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  1. Psychoanalytische Psychopathologie
    Published: 2006
    Publisher:  Vandenhoeck & Ruprecht, Göttingen

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    Source: Digi20
    Contributor: Langenmayr, Arnold
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 3525450087
    Other identifier:
    9783525450086
    RVK Categories: CU 2000
    DDC Categories: 150
    Series: Psychonalyse und Empirie ; 4
    Subjects: Homosexualität; Paranoia; Psychoanalyse; Depression; Psychopathologie
    Scope: 188 S.
    Notes:

    Online-Ausg.:

  2. Paranoia and Modernity
    Cervantes to Rousseau
    Published: [2018]; © 2007
    Publisher:  Cornell University Press, Ithaca, NY

    "Don Quixote is the first great modern paranoid adventurer.... Grandiosity and persecution define the characters of Swift's Gulliver, Stendhal's Julien Sorel, Melville's Ahab, Dostoyevsky's Underground Man, Ibsen's Masterbuilder Solness, Strindberg's... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    "Don Quixote is the first great modern paranoid adventurer.... Grandiosity and persecution define the characters of Swift's Gulliver, Stendhal's Julien Sorel, Melville's Ahab, Dostoyevsky's Underground Man, Ibsen's Masterbuilder Solness, Strindberg's Captain (in The Father), Kafka's K., and Joyce's autobiographical hero Stephen Dedalus.... The all-encompassing conspiracy, very much in its original Rousseauvian cast, has become almost the normal way of representing society and its institutions since World War Two, giving impetus to heroic plots and counter-plots in a hundred films and in the novels of Burroughs, Heller, Ellison, Pynchon, Kesey, Mailer, DeLillo, and others."—from Paranoia and ModernityParanoia, suspicion, and control have preoccupied key Western intellectuals since the sixteenth century. Paranoia is a dominant concern in modern literature, and its peculiar constellation of symptoms—grandiosity, suspicion, unfounded hostility, delusions of persecution and conspiracy—are nearly obligatory psychological components of the modern hero.How did paranoia come to the center of modern moral and intellectual consciousness? In Paranoia and Modernity, John Farrell brings literary criticism, psychology, and intellectual history to the attempt at an answer. He demonstrates the connection between paranoia and the long history of struggles over the question of agency—the extent to which we are free to act and responsible for our actions. He addresses a wide range of major authors from the late Middle Ages to the eighteenth century, among them Luther, Bacon, Cervantes, Descartes, Hobbes, Pascal, La Rochefoucauld, Swift, and Rousseau. Farrell shows how differently paranoid psychology looks at different historical junctures with different models of agency, and in the epilogue, "Paranoia and Postmodernism," he draws the implications for recent critical debates in the humanities

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501732423
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    Subjects: Europe; LITERARY CRITICISM / Modern / 17th Century; Agent (Philosophy); Agent (Philosophy); Civilization, Modern; Paranoia in literature; Paranoia; Personality and culture; Paranoia <Motiv>; Paranoia; Kulturpsychologie; Literatur
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)

  3. Hysteria, perversion, and paranoia in "The Canterbury tales"
    "wild" analysis and the symptomatic storyteller
    Published: [2020]; © 2020
    Publisher:  De Gruyter, Berlin ; Boston ; Medieval Institute Publications, Kalamazoo, MI

    Beginning with the spectacle of hysteria, moving through the perversions of fetishism, masochism, and sadism, and ending with paranoia and psychosis, this book explores the ways that conflicts with the Oedipal law erupt on the body and in language in... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Beginning with the spectacle of hysteria, moving through the perversions of fetishism, masochism, and sadism, and ending with paranoia and psychosis, this book explores the ways that conflicts with the Oedipal law erupt on the body and in language in Chaucer’s Canterbury Tales, for Chaucer’s tales are rife with issues of mastery and control that emerge as conflicts not only between authority and experience but also between power and knowledge, word and flesh, rule books and reason, man and woman, same and other – conflicts that erupt in a macabre sprawl of broken bones, dismembered bodies, cut throats, and decapitations. Like the macabre sprawl of conflict in the Canterbury Tales, this book brings together a number of conflicting modes of thinking and writing through the surprising and perhaps disconcerting use of "shadow" chapters that speak to or against the four "central" chapters, creating both dialogue and interruption

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501514104; 9781501514067
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    Series: Research in medieval and early modern culture ; 25
    Studies in medieval and early modern culture ; 71
    Subjects: Canterbury Tales; Chaucer; Geoffrey Chaucer; Hysteria; Hysterie; Paranoia; Perversion; Psychose; Psychosis; HISTORY / Medieval; Paranoia <Motiv>; Perversion <Motiv>; Hysterie <Motiv>
    Other subjects: Chaucer, Geoffrey (1343-1400): The Canterbury tales
    Scope: 1 Online Ressource (VIII, 295 Seiten)
  4. The Unconscious in Shakespeare's Plays
    Published: 2013
    Publisher:  Karnac Books, London

