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  1. A Greeting of the Spirit
    Selected Poetry of John Keats with Commentaries
    Published: 2022; ©2022
    Publisher:  Harvard University Press, Cambridge, MA

    A renowned Keats scholar illuminates the poet’s extraordinary career, in a new edition featuring seventy-eight verse selections with commentary.John Keats’s career as a published poet spanned scarcely more than four years, cut short by his death... more

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    A renowned Keats scholar illuminates the poet’s extraordinary career, in a new edition featuring seventy-eight verse selections with commentary.John Keats’s career as a published poet spanned scarcely more than four years, cut short by his death early in 1821 at age twenty-five. Yet in this time, he produced a remarkable—and remarkably wide-ranging—body of work that has secured his place as one of the most influential poets in the British literary tradition. Celebrated Keats scholar Susan J. Wolfson presents seventy-eight selections from his work, each accompanied by a commentary on its form, style, meanings, and relevant contexts.In this edition, readers will rediscover a virtuoso poet, by turns lively, experimental, self-ironizing, outrageous, and philosophical. Wolfson includes such well-known favorites as Ode to a Nightingale, Ode on a Grecian Urn, To Autumn, La Belle Dame sans Merci, and The Eve of St. Agnes, as well as less familiar poems, several in letters to family and friends never meant for publication. Her selections redefine the breadth and depth of Keats’s poetic imagination, from intellectual jests and satires to erotic bandying, passionate confessions, and reflections on mortality.The selections, presented in their order of composition, convey a chronicle of Keats’s artistic and personal evolution. Wolfson’s revealing commentaries unfold the lively complexities of his verbal arts and stylistic experiments, his earnest goals and nervous apprehensions, and the pressures of politics and literary criticism in his day. In critically attentive and conversational prose, Wolfson encourages us to experience Keats in the way that he himself imagined the language of poetry: as a living event, a cooperative experience shared between author and reader

     

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  2. A greeting of the spirit
    selected poetry of John Keats with commentaries
    Author: Keats, John
    Published: [2022]; © 2022
    Publisher:  Harvard University Press, Cambridge, MA

    A renowned Keats scholar illuminates the poet's extraordinary career, in a new edition featuring seventy-eight verse selections with commentary.John Keats's career as a published poet spanned scarcely more than four years, cut short by his death... more

    Technische Hochschule Augsburg
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    A renowned Keats scholar illuminates the poet's extraordinary career, in a new edition featuring seventy-eight verse selections with commentary.John Keats's career as a published poet spanned scarcely more than four years, cut short by his death early in 1821 at age twenty-five. Yet in this time, he produced a remarkable-and remarkably wide-ranging-body of work that has secured his place as one of the most influential poets in the British literary tradition. Celebrated Keats scholar Susan J. Wolfson presents seventy-eight selections from his work, each accompanied by a commentary on its form, style, meanings, and relevant contexts.In this edition, readers will rediscover a virtuoso poet, by turns lively, experimental, self-ironizing, outrageous, and philosophical. Wolfson includes such well-known favorites as Ode to a Nightingale, Ode on a Grecian Urn, To Autumn, La Belle Dame sans Merci, and The Eve of St. Agnes, as well as less familiar poems, several in letters to family and friends never meant for publication. Her selections redefine the breadth and depth of Keats's poetic imagination, from intellectual jests and satires to erotic bandying, passionate confessions, and reflections on mortality.The selections, presented in their order of composition, convey a chronicle of Keats's artistic and personal evolution. Wolfson's revealing commentaries unfold the lively complexities of his verbal arts and stylistic experiments, his earnest goals and nervous apprehensions, and the pressures of politics and literary criticism in his day. In critically attentive and conversational prose, Wolfson encourages us to experience Keats in the way that he himself imagined the language of poetry: as a living event, a cooperative experience shared between author and reader.

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Wolfson, Susan J. (Publisher); Keats, John
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674287396
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    RVK Categories: HL 3301
    Subjects: POETRY / European / English, Irish, Scottish, Welsh
    Scope: 1 Online-Ressource (480 Seiten)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)

  3. Alexander Pope
    The Poet in Poems
    Published: 2015; ©2015
    Publisher:  Princeton University Press, Princeton

    What is the precise relation between the ""Pope"" of the poems and the Pope of history? Seeking to clarify the nature of the intimate link between the historical self and the idealized self of the poetry, Dustin Griffin examines the various ways in... more

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    What is the precise relation between the ""Pope"" of the poems and the Pope of history? Seeking to clarify the nature of the intimate link between the historical self and the idealized self of the poetry, Dustin Griffin examines the various ways in which Pope's poems may be said to be self-expressive. He brings a sensitive critical reading of the texts and an impressive knowledge of the poet's life and writings to his discussion of poems from the entire range of the poet's career. The author argues that Pope is present in his poems as a private person whose special imaginative and psycholog

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400869244
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    Series: Princeton Legacy Library
    Subjects: Autobiography in literature; Poets in literature; Self in literature; POETRY / European / English, Irish, Scottish, Welsh
    Scope: Online-Ressource (305 p)
  4. Alexander Pope and the Traditions of Formal Verse Satire
    Published: 1982; ©1982
    Publisher:  Princeton University Press, Princeton, N.J.

