope: Online-Ressource
  2. Die Mutation musikalischer Kommunikation durch High Fidelity und Stereophonie
    Author: Breh, Karl
    Published: 1980
    Publisher:  Braun, Karlsruhe

    Location:
    Universitätsbibliothek Augsburg
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    Bayerische Staatsbibliothek
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    Hochschule für Musik und Theater München, Bibliothek
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    Universitätsbibliothek Regensburg
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3765074683
    RVK Categories: LR 56607 ; LR 57600
    Series: Musik und Gesellschaft. ; 18.
    Subjects: Gesellschaft; Musik; Music; Phonograph; Sound recording industry; Technik <Motiv>; Musik; Hi-Fi
    Scope: 30 S.
  3. Ferruccio Busoni
    realtà e utopia strumentale
    Author: Latanza, Antonio
    Published: 2001
    Publisher:  Pellicani, Roma

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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    RVK Categories: LP 63540
    Subjects: Ästhetik; Avant-garde (Music); Phonograph; Piano; Player piano; Klavier
    Other subjects: Busoni, Ferruccio <1866-1924>; Busoni, Ferruccio <1866-1924>; Busoni, Ferruccio (1866-1924)
    Scope: 158 S., zahlr. Ill., Notenbeisp. : 24 cm
    Notes:

    F. Busoni (1866 - 1924), pianist. - Contains notes
  4. Friedrich Kittlers Anwendung der Lacanschen Trias auf das Aufschreibesystem 1900
    Author: Schöb, Martina
    Published: 2011
    Publisher:  GRIN Verlag, München

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783640816804
    Other identifier:
    9783640816804
    Edition: 1. Auflage, digitale Originalausgabe
    Subjects: Phonograph
    Other subjects: Kittler, Friedrich A. (1943-2011); (Produktform)Electronic book text; (BISAC Subject Heading)LAN004000: LANGUAGE ARTS & DISCIPLINES / Communication Studies; Kittler;Lacan;Freud;Aufschreibesystem;Real;Imaginär;Symbolisch;Medientheorie; (VLB-WN)9749: Medien, Kommunikation / Sonstiges
    Scope: Online-Ressource, 20 Seiten
    Notes:

    Vom Verlag als Druckwerk on demand und/oder als E-Book angeboten
  5. Phonograph und Grammophon bei Thomas Mann und Michel Leiris
    Author: Bub, Stefan
    Published: 2008

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    Source: Online Contents Comparative Literature
    Language: German
    Media type: Article (journal)
    Format: Print
    Parent title: In: KulturPoetik; Göttingen : Vandenhoeck & Ruprecht, 2001-; Band 8, Heft 1 (2008), Seite 60-70

    Subjects: Phonograph; Plattenspieler
    Other subjects: Mann, Thomas (1875-1955): Der Zauberberg; Leiris, Michel (1901-1990): La règle du jeu
  6. Phonographische Ereignisse
    Author: Thoben, Jan
    Published: 2014
    Publisher:  Hochschule für Musik und Theater Leipzig, Leipzig ; Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, Dresden

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    Parent title: In: map - media archive performance ; 2012/3 (E-Journal, URL: www.performap.de)
    RVK Categories: LR 55657
    Subjects: Musik; Schallaufzeichnung; Medientheorie; Phonograph; Elektronische Musik; Plattenspieler; Musikästhetik
    Other subjects: Medien der Musik; Phonographie und Aufführung; Klang und Performance
    Scope: Online-Ressource
  7. Phonopoetics
    the making of early literary recordings
    Author: Camlot, Jason
    Published: 2019
    Publisher:  Stanford University Press, Stanford, California

    Introduction : audiotextual criticism -- The voice of the phonograph -- Charles Dickens in three minutes or less : early phonographic fiction -- Alfred Tennyson's spectral energy : historical intonation in dramatic recitation -- T.S. Eliot's recorded... more

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    Hochschule Aalen, Bibliothek
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    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
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    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Introduction : audiotextual criticism -- The voice of the phonograph -- Charles Dickens in three minutes or less : early phonographic fiction -- Alfred Tennyson's spectral energy : historical intonation in dramatic recitation -- T.S. Eliot's recorded experiments in modernist verse speaking -- Conclusion : analog, digital, conceptual

     
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    Volltext (lizenzpflichtig)
  8. Phonopoetics
    The Making of Early Literary Recordings
    Author: Camlot, Jason
    Published: [2020]
    Publisher:  Stanford University Press, Stanford, CA

