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  1. Animal skins and the reading self in medieval Latin and French bestiaries
    Author: Kay, Sarah
    Published: 2017
    Publisher:  The University of Chicago Press, Chicago ; Oxford University Press, Oxford

    This work explores the relations between humans and other animals as they appear to a reader of medieval bestiaries, given that almost all of them are realized as parchment books and that parchment, although made from animal skin, looks much like... more

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan

     

    This work explores the relations between humans and other animals as they appear to a reader of medieval bestiaries, given that almost all of them are realized as parchment books and that parchment, although made from animal skin, looks much like human skin.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226436876
    Other identifier:
    DDC Categories: 800
    Subjects: Bestiaries; Manuscripts, Medieval; Parchment; Illumination of books and manuscripts, Medieval; Books and reading; Animals in literature; Animals, Mythical, in literature; Animals in art; Animals, Mythical, in art; Human-animal relationships
    Scope: 1 Online-Ressource, Illustrations (black and white, and colour)
    Notes:

    Previously issued in print: 2017

    Includes bibliographical references and index

  2. On parchment
    animals, archives, and the making of culture from Herodotus to the digital age
    Published: 2023
    Publisher:  Yale University Press, New Haven

    A sweeping exploration of the shaping role of animal skins in written culture and human imagination over three millennia "Richly detailed and illustrated. . . . An engaging exploration of book history."-Kirkus Reviews For centuries, premodern... more

    Universitätsbibliothek Stuttgart
    No inter-library loan

     

    A sweeping exploration of the shaping role of animal skins in written culture and human imagination over three millennia "Richly detailed and illustrated. . . . An engaging exploration of book history."-Kirkus Reviews For centuries, premodern societies recorded and preserved much of their written cultures on parchment: the rendered skins of sheep, cows, goats, camels, deer, gazelles, and other creatures. These remains make up a significant portion of the era's surviving historical record. In a study spanning three millennia and twenty languages, Bruce Holsinger explores this animal archive as it shaped the inheritance of the Euro-Mediterranean world, from the leather rolls of ancient Egypt to the Acts of Parliament in the United Kingdom. Holsinger discusses the making of parchment past and present, the nature of the medium as a biomolecular record of faunal life and environmental history, the knotty question of "uterine vellum," and the imaginative role of parchment in the works of St. Augustine, William Shakespeare, and a range of Jewish rabbinic writers of the medieval era. Closely informed by the handicraft of contemporary makers, painters, and sculptors, the book draws on a vast array of sources-codices and scrolls, documents and ephemera, works of craft and art-that speak to the vitality of parchment across epochs and continents. At the center of On Parchment is the vexed relationship of human beings to the myriad slaughtered beasts whose remains make up this vast record: a relationship of dominion and compassion, of brutality and empathy

     

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