    Ranging over the tradition of verse satire from the Roman poets to their seventeenth- and eighteenth-century imitators in England and France, Howard D. Weinbrot challenges the common view of Alexander Pope as a Horatian satirist in a Horatian... more

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    Ranging over the tradition of verse satire from the Roman poets to their seventeenth- and eighteenth-century imitators in England and France, Howard D. Weinbrot challenges the common view of Alexander Pope as a Horatian satirist in a Horatian age.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400857371
    Other identifier:
    Series: Princeton Legacy Library ; 517
    Subjects: Verse satire; POETRY / European / English, Irish, Scottish, Welsh
    Scope: Online-Ressource (388 S.)
  5. An Essay on Man
    Published: [2016]
    Publisher:  Princeton University Press, Princeton, NJ

    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- ABBREVIATIONS AND FREQUENTLY CITED WORKS -- INTRODUCTION -- A NOTE ON THE TEXT -- AN ESSAY ON MAN -- POPE'S KNOWLEDGE OF AUTHORS CITED -- BIBLIOGRAPHY -- INDEX Voltaire called it "the most sublime... more

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    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- ABBREVIATIONS AND FREQUENTLY CITED WORKS -- INTRODUCTION -- A NOTE ON THE TEXT -- AN ESSAY ON MAN -- POPE'S KNOWLEDGE OF AUTHORS CITED -- BIBLIOGRAPHY -- INDEX Voltaire called it "the most sublime didactic poem ever written in any language." Rousseau rhapsodized about its intellectual consolations. Kant recited long passages of it from memory during his lectures. And Adam Smith and David Hume drew inspiration from it in their writings. This was Alexander Pope's Essay on Man (1733-34), a masterpiece of philosophical poetry, one of the most important and controversial works of the Enlightenment, and one of the most widely read, imitated, and discussed poems of eighteenth-century Europe and America. This volume, which presents the first major new edition of the poem in more than fifty years, introduces this essential work to a new generation of readers, recapturing the excitement and illuminating the debates it provoked from the moment of its publication.Echoing Milton's purpose in Paradise Lost, Pope says his aim in An Essay on Man is to "vindicate the ways of God to man"-to explain the existence of evil and explore man's place in the universe. In a comprehensive introduction, Tom Jones describes the poem as an investigation of the fundamental question of how people should behave in a world they experience as chaotic, but which they suspect to be orderly from some higher point of view. The introduction provides a thorough discussion of the poem's attitudes, themes, composition, context, and reception, and reassesses the work's place in history. Extensive annotations to the text explain references and allusions.The result is the most accessible, informative, and reader-friendly edition of the poem in decades and an invaluable book for students and scholars of eighteenth-century literature and thought

     

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    Source: Union catalogues
    Contributor: Jones, Tom (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400880447
    Other identifier:
    Subjects: Philosophy, English; Human beings; POETRY / European / English, Irish, Scottish, Welsh
    Scope: 1 Online-Ressource
  6. Articulate Flesh
    Male Homo-Eroticism and Modern Poetry
    Published: [2022]; ©1987
    Publisher:  Yale University Press, New Haven, CT

    Arguing that homosexual poetry is part of the mainstream of poetic writing—not a distinct and differentiated category within it—Gregory Woods provides a fastidious study of homosexual poetry in the twentieth century that emphasizes the homo-erotic... more

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    Arguing that homosexual poetry is part of the mainstream of poetic writing—not a distinct and differentiated category within it—Gregory Woods provides a fastidious study of homosexual poetry in the twentieth century that emphasizes the homo-erotic themes in the works of D.H. Lawrence, Hart Crane, W.H. Auden, Allen Ginsberg, and Thom Gunn. Woods’s controlled and elegant study demonstrates that a critic who ignores the sexual orientation of a poet, particularly a love poet, risks overlooking the significance of the poetry itself

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780300157109
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    Subjects: POETRY / European / English, Irish, Scottish, Welsh
    Scope: 1 Online-Ressource
  7. Blake's Composite Art
    A Study of the Illuminated Poetry
    Published: [2019]; © 2019
    Publisher:  Princeton University Press, Princeton, NJ

    Can poem and picture collaborate successfully in a composite art of text and design? Or does one art inevitably dominate the other? W.J.T. Mitchell maintains that Blake's illuminated poems are an exception to Suzanne Langer's claim that "there are no... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Can poem and picture collaborate successfully in a composite art of text and design? Or does one art inevitably dominate the other? W.J.T. Mitchell maintains that Blake's illuminated poems are an exception to Suzanne Langer's claim that "there are no happy marriages in art—only successful rape." Drawing on over one hundred reproductions of Blake's pictures, this book shows that neither the graphic nor the poetic aspect of his composite art consistently predominates: their relationship is more like an energetic rivalry, a dialogue between vigorously independent modes of expression. W.J.T. Mitchell is Professor of English and Art and Design at the University of Chicago and editor of Critical Inquiry.Originally published in 1978.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691196268
    Other identifier:
    Series: Princeton Legacy Library ; 5321
    Subjects: POETRY / European / English, Irish, Scottish, Welsh; Aesthetics, British; Illumination of books and manuscripts, English; Lyrik; Illustration; Malerdichter
    Other subjects: Blake, William (1757-1827)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Mai 2019)