    Just as concerts emerge from the interaction of many instruments, so our understanding of Shakespeare is enriched by different approaches to him. Psychoanalysis assumes that creative writers have the need to both reveal and conceal their own inner... more

    Hochschulbibliothek Friedensau
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    Just as concerts emerge from the interaction of many instruments, so our understanding of Shakespeare is enriched by different approaches to him. Psychoanalysis assumes that creative writers have the need to both reveal and conceal their own inner conflicts in their works. They leave residues in their works that, if we pay attention, can become building blocks that reveal aspects of the unconscious. It is my hope that readers may find that the questions raised add to the pleasure of reading Shakespeare and that they deepens their understanding of his plays. Topics covered include the pivotal p

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781780491561
    Subjects: Shakespeare, William; Psychoanalyse; ; Shakespeare, William; Unbewusstes; Psychoanalyse; ; Shakespeare, William; Drama; Ödipuskomplex; Psychischer Konflikt; Paranoia; Homosexualität; Bisexualität;
    Scope: Online-Ressource (295 p)
    Notes:

    Description based upon print version of record

    COVER; CONTENTS; ACKNOWLEDGEMENTS; ABOUT THE AUTHOR; PREFACE Why this book was written; PART I THE PIVOTAL POSITION OF HAMLET; HAMLET'S ENIGMAS; CHAPTER ONE 'Hamlet': the inability to mourn and the inability to love; PART II THE POET AND HIS CALLING; CHAPTER TWO 'A Midsummer Night's Dream': how Shakespeare won the right to write plays; CHAPTER THREE 'The Tempest': the abdication of creativity; CHAPTER FOUR 'Timon of Athens': the loss of creativity; PART III THE OEDIPUS COMPLEX; CHAPTER FIVE 'Richard III': the Oedipus complex and the villain

    CHAPTER SIX 'Julius Caesar' and Freud's 'Totem and Taboo'CHAPTER SEVEN 'Macbeth': an audacious variant on the oedipal theme; CHAPTER EIGHT 'Antony and Cleopatra': dangerous dotage; CHAPTER NINE 'Coriolanus': an astounding description of a destructive mother-child relationship; CHAPTER TEN 'King Lear': the daughter as a replacement for the mother; CHAPTER ELEVEN 'Richard II': abdication as a father's reaction to the Oedipus complex; PART IV INTRAPSYCHIC CONFLICT; CHAPTER TWELVE 'Measure for Measure': the disintegration of a harsh superego; PART V THE BATTLE AGAINST PARANOIA

    CHAPTER THIRTEEN 'Othello': motiveless malignity or latent homosexuality?CHAPTER FOURTEEN 'The Winter's Tale': latent homosexuality and paranoia; PART VI THE HOMOSEXUAL COMPROMISE; CHAPTER FIFTEEN 'The Merchant of Venice': a portrayal of masochistic homosexuality; CHAPTER SIXTEEN 'Twelfth Night': a sublimation of bisexuality in homosexuality; REFERENCES; INDEX

  5. Rätsel und Komplotte
    Kriminalliteratur, Paranoia, moderne Gesellschaft
    Published: 2013
    Publisher:  Suhrkamp, Berlin

    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Source: Union catalogues
    Contributor: Pries, Christine (Übersetzer)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783518734230
    RVK Categories: MS 8010 ; MS 8010 ; MS 1290
    Edition: Erste Auflage
    Series: Suhrkamp-Taschenbuch Wissenschaft ; 2153
    Subjects: Kriminalroman; Wissenschaft <Motiv>; Spionageroman; Paranoia <Motiv>
    Scope: 1 Online-Ressource (514 Seiten)
    Notes:

    Der vorliegende Text folgt der Erstausgabe 2013

  6. Hysteria, perversion, and paranoia in the Canterbury Tales
    "wild" analysis and the symptomatic storyteller
    Published: 2020
    Publisher:  Western Michigan University, Medieval Institute Publications, [Kalamazoo] ; De Gruyter, Berlin

    Beginning with the spectacle of hysteria, moving through the perversions of fetishism, masochism, and sadism, and ending with paranoia and psychosis, this book explores the ways that conflicts with the Oedipal law erupt on the body and in language in... more

    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Beginning with the spectacle of hysteria, moving through the perversions of fetishism, masochism, and sadism, and ending with paranoia and psychosis, this book explores the ways that conflicts with the Oedipal law erupt on the body and in language in Chaucer’s Canterbury Tales

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501514104; 9781501518416
    RVK Categories: HH 5083
    DDC Categories: 820
    Series: Research in medieval and early modern culture ; 25
    Studies in medieval and early modern culture ; 71
    Subjects: Hysterie <Motiv>; Perversion <Motiv>; Paranoia <Motiv>
    Other subjects: Chaucer, Geoffrey (1343-1400): The Canterbury tales
  7. Paranoia und technisches Bild
    Fallstudien zu einer Medienpathologie
    Published: [2021]; ©2021
    Publisher:  De Gruyter, Berlin ; Walter de Gruyter GmbH