    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- FIGURES AND TABLE -- RECORDINGS -- INTRODUCTION. Audiotextual Criticism -- 1. THE VOICE OF THE PHONOGRAPH -- 2. CHARLES DICKENS IN THREE MINUTES OR LESS -- 3. ALFRED, LORD TENNYSON’S SPECTRAL ENERGY -- 4.... more

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    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- FIGURES AND TABLE -- RECORDINGS -- INTRODUCTION. Audiotextual Criticism -- 1. THE VOICE OF THE PHONOGRAPH -- 2. CHARLES DICKENS IN THREE MINUTES OR LESS -- 3. ALFRED, LORD TENNYSON’S SPECTRAL ENERGY -- 4. T.S. ELIOT’S RECORDED EXPERIMENTS IN MODERNIST VERSE SPEAKING -- CONCLUSION. Analog, Digital, Conceptual -- NOTES -- INDEX Phonopoetics tells the neglected story of early "talking records" and their significance for literature, from the 1877 invention of the phonograph to some of the first recorded performances of modernist works. The book challenges assumptions of much contemporary criticism by taking the recorded, oral performance as its primary object of analysis and by exploring the historically specific convergences between audio recording technologies, media formats, generic forms, and the institutions and practices surrounding the literary. Opening with an argument that the earliest spoken recordings were a mediated extension of Victorian reading and elocutionary culture, Jason Camlot explains the literary significance of these pre-tape era voice artifacts by analyzing early promotional fantasies about the phonograph as a new kind of speaker and detailing initiatives to deploy it as a pedagogical tool to heighten literary experience. Through historically-grounded interpretations of Dickens impersonators to recitations of Tennyson to T.S. Eliot's experimental readings of "The Waste Land" and of a great variety of voices and media in between, this first critical history of the earliest literary sound recordings offers an unusual perspective on the transition from the Victorian to modern periods and sheds new light on our own digitally mediated relationship to the past

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781503609716
    Other identifier:
    Subjects: English literature; Literature and technology; Oral interpretation; Phonograph; Sound recordings; LITERARY CRITICISM / Poetry
    Scope: 1 Online-Ressource (248 p)
  9. Phonopoetics
    The Making of Early Literary Recordings
    Author: Camlot, Jason
    Published: [2020]
    Publisher:  Stanford University Press, Stanford, CA

    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- FIGURES AND TABLE -- RECORDINGS -- INTRODUCTION. Audiotextual Criticism -- 1. THE VOICE OF THE PHONOGRAPH -- 2. CHARLES DICKENS IN THREE MINUTES OR LESS -- 3. ALFRED, LORD TENNYSON’S SPECTRAL ENERGY -- 4.... more

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    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- FIGURES AND TABLE -- RECORDINGS -- INTRODUCTION. Audiotextual Criticism -- 1. THE VOICE OF THE PHONOGRAPH -- 2. CHARLES DICKENS IN THREE MINUTES OR LESS -- 3. ALFRED, LORD TENNYSON’S SPECTRAL ENERGY -- 4. T.S. ELIOT’S RECORDED EXPERIMENTS IN MODERNIST VERSE SPEAKING -- CONCLUSION. Analog, Digital, Conceptual -- NOTES -- INDEX Phonopoetics tells the neglected story of early "talking records" and their significance for literature, from the 1877 invention of the phonograph to some of the first recorded performances of modernist works. The book challenges assumptions of much contemporary criticism by taking the recorded, oral performance as its primary object of analysis and by exploring the historically specific convergences between audio recording technologies, media formats, generic forms, and the institutions and practices surrounding the literary. Opening with an argument that the earliest spoken recordings were a mediated extension of Victorian reading and elocutionary culture, Jason Camlot explains the literary significance of these pre-tape era voice artifacts by analyzing early promotional fantasies about the phonograph as a new kind of speaker and detailing initiatives to deploy it as a pedagogical tool to heighten literary experience. Through historically-grounded interpretations of Dickens impersonators to recitations of Tennyson to T.S. Eliot's experimental readings of "The Waste Land" and of a great variety of voices and media in between, this first critical history of the earliest literary sound recordings offers an unusual perspective on the transition from the Victorian to modern periods and sheds new light on our own digitally mediated relationship to the past

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781503609716
    Other identifier:
    Subjects: English literature; Literature and technology; Oral interpretation; Phonograph; Sound recordings; LITERARY CRITICISM / Poetry
    Scope: 1 Online-Ressource (248 p)
  10. Phonopoetics
    the making of early literary recordings
    Author: Camlot, Jason
    Published: [2019]
    Publisher:  Stanford University Press, Stanford, California