  8. Blake's Composite Art
    A Study of the Illuminated Poetry
    Published: [2019]; © 2019
    Publisher:  Princeton University Press, Princeton, NJ

    Can poem and picture collaborate successfully in a composite art of text and design? Or does one art inevitably dominate the other? W.J.T. Mitchell maintains that Blake's illuminated poems are an exception to Suzanne Langer's claim that "there are no... more

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    Can poem and picture collaborate successfully in a composite art of text and design? Or does one art inevitably dominate the other? W.J.T. Mitchell maintains that Blake's illuminated poems are an exception to Suzanne Langer's claim that "there are no happy marriages in art—only successful rape." Drawing on over one hundred reproductions of Blake's pictures, this book shows that neither the graphic nor the poetic aspect of his composite art consistently predominates: their relationship is more like an energetic rivalry, a dialogue between vigorously independent modes of expression. W.J.T. Mitchell is Professor of English and Art and Design at the University of Chicago and editor of Critical Inquiry.Originally published in 1978.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691196268
    Other identifier:
    Series: Princeton Legacy Library ; 5321
    Subjects: POETRY / European / English, Irish, Scottish, Welsh; Aesthetics, British; Illumination of books and manuscripts, English; Lyrik; Illustration; Malerdichter
    Other subjects: Blake, William (1757-1827)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Mai 2019)

  9. Blake's Composite Art
    A Study of the Illuminated Poetry
    Published: [2019]
    Publisher:  Princeton University Press, Princeton, NJ

    Can poem and picture collaborate successfully in a composite art of text and design? Or does one art inevitably dominate the other? W.J.T. Mitchell maintains that Blake's illuminated poems are an exception to Suzanne Langer's claim that "there are no... more

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    Can poem and picture collaborate successfully in a composite art of text and design? Or does one art inevitably dominate the other? W.J.T. Mitchell maintains that Blake's illuminated poems are an exception to Suzanne Langer's claim that "there are no happy marriages in art—only successful rape." Drawing on over one hundred reproductions of Blake's pictures, this book shows that neither the graphic nor the poetic aspect of his composite art consistently predominates: their relationship is more like an energetic rivalry, a dialogue between vigorously independent modes of expression. W.J.T. Mitchell is Professor of English and Art and Design at the University of Chicago and editor of Critical Inquiry.Originally published in 1978.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 Frontmatter -- Contents -- List of Illustrations -- Preface -- Abbreviation -- Chapter One. BLAKE'S COMPOSITE ART -- Chapter Two. BLAKE'S PICTORIAL STYLE -- Chapter Three. THE FORM OF INNOCENCE Poetic and Pictorial Design in The Book of Thel -- Chapter Four. THE HUMAN ILLUSION Poetic and Pictorial Design in The Book of Urizen -- Chapter Five. LIVING FORM Poetic and Pictorial Design in Jerusalem -- Index -- Illustrations

     

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    ISBN: 9780691196268
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    Series: Princeton Legacy Library ; 5321
    Subjects: Aesthetics, British; Illumination of books and manuscripts, English; POETRY / European / English, Irish, Scottish, Welsh
    Scope: 1 Online-Ressource
  10. Carnal Rhetoric
    Milton's Iconoclasm and the Poetics of Desire
    Author: Cable, Lana
    Published: [1995]; © 1995
    Publisher:  Duke University Press, Durham

    In recent years, New Historicists have situated the iconoclasm of Milton's poetry and prose within the context of political, cultural, and philosophical discourses that foreshadow early modernism. In Carnal Rhetoric, Lana Cable carries these... more

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    In recent years, New Historicists have situated the iconoclasm of Milton's poetry and prose within the context of political, cultural, and philosophical discourses that foreshadow early modernism. In Carnal Rhetoric, Lana Cable carries these investigations further by exploring the iconoclastic impulse in Milton's works through detailed analyses of his use of metaphor. Building on a provocative iconoclastic theory of metaphor, she breaks new ground in the area of affective stylistics, not only as it pertains to the writings of Milton but also to all expressive language.Cable traces the development of Milton's iconoclastic poetics from its roots in the antiprelatical tracts, through the divorce tracts and Areopagitica, to its fullest dramatic representation in Eikonoklastes and Samson Agonistes. Arguing that, like every creative act, metaphor is by nature a radical and self-transgressing agent of change, she explores the site where metaphoric language and imaginative desire merge. Examining the demands Milton places on metaphor, particularly his emphasis on language as a vehicle for mortal redemption, Cable demonstrates the ways in which metaphor acts for him as that creative and radical agent of change. In the process, she reveals Milton's engagement, at the deepest levels of linguistic creativity, with the early modern commitment to an imaginative and historic remaking of the world.An insightful and synthetic book, Carnal Rhetoric will appeal to scholars of English literature, Milton, and the Renaissance, as well as to those with an interest in the theory of affective stylistics as it pertains to reader-response criticism, semantics, epistemology, and the philosophy and psychology of language