    In ihren Anfängen um 1980 zeichnet sich die Medienarchäologie durch eine eigentümliche Nähe zum paranoischen Wahn aus. Friedrich Kittler begreift die Paranoia als Medienpathologie und entwickelt – Stichwort „Aufschreibesysteme“ – medienarchäologische... more

    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    In ihren Anfängen um 1980 zeichnet sich die Medienarchäologie durch eine eigentümliche Nähe zum paranoischen Wahn aus. Friedrich Kittler begreift die Paranoia als Medienpathologie und entwickelt – Stichwort „Aufschreibesysteme“ – medienarchäologische Konzepte und Fragestellungen anhand von paranoischen Texten. Diese Komplizenschaft zwischen Medien-Denken und Paranoia aufgreifend, untersucht Elena Meilicke Verschwörungsnarrative auf ihren Umgang mit technischen Bildern und fragt, inwiefern darin ein implizites Wissen über fotografische Bildmedien, deren paranoische Verfasstheit und paranoisierende Effekte aufscheint. In zwei exemplarischen Fallstudien zum Imperjalja-Fragment des deutschen Schriftstellers Oskar Panizza (1853-1921) sowie zum Werk des Düsseldorfer Polaroid-Fotografen Horst Ademeit (1937-2010), und im Rückgriff auf Lacans Blick- und Bildtheorie, entwirft Meilicke die Konturen eines spezifisch paranoischen Medien-Wissens. Die auf die Welt und Wirklichkeit bezogenen Bilder der paranoischen Ermittlung erweisen sich darüber hinaus als technische Artefakte, die zugleich ästhetische, epistemische und politische Dinge sind – Spielarten einer paranoischen Analytik der Macht, die Infrastrukturen des Politischen in den Blick nimmt. This book examines paranoia as a “media pathology.” It considers conspiracy narratives with regard to their handling of technical images and asks to what extent we can recognize an implicit knowledge of photographic media and technologies, of their paranoid constitution and paranoia-inducing effects. The overarching aim is to describe a specifically paranoid form of media knowledge.

     

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110650372
    Other identifier:
    DDC Categories: 770; 300; 000
    Series: Communicatio ; 50
    Subjects: Bildtheorie; Fotografie; Medientheorie; Paranoia; Verschwörungstheorie
    Other subjects: Panizza, Oskar (1853-1921): Imperjalja; Ademeit, Horst (1937-2010); Lacan, Jacques (1901-1981)
    Scope: 1 Online-Ressource (VII, 269 p.)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Feb 2021)

  8. Latent Destinies
    Cultural Paranoia and Contemporary U. S. Narrative
    Published: 2000
    Publisher:  Duke University Press, North Carolina ; ProQuest, Ann Arbor, Michigan

    Uses a discussion of contemporary films and literary works to present an understanding of paranoia as a defining element in postmodern late-capitalist structure. more

    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    Uses a discussion of contemporary films and literary works to present an understanding of paranoia as a defining element in postmodern late-capitalist structure.

     

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    Source: Union catalogues
    Contributor: Pease, Donald E.
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822380641
    RVK Categories: HU 1819
    Edition: 1st ed.
    Series: New Americanists Ser.
    Subjects: Roman; Prosa; Film; Paranoia <Motiv>; Postmoderne; Paranoia in literature
    Scope: 1 Online-Ressource (207 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  9. Affektpoetiken des New Hollywood
    Suspense, Paranoia und Melancholie
    Published: 2016
    Publisher:  De Gruyter, Berlin ; Walter de Gruyter GmbH

    How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex... more

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    Technische Hochschule Bingen, Bibliothek
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    Evangelische Hochschule Darmstadt, Bibliothek
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    Hessisches BibliotheksInformationsSystem hebis
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    How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex interplay between three affective modes – suspense, paranoia, and melancholy – which draw the spectators to reflect in unique ways about contradictions in their own feelings. Woran bindet sich die Emotion des Zuschauers im Kino? Ausgehend von dieser Frage entwirft das Buch einen originellen Blick auf eine kritische Periode US-amerikanischer Filmgeschichte. In der detaillierten Analyse einzelner Filme entsteht das Bild eines ko...