    Introduction : audiotextual criticism -- The voice of the phonograph -- Charles Dickens in three minutes or less : early phonographic fiction -- Alfred Tennyson's spectral energy : historical intonation in dramatic recitation -- T.S. Eliot's recorded... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 102161
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    Universitätsbibliothek Heidelberg
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    2019 A 5586
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    Württembergische Landesbibliothek
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    69/14507
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    Introduction : audiotextual criticism -- The voice of the phonograph -- Charles Dickens in three minutes or less : early phonographic fiction -- Alfred Tennyson's spectral energy : historical intonation in dramatic recitation -- T.S. Eliot's recorded experiments in modernist verse speaking -- Conclusion : analog, digital, conceptual

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781503605213
    Other identifier:
    9781503605213
    Subjects: English literature; Literature and technology; Sound recordings; Oral interpretation; Phonograph
    Scope: xv, 229 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index
  11. Phonopoetics
    the making of early literary recordings
    Author: Camlot, Jason
    Published: [2019]
    Publisher:  Stanford University Press, Stanford, California

    Introduction : audiotextual criticism -- The voice of the phonograph -- Charles Dickens in three minutes or less : early phonographic fiction -- Alfred Tennyson's spectral energy : historical intonation in dramatic recitation -- T.S. Eliot's recorded... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Introduction : audiotextual criticism -- The voice of the phonograph -- Charles Dickens in three minutes or less : early phonographic fiction -- Alfred Tennyson's spectral energy : historical intonation in dramatic recitation -- T.S. Eliot's recorded experiments in modernist verse speaking -- Conclusion : analog, digital, conceptual

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781503605213
    Other identifier:
    9781503605213
    Subjects: English literature; Literature and technology; Sound recordings; Oral interpretation; Phonograph
    Scope: xv, 229 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index
  12. Sound recording technology and American literature
    from the phonograph to the remix
    Author: Teague, Jessica
    Published: 2022
    Publisher:  Cambridge University Press, Cambridge

    When Gertrude Stein published Three Lives, her first book-length work, in 1909, readers were struck by her peculiar, repetitive style. As one dust jacket review put it, Stein's prose was like a "stubborn phonograph." Taken in passing, the comparison... more

    Location:
    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
    Signature:
    810.9356 TEA
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    When Gertrude Stein published Three Lives, her first book-length work, in 1909, readers were struck by her peculiar, repetitive style. As one dust jacket review put it, Stein's prose was like a "stubborn phonograph." Taken in passing, the comparison might seem unremarkable, but in 1909, when the phonograph was still a relatively new technology, the dust jacket remark penned by Georgiana Goddard King (a Reader in English at Bryn Mawr College) reveals how at least one early reader heard Gertrude Stein. According to King, Stein had "pushed the method of realism as far as it would go," and "the patient iteration, the odd style, with all its stops and starts, like a stubborn phonograph, are a part of the incantation. The reader must take it or leave it,-but always, taken or left, it remains astonishing."

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781108793797; 9781108840132
    Edition: First paperback edition
    Series: Cambridge studies in American literature and culture
    Subjects: Literatur; Geräusch; Musik <Motiv>; CD <Motiv>; Phonograph; Technologie <Motiv>
    Scope: xi, 248 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis Seite 227-243
  13. Sound recording technology and American literature from the phonograph to the remix
    Author: Teague, Jessica
    Published: 2021
    Publisher:  Cambridge University Press, Cambridge, UK

    Phonographs, tapes, stereo LPs, digital remix - how did these remarkable technologies impact American writing? This book explores how twentieth-century writers shaped the ways we listen in our multimedia present. Uncovering a rich new archive of... more

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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Universität Frankfurt, Elektronische Ressourcen
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    /
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    Universitätsbibliothek Gießen
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    Phonographs, tapes, stereo LPs, digital remix - how did these remarkable technologies impact American writing? This book explores how twentieth-century writers shaped the ways we listen in our multimedia present. Uncovering a rich new archive of materials, this book offers a resonant reading of how writers across several genres, such as John Dos Passos, Langston Hughes, William S. Burroughs, and others, navigated the intermedial spaces between texts and recordings. Numerous scholars have taken up remix - a term co-opted from DJs and sound engineers - as the defining aesthetic of twenty-first century art and literature. Others have examined modernism's debt to the phonograph. But in the gap between these moments, one finds that the reciprocal relationship between the literary arts and sonic technologies continued to evolve over the twentieth century. A mix of American literary history, sound studies, and media archaeology, this interdisciplinary study will appeal to scholars, students, and audiophiles.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108879002
    Series: Cambridge studies in American literature and culture
    Subjects: Literatur; Geräusch; Musik <Motiv>; CD <Motiv>; Phonograph; Technologie <Motiv>; American literature; Sound; Literature and technology; Sound in literature
    Scope: 1 Online-Ressource (xi, 248 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 07 May 2021)
  14. Vocal tracks
    performance and sound media
    Author: Smith, Jacob
    Published: c2008
    Publisher:  University of California Press, Berkeley