     

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    Media type: Ebook
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    ISBN: 9780822382409
    Other identifier:
    Subjects: POETRY / European / English, Irish, Scottish, Welsh; Desire in literature; English language; Iconoclasm in literature; Metaphor; Modernism (Literature); Poetics
    Scope: 1 online resource (246 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)

  11. Carnal Rhetoric
    Milton's Iconoclasm and the Poetics of Desire
    Author: Cable, Lana
    Published: [1995]; © 1995
    Publisher:  Duke University Press, Durham

    In recent years, New Historicists have situated the iconoclasm of Milton's poetry and prose within the context of political, cultural, and philosophical discourses that foreshadow early modernism. In Carnal Rhetoric, Lana Cable carries these... more

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    In recent years, New Historicists have situated the iconoclasm of Milton's poetry and prose within the context of political, cultural, and philosophical discourses that foreshadow early modernism. In Carnal Rhetoric, Lana Cable carries these investigations further by exploring the iconoclastic impulse in Milton's works through detailed analyses of his use of metaphor. Building on a provocative iconoclastic theory of metaphor, she breaks new ground in the area of affective stylistics, not only as it pertains to the writings of Milton but also to all expressive language.Cable traces the development of Milton's iconoclastic poetics from its roots in the antiprelatical tracts, through the divorce tracts and Areopagitica, to its fullest dramatic representation in Eikonoklastes and Samson Agonistes. Arguing that, like every creative act, metaphor is by nature a radical and self-transgressing agent of change, she explores the site where metaphoric language and imaginative desire merge. Examining the demands Milton places on metaphor, particularly his emphasis on language as a vehicle for mortal redemption, Cable demonstrates the ways in which metaphor acts for him as that creative and radical agent of change. In the process, she reveals Milton's engagement, at the deepest levels of linguistic creativity, with the early modern commitment to an imaginative and historic remaking of the world.An insightful and synthetic book, Carnal Rhetoric will appeal to scholars of English literature, Milton, and the Renaissance, as well as to those with an interest in the theory of affective stylistics as it pertains to reader-response criticism, semantics, epistemology, and the philosophy and psychology of language

     

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    Media type: Ebook
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    ISBN: 9780822382409
    Other identifier:
    Subjects: POETRY / European / English, Irish, Scottish, Welsh; Desire in literature; English language; Iconoclasm in literature; Metaphor; Modernism (Literature); Poetics
    Scope: 1 online resource (246 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)

  12. Carnal Rhetoric
    Milton’s Iconoclasm and the Poetics of Desire
    Author: Cable, Lana
    Published: [1995]
    Publisher:  Duke University Press, Durham

    Frontmatter -- CONTENTS -- Preface -- Acknowledgments -- Introduction -- 1. Metaphor and "Meaning": Toward a Theory of Creative Iconoclasm -- 2. "Shuffling up such a God": The Rhetorical Agon of Milton's Antiprelatical Tracts -- 3. "Was she thy... more

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    Frontmatter -- CONTENTS -- Preface -- Acknowledgments -- Introduction -- 1. Metaphor and "Meaning": Toward a Theory of Creative Iconoclasm -- 2. "Shuffling up such a God": The Rhetorical Agon of Milton's Antiprelatical Tracts -- 3. "Was she thy God?": The Coupling Rhetoric of the Divorce Tracts -- 4. "The image of God in the eye": Areopagitica's Truth -- 5. "Unimprisonable utterance": Itnagination and the Attack on Eikon Basilike -- 6. Samson's Transformative Desire -- Notes -- Index In recent years, New Historicists have situated the iconoclasm of Milton’s poetry and prose within the context of political, cultural, and philosophical discourses that foreshadow early modernism. In Carnal Rhetoric, Lana Cable carries these investigations further by exploring the iconoclastic impulse in Milton’s works through detailed analyses of his use of metaphor. Building on a provocative iconoclastic theory of metaphor, she breaks new ground in the area of affective stylistics, not only as it pertains to the writings of Milton but also to all expressive language.Cable traces the development of Milton’s iconoclastic poetics from its roots in the antiprelatical tracts, through the divorce tracts and Areopagitica, to its fullest dramatic representation in Eikonoklastes and Samson Agonistes. Arguing that, like every creative act, metaphor is by nature a radical and self-transgressing agent of change, she explores the site where metaphoric language and imaginative desire merge. Examining the demands Milton places on metaphor, particularly his emphasis on language as a vehicle for mortal redemption, Cable demonstrates the ways in which metaphor acts for him as that creative and radical agent of change. In the process, she reveals Milton’s engagement, at the deepest levels of linguistic creativity, with the early modern commitment to an imaginative and historic remaking of the world.An insightful and synthetic book, Carnal Rhetoric will appeal to scholars of English literature, Milton, and the Renaissance, as well as to those with an interest in the theory of affective stylistics as it pertains to reader-response criticism, semantics, epistemology, and the philosophy and psychology of language