     

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110488739
    Other identifier:
    DDC Categories: 150; 791
    Series: Cinepoetics ; 2
    Subjects: Film; Spannung; Paranoia <Motiv>; Melancholie <Motiv>; Rezeption; Zuschauer; Gefühl; Ästhetik
    Scope: 1 Online-Ressource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Nov. 7, 2016)

  10. Paranoia, fear & alienation
    Contributor: Drake, Kimberly (Publisher)
    Published: 2017
    Publisher:  Salem Press, Ipswich, Massachusetts ; Grey House Publishing, Amenia, NY

    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Contributor: Drake, Kimberly (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781682171271
    RVK Categories: HG 431
    Series: Critical insights
    Subjects: Literatur; Englisch; Paranoia <Motiv>; Furcht <Motiv>; Entfremdung <Motiv>
    Scope: 1 Online-Ressource (xxx, 230 Seiten)
  11. Paranoia and Modernity
    Cervantes to Rousseau
    Published: [2018]; © 2007
    Publisher:  Cornell University Press, Ithaca, NY

    "Don Quixote is the first great modern paranoid adventurer.... Grandiosity and persecution define the characters of Swift's Gulliver, Stendhal's Julien Sorel, Melville's Ahab, Dostoyevsky's Underground Man, Ibsen's Masterbuilder Solness, Strindberg's... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Passau
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    "Don Quixote is the first great modern paranoid adventurer.... Grandiosity and persecution define the characters of Swift's Gulliver, Stendhal's Julien Sorel, Melville's Ahab, Dostoyevsky's Underground Man, Ibsen's Masterbuilder Solness, Strindberg's Captain (in The Father), Kafka's K., and Joyce's autobiographical hero Stephen Dedalus.... The all-encompassing conspiracy, very much in its original Rousseauvian cast, has become almost the normal way of representing society and its institutions since World War Two, giving impetus to heroic plots and counter-plots in a hundred films and in the novels of Burroughs, Heller, Ellison, Pynchon, Kesey, Mailer, DeLillo, and others."—from Paranoia and ModernityParanoia, suspicion, and control have preoccupied key Western intellectuals since the sixteenth century. Paranoia is a dominant concern in modern literature, and its peculiar constellation of symptoms—grandiosity, suspicion, unfounded hostility, delusions of persecution and conspiracy—are nearly obligatory psychological components of the modern hero.How did paranoia come to the center of modern moral and intellectual consciousness? In Paranoia and Modernity, John Farrell brings literary criticism, psychology, and intellectual history to the attempt at an answer. He demonstrates the connection between paranoia and the long history of struggles over the question of agency—the extent to which we are free to act and responsible for our actions. He addresses a wide range of major authors from the late Middle Ages to the eighteenth century, among them Luther, Bacon, Cervantes, Descartes, Hobbes, Pascal, La Rochefoucauld, Swift, and Rousseau. Farrell shows how differently paranoid psychology looks at different historical junctures with different models of agency, and in the epilogue, "Paranoia and Postmodernism," he draws the implications for recent critical debates in the humanities

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501732423
    Other identifier:
    Subjects: Europe; LITERARY CRITICISM / Modern / 17th Century; Agent (Philosophy); Agent (Philosophy); Civilization, Modern; Paranoia in literature; Paranoia; Personality and culture; Paranoia <Motiv>; Paranoia; Kulturpsychologie; Literatur
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)

  12. Hysteria, perversion, and paranoia in "The Canterbury tales"
    "wild" analysis and the symptomatic storyteller
    Published: [2020]; © 2020
    Publisher:  De Gruyter, Berlin ; Boston ; Medieval Institute Publications, Kalamazoo, MI

    Beginning with the spectacle of hysteria, moving through the perversions of fetishism, masochism, and sadism, and ending with paranoia and psychosis, this book explores the ways that conflicts with the Oedipal law erupt on the body and in language in... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Beginning with the spectacle of hysteria, moving through the perversions of fetishism, masochism, and sadism, and ending with paranoia and psychosis, this book explores the ways that conflicts with the Oedipal law erupt on the body and in language in Chaucer’s Canterbury Tales, for Chaucer’s tales are rife with issues of mastery and control that emerge as conflicts not only between authority and experience but also between power and knowledge, word and flesh, rule books and reason, man and woman, same and other – conflicts that erupt in a macabre sprawl of broken bones, dismembered bodies, cut throats, and decapitations. Like the macabre sprawl of conflict in the Canterbury Tales, this book brings together a number of conflicting modes of thinking and writing through the surprising and perhaps disconcerting use of "shadow" chapters that speak to or against the four "central" chapters, creating both dialogue and interruption

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501514104; 9781501514067
    Other identifier:
    Series: Research in medieval and early modern culture ; 25
    Studies in medieval and early modern culture ; 71
    Subjects: Canterbury Tales; Chaucer; Geoffrey Chaucer; Hysteria; Hysterie; Paranoia; Perversion; Psychose; Psychosis; HISTORY / Medieval; Paranoia <Motiv>; Perversion <Motiv>; Hysterie <Motiv>
    Other subjects: Chaucer, Geoffrey (1343-1400): The Canterbury tales
    Scope: 1 Online Ressource (VIII, 295 Seiten)
  13. Unconscious in Shakespeare's Plays
    Published: 2013

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1299847846; 1780491565; 1782411232; 9781299847842; 9781780491561; 9781782411239
    Subjects: DRAMA / English, Irish, Scottish, Welsh; Psychology; Psychology in literature; Subconsciousness in literature; Subconsciousness in literature; Psychology in literature; Psychischer Konflikt; Psychoanalyse; Drama; Bisexualität; Homosexualität; Ödipuskomplex; Unbewusstes; Paranoia
    Other subjects: Shakespeare, William / 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616): Hamlet
    Scope: 1 Online-Ressource
    Notes:

    Just as concerts emerge from the interaction of many instruments, so our understanding of Shakespeare is enriched by different approaches to him. Psychoanalysis assumes that creative writers have the need to both reveal and conceal their own inner conflicts in their works. They leave residues in their works that, if we pay attention, can become building blocks that reveal aspects of the unconscious. It is my hope that readers may find that the questions raised add to the pleasure of reading Shakespeare and that they deepens their understanding of his plays. Topics covered include the pivotal p

    COVER; CONTENTS; ACKNOWLEDGEMENTS; ABOUT THE AUTHOR; PREFACE Why this book was written; PART I THE PIVOTAL POSITION OF HAMLET; HAMLET'S ENIGMAS; CHAPTER ONE 'Hamlet': the inability to mourn and the inability to love; PART II THE POET AND HIS CALLING; CHAPTER TWO 'A Midsummer Night's Dream': how Shakespeare won the right to write plays; CHAPTER THREE 'The Tempest': the abdication of creativity; CHAPTER FOUR 'Timon of Athens': the loss of creativity; PART III THE OEDIPUS COMPLEX; CHAPTER FIVE 'Richard III': the Oedipus complex and the villain

    CHAPTER SIX 'Julius Caesar' and Freud's 'Totem and Taboo'CHAPTER SEVEN 'Macbeth': an audacious variant on the oedipal theme; CHAPTER EIGHT 'Antony and Cleopatra': dangerous dotage; CHAPTER NINE 'Coriolanus': an astounding description of a destructive mother-child relationship; CHAPTER TEN 'King Lear': the daughter as a replacement for the mother; CHAPTER ELEVEN 'Richard II': abdication as a father's reaction to the Oedipus complex; PART IV INTRAPSYCHIC CONFLICT; CHAPTER TWELVE 'Measure for Measure': the disintegration of a harsh superego; PART V THE BATTLE AGAINST PARANOIA.

    CHAPTER THIRTEEN 'Othello': motiveless malignity or latent homosexuality?CHAPTER FOURTEEN 'The Winter's Tale': latent homosexuality and paranoia; PART VI THE HOMOSEXUAL COMPROMISE; CHAPTER FIFTEEN 'The Merchant of Venice': a portrayal of masochistic homosexuality; CHAPTER SIXTEEN 'Twelfth Night': a sublimation of bisexuality in homosexuality; REFERENCES; INDEX.

    Includes bibliographical references (pages 253-257) and index

  14. Conspiracy and paranoia in contemporary American fiction
    the works of Don DeLillo and Joseph McElroy
    Published: c1994
    Publisher:  P. Lang, Frankfurt am Main

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 3631476418; 9783631476413; 9783653022124
    Series: Europĩsche Hochschulschriften ; Bd. 280
    Subjects: American fiction; Conspiracies in literature; Paranoia in literature; Experimental fiction, American; Postmodernism (Literature); Erzähltechnik; Paranoia <Motiv>; Roman
    Other subjects: DeLillo, Don; McElroy, Joseph; McElroy, Joseph (1930-); DeLillo, Don (1936-)
    Scope: 191 p
    Notes:

    Includes bibliographical references (p. 180-191)

  15. The unconscious in Shakespeare's plays
    Published: 2013; © 2013
    Publisher:  Karnac, London

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781780491561; 9781782411239
    Subjects: Subconsciousness in literature; Psychology in literature; Unbewusstes; Bisexualität; Paranoia; Homosexualität; Ödipuskomplex; Psychoanalyse; Psychischer Konflikt; Drama
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616): Hamlet
    Scope: 1 online resource (295 pages)
    Notes:

    Description based on online resource; title from PDF title page (ebrary, viewed August 11, 2014)

  16. Affektpoetiken des New Hollywood
    Suspense, Paranoia und Melancholie
    Published: 2016
    Publisher:  De Gruyter, Berlin ; Boston

    "How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex... more

    Universitätsbibliothek Regensburg
    Unlimited inter-library loan, copies and loan

     

    "How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex interplay between three affective modes - suspense, paranoia, and melancholy - which draw the spectators to reflect in unique ways about contradictions in their own feelings."--

     

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    Content information
    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 3110488736; 3110488760; 9783110488739; 9783110488760
    Other identifier:
    RVK Categories: AP 59783
    Series: Cinepoetics ; 2
    Subjects: Ästhetik; Film; Gefühl; Melancholie; Motion picture audiences; Motion pictures; Motion pictures; Paranoia; PERFORMING ARTS / Film & Video / History & Criticism; Rezeption; Spannung; Zuschauer; Motion picture audiences; Motion pictures; Motion pictures; Film; Spannung; Paranoia <Motiv>; Ästhetik; Gefühl; Rezeption; Zuschauer; Melancholie <Motiv>
    Other subjects: 1900-1999; United States; Electronic books; History
    Scope: 1 Online-Ressource
    Notes:

    1610

    Inhalt ; Danksagung ; 1 Die Aufspaltung des Zuschauers ; 1.1 Einleitung ; Eine Geschichte des Fühlens ; Ein Riss im Fühlen ; Der Schock der Freiheit ; 1.2 Filmische Expressivität ; Emotion in der Filmtheorie ; Filmische Bewegung und der Zuschauer ; Das Ganze und die Dauer

    2.1 Theoretische Herleitung Forschungsstand zum Suspense ; Das Paradox des Suspense ; Etymologie und erste Schlussfolgerungen ; Suspense und filmische Bewegung ; Suspendieren: Aufschieben ; 2.2 Analyse ; Carrie ; Die Prom Night-Sequenz ; Die Fahrt ; Rhythmus und Perspektive

    3.1 Ideengeschichtlicher Kontext und theoretische Herleitung Schwierigkeiten der Definition ; Paranoider Stil und intellektuelle Gefühle ; Paranoia und postklassisches Kino ; 3.2 Analyse ; The Parallax View ; Die Eingangssequenz ; Die Bodenlosigkeit der Geschichte

    Ausdruck und Erfahrung Filmische Bewegung und Emotion ; 1.3 Zur Affektpoetik des New Hollywood ; Der Begriff des New Hollywood ; Der inkohärente Text ; Das Neue am New Hollywood ; Schock und Freiheit: Modi von Affektivität ; 2 Suspense: Formen filmischen Denkens

    Krönung und Demütigung Aufschaukeln ; Die Zeit der Imagination ; Gesicht und Fratze ; 2.3 Schlussfolgerungen und historischer Ausblick ; Telekinese und Emotion: Schock und Suspense ; Suspense im New Hollywood: Subversion der Genres ; 3 Paranoia: Formen der Mediatisierung

  17. Medialisierungen der Macht
    Filmische Inszenierungen politischer Praxis
    Contributor: Gradinari, Irina (Herausgeber); Immer, Nikolas (Herausgeber); Pause, Johannes (Herausgeber)
    Published: 2018
    Publisher:  Verlag Wilhelm Fink, Paderborn

    Die Konjunktur des Politischen in neueren Kinofilmen und Fernsehserien ist mit tradierten Oppositionen – wie der von Inhalt und Form – nicht mehr zu beschreiben. Vielmehr lässt sich konstatieren, dass Theorie und Praxis des Politischen längst mit... more

     

    Die Konjunktur des Politischen in neueren Kinofilmen und Fernsehserien ist mit tradierten Oppositionen – wie der von Inhalt und Form – nicht mehr zu beschreiben. Vielmehr lässt sich konstatieren, dass Theorie und Praxis des Politischen längst mit filmischen Fiktionen verflochten sind: Diese vermitteln zwischen universalen und partikularen Perspektiven, entwerfen Figurentypen und Verhaltensmuster und intervenieren in aktuelle Diskurse. Ein neuer "medialer Realismus", der diese Unhintergehbarkeit der Medien selbst sichtbar macht, bildet den thematischen Horizont der Beiträge dieses Sammelbands. Unter den Aspekten des Affizierens, Modellierens und Tradierens werden die theoretischen und ästhetischen Neuansätze des aktuellen politischen Kinos anhand einschlägiger Beispiele diskutiert

     

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    Source: Union catalogues
    Contributor: Gradinari, Irina (Herausgeber); Immer, Nikolas (Herausgeber); Pause, Johannes (Herausgeber)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783846763414
    Other identifier:
    9783846763414
    Edition: 2018
    Subjects: Kino; Realismus; Repräsentation; Affekt; Modell; Tradition; Ästhetik; Paranoia; cinema; realism; House of Cards; Homeland; Walking Dead; representation; emotion; model; tradition; aesthetics; paranoia
    Other subjects: Nonbooks, PBS / Medien, Kommunikation/Medienwissenschaft
    Scope: 416 p.
  18. Rätsel und Komplotte
    Kriminalliteratur, Paranoia, moderne Gesellschaft
    Published: 2013
    Publisher:  Suhrkamp Verlag, Berlin ; ProQuest, Ann Arbor, Michigan

    Evangelische Hochschule Darmstadt, Bibliothek
    No inter-library loan
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    Source: Union catalogues
    Contributor: Pries, Christine
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783518734230
    RVK Categories: EC 2100 ; EC 6690 ; MS 1290 ; MS 8010
    DDC Categories: 610; 800
    Edition: 2nd ed.
    Subjects: Paranoia <Motiv>; Wissenschaft <Motiv>; Kriminalroman; Spionageroman
    Scope: 1 Online-Ressource (515 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  19. Hysteria, Perversion, and Paranoia in “The Canterbury Tales”
    “Wild” Analysis and the Symptomatic Storyteller
    Published: [2020]
    Publisher:  Medieval Institute Publications, Kalamazoo, MI ; Walter de Gruyter GmbH, Berlin