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0520942841; 9780520942844
    RVK Categories: AP 14900
    Subjects: LANGUAGE ARTS & DISCIPLINES / Communication Studies; LANGUAGE ARTS & DISCIPLINES / Speech; PERFORMING ARTS / Film & Video / General; Voice; Voice culture; Voice culture; Voice; Audiotechnik; Hörfunk; Film; Tonträger; Klang; Phonograph; Stimme
    Scope: 1 Online-Ressource (viii, 294 p.)
    Notes:

    "An Ahmanson book in the humanities"--P. [4] of cover

    Includes bibliographical references (p. 271-286) and index
  15. Vocal tracks
    performance and sound media
    Author: Smith, Jacob
    Published: c2008
    Publisher:  University of California Press, Berkeley

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520254930; 0520254937; 9780520254947; 0520254945
    RVK Categories: AP 14900
    Subjects: Voice culture; Voice; Audiotechnik; Hörfunk; Film; Tonträger; Klang; Phonograph; Stimme
    Scope: viii, 294 p.
    Notes:

    "An Ahmanson book in the humanities"--P. [4] of cover

    Includes bibliographical references (p. 271-286) and index
  16. Vocal tracks
    performance and sound media
    Author: Smith, Jacob
    Published: 2008
    Publisher:  Univ. of California Press, Berkeley, Calif. [u.a.]

    This entertaining and innovative book focuses on vocal performance styles that developed in tandem with the sound technologies of the phonograph, radio, and sound film. Writing in a clear and lively style, Jacob Smith looks at these media... more

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    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek Passau
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    This entertaining and innovative book focuses on vocal performance styles that developed in tandem with the sound technologies of the phonograph, radio, and sound film. Writing in a clear and lively style, Jacob Smith looks at these media technologies and industries through the lens of performance, bringing to light a fascinating nexus of performer, technology, and audience. Combining theories of film sound, cultural histories of sound technologies and industries, and theories of performance, Smith convincingly connects disparate and largely neglected performance niches to explore the development of a modern vocal performance.Vocal Tracks: Performance and Sound Mediademonstrates the voice to be a vehicle of performance, identity, and culture and illustrates both the interconnection of all these categories and their relation to the media technologies of the past century.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780520254930; 9780520254947
    RVK Categories: AP 14900
    Subjects: Voice culture; Voice; Film; Hörfunk; Klang; Tonträger; Stimme; Audiotechnik; Phonograph
    Scope: VIII, 294 S., Ill., 23 cm
    Notes:

    Literaturverz. S. 271 - 286
  17. Vocal tracks
    performance and sound media
    Author: Smith, Jacob
    Published: 2008
    Publisher:  Univ. of California Press, Berkeley, Calif. [u.a.]

    This entertaining and innovative book focuses on vocal performance styles that developed in tandem with the sound technologies of the phonograph, radio, and sound film. Writing in a clear and lively style, Jacob Smith looks at these media... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Universität der Künste Berlin, Universitätsbibliothek
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    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    This entertaining and innovative book focuses on vocal performance styles that developed in tandem with the sound technologies of the phonograph, radio, and sound film. Writing in a clear and lively style, Jacob Smith looks at these media technologies and industries through the lens of performance, bringing to light a fascinating nexus of performer, technology, and audience. Combining theories of film sound, cultural histories of sound technologies and industries, and theories of performance, Smith convincingly connects disparate and largely neglected performance niches to explore the development of a modern vocal performance.Vocal Tracks: Performance and Sound Mediademonstrates the voice to be a vehicle of performance, identity, and culture and illustrates both the interconnection of all these categories and their relation to the media technologies of the past century.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780520254930; 9780520254947
    RVK Categories: AP 14900
    Subjects: Voice culture; Voice; Film; Hörfunk; Klang; Tonträger; Stimme; Audiotechnik; Phonograph
    Scope: VIII, 294 S., Ill., 23 cm
    Notes:

    Literaturverz. S. 271 - 286