     

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    ISBN: 9780822382409
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    Subjects: Desire in literature; English language; Iconoclasm in literature; Metaphor; Modernism (Literature); Poetics; POETRY / European / English, Irish, Scottish, Welsh
    Scope: 1 Online-Ressource (246 p)
  13. Coleridge's Meditative Art
    Published: [2019]; © 1975
    Publisher:  Cornell University Press, Ithaca, NY

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    ISBN: 9781501742880
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    Subjects: Poetry & Criticism; POETRY / European / English, Irish, Scottish, Welsh; Gedankenlyrik
    Other subjects: Coleridge, Samuel Taylor (1772-1834)
    Scope: 1 online resource (288 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)

  14. Coleridge's Meditative Art
    Published: [2019]; © 1975
    Publisher:  Cornell University Press, Ithaca, NY

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    Subjects: Poetry & Criticism; POETRY / European / English, Irish, Scottish, Welsh; Gedankenlyrik
    Other subjects: Coleridge, Samuel Taylor (1772-1834)
    Scope: 1 online resource (288 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)

  15. Coleridge's Meditative Art
    Published: [2019]
    Publisher:  Cornell University Press, Ithaca, NY

    Frontmatter -- Contents -- Preface -- 1. Diseases into Pearls-. "This Lime-Tree Bower My Prison" as Coleridgean Meditation -- 2. Coleridge and "Intellectual Activity'' -- 3. Wordsworth and Coleridge: Visions of the Ideal World -- 4. "Frost at... more

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    Frontmatter -- Contents -- Preface -- 1. Diseases into Pearls-. "This Lime-Tree Bower My Prison" as Coleridgean Meditation -- 2. Coleridge and "Intellectual Activity'' -- 3. Wordsworth and Coleridge: Visions of the Ideal World -- 4. "Frost at Midnight''.- Coleridge's Companionable Form -- 5. Coleridge's "Hymn Before Sun-rise'': Mont Blanc, Mon Frere, Mon Semblable -- 6. "Dejection.- An Ode "-. The Old Moon's Effluence -- 7. Wordsworth's Whelming Tide-. Coleridge and the Art of Analogy -- Abbreviations -- Notes -- Index

     

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    ISBN: 9781501742880
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    Subjects: POETRY / European / English, Irish, Scottish, Welsh
    Scope: 1 Online-Ressource (288 p)
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    restricted access online access with authorization star

  16. Elizabethan Minor Epics
    Contributor: Donno, Elizabeth Story (Publisher)
    Published: [1963]; © 1963
    Publisher:  Columbia University Press, New York, NY

    Examines Elizabethan minor epics by authors such as; Thomas Lodge, Christopher Marlowe, Thomas Heywood, James Shirley, and others more

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    Examines Elizabethan minor epics by authors such as; Thomas Lodge, Christopher Marlowe, Thomas Heywood, James Shirley, and others

     

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    Contributor: Donno, Elizabeth Story (Publisher)
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    Media type: Ebook
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    ISBN: 9780231881500
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    Subjects: POETRY / European / English, Irish, Scottish, Welsh; Rezeption; Englisch; Literatur
    Other subjects: Ovidius Naso, Publius (v43-17)
    Scope: 1 online resource
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019)

  17. Elizabethan Minor Epics
    Contributor: Donno, Elizabeth Story (Publisher)
    Published: [1963]; © 1963
    Publisher:  Columbia University Press, New York, NY

    Examines Elizabethan minor epics by authors such as; Thomas Lodge, Christopher Marlowe, Thomas Heywood, James Shirley, and others more

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    Examines Elizabethan minor epics by authors such as; Thomas Lodge, Christopher Marlowe, Thomas Heywood, James Shirley, and others

     

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    Contributor: Donno, Elizabeth Story (Publisher)
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    ISBN: 9780231881500
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    Subjects: POETRY / European / English, Irish, Scottish, Welsh; Rezeption; Englisch; Literatur
    Other subjects: Ovidius Naso, Publius (v43-17)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019)

  18. Evaluating Shelley
    Author: Clark, T
    Published: [2022]; © 1996
    Publisher:  Edinburgh University Press, Edinburgh

    Even in his own day, Shelley's value as a poet and a thinker was hotly debated. This book argues that Shelley was both ahead of and in tune with his time and ours. Featuring close readings of the key texts, the book includes a reassessment of a... more