    Beginning with the spectacle of hysteria, moving through the perversions of fetishism, masochism, and sadism, and ending with paranoia and psychosis, this book explores the ways that conflicts with the Oedipal law erupt on the body and in language in... more

    Universitätsbibliothek Gießen
    No inter-library loan
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan
    Universität Mainz, Zentralbibliothek
    No inter-library loan
    Universität Marburg, Universitätsbibliothek
    No inter-library loan

     

    Beginning with the spectacle of hysteria, moving through the perversions of fetishism, masochism, and sadism, and ending with paranoia and psychosis, this book explores the ways that conflicts with the Oedipal law erupt on the body and in language in Chaucer’s Canterbury Tales, for Chaucer’s tales are rife with issues of mastery and control that emerge as conflicts not only between authority and experience but also between power and knowledge, word and flesh, rule books and reason, man and woman, same and other – conflicts that erupt in a macabre sprawl of broken bones, dismembered bodies, cut throats, and decapitations. Like the macabre sprawl of conflict in the Canterbury Tales, this book brings together a number of conflicting modes of thinking and writing through the surprising and perhaps disconcerting use of “shadow” chapters that speak to or against the four “central” chapters, creating both dialogue and interruption.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501514104
    Other identifier:
    RVK Categories: HH 5083
    Series: Research in Medieval and Early Modern Culture ; 25
    Subjects: Hysterie <Motiv>; Perversion <Motiv>; Paranoia <Motiv>
    Other subjects: Chaucer, Geoffrey (1343-1400): The Canterbury tales
    Scope: 1 Online-Ressource (VIII, 295 p.)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2020)

  20. Conspiracy! Theorie und Geschichte des Paranoiafilms
    Published: 2020
    Publisher:  Schüren Verlag, [Erscheinungsort nicht ermittelbar] ; OAPEN FOUNDATION, The Hague

    Im heutigen Zeitalter der Unsicherheit und Angst florieren konspirative Fantasien zuhauf. Verschwörungsfiktionen haben insbesondere in Film und Fernsehen Konjunktur. Im Zentrum des vorliegenden Bandes steht daher die Frage nach der medialen... more

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
    No inter-library loan
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    No inter-library loan
    Bibliothek der Frankfurt University of Applied Sciences
    No inter-library loan
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    No inter-library loan
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
    No inter-library loan
    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
    No inter-library loan
    Universitätsbibliothek Gießen
    No inter-library loan
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan
    Universität Mainz, Zentralbibliothek
    No inter-library loan
    Universität Marburg, Universitätsbibliothek
    No inter-library loan

     

    Im heutigen Zeitalter der Unsicherheit und Angst florieren konspirative Fantasien zuhauf. Verschwörungsfiktionen haben insbesondere in Film und Fernsehen Konjunktur. Im Zentrum des vorliegenden Bandes steht daher die Frage nach der medialen Konstruktion der kollektiven Imagination einer durch Verschwörung gesteuerten Welt. Dabei wird die These vertreten, dass die konspirationistische Fantasie als imaginäre Lösung und Reaktion auf die postmoderne Zersplitterung des Wissens zu begreifen ist, nachdem Jean-François Lyotard das Ende der “großen Erzählungen” der Moderne von Fortschritt und Emanzipation deklarierte. Gleichsam als Kompensation für diesen Sinnverlust bietet die konspirationistische Imagination neue, große Erzählungen an, nun freilich nicht mehr als optimistische Aufklärungsteleologie, sondern als dystopisches und mitunter apokalyptisches Narrativ. In der Inszenierung konspirativer und paranoider Szenarien kommt dabei dem Spielfilm eine privilegierte Rolle zu. Für die Gruppierung von Verschwörungsthrillern, paranoiden Dramen und mind-game-Filmen mit zunehmend vergrößerter konspirativer Reichweite hat sich in der Filmwissenschaft der ursprünglich aus der Fankultur stammende Begriff des Paranoiafilms durchgesetzt. Dieses zunehmend bedeutende mediale Phänomen wird hier erstmals umfassend in Theorie und Geschichte poetologisch und hermeneutisch gewürdigt. Im theoretischen Teil des Buches stehen genretheoretische, formale, narrative und motivische Aspekte des Paranoiafilms zur Diskussion, während dazu gleichzeitig die Themen Verschwörung, Paranoia und Verschwörungstheorie besprochen und in Beziehung gesetzt werden. Im historischen Teil werden in chronologischer Abfolge vier paradigmatische Narrative untersucht: der vorwiegend psychologisch ausgerichtete Meisterverbrecherfilm der 1910er bis 1930er Jahre; die paranoiden Spielarten des Film Noir in den 1940er und 50er Jahren, unter Einbezug des postklassischen Noir der 60er Jahre; der moderne, soziologische Verschwörungsfilm der 1960er bis 80er Jahre, in dem die Konspirationen zunehmend systemisch und unsichtbar werden; und schließlich die mind-game oder mindbender genannten Filme seit den 1990er Jahren, die sich im Zeichen der Metafiktion mit ontologischen und kosmologischen Verschwörungen beschäftigen. Zentrale Topoi sind unter anderem Mind Control, “Gehirnwäsche” und Überwachung. Nicht zuletzt geht es dabei auch um eine Allegorisierung der jeweils vorherrschenden Medien und ihrer Wirkungsmacht.

     

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783741000751; 9783894729479
    RVK Categories: AP 53600
    Subjects: Film; Verschwörung <Motiv>; Paranoia <Motiv>; Film theory & criticism
    Other subjects: Nonbooks, PBS / Sachbücher/Musik, Film, Theater/Film; Filmgenres; Fake News; Film Noir; Verbrecher; Mind-Games
    Scope: 1 Online-Ressource (592 p.)
  21. Affektpoetiken des New Hollywood
    Suspense, Paranoia und Melancholie
    Published: 2016
    Publisher:  De Gruyter, Berlin/Boston ; OAPEN FOUNDATION, The Hague

    How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex... more

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    Technische Hochschule Bingen, Bibliothek
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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
    No inter-library loan
    Evangelische Hochschule Darmstadt, Bibliothek
    No inter-library loan
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    No inter-library loan
    Bibliothek der Frankfurt University of Applied Sciences
    No inter-library loan
    Hessisches BibliotheksInformationsSystem hebis
    No inter-library loan
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    No inter-library loan
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
    No inter-library loan
    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
    No inter-library loan
    Universitätsbibliothek Gießen
    No inter-library loan
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan
    Martinus-Bibliothek, Wissenschaftliche Diözesanbibliothek
    No inter-library loan
    Universität Mainz, Zentralbibliothek
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    Evangelische Hochschule Tabor, Bibliothek
    No inter-library loan
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    No inter-library loan
    Hochschul- und Landesbibliothek RheinMain, Rheinstraße
    No inter-library loan

     

    How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex interplay between three affective modes – suspense, paranoia, and melancholy – which draw the spectators to reflect in unique ways about contradictions in their own feelings.

     

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110488739; 9783110480115; 9783110488760
    DDC Categories: 150; 791
    Subjects: Film; Spannung; Paranoia <Motiv>; Melancholie <Motiv>; Rezeption; Zuschauer; Gefühl; Ästhetik; Film, TV & radio; Films, cinema; Media studies
    Other subjects: Film history/ in the USA; affect; temporality
    Scope: 1 Online-Ressource (374 p.)
  22. Affektpoetiken des New Hollywood
    Suspense, Paranoia und Melancholie
    Published: 2016
    Publisher:  De Gruyter, Berlin/Boston ; ProQuest, Ann Arbor, Michigan

    Universität Mainz, Zentralbibliothek
    No inter-library loan
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110488739
    DDC Categories: 150; 791
    Series: Cinepoetics Ser. ; v.2
    Subjects: Film; Spannung; Paranoia <Motiv>; Melancholie <Motiv>; Rezeption; Zuschauer; Gefühl; Ästhetik
    Scope: 1 Online-Ressource (384 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  23. Microcosm
    Published: [2016]
    Publisher:  Bloomsbury, London ; Bloomsbury Publishing PLC

    Alex has his flat. His home. He's building a life with Clare. Nothing can derail his happiness, not even their Tom Cruise obsessed neighbour, who is always coming round. He just wishes those kids would stop hanging round outside his house. But... more

    Universität Mainz, Zentralbibliothek
    No inter-library loan

     

    Alex has his flat. His home. He's building a life with Clare. Nothing can derail his happiness, not even their Tom Cruise obsessed neighbour, who is always coming round. He just wishes those kids would stop hanging round outside his house. But they're just kids, with nothing to do, they're not dangerous, right?

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781784602949
    Other identifier:
    Series: Bloomsbury Drama Online - Nick Hern Books Collection
    Subjects: City and town life; Paranoia; Juvenile delinquents
    Scope: 1 Online-Ressource
    Notes:

    Previously issued in print: London: Nick Hern Books, 2014

  24. Rätsel und Komplotte
    Kriminalliteratur, Paranoia, moderne Gesellschaft
    Published: 2013
    Publisher:  Suhrkamp, Berlin

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    Source: Union catalogues
    Contributor: Pries, Christine
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783518585986
    RVK Categories: EC 6690 ; MS 1290
    Subjects: Wissenschaft; Paranoia; Motiv; Kriminalroman; Geschichte 1890-1950; Spionageroman
    Scope: 1 Online-Ressource (514 Seiten)
    Notes:

    "Der vorliegende Text folgt der Erstausgabe 2013" - Impressum

  25. Paranoia und technisches Bild
    Fallstudien zu einer Medienpathologie