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    Even in his own day, Shelley's value as a poet and a thinker was hotly debated. This book argues that Shelley was both ahead of and in tune with his time and ours. Featuring close readings of the key texts, the book includes a reassessment of a previously undervalued work. Contributions from leading academics such as Marilyn Butler, Stuart Curran and Donald Reiman, mix with new ideas from up and coming scholars to expand our knowledge and understanding of this problematic poet

     

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    ISBN: 9781474465762
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    RVK Categories: HL 4385
    Subjects: Literary Studies; POETRY / European / English, Irish, Scottish, Welsh
    Other subjects: Shelley, Percy Bysshe (1792-1822)
    Scope: 1 online resource (320 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)

  19. Evaluating Shelley
    Published: [2022]; ©1996
    Publisher:  Edinburgh University Press, Edinburgh

    Even in his own day, Shelley's value as a poet and a thinker was hotly debated. This book argues that Shelley was both ahead of and in tune with his time and ours. Featuring close readings of the key texts, the book includes a reassessment of a... more

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    Even in his own day, Shelley's value as a poet and a thinker was hotly debated. This book argues that Shelley was both ahead of and in tune with his time and ours. Featuring close readings of the key texts, the book includes a reassessment of a previously undervalued work. Contributions from leading academics such as Marilyn Butler, Stuart Curran and Donald Reiman, mix with new ideas from up and coming scholars to expand our knowledge and understanding of this problematic poet

     

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    Contributor: Butler, Marilyn (MitwirkendeR); Clark, Timothy (MitwirkendeR); Crook, Nora (MitwirkendeR); Curran, Stuart (MitwirkendeR); Donovan, John (MitwirkendeR); Gelpi, Barbara Charlesworth (MitwirkendeR); Hogle, Jerrold E. (MitwirkendeR); Keach, William (MitwirkendeR); O’Neill, Michael (MitwirkendeR); Pite, Ralph (MitwirkendeR); Reiman, Donald H. (MitwirkendeR); Rzepka, Charles J. (MitwirkendeR); Vargo, Lisa (MitwirkendeR); Williams, John (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474465762
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    Subjects: POETRY / European / English, Irish, Scottish, Welsh
    Scope: 1 Online-Ressource (320 p.)
  20. Gardens and Grim Ravines
    The Language of Landscape in Victorian Poetry
    Published: 2017; ©2017
    Publisher:  Princeton University Press, Princeton, NJ

    This book is the first systematic examination of the significance of landscape in Victorian poetry. Pauline Fletcher divides poetic landscapes into two categories: antisocial" landscapes of isolation or retreat, and "social" landscapes that reflect... more

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    This book is the first systematic examination of the significance of landscape in Victorian poetry. Pauline Fletcher divides poetic landscapes into two categories: antisocial" landscapes of isolation or retreat, and "social" landscapes that reflect the life of man in community.Originally published in 1983.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     

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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400885961
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    Series: Princeton Legacy Library
    Subjects: Community life in literature; English poetry; Nature in literature; Landscapes in literature; Landscapes in literature; Community life in literature; Nature in literature; English poetry; Community life in literature.; English poetry.; Landscapes in literature.; Nature in literature.; POETRY / European / English, Irish, Scottish, Welsh
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- Contents -- -- List of Illustrations -- -- Acknowledgments -- -- Preface -- -- Introduction -- -- I. Tennyson: The Primal Wilderness -- -- II. Tennyson: From Escapist Paradise to Social Landscape -- -- III. Arnold: The Forest Glade -- -- IV. Browning: The Human Landscape -- -- V. Rossetti: The Embowered Consciousness -- -- VI. Morris: The Field Full of Folk -- -- VII. Swinburne: The Sublime Recovered -- -- VIII. Hardy: The Chastened Sublime -- -- Conclusion -- -- List of Works Consulted -- -- Index

  21. Modern Love and Poems of the English Roadside, with Poems and Ballads
    Published: [2013]; ©2013
    Publisher:  Yale University Press, New Haven, CT

    Modern Love and Poems of the English Roadside occupies a distinctive and somewhat notorious place within George Meredith’s already unique body of work. Modern Love is now best known for the emotionally intense sonnet cycle which Meredith’s own... more

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    Modern Love and Poems of the English Roadside occupies a distinctive and somewhat notorious place within George Meredith’s already unique body of work. Modern Love is now best known for the emotionally intense sonnet cycle which Meredith’s own contemporaries dismissed as scandalously confessional and indiscreet. While individual sonnets from the work have been anthologized, the complete cycle is rarely included and the original edition has not been reprinted since its first appearance in 1862. This edition restores the original publication and supplements it with a range of accompanying materials that will re-introduce Meredith’s astonishing collection of poetry to a new generation of readers

     

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    Source: Union catalogues
    Contributor: Benford, Criscillia Ann (HerausgeberIn); Mitchell, Rebecca N. (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780300189100
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    Subjects: POETRY / European / English, Irish, Scottish, Welsh
    Scope: 1 Online-Ressource (288 p.), 12 b-w illus
  22. Out of What Began
    A History of Irish Poetry in English
    Published: [2019]; © 1998
    Publisher:  Cornell University Press, Ithaca, NY

    The first book of its kind, Out of What Began traces the development of a distinctive tradition of Irish poetry over the course of three centuries. Beginning with Jonathan Swift in the early eighteenth century and concluding with such contemporary... more

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    The first book of its kind, Out of What Began traces the development of a distinctive tradition of Irish poetry over the course of three centuries. Beginning with Jonathan Swift in the early eighteenth century and concluding with such contemporary poets as Seamus Heaney and Eavan Boland, Gregory A. Schirmer looks at the work of nearly a hundred poets. Considering the evolving political and social environments in which they lived and wrote, Schirmer shows how Irish poetry and culture have come to be shaped by the struggle to define Irish identity.Schirmer includes a large number of accomplished poets who have been unjustly neglected in standard accounts of Irish literature; many of these writers are women, whose work has been kept in the shadows cast by that of well-known male poets. He also emphasizes the importance of political poetry in a country that continues to be torn by sectarian violence. With its rich selection of poetic voices, Out of What Began reveals the political, social, and religious diversity of Irish culture

     

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    Language: English
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    Format: Online
    ISBN: 9781501744815
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    Subjects: Poetry & Criticism; POETRY / European / English, Irish, Scottish, Welsh; Lyrik; Englisch; Geschichte
    Scope: 1 online resource (448 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)

  23. Out of What Began
    A History of Irish Poetry in English
    Published: [2019]; © 1998
    Publisher:  Cornell University Press, Ithaca, NY

    The first book of its kind, Out of What Began traces the development of a distinctive tradition of Irish poetry over the course of three centuries. Beginning with Jonathan Swift in the early eighteenth century and concluding with such contemporary... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    The first book of its kind, Out of What Began traces the development of a distinctive tradition of Irish poetry over the course of three centuries. Beginning with Jonathan Swift in the early eighteenth century and concluding with such contemporary poets as Seamus Heaney and Eavan Boland, Gregory A. Schirmer looks at the work of nearly a hundred poets. Considering the evolving political and social environments in which they lived and wrote, Schirmer shows how Irish poetry and culture have come to be shaped by the struggle to define Irish identity.Schirmer includes a large number of accomplished poets who have been unjustly neglected in standard accounts of Irish literature; many of these writers are women, whose work has been kept in the shadows cast by that of well-known male poets. He also emphasizes the importance of political poetry in a country that continues to be torn by sectarian violence. With its rich selection of poetic voices, Out of What Began reveals the political, social, and religious diversity of Irish culture

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501744815
    Other identifier:
    Subjects: Poetry & Criticism; POETRY / European / English, Irish, Scottish, Welsh; Lyrik; Englisch; Geschichte
    Scope: 1 online resource (448 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)

  24. Out of What Began
    A History of Irish Poetry in English
    Published: [2019]
    Publisher:  Cornell University Press, Ithaca, NY

    Frontmatter -- Contents -- Preface / Schirmer, Gregory A. -- Acknowledgments -- Part One. The Eighteenth Century -- Introduction -- Chapter 1. Swift and His World / Swift, Jonathan / Smedley, Jonathan / Winstanley, John / Parnell, Thomas / Concanen,... more

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    Frontmatter -- Contents -- Preface / Schirmer, Gregory A. -- Acknowledgments -- Part One. The Eighteenth Century -- Introduction -- Chapter 1. Swift and His World / Swift, Jonathan / Smedley, Jonathan / Winstanley, John / Parnell, Thomas / Concanen, Matthew / Pilkington, Matthew / Barber, Mary / Grierson, Constantia / Pilkington, Laetitia / Du Bois, Dorothea -- Chapter 2. Divergent Directions: Beyond and Within the Pale / Whyte, Laurence / Dunkin, William / Poems, Anonymous -- Chapter 3. Goldsmith and the Beginnings of Romanticism / Goldsmith, Oliver / White, Samuel / Dermody, Thomas -- Chapter 4. Political Poetry at the End of the Century / O'Brien, Mary / Lysaght, Edward / Orr, James / Drennan, William -- Epilogue. The Other Ireland / Brooke, Charlotte -- Part II. The Nineteenth Century -- Introduction -- Chapter 5. Ireland in Transition: Thomas Moore -- Chapter 6. Ireland Translated / Balfour, Mary / Furlong, Thomas / Callanan, J. J. / Mangan, James Clarence / Walsh, Edward / Ferguson, Samuel -- Chapter 7. Ireland Anglicized / Darley, George / Vere, Aubrey de / Caulfield Irwin, Thomas / Allingham, William / O'Donnell, John Francis -- Chapter 8. Ireland Politicized / Davis, Thomas / MacCarthy, Denis Florence / McGee, Thomas D'Arcy / Casey, John Keegan / Dufferin, Lady / Alexander, Cecil Francis / Wilde, Lady / Kelly, Mary / Patrick Downing, Ellen Mary / O'Leary, Ellen -- Part Three. The Literary Revival -- Introduction -- Chapter 9. Translation: Gael, Gall, and Peasant / Sigerson, Geroge / Hyde, Douglas -- Chapter 10. Celticism and Romanticism / Todhunter, John / Larminie, William / Rollcston, T. W. / Johnson, Lionel / Russell, George -- Chapter 11. Celticism and Feminism / Kavanagh, Rose / Tynan, Katherine / Hopper, Nora / Lawless, Emily / Sigerson, Dora / Carbery, Ethna / Milligan, Alice / O'Neill, Moira / Young, Ella / Mitchell, Susan / Gore-Booth, Eva -- Chapter 12. Early Yeats -- Chapter 13. Other Visions and Revisions / Synge, John M. / MacDonagh, Thomas / Pearse, Patrick / Plunkett, Joseph Mary / O'Sullivan, Seamus / Campbell, Joseph / Colum, Padraic / Stephens, James / Ledwidge, Francis -- Part Four. Poetry in Modern Ireland -- Introduction -- Chapter 14. Yeats -- Chapter 15. Exits from the Revival / Gogarty, Oliver St. John / MacGreevy, Thomas / Clarke, Austin / Higgins, F. R. / Farren, Robert -- Chapter 16. New Perspectives at Midcentury / Clarke, Austin / Kavanagh, Patrick / Fallon, Padraic / Devlin, Denis -- Chapter 17. Covert Voices: Women Poets after the Revival / O'Neill, Mary / Salkeld, Blanaid / Coghill, Rhoda / Wingfield, Sheila / MacEntee, Maire / Strong, Eithne -- Chapter 18. The North / MacNeice, Louis / Hewitt, John / Rodgers, W R. -- Epilogue: Some Observations on Contemporary Poetry in Ireland -- Notes -- Bibliography -- Index The first book of its kind, Out of What Began traces the development of a distinctive tradition of Irish poetry over the course of three centuries. Beginning with Jonathan Swift in the early eighteenth century and concluding with such contemporary poets as Seamus Heaney and Eavan Boland, Gregory A. Schirmer looks at the work of nearly a hundred poets. Considering the evolving political and social environments in which they lived and wrote, Schirmer shows how Irish poetry and culture have come to be shaped by the struggle to define Irish identity.Schirmer includes a large number of accomplished poets who have been unjustly neglected in standard accounts of Irish literature; many of these writers are women, whose work has been kept in the shadows cast by that of well-known male poets. He also emphasizes the importance of political poetry in a country that continues to be torn by sectarian violence. With its rich selection of poetic voices, Out of What Began reveals the political, social, and religious diversity of Irish culture

     

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    ISBN: 9781501744815
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    Subjects: POETRY / European / English, Irish, Scottish, Welsh
    Scope: 1 Online-Ressource (448 p)
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  25. Poetic Remaking
    The Art of Browning, Yeats, and Pound
    Published: [1988]; ©1988
    Publisher:  Penn State University Press, University Park, PA ; Walter de Gruyter GmbH, Berlin

    This volume offers a coherent view of post-romantic poetic development through selective examples both of individual poems and of poetic influence. Bornstein focuses most centrally on Browning in the Victorian period and Yeats and Pound in the... more

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    This volume offers a coherent view of post-romantic poetic development through selective examples both of individual poems and of poetic influence. Bornstein focuses most centrally on Browning in the Victorian period and Yeats and Pound in the Modern, but also looks more briefly at works by Wordsworth, Coleridge, Keats, Shelley, Arnold, Tennyson, and Eliot. The introductory manifesto, ";Four Gaps in Postromantic Influence Study,"; posits four new orientations for such work: taking the volume (rather than the individual poem) as a unit; stressing more centrally the Victorian mediation between Romantic and Modern; allowing for national differences among English, Irish, and American traditions; and basing influence studies as much on manuscript materials as on finished products. Each of the following chapters follows one or more of those orientations.The initial four chapters, ";Remaking Poetry,"; focus on readings of specific poetic texts. The first treats Browning's first major volume as a unit; the second reads his dramatic monologue ";Pictor Ignotus"; against Romantic acts of mind; the third maps distinctively Victorian variations in the major form known as Greater Romantic Lyric; and the fourth explores Yeats's mature revision of that form. The second group of four chapters, ";Remaking Poets,"; stresses the dynamics of literary influence by which poets turn their forerunners into figures helpful to their own development. The first three examine Yeats's encounter with Dante, Spenser, Browning, and Tennyson, respectively; the fourth treats Pound's remaking of the poet he called his poetic ";father,"; Browning, in a way that suggests the limits of anxiety models of poetic influence.For this volume Professor Bornstein has revised and expanded a select group of his recent essays and added a new one, on the Greater Victorian Lyric.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271071510
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    Subjects: English poetry; Influence (Literary, artistic, etc; Influence (Literary, artistic, etc; Poetics; Poetics; POETRY / European / English, Irish, Scottish, Welsh
    Scope: 1 Online-Ressource (176 p.)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021)